Search results

Title: Harvest in Wanyamézi
Description: Illustration included in Chapter V, "Unyamuezi." Unyamuezi [i.e., Unyamwezi] was one of the largest kingdoms in East Africa; its people are called Wanyamezi. As the title suggests, the engraving shows a Wanyamezi harvest in 1861. Corn, which grew abundantly on the richly cultivated land, is shown at the top. In the center, four men thrash the corn with long-handled paddles. At the bottom, women are shown cutting, separating, and grinding the corn., Illustration in John Hanning Speke's Journal of the Discovery of the Source of the Nile (New York: Harper & Brothers, 1864), p. 129., According to a note on the title-page, the book's illustrations are "chiefly from drawings by Captain Grant.", Caption reads: "1, 2, 3, 4. Grain. Maize, etc., stacked for the season. 5. Men with long rackets thrashing Kafir corn (sorghum). 6. Woman in the field cutting "sorghum" with a knife, and depositing it in a basket. 7. Women separating the corn from the chaff by means of a wooden pestle and mortar. 8. Woman grinding corn upon a single slab of stone.", Fels Afro-Americana Image Project, Work Scenes.
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1864 Speke 15863.O p 129, https://digital.librarycompany.org/islandora/object/Islandora%3A2810

Title: Females hoeing
Description: Engraving accompanies Chapter XXIV of Livingstone's travel narrative. It shows four women working in the Ngabi district: one carries a basket on her head, while three others (including one woman with a child on her back) till the soil with hoes."The only instrument of husbandry here," Livingstone noted, "is the short-handled hoe; and about Tette the labour of tilling the soil, as represented in the woodcut, is performed entirely by female slaves." (p. 499), Illustration in David Livingstone's Narrative of an Expedition to the Zambesi and its Tributaries: and of the Discovery of the Lakes Shirwa and Nyassa, 1858-1864 (London: John Murray, 1865), p. 499., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Livin 16307.O p 499, https://digital.librarycompany.org/islandora/object/Islandora%3A2926

Title: Coke burning - Alleghenies
Description: Depicts coal miners covered in coal dust leading a mule-drawn coal car on makeshift tracks in the western Pennsylvania mountains. Other coal-workers, including a boy, work near a mound of dirt and ride a horse. Wood shacks stand in the background., Title from manuscript note on verso., Attributed to John Moran., Yellow mount with square corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Industry [P.8992.20]

Title: Cotton pressing in Louisiana
Description: Engraving shows the pressing of cotton, which, according to the unnamed author of an accompanying article, represents "one of the most interesting of the various stages of preparation of cotton for the market." After being picked and harvested, the cotton was compressed into bales similar those shown in the left foreground. The press (center) was described as being "supported by a heavy frame of timber" and "about nine feet in depth." As the author explained, the work proceeded as follows: "Into this, the light, the fleecy substance is poured, and the capstan bar being set to work, it is gradually compressed to the required size, the cords are fastened round the bale, and it leaps out ready for transportation." Commenting on the slaves' labor, the author remarked, "In our sketch, a party is busily filling the press, and two stout hands are removing the bales under the direction of the overseer. But the life and soul of the party is at the capstan, in the person of the lively darky [third from right] engaged in extravagant imitations of the overseer, and jeers at the expense of the solemn figure next to him. This mercurial 'culled passion,' a fair specimen of his light-hearted race, by his jokes and high spirits, almost doubles the motive power at the bars. Though apparently solely occupied with attempts upon the facial muscles of his fellow-servants, yet at the exact moment, he will turn a somerset, kick the shins of his next neighbors, like a playful donkey, and run round with the bars, the loudest in singing the monotonous but not unmusical chant by which the black accompany their labor." (p. 236), Illustration in Ballou's Pictorial Drawing-Room Companion, vol. X, no. 15 (April 12, 1856), p. 236., Fels Afro-Americana Image Project, Work Scenes.
Creator: Pierce, William J., engraver
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Per B 1 5919.F v X n 15 April 12 1856 p 236, https://digital.librarycompany.org/islandora/object/Islandora%3A2862

