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Title: The First lesson An exceptional offer to the users of Knox gelatine
Description: Racist trade card promoting Knox Gelatine and depicting an African American woman domestic making a gelatin molded dessert with a white girl. Shows an African American woman domestic attired in a head kerchief, spectacles, a patterned shawl, and a white, long-sleeved shirt, sitting in a kitchen behind a table. She teaches the white girl, attired in a hair bow and a striped dress with a ruffled collar, how to decorate a molded gelatin dessert and places a berry on top it. The girl has a bowl of berries in front of her and holds a spoon with a berry on it. On the table there is a mold, a glass, a lid, a knife, a pitcher, and a box labeled, “Knox’s Gelatine.” In the background is a brick hearth with pots and an oven in the right. Charles B. Knox (1855-1908) of Johnstown, New York discovered a method of granulating gelatine in 1889, which made it practical and easy to use. Charles died in 1908, and his wife Rose Knox ran the company for the next forty years. The Company continues to operate into the 21st century., Title from item., Place of publication from place of operation of advertised business., Publication information and date from the copyright statment: Copyright 1905 By Chas. B. Knox., Advertising text on verso: We have had reproduced in its original colors Harry Roseland’s famous painting, “The First Lesson.” The other side of this card gives only a faint idea of what the picture really is. The large reproduction has twelve (12) distinct colors in it, is reproduced on heavy plate paper having all the appearance of canvas, and it would take an expert to tell it from the original. The original hangs in Mr. Knox’s home, and there are no reproductions of it except those referred to on this card, and if these were on sale in the art stores they would cost at the very least $5 each. The size of the picture is 20 x 27, and it is ready for framing. We want the users of Knox Gelatin to have a copy of this painting and we will send you one upon receipt of ONE empty Knox Gelatine box and 10c in coin or stamps to cover cost of packing and mailing. The supply of these pictures is limited, so if you want one you must act quickly. After receiving the picture, if you are not entirely satisfied with it, return it, and your 10c will be refunded by next mail. Address, Art Department, Knox Gelatine, Johnstown, N.Y., U.S.A. Knox Gelatine is the best Gelatine in the world. It is made from absolutely pure stock; is granulated and can be measured with a spoon like sugar; dissolves in two minutes and mold in half an hour. Each package makes a half gallon of jelly; is clear and sparkling and needs no clarifying. Pink coloring for fancy desserts in every package. It is guaranteed to comply with the National Pure Food Law, and it is always sold under the broad guarantee of “Your Money Back If For Any Reason You Are Dissatisfied.”, Gift of David Doret.
Date: 1905
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Knox [P.2017.95.100]

Title: Compliments of the Domestic Sewing Machine Co
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an older African American man peddler mistaken as a suitor. In the center, the older, balding peddler speaks to an African American family at the door of their cottage house. The man is portrayed with exaggerated features, wears spectacles, and is attired in a purple coat; a white shirt; yellow pants; and brown shoes. A goat eats red cloth pulled out from underneath his coat. On the ground in front of him is his top hat turned upside-down. Papers are placed inside of it. He leans forward to speak with the African American woman in the doorway. His hands are out like he is displaying an object. The woman wears mammy-like attire of a beige head kerchief; a yellow shirt with the sleeves rolled up to her elbows; a blue shirt; and a white apron. She holds a broom. Behind her is another woman attired in a green dress and head kerchief. In the left are a young woman and a girl. The young woman is attired in a pink dress with a green ruffle at the bottom and cut-out shoulders, matching pink stockings, and a bow in her hair. She coquettishly holds a fan ornately decorated with pink flowers to the side of her face. The girl to her left is barefoot and attired in a white dress. In the right background are sunflowers behind a fence and the peddler's horse-drawn wagon loaded with boxes out of view of the family. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication deduced from place of operation of advertised business., Date inferred from history of the advertised business., Distributor's imprint printed on verso: D.S. Andrus & Co. pianos, organs & sewing machines, 17 West Third Street, Williamsport, PA., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.48] and another with variant distributor [P.2017.95.46].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.47]

Title: Muzzy's sun gloss starch. Elkhart Starch Co
Description: Racist trade card promoting Elkhart Starch Company and depicting a domestic, genre scene of a white family and an African American woman domestic on wash day. The woman is portrayed as a caricaturized figure. Shows in the right, the women domestic, attired in a red and yellow head kerchief; gold earrings; and a blue and white dress with gold buttons and the sleeves rolled up to her elbows, standing behind a wooden table with an iron on it. She holds up a stiffly starched and unwrinkled white collared shirt in front of the well-dressed mother and her three children. The reflection of the mother is seen on the shirt. In front of the mother, her brown-haired older son , attired in a white collared shirt and a yellow jacket, points his finger at the shirt. To his right, his younger, brown-haired sister, attired in a yellow dress with white ruffles at the neck and sleeves, reaches both arms toward the shirt. Beside her, a cat sits up at the table and looks at the shirt. Between her and her brother, the older blond- haired sister, attired in a blue dress with white ruffles at the neck and sleeves, a yellow bowtie, and a red sash tied around her waist, hands a box labeled "sun gloss starch" to her mother. In the left, the young mother with long brown hair and attired in earrings; a necklace with a red pendant; and a red dress with white ruffles down the middle and at the sleeves; reaches her right hand out to the box of starch. She cluthches an ornate fan to her chest in her left hand. In the far left, through a doorway, the young father attired in a black jacket with tails; a white collared shirt; and white pants with blue stripes, holds a top hat, stands in a hallway, and looks into the room. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Advertising text printed on verso: "Elkhart Starch Co. Elkhart, Ind. Manufacture Muzzy's Sun Gloss refined & corn starch. Of superior quality, by a new process. A thorough test makes it a household necessity. Muzzys corn starch is the purest & best made. Capacity ten tons of starch per day." Includes an illustration of a train running past the Elkhart starch works manufactory., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Elkhart [P.2017.95.56]

