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Title: ASSU Illustration 3064
Description: Block numbered in one place: 3064., Image of a bee.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 3

Title: ASSU Illustration 8481
Description: Block numbered in one place: 8481., Image of three insects (locusts), numbered (1), (2), and (3)., Back of block obscured by pasted-down paper., Illustration appears in A dictionary of the Bible: including biography, natural history, geography, topography, archaeology, and literature (Philadelphia, 1880), p. 524.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 29

Title: ASSU Illustration 4453
Description: Block numbered in one place: 4453., Image of a cricket in a natural setting.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 3

Title: ASSU Illustration 4475
Description: Block numbered in two places: 4475., Image of a scorpion [?]
Date: [s.a.]
Location: ASSU Woodblocks -- Box 2

Title: ASSU Illustration 8478
Description: Block numbered in two places: 8478., Image of a dragonfly., Back of block partially obscured by pasted-down paper., Illustration appears in A dictionary of the Bible: including biography, natural history, geography, topography, archaeology, and literature (Philadelphia, 1880), p. 525.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 1

Title: ASSU Illustration 5466
Description: Block numbered in two places: 5466., Image of a lark perched on a branch, watching a caterpillar nearby in a natural setting., Inscribed on one side: "The Lark & the caterpillar. Perhaps he should...[illegible]." The story ‘The lark and the caterpillar’ appears in the Youth’s penny gazette (August 4, 1858); not accompanied by this illustration., “N.J. Wemmer. 5 Pear St. Phila.” -- Back of block. Nelson J. Wemmer is listed (as an artist) at this address in Philadelphia city directories from 1848 to 1856., Back of block partially obscured by pasted-down paper.
Date: [not before 1848?]
Location: ASSU Woodblocks -- Box 1

Title: [J. Peter Gohl trade cards]
Description: Series of illustrated trade cards advertising fancy cakes, ice cream, and pastries for J. Peter Gohl's confectionery at 257 South Fifth Street in Philadelphia. Illustrations depict rustic landscapes including a cabin, castle, water mill, and pavillion and various animals and insects, including cattle, deer, a fox, grasshopper, dog, and stork. Also shows Santa Claus, or Saint Nicholas, looking through a book and standing in the snow with a large sack full of toys strapped to his back and a "good luck" horseshoe hanging from a ribbon., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Gohl [1975.F.352; 1975.F.369; 1975.F.371-373; 1975.F.377-386]

Title: 1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description: Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator: Blanc, Albert, 1850-
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]

Title: [Plates from "Sketches supposed to have been intended for Fanny Kemble's journal"]
Description: Series of eight prints satirizing journal entries published in 1835 that were written 1832-1833 by the British-born actress during her American tour. Includes citations to the lampooned "Journal" entries from the two-volume Philadelphia edition published by Carey, Lea & Blanchard in 1835. Plates 1 and 2 depict scenes from her sea voyage. The first shows her "embroidering one of [her] old nightcaps" in "sea sickness" surrounded by a "Bible Cover," Dante's "Opera," a journal page, and a basin as she is a "Dear Good Little Me" and an "Angel." The second shows Kemble being served dinner by a caricatured African American servant as she is "lying on [her] back" surrounded by "[her] dinner followed [her] thither" above quotes comparing her appetite to "Danaides' tale of credilable [sic] memory" and her being as fat as an "overstuffed pin cushion." The African American figure is portrayed with exagerrated features.[Plate 3?] satirizes a poem "To bed - to sleep - To sleep -perchance to be bitten!" she wrote about the onslaught of insects at night in her New York hotel room. Shows Kemble aghast as she raises her blanket inscribed with the names of New York newspapers in her attempt to get into a bed swarmed by bed bugs, ants, and mosquitoes. [Plate 4?] caricaturizes her actor father, Charles Kemble, as a stumbling drunk "who a little elated made me sing to him" while muttering "To be or not to be that is the q-q-qu-question" in a parlor near his consternate daughter beside a piano above her quote about his "gallant, graceful, courteous, deportment.", [Plate 5?] shows a small-framed "interesting youth" delivering "a nosegay as big as himself" to Ms. Kemble who reflects "How they do rejoice my spirit." [Plate 6?] depicts the death scene from a December 1832 performance of Romeo & Juliet when the prop dagger was misplaced and Kemble improvised 'Why were the devil is your dagger.." as she rummages the body of the prostrate Romeo in front of the Capulet mausoleum. [Plate] 7 " A Funny Idea of My Father's" shows another caricature of Charles Kemble as a drunk satirizing her entry about a playful moment during a walk past kegs on Market Street in Philadelphia when her father joked 'How I do wish I had a gimlet. What fun it would be to pierce every one..." An illusion of a gimlet floats in front of her father as she cowers behind him beside the kegs. [Plate] 8 mocks the horsemanship of Kemble who criticized Americans' abilities and wrote of an impromptu jaunt on a cart horse in Lockport, NY Niagara where she 'got upon the amazed quadruped and took a gallop..' Shows she and her mount in a barnyard being chased by a dog and trampling ducks as she exclaims "Go it, old fellow" in front of her "father and good old D." in the background., Title supplied by cataloger., Published as Sketches supposed to have been intended for Fanny Kemble's journal (New York: Endicott, 1835). [LCP *Am 1835 7196.F]., Four of the eight prints contain plate numbers: 1, 2, 7, and 8., [Plate 5?] inscribed: G.H.B. [P.2006.17.3], Gift of Michael Zinman, 2006., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Kemble [P.2006.17.1-8]

Title: [Scraps no. 3 for 1832]
Description: Plate three from the 1832 edition of, "Scraps" Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, gender relationships, bed bugs, the theater, modesty, materialism, parental relationships, and drunkenness. Includes "A Rain Bow" depicting a white man dandy offering to assist a white woman with her parasol under the judging eye of a fellow unwilling to "wear out" his umbrella in the rain; "Great Cry and Little Wool" depicting white chambermaids mocking the fearfulness of a white man being attacked by gigantic, near sated bed bugs and a mosquito; "Pressure of the Times" depicting a crowd of white men fighting with each other for "Boston Theater" box tickets; "Ne Plus Ultra of Delicacy" depicting white men discussing "decently clothed tables and chairs" while tending to an unconscious white woman driven to faint after viewing a sculpture of barely-clad "Chanting Cherubs"; "Sport of His Satanic Majesty" depicting Satan and his minion fishing for white drunkards to be eaten and used as firewood; "Mother's Hope and Father's Joy" depicting a little, white "gentleman" being bid upon by his mother and a little girl; "The Test of Friendship" depicting a white man drunkard showing true friendship by lying in the gutter with his equally inebriated white man friend; "Steamboat Scene" depicting white individuals and a family reacting to a "man overboard" with gawking looks, a cry for a rope, a criticism of drunkenness, anger at his non-removal of expensive shoes, and a desire to exchange places to forgo seasickness; "Going Off Half Cocked" depicting and an intoxicated white man stuttering "good evening" in front of his snickering African American maid, portrayed in racist caricature., Title supplied by cataloger., Printed in upper left corner: Plate 3., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 3., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: 1832
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (c) [P.2275.27]

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