Title: Tobacco plantation
Description: Engraving accompanies the lead article "The History and Mystery of Tobacco." It is set on a tobacco plantation, and shows a large field of tobacco plants, as well as two surrounding buildings. In the foreground, three black men use hoes to break up the soil and pull the grass around the growing plants., Illustration in Harper's New Monthly Magazine, vol. 11, no. 61 (June 1855), p. 8., Fels Afro-Americana Image Project, Work Scenes.
Date: [June 1855]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 11 n 61 June 1855 p 8, https://digital.librarycompany.org/islandora/object/Islandora%3A2867

Title: Decatur Street from Jones Hotel
Description: View from Jones hotel on the south side of the 600 block of Chestnut Street showing the construction lot for Jayne's Marble Building (615-619 Chestnut) on the north side. Lot on the former site of the Arcade Hotel. Also shows Decatur Street below Market and partial views of the 600 blocks of Jayne and Market streets. Includes "Morrell's Carpenter Shop" (611 Jayne), laborers, broadsides pasted on building rubble, and businesses on Market., Attributed to F. De B. Richards., Title from manuscript note on verso., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Select link below for a digital image.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: ca. 1859
Location: Library Company of Philadelphia | Print Department photo - Richards - Construction [(7)1322.F.73c], http://www.brynmawr.edu/iconog/rcd/1322f773c.jpg

Title: [East River Pier 20, New York, N.Y.]
Description: View showing laborers working on a wooden pier jutting into the East River in New York City. Also shows a horse-drawn cart on the pier and piles of lumber visible next to the pier in the right foreground. Also shows the cityscape on the opposite bank of the river in the background., Title supplied by cataloger, but derived from manuscript note on verso: Pier 20 E.R., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Transportation [P.9022.41]

Title: Trinidad leaving dock, landing stage being taken down, [Bermuda]
Description: Glass negative showing a steam ship docked and full of passengers. A group of men work to take down the wooden plank used to board the ship. Other people stand on the dock at the far right edge of the photograph., Photographer remarks: Intens. 5/26, Time: 10:30 A.M., Light: Good sunlight., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 9, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.842]

Title: Building the bridge to the Trinidad. No. 1 [Bermuda]
Description: Glass negative showing a view of eight men building a gangplank between the steamship Trinidad and the dock. The ship contains a mast and a smokestack. A large group of people gather on the dock. Six men straddle the gangplank while two men work on the ship. A dog stands in the foregound on the dock., Photographer remarks: same subject as last., Time: 8:10, Light: Fair sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 18, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1425]

Title: [Building the bridge to the Trinidad. Bermuda]
Description: Glass negative showing a view of nine men building a gangplank between the steamship Trinidad and the dock. The men straddle the gangplank, some tying ropes around it. The ship contains a mast and a smokestack. A large group of people gather on the dock., Photographer remarks: same subject as last., Time: 8:12, Light: Fair sun., Same subject as last., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 18, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1426]

Title: [Building the bridge to the Trinidad. Bermuda]
Description: Glass negative showing a view of three men building a gangplank between the steamship Trinidad and the dock. Two of the men hold a long plank of wood over the half-constructed gangplank while the third man walks away. The ship contains a mast and a smokestack. A large group of people gather on the dock., Photographer remarks: same subject as last., Time: 8:20, Light: Fair sun., Same subject as last., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 18, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1427]

Title: Emancipated slaves can take care of themselves
Description: At the left, the illustration depicts a free black man, or a "paid" laborer. He works vigorously with a hoe, and is dressed in a suit and top hat. At the right, a slave, or an "unpaid" laborer, is shown. He also works with a hoe, but unlike his counterpart, he is barely dressed, and looks weak and despondent., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 21., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2765