Title: Enoch Morgan's Sons Sapolio
Description: Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting African American women domestics cleaning a parlor. Shows an African American woman, attired in a head kerchief; hoop earrings; a polka dotted dress with the sleeves rolled up to her upper arms; and black shoes, on her hands and knees cleaning a floor with a brush in her right hand. There is a wooden bucket beside the woman. In the right, another African American woman, attired in a short-sleeved dress with a bustle and checked skirt, stands cleaning the molding of a doorway with a cloth. In the background is a lit fireplace and mantle with vases on top of it. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Date deduced from history of the advertised business., Distributor's imprint stamped on recto: Tom S. Culver, Dealer in surplus [?] teas, coffees, [?] and flour. Canned, dried, and [?] vegetables, etc. Choice brands of [?] tobacco. A fine [?] Ithaca, N.Y., Advertising text printed on verso: There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in tin foil, and surrounded with Ultramarine Blue Band, and bears the above device.) Always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make House Cleaning an easy and quick job--Will clean paint and all painted surfaces-- Will clean marble, mantels, tables and statuary-- Will clean oil-cloths, floors, shelves, &c. -- Will clean bath tubs, wash-basins, &c. -- Will clean crockery, glassware, &c. -- Will clean kitchen utensils, of all kinds--Will clean windows without splashing of water -- Will polish tin, brass, and copperwares-- Will polish knives as you wash them-- Will polish all metal surfaces and Will clean all household articles -- and is better and cheaper than soap, emery, rotten stone, &c. Price 10 c. per cake. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Enoch [P.2017.95.59]

Title: People's boot and shoe store, 104 Clark Street, corner Washington Street The return from Europe
Description: Racist trade card illustration depicting a group of well-dressed African American men and women strutting past other African American men, women, and children. The two well-dressed men are attired in striped pants, suit jackets, collared shirts, bow ties, and top hats. They both carry canes. The two well-dressed women are attired in frilled patterned long sleeved dresses and caps. One woman carries a parasol in her gloved hand. The other carries a handkerchief. The onlookers are dressed in plain clothing. A dog, a tree, a small wooden house, and a fence are visible in the image. The figures are depicted with exaggerated features. The illustration is based on one of a series of racist cartoons drawn by Sol Eytinge and printed in Harper's Weekly in 1878 which depicts the courtship and marriage of families by "The Twins." C.E. Wiswall & Co. was a boot and shoe company based in Chicago. The company's original building burned down durin gthe Chicago Fire of 1871., Title from item., Advertsising text printed on verso: Try us for your next pair of boots and shoes. We will give you a good article at a low price. C.E. Wiswall & Co., Proprietors., Based on "No. 8 Return from the honeymoon tour," photo - 5 x 7 - Unid. - Events [P.2017.26.7], Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - People [P.2017.95.144]

Title: Sanford's ginger
Description: Racist trade card illustration depicting a smiling African American girl holding a crying African American baby in a watermelon carved in the shape of a bassinet in her lap. The girl is attired in a red and yellow dress with white lace ruffles and sits atop a large watermelon. Her hair is styled into pigtails with blue ribbons. The baby is attired in a white ruffled dress. The girl holds a bottle of Sanford's Ginger in her right arm and a piece of watermelon in her left hand. Light emmanates from behind the girl and baby and they are surrounded by wasps. Potter Drug and Chemical Corporation was founded as Weeks and Potter in the mid-19th century. The company changed its name to Potter Drug and Chemical Company in 1883 and was incorporated as the Potter Drug and Chemical Corporation in 1899., Title from item., Advertising text on verso: Sanford's Ginger. The delicious summer medicine. Prepared with the utmost skill from imported ginger, choice aromatics, and the purest and best of medicinal French brandy, from the world-renowned vintners, Messrs. Otard, Dupuy & Co., Cognac, rendering it vastly superior to all other "gingers," all of which are made of common alcohol, largely impregnated with poisonous fusil oil, and strengthened with cayenne pepper. Unripe fruit, impure water, unhealthy climate, unwholesome food, malaria, epidemic and contagious diseases, cholera, morbus, cramps, pains, indigestion, diarrhœa, colds, chills, simple fevers, exhaustion, nervousness, or loss of sleep that beset the traveller or household at this season, are nothing to those protected by a timely use of Sanford's Ginger, the delicious summer medicine. As a pure fruit stimulant, for the aged, mentally and physically exhausted, careworn or overworked, for delicate females, especially mothers, for those recovering from debilitating diseases, and as a means of reforming those addicted to an excessive use of alcoholic stimulants, it is unequalled in the whole range of medicines. As a beverage, with hot or cold water, sweetened, or hot or cold milk, or added to ice water, lemonade, effervescent draughts or mineral waters, it forms a refreshing and invigorating beverage, unequalled in simplicity and purity by any tonic medicine, while free from alcoholic reaction. Avoid mercenary dealers, who, for a few cents' extra profit try to force upon you their own or others, when you call for Sanford's Ginger. Sold by wholesale and retail druggists, grocers, etc., everywhere., Distributor's imprint printed on verso: Potter Drug and Chemical Co., Boston., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Sanford [P.2017.95.152]

