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Title: American celebrities album
Description: Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date: [ca. 1870-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]

Title: American Celebrities Albums
Description: Two volume set of albums containing predominately cartes-de-visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts, ca. 1870.
Date: 1869

Title: [Anna Xinga and her commanders]
Description: Engraving features Anna Xinga or Nzinga (second from left), the daughter and rightful successor of the King of Congo. After the Portuguese prevented her ascension to the throne, she fled the kingdom. As Ogilby explained, "She and her People (for the most part) lead an unsettled life, roving up and down from place to place, like the Jages: Before any enterprize undertaken, though of meanest concern, they ask councel of the Devil; to which end they have an Idol, to whom they sacrifice a living Person, of the wisest and comliest they can pick out." Ogilby then continued, "The Queen against the time of this Sacrifice, Clothes her self in mans appareal, (nor indeed does she at any time go otherwise habited) hanging about her the Skins of beasts, before and behind, with a Sword about her Neck, an Ax at her Girdle, and a Bowe and Arrows in her Hand, leaping according to their Custom, now here, then there, as nimbly, as the most active among her Attendants; all the while striking her Engema, that is, two Iron Bells, which serve her in stead of Drums. When she thinks she has made a show long enough, in a Masculine manner, and thereby hath weary'd her self; then she takes a broad Feather and sticks it through the holes of her boar'd Nose, for a sign of War. She her self in this rage, begins with the first of those appointed to be sacrificed; and cutting off his head, drinks a great draught of his blood. Then follow the Stoutest Commanders, as do as she hath done; and this with a great hurly-burly, tumult, and playing upon Instruments about their Idol. Among all her most pretious things, she bestows no such care on any, as the Bones of one of her Brothers, who Raign'd before her, which lie together in a costly Silver Chest, long before gotten of the Portuguese." (p. 564), Illustration in John Ogilby's Africa: Being an accurate description of the regions of Aegypt, Barbary, Lybia, and Billedulgerid: the Land of Negroes, Guinee, and Aethiopia, and Abyssines, with all the adjacent islands, either in the Mediterranean, Atlantick, Southern, or Oriental Sea, belonging thereunto (London: Printed by Tho. Johnson, for the author, and are to be had at his house in White Fryers, M.DC.LXX [1670]), p. 565., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1670]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Wing O163 14.F p 565, https://digital.librarycompany.org/islandora/object/Islandora%3A2961

Title: ASSU Illustration 6016
Description: Block numbered in one place: 6016., Image of a man wearing a crown and robes extending a hand toward another man; the second man looks downward and wears a cloth headpiece, a tunic, and sandals; they are in a room with columns and garlands, and are regarded by several men and women; (Bible Matt. 22, The Parable of the Wedding Banquet)., “N.J. Wemmer. 215 Pear St. Phila.” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “The Man without a Wedding garment” – Inscribed on side of block., Illustration appears in Child’s world, v. 1, no. 17 (Sept., 1862), p. 2.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 14

Title: At the direction of [Alice] we have entered your name upon our list for a year’s subscription to Ladies’ Home Journal We trust that the copies we shall have the pleasure of sending will prove to be pleasant reminders of the friend who sends to you this holiday remembrance, the Curtis Publishing Company, Philadelphia
Description: Subscription certificate for the Ladies’ Home Journal containing images of a stained glass work depicting knights (recto) and a medieval royal court scene with white figures (verso). Stained glass illustration shows white men knights, attired in armor and holding a sword and a lance, flanking a shield containing the text of the certificate. Royal court scene after artist John R. Peirce depicts a king, queen, and other guests seated and dining at a long dining table. A woman walks behind the table while carrying a steaming plate of food. In the right, a lutist and a harpist, slouching on a chair, play music near two dogs standing on all fours. In the left, a princess, holding hands with a knight seated behind her, sits on a wooden bench and watches the musicians. In the background is a Christmas tree., Title from item., Date inferred from content., Name of publisher from copyright statement: c. by C.P. Co., Gift of David Doret., Pennsylvania artist John R. Peirce (1900-1970) was a commercial illustrator and also painted landscapes and portraits. He graduated from the Philadelphia School of Industrial Art.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Prints [P.2019.64.19]

Title: King Iron Bridge, Looking North
Description: Eye-level view of King Iron Bridge from above underpass. Dirt road leads to bridge. Also shows barren trees in surrounding scenery.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.14f]