Title: Picking cotton
Description: Engraving is one of several accompanying T.B. Thorpe's article "Cotton and its Cultivation." It shows several black field hands picking cotton, and corresponds with the following passage: "The season of cotton picking commences in the latter part of July, and continues without intermission to the Christmas holidays. The work is not heavy, but becomes tedious from its sameness. The field hands are each supplied with a basket and a bag. The basket is left at the head of the 'cotton-rows;' the bag is suspended from the 'picker's' neck by a strap, and is used to hold the cotton as it is taken from the boll. When the bag is filled it is emptied into the basket, and this routine is continued through the day." (p. 455), Illustration in Harper's New Monthly Magazine, vol. 8, no. 46 (March 1854), p. 456., Fels Afro-Americana Image Project, Work Scenes.
Creator: Orr, John William, 1815-1887, engraver
Date: [January 1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 8 n 46 March 1854 p 456, https://digital.librarycompany.org/islandora/object/Islandora%3A2864

Title: Carrying cotton to the gin
Description: Engraving is one of several accompanying T.B. Thorpe's article "Cotton and its Cultivation." It shows seven African American plantation hands walking with large baskets of cotton on their heads. The men and women walk in a perfect line, leaving three or four paces between them. The illustration corresponds with the following passage, "Among the most characteristic scenes of plantation life is the returning of the hands at nightfall from the field, with their well-filled baskets of cotton upon their heads. Falling unconsciously "into line," the stoutest leading the way, they move along in the dim twilight of a winter day with the quietness of spirits rather than human beings." (p. 455-56), Illustration in Harper's New Monthly Magazine, vol. 8, no. 46 (March 1854), p. 457., Fels Afro-Americana Image Project, Work Scenes.
Creator: Orr, John William, 1815-1887, engraver
Date: [January 1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 8 n 46 March 1854 p 457, https://digital.librarycompany.org/islandora/object/Islandora%3A2865

Title: Cotton gin -- Ginning cotton
Description: Engraving is one of several accompanying T.B. Thorpe's article "Cotton and its Cultivation." Set in a gin-house, it shows two plantation hands working at a cotton gin. While a man pushes cotton out of the "packing-room" (a loft space) and down a chute, a woman uses a rake-like tool to guide it through the gin. Standing nearby, a woman with a bucket on her head watches the process, and a man peeks into the gin-house through an open window. Two large baskets used for carrying cotton can be seen in the left foreground., Illustration in Harper's New Monthly Magazine, vol. 8, no. 46 (March 1854), p. 459., Fels Afro-Americana Image Project, Work Scenes.
Date: [January 1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 8 n 46 March 1854 p 459, https://digital.librarycompany.org/islandora/object/Islandora%3A2866

Title: An unfinished house, in Chesnut [sic] Street Philadelphia
Description: View showing "Morris' Folly", the unfinished brick and marble mansion on Chestnut Street above Seventh Street, designed by Pierre Charles L'Enfant for Philadelphia merchant and financier Robert Morris. Individuals stroll the grounds, and a laborer carries a ladder passed a guardhouse. Morris' mansion, begun about 1796 and unfinished as a result of his bankruptcy, was demolished in 1800, the building materials sold to finance creditors., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 14., Reproduced with article in Poulson's Scrapbook of Philadelphia History, vol. VII, p. 54-55. (LCP reference copy Uy 8, 2526.F)
Creator: W. Birch & Son
Date: 1800
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 14a/P.2276.27]

Title: [An unfinished house, in Chestnut Street Philadelphia]
Description: View showing "Morris' Folly," the unfinished brick and marble mansion on Chestnut Street above Seventh Street designed by Pierre Charles L'Enfant for Philadelphia merchant and financier Robert Morris. Individuals stroll the grounds, and a laborer carries a ladder passed a guardhouse. Morris' mansion, begun in 1796 and unfinished as a result of his bankruptcy, was demolished in 1800, the building materials sold to finance creditors., Title from duplicate print., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 14., Reproduced with article in Poulson's Scrapbook of Philadelphia History, vol. VII, p. 54-55. (LCP reference copy Uy 8, 2526.F).
Creator: W. Birch & Son
Date: [180[0]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 14a/P.2276.28]