Title: Sanford's ginger
Description: Racist trade card illustration depicting a smiling African American girl holding a crying African American baby in a watermelon carved in the shape of a bassinet in her lap. The girl is attired in a red and yellow dress with white lace ruffles and sits atop a large watermelon. Her hair is styled into pigtails with blue ribbons. The baby is attired in a white ruffled dress. The girl holds a bottle of Sanford's Ginger in her right arm and a piece of watermelon in her left hand. Light emmanates from behind the girl and baby and they are surrounded by wasps. Potter Drug and Chemical Corporation was founded as Weeks and Potter in the mid-19th century. The company changed its name to Potter Drug and Chemical Company in 1883 and was incorporated as the Potter Drug and Chemical Corporation in 1899., Title from item., Advertising text on verso: Sanford's Ginger. The delicious summer medicine. Prepared with the utmost skill from imported ginger, choice aromatics, and the purest and best of medicinal French brandy, from the world-renowned vintners, Messrs. Otard, Dupuy & Co., Cognac, rendering it vastly superior to all other "gingers," all of which are made of common alcohol, largely impregnated with poisonous fusil oil, and strengthened with cayenne pepper. Unripe fruit, impure water, unhealthy climate, unwholesome food, malaria, epidemic and contagious diseases, cholera, morbus, cramps, pains, indigestion, diarrhœa, colds, chills, simple fevers, exhaustion, nervousness, or loss of sleep that beset the traveller or household at this season, are nothing to those protected by a timely use of Sanford's Ginger, the delicious summer medicine. As a pure fruit stimulant, for the aged, mentally and physically exhausted, careworn or overworked, for delicate females, especially mothers, for those recovering from debilitating diseases, and as a means of reforming those addicted to an excessive use of alcoholic stimulants, it is unequalled in the whole range of medicines. As a beverage, with hot or cold water, sweetened, or hot or cold milk, or added to ice water, lemonade, effervescent draughts or mineral waters, it forms a refreshing and invigorating beverage, unequalled in simplicity and purity by any tonic medicine, while free from alcoholic reaction. Avoid mercenary dealers, who, for a few cents' extra profit try to force upon you their own or others, when you call for Sanford's Ginger. Sold by wholesale and retail druggists, grocers, etc., everywhere., Distributor's imprint printed on verso: Potter Drug and Chemical Co., Boston., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Sanford [P.2017.95.153]

Title: Tuesday. Yes my heart is light, for de close iron white, and dat is jist what tickles me, for without Higgins' soap, you have'nt any hope, so please to take pattern by me
Description: Racist trade card promoting Higgins’ soap and depicting a caricature of an African American woman domestic ironing a white sheet. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief, a red and white shawl, a blue dress with black stripes, a white apron with red stripes, orange and white striped stockings, and black shoes. She stands behind an ironing board and holds a white sheet in her left hand and an iron in her right hand. The ironing board sits on top of a wooden stool and a red and yellow box labeled “Higgins’ German Laundry Soap.” The woman smiles at the viewer and says, “Yes my heart is light, for de close iron white, and dat is jist what tickles me, for without Higgins' soap, you have'nt any hope, so please to take pattern by me.” In the background is a white sheet hanging over a wooden board. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.83]

Title: Friday. Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman domestic washing a window. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; a blue, short-sleeved shirt with black stripes; an orange and yellow checked skirt; yellow, red, and white striped stockings; and black shoes. The woman sits on the window ledge with her legs crossed at the ankles. Her upper body is outside of the house as she washes the exterior of the window with a white cloth. The woman smiles at the viewer and says, “Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder.” In the right is a wooden bucket with a bar of soap labeled, “Higgins Soap,” on top of a wooden stool. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.84]

Title: [Bird’s eye view looking west on Chestnut from above Sixth Street, Philadelphia]
Description: View predominately shows the businesses (with pre-consolidation addresses) on the 600 block of Chestnut Street. Includes a three-quarter view of William S. Mariten, publisher & bookseller (144, i.e., 608) in addition to full views of the American Sunday School Union tenanted by Howell, Finn & Co. Paper Hangings (146, i.e., 610); the Jones Hotel (148-152, i.e., 616-620); and the William Waln residence, partially obscured by trees, at the corner of 7th and Chestnut streets. A man stands in the doorway of the wallpaper store as nearby a man reads the posted, encased bulletins of the American Sunday School Union. A woman enters the ASSU building that also bears a “Penna. Bible Society” sign. Pedestrians walk on the sidewalk and a man greets a woman in front of one of the entrances of the hotel at which carriages and a wagon are parked. On the block and at the distant intersection a man rides horseback and a horse-drawn carriage, wagon, and omnibus travel. Also shows blocks of buildings above Seventh Street as part of the vista. William S. Martien printed as an individual in Philadelphia between 1835 and 1854. American Sunday School Union tenanted 146 Chestnut Street 1827-1853. Jones Hotel was originally built circa 1800 by Jacob Vogdes as the residence of Benjamin Say., Not in Wainwright., Title supplied by cataloguer., Manuscript note on recto: SS Chestnut 6-7 . 144. 146., pdcp00008, Philadelphia on Stone, POS 46, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 6th-7th
Date: [ca. 1850]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 6th-7th

Title: [Proof vignette of Southern planter and scenes from the South]
Description: Proof vignette that was probably to be incorporated into a larger print. Shows a white man plantation owner, seated on a bale of cotton, surrounded by Southern agricultural iconography, including a twig of cotton, a mill building, and Black men laborers, possibly enslaved men, picking in a cotton field near a docked side-wheel paddle steamer. A horse-drawn wagon by a line of people is visible at the dock. Contains registration marks and a color mark., Title supplied by cataloger., Gift of David Doret, 2007., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860 - ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Allegories [P.2007.39.25]

Title: J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c
Description: Racist trade card promoting lace manufacturer J.W. LeMaistre and depicting a white man photographer showing a Native American person his photograph outside a pavillion. In the left, the Native American person, portrayed in racist caricature and attired a feathered headress, a tunic with a feathered skirt, hoop earrings, bracelets, and anklets, bends slightly forward and looks at a portrait photograph of themself. In the right, the photographer, attired in a long-sleeved blue shirt with a white collar, a pink bowtie, white pants, and black shoes, bends forward as he holds up the photograph from the floor with both hands. A large camera with hood stands behind him. Several white men pedestrians, an obelisk, and a neoclassical building can be seen in the left background. John W. LeMaistre (1840-1915) is listed in the Philadelphia directories as a lacemaker from circa 1880s. He incorporated the firm, the LeMaistre Lace and Embroidery Co., in 1905., Title from item., Date inferred from dates of operation of advertised business., Includes copyright statement: Copyrighted., RVCDC
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade cards - LeMaistre [P.2022.9]