Title: [The king's seat]
Description: Shows the throne or ("seat") of an African King in Nether-Ethiopia. According to Ogilby's text, "The Stool, or Seat, whereupon he sits, stands raised upon a Foot-pace, dressed with white and black Wickers, very artificially Woven, and other sorts of curious adornings; behind his Back hangs on a Pole a Shield, cover'd with divers party-colour'd Stuffs, brought out of Europe. Near him stand also six of eight Fanns, by them call'd Pos, or Mani, and containing in length and breadth half a Fathom, at the upper end of a long Stick which runs through the middle of it, having a round Brim, in form of a half Globe fasten'd, interwoven with little Horns, and with white and black Parrots Feathers between: Those Fanns certain People, which the King keeps for that purpose, move with great force, which agitating the Air, causes a refreshing and pleasant coolness. Before the King's seat lieth spread a great Cloth twenty Fathom long, and twelve broad, made of quilted Leaves sew'd together, upon which none may go but the King and his Children; but round it they leave room for two or three persons to pass by, the Nobility sitting in long Ranks, every one with a Buffles Tail in his Hand, which for the most part they move in the preference of the King: Some sit upon the bare Ground; others upon Cloathes made of the same Stuff with the King's: Behind them stand the People; as behind the King all his great Officers, not few in number." (p. 507), Illustration in John Ogilby's Africa: Being an Accurate Description of the Regions of Aegypt, Barbary, Lybia, and Billedulgerid: the Land of Negroes, Guinee, and Aethiopia, and Abyssines, with all the Adjacent Islands, either in the Mediterranean, Atlantick, Southern, or Oriental Sea, Belonging Thereunto (London: Printed by Tho. Johnson, for the author, and are to be had at his house in White Fryers, M.DC.LXX [1670]), p. 507., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1670]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Wing O163 14.F p 507, https://digital.librarycompany.org/islandora/object/Islandora%3A2960

Title: Negre Manding
Description: Included in Chapter IX, "Mandings, Barra, Kollar, et Badibou," the engraving shows a Mandingo regent in the costume of his people. The Mandingos are a West African ethnic group; they live in the countries of Gambia, Guinea, Ivory Coast, and Senegal., Illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, moeurs, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 3 p. 170., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 3 p 170, https://digital.librarycompany.org/islandora/object/Islandora%3A2930

Title: Nigritie, ou le pays des Negres en Afrique, avec tous ses royaumes, bayes, rivieres et ports de mer, suivant les meilleurs relations de ceux qui ont ete sur les lieux, et nouvellement mise au jour
Description: Physical and political map of the Western coast of Central Africa. A marginal illustration in the lower left-hand corner features African kings and hunters, as well as various indigenous animals, including two elephants and a lion. It also shows a few Europeans trading with African merchants. In the background, several figures bathe in an idyllic landscape., Folded map in Pieter van der Aa's La galerie agreable du monde, où l'on voit et un grand nombre de cartes tres-exactes et de belles tailles-douces, les principaux empires, roiaumes, republiques, provinces, villes, bourgs et forteresses . . . (Le tout mis en ordre & executé à Leide, par Pierre vander Aa [1729?]), n.p., In the absence of pagination, 31 has been written next to the plate., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1729?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *U Gen Gal v 60-62 1729.F 31, https://digital.librarycompany.org/islandora/object/Islandora%3A2942

Title: Representation of the court of select audience -- Costume, and the ceremony of swearing fidelity to the British government
Description: Egraving depicts an event described in Chapter III, "Commencement of Negotiations," (p. 89-91). As the British envoy to Ashantee [i.e., Ashanti], Depuis participated in a ceremony in which the King of Ashantee, his principal officers, and chiefs took an "oath of friendship and alliance" to the British government. The ceremony took place in the royal palace, and Depuis is seated at the left. Standing next to him with a raised scimiter, the Ashantee King delivers "an energizing speech." (p. 89), Frontispiece for Joseph Dupuis's Journal of a Residence in Ashantee (London: Printed for Henry Colburn, New Burlington Street: Shackell and Arrowsmith, Johnson's-Court, Fleet-Street, 1824)., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: Williams, C., engraver
Date: [1824]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Dupui 1894.Q frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2902

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