Title: [Artist's study for an unfinished house in Chesnut [sic] Street. Philadelphia]
Description: View showing "Morris' Folly," the unfinished brick and marble mansion on Chestnut Street above Seventh Street, designed by Pierre Charles L'Enfant for Philadelphia merchant and financier Robert Morris. Individuals stroll the grounds and a laborer carries a ladder past a guardhouse. Construction began on the mansion about 1796 and was halted as a result of Morris's bankruptcy. The building was demolished in 1800 and its materials sold to finance creditors., Title from plate 14 in the first edition of Birch's "Views of Philadelphia.", Retrospective conversion record: original entry, edited., See Martin Snyder's "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), p. 271-315., Reproduced in Julius Sachse's Pictures of old Philadelphia from the originals in the collection of the Library Company of Philadelphia (Philadelphia, 1901), vol. 1, plate 44. (LCP Print Room Albums)., Also accessioned as P.9661.
Creator: Birch, William Russell, 1755-1834, artist
Date: [ca. 1800]
Location: Library Company of Philadelphia | Print Department drawings & watercolors - Birch - Unfinished House [5394.Q]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: Centennial commemoration at Philadelphia [ticket] Three millions of colonists on a strip by the sea. Now forty millions of freemen ruling from ocean to ocean
Description: Ticket to the "Grand Mass Demonstration in favor of the Centennial Commemoration of American Independence, February 22, 1873" at the Academy of Music containing scenes contrasting life in Philadelphia in 1776 with life in 1876. Scene of 1776 shows white men colonists, including one attired as a backwoodsman, in front of a log cabin and standing near a barefooted, enslaved African American man, attired in torn and worn clothing, sitting on a pile of sticks. Scene of 1876 shows a white man soldier talking to a white man artisan near an African American man laborer seated next to an anvil and machinery gears. Cityscape is visible in the background. Also includes an eagle holding an American flag crest adorned with a portrait of Washington. Contains text printed on the verso soliciting subscriptions to make the Centennial a success as well as to make Pennsylvania the representative to the world of the "power of the Republic.", Title from item., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1873]
Location: Library Company of Philadelphia | Print Department Ph Pr -8 x 10 - Events [5758.F.26c]

Title: Down where the cotton blossoms grow
Description: Postcard depicting a group portrait of African American cotton pickers, predominantly women and children, in a cotton field. Show the workers stopped from their work and posed toward the viewer. One of the women holds a baby. A wooded area is seen in the background., Date inferred from postmark: New Orleans, May 13, 1911, 9AM., Addressed in manuscript to: Miss Ester Wilson, 318 N. Jardin St., Shenandoah, Penna. Signed H.F.M., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Printed on verso: Made in U.S.A., Gift of George R. Allen., Divided back., Lipsher Specialty Co. operated 1909-1914 and published views of and around New Orleans.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.65.20]

Title: Sugar cane plantation
Description: Postcard depicting a group portrait of male African American sugarcane workers, including several boys, posed in a sugarcane field. Most of the workers, stand and hold canes, while two boys sit on reaped cane in the foreground. A wooded area is seen in the background., Date inferred from postmark: New Orleans, May 13, 1911, 9AM., Addressed in manuscript to: Mr. John Wilson, 318 N. Jardin St., Shenandoah, Penna. Signed H.F.M., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Gift of George R. Allen., Divided back.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.65.19]