Title: Boston boot and shoe and gents’ furnishing house, also, a fine line of hats, caps, trunks, valises &c. At no. 253 South Clark St., near Jackson, Chicago. L. F. Shanovski, - proprietor
Description: Trade card promoting L.F. Shanovski’s shoe store and depicting a racist caricature of a Chinese man upset that a cat has taken a rat from his plate. Shows the man, wearing a queue hairstyle and attired in red pants and brown cloth slip-on shoes, holding a large white plate across his chest and a pair of chopsticks in his right hand. He opens his mouth upset that a cat is taking a dead rat from his plate. Louis F. Shanovski was born in Germany and moved to Chicago in the early 1870s, opening a shoe store in circa 1877. The firm L.F. Shanovski and Bro. dissolved in 1899., Title from item., Date inferred from dates of operation of business advertised., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department trade cards - Shanovski, L.F. [P.2023.43.1]

Title: Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill
Description: Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards – Firmenich [P.2023.43.2]

Title: Use Muzzy's starch
Description: Trade card promoting Elkhart Starch Company and depicting a racist caricature of a Chinese man laundry worker holding up a shirt to a white family. Shows the family standing in the right, including the white man, attired in a brown bowler hat, a white collared shirt, a black bowtie, and a brown-checked suit, holding a walking stick; the white woman attired in a yellow and pink hat and a blue dress with a red bow; and the white girl, attired in a yellow hat and a red and blue dress, holding a small box. In the left, the Chinese man, wearing a queue hairstyle and attired in a blue tunic and blue pants with yellow accents, stands behind a table with an iron and ironing board on top of it. He holds up a white shirt, which shows the reflection of the white woman. A basket full of laundry is on the ground. In the background is a stove and a clothesline of white shirts and clothes. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: "Be sure to use Muzzy's Corn Starch." Includes six recipes, including for sponge pudding, creamy pudding sauce, Salem pudding, scolloped oysters, oyster pie, and butter scotch., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - Muzzy [P.2023.43.3]

Title: John Bull makes a discovery
Description: Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]

Title: View of Chestnut Street between 8 & 9 sts. (south side,) Philadelphia
Description: Busy street view showing businesses on the 800 block (802-824) of Chestnut Street. Majority of the storefronts show merchandise displays in the windows. Includes a storefront to let (800); Lewis Ladomus & Co., watches, jewelry & silver ware (802); Theodore H. McCalla, hats and caps (lower floor) and A. F. Lupus, morocco cases "upstairs" (804); Anthony Mustin, trimmings (806); Charles Dummin, importer, musical instruments, fancy goods & toys (812); J.W. Scott, gentleman's furnishing store and shirt manufactory (814); James S. Earle & Son, looking glasses & picture frames (816); Root Photographic Gallery operated by Dr. Bushnell and Ladd Webster & Co., sewing machines (818); Caldwell & Co., jewelers (822); and the Continental Hotel tenanted by Charles Stokes, "First Class Clothing One Price" and "Made to Order Short Notice," Charles Oakford & Sons, "hatters, furriers, hats, caps, cans [sic] & umbrellas, gentleman's furnishing goods" (near the ladies entrance of the hotel) and Frederick Brown Jr., druggist (824-838). Hotel also includes window shades for an unidentified store advertising watches and jewelry. In the foreground, heavy street and pedestrian traffic is visible in front and across from the storefronts. Several horse-drawn vehicles travel in the street past the sidewalks congested with pedestrians. Pedestrians include a newspaper boy, couples on promenade, a gentleman escorting two ladies greeting another gentleman, and patrons looking at store windows and entering the businesses., Vehicles include a "Chestnut & Walnut Sts." omnibus, horse-drawn carriages, a partially unloaded dray, and a Farrel & Herring (safe manufactory) delivery wagon drawn by three horses. Also shows men waiting at the main entrance of the hotel, mannequins attired in suits displayed outside of Stokes, and a model eagle holding a watch adorning the roof of the store of Ladomus., Philadelphia on Stone, POS 786, Historical Society of Pennsylvania: Bc 87 C 525a, Print torn in two.
Creator: Boell, William
Date: 1860
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Bc 87 C 525a

Title: The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
Description: Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 65 D 343

Title: Baxter's panoramic business directory of Philadelphia Chestnut Street from Seventh to Eighth, (south side)
Description: View showing the south side of the 700 block of Chestnut Street (700-732). Addresses printed below the buildings. Businesses with signage include W. L. Germon's Photographic Rooms (700); Frederick, Penabert & Germon, photographers (702); Jules Hauel & Co., perfumer, and Meyer & Warne, silverplaters (704); Winchester & Co., gentleman's furnishing store (706); John W. Proctor & Co., cloaks and mantillas (708); Cornelius & Baker, manufacturer of gas light fixtures (710); Hancock & Co. (712); Charles Desilver, publisher and bookseller, and Samuel W. Pepper, jeweler, and Edward W. Carryl, home furnishings (714); T. H. Peters & Co., perfumers (716); Warner, Miskey & Co., manufacturer of gas light fixtures (718); Spieler's Photographic Rooms, and Mrs. E. W. Brown's Dressmaking establishment, and Sarmiento & M'Grath, tailor (720); Lee & Walker, piano store (722); Glenn & Co., perfumers, and Mooney Manley & Co., importers of millinery goods, and Stern & Freeman, manufacturer and importer of artificial flowers (726); McAllister & Brother, opticians (728); Grover & Baker, sewing machines (730); and Duff & Co.'s Commercial College and R.K. Stewart, trimmings (732). Includes pedestrian traffic., Printed on recto: Copyright Secured., Copyrighted by Baxter & Neff., Contains several lines of advertising text below the image promoting the value of a Business Directory that was to depict panoramas of "Chestnut, Market, Third, Second, and Front streets" and the "City Front." Also promotes the directory's detail to architectural characteristics of each building; its use as a future reference; its mutual benefits; and "Its Permanency." Text also solicits subscriptions from businesses in return for a "view of their buildings"; an "Advertising card"; and "one hundred plates of the entire square for their own distribution.", Also contains notice that King & Baird will print the plates on paper of the "best quality," "Terms of subscription," and advertisements for D. W. C. Baxter & Co., publishers, and Baxter & Harley, engravers, below the image., Originally part of a McAllister scrapbook of views of Philadelphia., Variant of 1322 1/2.F.18 and P.2006.1.15a&b.
Creator: Baxter, De Witt Clinton, ca. 1829-1881, engraver
Date: 1859, c1857
Location: Library Company of Philadelphia | Print Department Baxter - Chestnut Street - 1859 [1322 1/2.F.19]

Title: [Plate 14 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate showing a section of the 800 block (216-277) of Chestnut Street. South side includes J. S. Earle, Looking Glasses, Oil Paintings, Portrait & Picture Frames (216); W.H. Carryl, Curtain Store (218); Welch’s National Circus theater (224); Joseph M. Wilson, Bookseller & Stationer (228); and John Mustin Trimming Store (240). North side (unnumbered) includes Girard House, Presbury & Billings, proprietors., Advertisements promote six of the depicted businesses (Wilson, Mustin, Jr., Welch’s, Carryl, Earle, and Girard House). Advertisements contain lines of promotional text and ornamented type. Earle also promotes "Old and Valuable Paintings repaired, relined, and restored to their original beauty" and the Girard House notes it is "new, large, and probably the most beautiful hotel in the world.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 15.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 15 [*Am 1851 Rae, 2975.Q]

Title: [Advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Advertisements predominantly for sponsoring businesses not located on Chestnut Street, including George S. Storr’s Chemical Hair Invigorator, No. 68 North Eighth Street; H. P. & W. C. Taylor, Manufacturers of the Only Real Transparent Soap, Ninth, between Green & Coates Street; E. G. A. Baker, Manufacturing Jeweler, Northeast corner Branch & Fourth Streets; T. L. Buckingham, Dentist, 162 Race Street, below Fifth; music publisher Lee & Walker, 162 Chestnut Street; and C. G. Henderson & Co. Philadelphia Central Book & Stationery Warehouse, 164 Chestnut Street. Most of the advertisements contain several lines of promotional text. Storr’s text details the results of use of the product, including prevention of premature grayness and improved disposition of curled hair; testimonials; and a word of caution about impostors. Lee & Walker promote their title list, including asterisked items containing a lithograph cover. Henderson & Co. notes the "aim of proprietors to sell at the lowest rates"; "the Beauty and Elegance of Its Pictorial Department"; and their stationery merchandise. Taylor advertisement promotes their award wining and new varieties of soap, as well as contains a wood engraving of the exterior of the factory on the 600 block of North Ninth Street. Image includes a train traveling toward the building and pedestrians and a patron in front of the building., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 18.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 18 [*Am 1851 Rae, 2975.Q]

Title: [Advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Advertisements predominantly for sponsoring businesses not located on Chestnut Street, including George S. Storr’s Chemical Hair Invigorator, No. 68 North Eighth Street; H. P. & W. C. Taylor, Manufacturers of the Only Real Transparent Soap, Ninth, between Green & Coates Street; E. G. A. Baker, Manufacturing Jeweler, Northeast corner Branch & Fourth Streets; T. L. Buckingham, Dentist, 162 Race Street, below Fifth; music publisher Lee & Walker, 162 Chestnut Street; and C. G. Henderson & Co. Philadelphia Central Book & Stationery Warehouse, 164 Chestnut Street. Most of the advertisements contain several lines of promotional text. Storr’s text details the results of use of the product, including prevention of premature grayness and improved disposition of curled hair; testimonials; and a word of caution about impostors. Lee & Walker promote their title list, including asterisked items containing a lithograph cover. Henderson & Co. notes the "aim of proprietors to sell at the lowest rates"; "the Beauty and Elegance of Its Pictorial Department"; and their stationery merchandise. Taylor advertisement promotes their award wining and new varieties of soap, as well as contains a wood engraving of the exterior of the factory on the 600 block of North Ninth Street. Image includes a train traveling toward the building and pedestrians and a patron in front of the building., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 18.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 18 [*Am 1851 Rae, 2975.Q]

Title: [Hunter's handsome drug stores, cor. Pacific & New Jersey Aves., cor. Atlantic & Indiana Aves., Atlantic City, N.J. and cor. Fifteenth and Wharton Sts., Philadelphia]
Description: Series of illustrated trade cards promoting Hunter's Drug Stores, and depicting white boys bowling, a large fish in a pond surrounded by flowers, and men and women laboring outside, including a white man and woman couple fetching water from a well, a white woman standing in a field carrying a staff, and a white woman watering flowers with smiling, human faces in a garden as a cupid figure with wings watches her from the other side of a fence. Two African American men, portrayed in racist caricature, haul large bundles of wheat past a milestone labeled "M. 10." In the left, the barefooted man is attired in a tunic, and in the right, the man is attired in a hat, a tunic, and shoes., Title supplied by cataloger., One print [P.9828.6173] contains advertising text printed on verso promoting the purity, quality and accuracy of Hunter's drugs and lists items available for sale at his drugstores., Date from copyright statement on six prints [P.9828.6175-6180]: Copyright 1882 by Ed. Wolf., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - H [P.9828.6173-6180]