Title: Foering & Thudiums cheap stove ware-house. [graphic] / W.H. Rease, No. 17 S[out]h 5[t]h St.
Description: Print trimmed and lacking caption., Poulson inscription on recto: Dec. 1846. North Second Street., Advertisement depicting the three-and-a-half story warehouse operated by Frederick Foering and C.A. Thudium at 87 North Second Street. In the open entranceways, a clerk assists a female shopper and an African American laborer lifts a stove. Displays of stoves line the sidewalk and the store walls. On the second floor near open windows, white laborers work. A horse-drawn cart departs an adjoining exitway. Foering and Thudium, one of the city's first domestic stove manufacturers, started in business in 1828, and operated on North Second Street from 1845 until 1847.
Creator: Rease, W. H., lithographer., creator
Date: [December 1846]
Location: http://www.lcpgraphics.org/wainwright/W132.htm, Library Company of Philadelphia Print Dept. *W132 [P.2045]

Title: Aultman, Miller & Co., Akron, O. U.S.A. A happy New year, 1890
Description: Calendar depicting scenes in the making and distribution of the "Buckeye" machinery produced by the Akron company founded in 1863. Front cover contains scene "Getting out Lumber for the World-famed Buckeye Binders and Mowers" showing a hunter and trapper watching oxen haul logs, loggers cut trees, and camp hands carry buckets and tend a dutch oven over a campfire. Internal views show "Receiving and Dressing Lumber for Buckeye Machines"; "Partial View of Wood Department Mammoth Buckeye Works, Akron, Ohio"; "Mining and Reducing the Ores for use in Buckeye Harvesting Machines"; "Partial view of Buckeye Foundry, Akron, Ohio"; "The Perfected Buckeye Binder and Mower, The World's Standard" and "Shipping the Celebrated Buckeye Machines to all parts of the civilized Globe." Views include calendar insets, laborers and foremen at work, industrial machinery (wood saws, smelters, power drills) in use, trains, and ships being loaded at a loading dock. Back cover depicts a scene showing several plowmen using horse-drawn "Buckeye" binders (i.e., combines) reaping a large field of wheat. View also contains an inset depicting a man mowing his pasture. Flowers and a banner reading "The World's Victors" border the inset. Aultman, Miller & Co. began to only build threshing machines, traction engines, and saw mills in 1890. The firm was bought out in 1911., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [1889]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Calendars [P.2011.10.162a]

Title: Joseph J. Cana[v]an morocco factory Philadelphia
Description: Advertisement depicting the manufactory complex at 1225 North Fifth Street (Canal Street between Thompson and Girard avenues). complex included a slaughterhouse, drying rooms, pulling shop, and office and sales room. A horse-drawn dray loaded with goods departs from the exit way between two sections of buildings that contain a flag and working smokestack. Also shows a worker in a doorway and a few pedestrians., Probably engraved by John Serz., Name of business misspelled in title: Canaran., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department albums - Serz [P.9773.76b]

Title: Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts Daniel Fields, general agent for the Southern states
Description: Billhead containing a view of the multi-building manufactory on a pier along the riverfront. Shows laborers transporting goods across the factory grounds with hand and horse-drawn carts. Others stand and depart from entryways to the buildings. At the end of the pier, sacks are piled near docked and approaching ships., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.135b]

Title: Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts Daniel Fields, general agent for the Southern states
Description: Billhead containing a view of the multi-building manufactory on a pier along the riverfront. Shows laborers transporting goods across the factory grounds with hand and horse-drawn carts. Others stand and depart from entryways to the buildings. At the end of the pier, sacks are piled near docked and approaching ships., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.135b]

Title: Laying passenger stage out to the Orinoco. From forward spar-deck of vessel, [Bermuda]
Description: Glass negative showing two men straddling planks extending from a dock over water to an unseen boat. The men shimmy up the planks attaching ropes as they go. The dock is crowded with people. Rowboats float underneath the planks., Photographer remarks: Too small stop., Time: 2:30, Light: Faint sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 28, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.911]

Title: Laying passenger stage out to the Orinoco, from forward spar-deck of vessel, [Bermuda]
Description: Glass negative showing a group of men shimmying up planks extending from a dock over water to an unseen boat. The men attach ropes as they go. The dock is crowded with people. Rowboats float in the water nearby., Same as last., Time: 2:30, Light: Faint sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 28, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.912]