Title: [Plate 14 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate showing a section of the 800 block (216-277) of Chestnut Street. South side includes J. S. Earle, Looking Glasses, Oil Paintings, Portrait & Picture Frames (216); W.H. Carryl, Curtain Store (218); Welch’s National Circus theater (224); Joseph M. Wilson, Bookseller & Stationer (228); and John Mustin Trimming Store (240). North side (unnumbered) includes Girard House, Presbury & Billings, proprietors., Advertisements promote six of the depicted businesses (Wilson, Mustin, Jr., Welch’s, Carryl, Earle, and Girard House). Advertisements contain lines of promotional text and ornamented type. Earle also promotes "Old and Valuable Paintings repaired, relined, and restored to their original beauty" and the Girard House notes it is "new, large, and probably the most beautiful hotel in the world.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 15.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 15 [*Am 1851 Rae, 2975.Q]

Title: Illustrated Philadelphia. Vincit qui se vincit. Vol. IV
Description: Scrapbook containing clippings, prints, and ephemera predominately dated 1855 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Contents include illustrated newspaper, periodical, and guidebook clippings describing prominent city landmarks, including cemeteries, benevolent institutions, and churches; columns reporting about city improvements; reports, lists, and statistics about mortality rates, market prices, and sheriff and real estate sales; and editorial and public interest stories related to local politics and mores, prominent trades, social events, municipal services, and city demographics. Subjects include the new Masonic Hall (history of the local organization, dedication ceremony, and description of building); the history and demolition of the second building of the Chestnut Street Theatre; the centennial anniversary of the Pennsylvania Hospital; the state of local trades, including Jules Hauel & Co.’s perfumery, the soda water business, "plaster images," lithography (P. S. Duval, p. 24), preserves and pickling (Jacob L. Wendall), milkmen, shipbuilding, manufacture of cassimeres, and over-worked and underpaid needle woman; municipal issues, including the mayor’s veto of councilmen wearing police badges, the reforms to street names and numbering, extended hours at the public squares, and the report of the Grand Inquest of 1850, including prison reform recommendations., Several articles describe new construction, predominantly churches, and improvements to the city infrastructure, particularly on Chestnut Street. Subjects include Fourth Baptist Church, First Reformed Dutch Church, First Baptist Church, Christ Church Germantown, New Moravian Church, and St. Jude’s Church;the opening of part of Delaware Avenue; the Market Street tunnel (1844); the extension of West Chester Railroad to Media; Reading Railroad Bridge; inauguration of the Wagner Free Institute; Germantown; the new offices of the Board of Surveys; the fancy and perfumery store of T. H. Peters & Co. (700 block Chestnut) and saddlery of Lacey and Phillips (700 Lodge Street); the opening of Belmont Avenue; the 1850 building season; and preservation of trees in areas of construction in West Philadelphia. Subjects addressed through editorials include the decrepit state of the Merchant’s Exchange (annotated "as written by G. G. Foster for the "Sunday Mercury"); the chimes of the Christ Church bell; the ca. 1765 cartoon “The Election, A Medley…” (p. 15); the horse market at Bush Hill; Chestnut Street and Custom House vendors; the omnibus system; a G.G. Foster article about “daylight ruffians" and their haunts; and "Negro Minstrelsy and Jakeyism." Other articles satirize "Philadelphia Customs" like cleanliness; advertise baby shows organized by P.T. Barnum and colleagues; and provide commentaries about the sale of the late Edward D. Ingraham’s library and estate; Phoebe Ann Rush’s mansion; Governor Pollock’s visit to the "colored High School in Lombard Street"; tariffs established by hotel keepers (1855); the extent of foot traffic at Third and Chestnut Street in one hour; the demographics of South Street; and stocking the Delaware with salmon., Ephemera includes seven lottery tickets, issued between 1796 and 1833, and playbills for Chestnut Street Theater and Deutches (i.e., German) National Theater. Lotteries represent the Union Canal of Pennsylvania, Washington Canal, Connecticut, Maryland, New York and Delaware. Scrapbook also includes detailed manuscript notes about "Morris’ Palace"; the Farmers & Mechanics Bank; Chestnut Street Theatre signage; "List of American Theatres"; "St. Peter’s church steeple and bells"; and "The German Theatre.", Graphic materials, predominately views and illustrations of landmarks, and advertisements, include wood engravings, engravings, and cameo stamps. Views and illustrations include images of Fairmount Water Works; "The Coal Wharves at Richmond, near Philadelphia"; Masonic Hall; Philadelphia Bank; "Front View of the American Sunday School Union Buildings, 146 Chesnut St., Philadelphia"; St. Mark's Church; the Philadelphia Library (i.e., Library Company); and the Orphan Asylum. Advertisements depict “A View of the Laboratory and Residence of Dr. Schenck, S.E. corner of Coates and Marshall Streets…”; Charles Ellis & Co., wholesale druggists (56 Chestnut); Beck & Co., perfumery (205 Arch, i.e., 500 block); "Messrs. Glenn & Co.’s Store, 180 Chestnut Street" (i.e., 700 block); Dr. McClintock’s Family Medicines (Ninth and Filbert); Blanchard & Co., wallpaper and upholstery (227 Chestnut, i.e., 700 block); James, Kent, Santee & Co., wholesale dry goods (147 N. Third, i.e., 200 block); M. Walker & Son, wire railing manufactory (Sixth and Market); Fritz, Williams & Henry, leather (29 N. Third); S. A. Harrison, warming and ventilating warehouse (Walnut near Sixth); "Northeast corner of Third and Chestnut Streets" (includes Moran & Sickels, printers); “Anthy. Finley’s Bookstore, corner of Chesnut and Fourth Streets”; Joseph Maples, sculptor and marble cutter (Arch near Broad); F. H. Smith, pocket book and port monaie manufacturer (Fourth and Chestnut); Fowler, Wells & Co., phrenologists (231 Arch, i.e., 600 block); Lippincott’s clothing warehouse (400 block Market); W. P. & G. W. Hacker, china, glass, queensware (60 N. Second); Henry Duhring & Co., hosiery and yarns (22 N. Fourth); and Lindsay & Blakiston, publishers., Cameo stamps advertise Jones’ Exchange Hotel (77 Dock); W. & E. H. Hawkins, flour & feed mills (Ninth above Poplar); and William Gorman boys clothing establishment (Ninth and Market). Majority of the advertisements include street and pedestrian traffic. Graphics also include prints from William Birch's and C.G. Child's "Views of Philadelphia" series; vignettes depicting an "ice water" fountain, trunks by T.W. Matson, "chamber furniture," a woman using opera glasses, a spit, an arm chair, the exterior of the “Book & Stationary, No. 104 South Third Street,” “Statue of William Penn,”and ladies bonnets; and illustrations of “the fashion of ladies costume of 1853 – not exaggerated!” including shawls and overcoats and military and fireman’s caps “worn in 1854”., Majority of contents annotated with a date or explicative manuscript notes by Poulson., Cut outs pasted on title page. Imagery includes allegorical female figures representing art and writing, a pedestal, and a gilted memorial vignette., Verso of title page contains Poulson inscription: “The dates of the articles herein, are those of the newspapers &c from which they were cut. Cutout of vignette of roman garbed woman holding a mirror frames the inscription., "Index to set in back part of vol. XI.", Insert opposite p. 40: Lettersheet inscribed with explicative text about “picture representing the building at N.E. corner of Third and Chestnut street." Insert opposite p. 44: 2 lettersheets inscribed with explicative text about contents (Wetherill Family and Finley's Bookstore) on p. 44. One signed by Thompson Westcott and dated 1858. Insert opposite p. 88: Lettersheet dated 1855 and inscribed with explicative text about the Philadelphia Bank received by Poulson from “Mr. Robins the present Prest. Of Philadelphia Bank”, Scraps with manuscript notes about the estates "Solitude" and "Landsdown House" tipped in before p. 80., Artists, engravers, and printers include Beller; Joseph H. Brightly; J. H. Byram; Edward Clarkson; W. Croome; George Devereux; W. E. Gihon; Gilbert & Gihon; A. Kollner; Jacob Maas; H. L. Stephens; William Strickland; H. Tanner; and R. Telfer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1796-1855, bulk 1855
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 4 [(4)2526.F]