Title: [Laying passenger stage out to the Orinoco, From forward spar-deck of vessel, Bermuda]
Description: Glass negative showing men carrying planks to lay from the dock to an unseen boat on the right. The planks extend over the water with rowboats floating nearby. The dock is crowded with people., Same as last., Photographer remarks: Too small stop., Time: cir. 2:30, Light: Faint sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 28, 1885
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.913]

Title: Gas well, Butler Co., Pa
Description: View showing a gas well in a wooded area in Butler County. Laborers stand between the enclosed derrick and gas tanks. Butler County contained the most productive gas fields in the United States in the late 19th century., Title and publisher's imprint printed on verso., Buff mount with rounded corners., Brief description of the harvesting and use of natural gas printed on verso., Digitized for AMD: Global Commodities., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Robbins, Frank, b. 1846
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Robbins - Industry [P.9276.63]

Title: Buy the Universal plow. Made at Canton, Ohio
Description: Racist trade card illustration depicting two African American men operating a plow and struggling to control two agitated donkeys. One man is seated in the plow and holds reins in his left hand and a lever in his right. He is attired in a tan-colored hat and vest, a blue long-sleeved shirt, and blue and black striped pants. The other man stands in front of the donkeys and holds reins in both hands. He is attired in a white long-sleeved shirt and blue and black checkered pants. One of the donkeys kicks its hind legs up in the air and the other digs its hind legs into the ground. A person on a plow, trees, and a small house are visible in the field behind the scene. Universal Plow Company opreated throughout the 1880s and 1890s. The business was originally based in Canton, Ohio and eventually moved to Wooster, Ohio., Title from item., Series no. 468 printed in bottom right corner on recto., Distributor's imprint printed on verso: A.F. Newcomer, General Eastern and Southern Agent, Harrisburg, PA., Advertising text printed on verso: The Universal Plows, front and rear adjusting. The lightest, strongest and most perfect working plow made. The only practical rear-adjusting plow in the world. No wrench, no trouble, no lost time. All interchangeable in steel or chilled iron complete with all improved attachments. See catalogue., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Universal [P.2017.95.179]

Title: Melloy & Ford, wholesale tin ware manufacturers. [graphic] / On stone by W. Rease, No. 17 Sth 5th St.
Description: Print trimmed and lacking caption., Poulson's inscription on recto: Mar. 1849; Market Street., Advertisement depicting the three-and-a-half-story manufactory operated by John M. Melloy and Robert Ford at 291 Market Street, later renumbered 723, promoting the "lowest rates", "quick sales & small profits," and "metallic roofing." The building heavily adorned with signage and product advertisements including a large scale model of a coffee pot contains prominent displays of tinware in the shop window, on the store shelves, and near the open cellar door. Near the front of the shop, a couple strolls, two laborers lift a crate onto a horse-drawn sulky, and a female customer enters the store. An African American peddler with tray and bell passes a line of crates on the sidewalk. Tinsmiths work near the third floor windows. Melloy & Ford, a partnership established in 1849, was in business until 1861 when Melloy entered partnership with Isaac Smith at the same address.
Creator: Rease, W. H., lithographer., creator
Date: [[March 1849]
Location: http://www.lcpgraphics.org/wainwright/W231.htm, Library Company of Philadelphia Print Dept. *W 231 [P.2105]