Title: [Specimens album]
Description: Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1852-ca. 1876]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up

Title: [J. & P. Coat's thread trade cards]
Description: Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]

Title: [Intersection of Eleventh and Market streets, north side, Philadelphia]
Description: View showing the 1000-1100 blocks of Market street near North Eleventh Street. Businesses include Bull's Head Hotel (1025 Market); V.E. Archambault, dry goods and carpets (N.E. cor. Eleventh and Market); a tin manufactory and John H. Parker, grocer (1101 Market); and J. Barr's bookstore (1105 Market). Awnings adorn all of the storefronts. Street traffic includes horse-drawn omnibuses, carts, and a conestoga wagon., Title supplied by cataloguer., Yellow mount with square corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1865
Location: Library Company of Philadelphia | Print Department stereo -unidentified - Streets [P.8464.34]

Title: Custom house and post office - Chestnut above 4th
Description: View showing the U.S. Customhouse (1845 to 1935) at 420 Chestnut Street and the U.S. Post Office (1863 to 1884) at 426-428 Chestnut Street. Customhouse building built in 1824 after the designs of Philadelphia architect William Strickland. View includes the adjacent Philadelphia Bank Building also designed by Strickland in 1836 at 400-408 Chestnut. Building tenanted by Aetna Life Insurance Company; Commonwealth Bank; Wood and Garrett, cotton good manufacturers; Edward Borhek, optician (storefront adorned with large spectacles); and Alfred J. Reach, cigar dealer. Also shows vendor stands near the customhouse and a partial view of advertisements for businesses on the north side of the street. Advertisements include a large showpiece rifle promoting gun dealers, Phillip, Wilson & Co. and a billboard promoting "Wright's Tar Syrup" adorning Kromer's Patent Medicine Depot., Orange mount with rounded corners., Title printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Simons, M. P. (Montgomery P.), photographer
Date: ca. 1868
Location: Library Company of Philadelphia | Print Department stereo - Simons - Government Buildings [P.8497.4]

Title: Custom house and post office - Chestnut above 4th
Description: View showing the U.S. Customhouse (1845 to 1935) at 420 Chestnut Street and the U.S. Post Office (1863 to 1884) at 426-428 Chestnut Street. Customhouse building built in 1824 after the designs of Philadelphia architect William Strickland. View includes the adjacent Philadelphia Bank Building also designed by Strickland in 1836 at 400-408 Chestnut. Building tenanted by Aetna Life Insurance Company; Commonwealth Bank; Wood and Garrett, cotton good manufacturers; Edward Borhek, optician (storefront adorned with large spectacles); and Alfred J. Reach, cigar dealer. Also shows vendor stands near the customhouse and a partial view of advertisements for businesses on the north side of the street. Advertisements include a large showpiece rifle promoting gun dealers, Phillip, Wilson & Co. and a billboard promoting "Wright's Tar Syrup" adorning Kromer's Patent Medicine Depot., Orange mount with rounded corners., Title printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Simons, M. P. (Montgomery P.), photographer
Date: ca. 1868
Location: Library Company of Philadelphia | Print Department stereo - Simons - Government Buildings [P.8497.4]

Title: Hart's Building, north side of Chestnut east from Sixth St
Description: View looking east from Sixth Street showing Hart's Building, a store and office building owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected 1848 at 537-539 Chestnut. Signage advertising E.B. Mear, stereotype foundry, and Gilbert & Gihon, engravers on wood, adorns the building. Also shows adjacent businesses including T.& J.W. Johnson, law book publisher (535 Chestnut); Eagle Hotel (530 Chestnut); J.W. Moore, importer and bookseller (531 Chestnut); and William J. Kern, French warehouse, and China Hall (529 Chestnut)., Reproduction of a daguerreotype originally photographed June 1851 by F.De B. Richards., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Select link below for a digital image.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: 1861
Location: Library Company of Philadelphia | Print Department photo - Richards - Businesses - H [(6)1322.F.83b], http://www.brynmawr.edu/iconog/rcd/1322f83b.jpg

Title: Machinery Hall - North Avenue - April 1
Description: Interior view of Machinery Hall along North Avenue. Shows railroad track along the entire isle. A railcar is positioned on the tracks. Depicted on either side of the rail tracks are machine parts and tools.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.19c]

Title: Transept - Machinery Hall
Description: Interior view of Machinery Hall Transept. Depicts the Corliss Engine in the center background. Leading to the Corliss Engine are lines of locomotives.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.19f]

Title: Pump Annex - Machinery Hall
Description: Interior view of Machinery Hall. Depicts the section referred to as the Pump Annex. Shows a large, pooled area of water with raised pumps shooting water in a fountain-like display. Also portrays crowds of people sitting on benches watching the display.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21a]

Title: Machinery Hall - South Avenue Looking East
Description: Interior view of Machinery Hall along South Avenue looking East. Depicts locomotives and machine parts. Shown in the foreground is the exhibit by Lovegrove & Co. of Philadelphia.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.20c]

Title: Machinery Hall - Russian Section
Description: Interior view of Machinery Hall. The foreground depicts the Russian section, which houses various weaponry on display. The background also shows the sections of exhibits belonging to Sweden and Belgium.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21f]

Title: Women's Pavilion from Gallery
Description: Interior view of the Women's Pavilion from the Gallery. The objects on display range from chests of drawers to elegant cabinetry and other furniture.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.23a]

Title: Steam Fire Engine Exhibit - Machinery Hall
Description: Interior view of Machinery Hall showing two steam fire engines. Various flags can be seen on top of the engines.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.22c]

Title: Ice Yacht - Machinery Hall
Description: Interior view of Machinery Hall. Depicts a very large boat, known as the Ice Yacht, with white sails extending to the rafters of the Hall. People are seen walking at the base of the boat.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21e]

Title: Corliss Engine - Machinery Hall
Description: Interior view of Machinery Hall depicting the Corliss Engine.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.19e]

Title: Women's Pavilion and New Jersey State Building.
Description: Exterior of the Women's Pavilion looking northwest from U.S. Government Building. In the foreground is a road, people walking, streetlamps, and the Rodman Gun. To the right of the Women's Pavilion is the New Jersey State Building. The Rodman Gun stands in front of the U.S. Government Building. It is listed as the 20" Rodman Gun under Sea Coast Guns in ordnance section of the official catalog.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.10]

Title: Indiana State Building.
Description: Exhibit title: M.D. Williamson -- Veneers. Exterior of the Indiana State Building. In front is a large log with the words "M.D. Williamson, Veneers Indianapolis, Ind." printed on the end. Shrubs and trails around the building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.10d]

Title: Mammoth Grape Vine of Santa Barbara - Agricultural Hall.
Description: Interior view showing Mammoth Grape Vine exhibit with vine at the center. Also shows stereograph viewers on the counter and a wine display.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.27e]

Title: Machinery Hall - Pump Annex
Description: Interior view of Machinery Hall depicting the Pump Annex. Shows a large pool of water adjacent to a wall lined with extended pumps and pipes.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21c]

Title: Scales Exhibit - Machinery Hall
Description: Interior view of Machinery Hall depicting the Scales Exhibit by Howe Scales. Exhibit displays include shelved and glass counter-top displays.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.20b]

Title: Old Time Wind-Mill - Agricultural Hall
Description: Interior view of Agricultural Hall. Shows the Old Time Wind-Mill, lined by barrels and cloth sacks along the exterior. Also depicted are stacks of boxes containing crackers, as well as cabinets filled with bottles of wine and champagne.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.26a]

Title: Machinery Hall - Transept - March 10
Description: Interior view of the Machinery Hall transept. Depicted are pieces of wood and machinery on the floorboards.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.19d]

Title: Brazilian Cotton Exhibit - Agricultural Building
Description: Interior view of the Agricultural Building. Depicts the Brazilian Cotton Exhibit. The cotton is displayed attached to a temporary decorative wall, with flags extending at the top. At the base of the wall are bags of cotton.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.26b]

Title: Melloy & Ford, wholesale tin ware manufacturers. [graphic] / On stone by W. Rease, No. 17 Sth 5th St.
Description: Print trimmed and lacking caption., Poulson's inscription on recto: Mar. 1849; Market Street., Advertisement depicting the three-and-a-half-story manufactory operated by John M. Melloy and Robert Ford at 291 Market Street, later renumbered 723, promoting the "lowest rates", "quick sales & small profits," and "metallic roofing." The building heavily adorned with signage and product advertisements including a large scale model of a coffee pot contains prominent displays of tinware in the shop window, on the store shelves, and near the open cellar door. Near the front of the shop, a couple strolls, two laborers lift a crate onto a horse-drawn sulky, and a female customer enters the store. An African American peddler with tray and bell passes a line of crates on the sidewalk. Tinsmiths work near the third floor windows. Melloy & Ford, a partnership established in 1849, was in business until 1861 when Melloy entered partnership with Isaac Smith at the same address.
Creator: Rease, W. H., lithographer., creator
Date: [[March 1849]
Location: http://www.lcpgraphics.org/wainwright/W231.htm, Library Company of Philadelphia Print Dept. *W 231 [P.2105]

Title: McNeely & Co. manufacturers of morocco, buckskin & chamois, white leather, bark tanned, sheep, calf & deer skins, parchment, vellum &c. 64 N[or]th 4th. St. below Arch St. near the Merchants Hotel, Philadelphia. Manufactory 4th & Franklin Aven[ue] [graphic].
Description: Date of publication supplied by Wainwright., Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a woman and boy, stroll and converse on the sidewalk. In the street, an African American couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century.
Creator: Rease, W.H., lithographer., creator
Date: [ca. 1860]
Location: http://www.lcpgraphics.org/wainwright/W230.htm, Library Company of Philadelphia Print Dept. **W230 [P.2129]

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