Title: Lacey & Phillips. [graphic] / Drawn on stone by W.H. Rease No. 17 So. 5th St., Philda.
Description: Print trimmed and lacking caption., Poulson inscription on recto: Aug. 1847., Select link below for a digital image., Advertisement depicting William N. Lacey's and Samuel R. Phillips' busy four-story equestrian store at 12 South Fifth Street selling "ladies and gentlemen's saddles, single and double harnesses, and bridles and whips." Saddles, bridles, harnesses, and blankets are prominently displayed in the storefront window and on the building facade. On the upper floors, several employees work by open windows. Elegantly dressed patrons converse near the entryway and four horses are lined up in the street awaiting and receiving service including a pair reined in by an African American coach driver. Partial view of the adjacent building containing the carpenter, W.B. Morrell, is visible. Lacey and Phillips partnership, established in 1845 remained at the site until 1852.
Creator: Rease, W. H., lithographer., creator
Date: [August 1847]
Location: http://www.lcpgraphics.org/wainwright/W215.htm, Library Company of Philadelphia Print Dept. *W 215 [P.2108]

Title: John Hibler, importer & wholesale dealer in foreign & American wines & liquors. No. 56, North Third Street, (second door above Arch,) Philadelphia. [graphic] / On stone by W.H. Rease, 17 So. 5th St., Phila.
Description: Date of publication supplied by Wainwright., Advertisement depicting the four-story shop containing signage advertising wines & liquors. The doors, windows, and cellar are open for business. Inside the shop, wine casks, crates, jugs, and bottles line the floors and a laborer raises a cask with a pulley. Outside, a laborer loads casks onto a horse-drawn cart as nearby. An African American peddler with a basket and ringing a bell passes by. Partial views of the adjacent stores, possibly an apothecary and bolting cloth business, are visible. Hibler, operated the wine business at the location from 1840 until 1844, where afterward he operated a grocery.
Creator: Rease, W. H., lithographer., creator
Date: [1844]
Location: http://www.lcpgraphics.org/wainwright/W203.htm, Library Company of Philadelphia Print Dept. *W203 [P.2116]

Title: McNeely & Co. manufacturers of morocco, buckskin & chamois, white leather, bark tanned, sheep, calf & deer skins, parchment, vellum &c. 64 N[or]th 4th. St. below Arch St. near the Merchants Hotel, Philadelphia. Manufactory 4th & Franklin Aven[ue] [graphic].
Description: Date of publication supplied by Wainwright., Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a woman and boy, stroll and converse on the sidewalk. In the street, an African American couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century.
Creator: Rease, W.H., lithographer., creator
Date: [ca. 1860]
Location: http://www.lcpgraphics.org/wainwright/W230.htm, Library Company of Philadelphia Print Dept. **W230 [P.2129]

Title: City Marble Works and Steam Mantel Factory. Corner Tenth and Vine Streets Philadelphia. J.E. & B. Schell. [graphic] / Rease & Schell's Lith., No. 17 So. 5th St., Philda.
Description: Although Wainwright suggests date of publication as circa 1855, date of circa 1854 is used since Rease relocated to the new business address of 97 Chestnut Street as of 1855., Contains two lines of text below the title advertising the manufactory's improved facilities., Advertisement depicting a corner view of the three building showroom and factory operated by the Schells from 1853 until 1856. J.E. Schell continued the business as J.E. Schell & Company starting in 1857. On Tenth Street, patrons enter the four-story storefront and mantle room adorned with signage and statuary displayed on a second floor veranda. At the corner, a coach waits, the disembarked African American driver standing at the ready. On Vine Street, behind the showroom, a family of passerbys admire the marble statuary, monuments, and headstones in the factory's fenced in yard. Factory laborers load a headstone onto a horse-drawn cart, inspect open crates lining the street, and review slabs of marble outside the factory's storage building. Partial views of adjacent buildings and the "10th" Street carriage are visible.
Creator: Rease & Schell, lithographer., creator
Date: [ca. 1854]
Location: http://www.lcpgraphics.org/wainwright/W071.htm, Library Company of Philadelphia Print Dept. **W71 [P.2032]

Title: Cedar Hollow Lime Company. Depot 900 Jefferson Street
Description: Billhead containing a view of the lime-kilns captioned "Cedar Hollow. Chester County." Shows workers busy at work around the smoking kilns and flats of lime. Men labor in the quarry across from the kilns and haul lime by horse-drawn cart. The company established in 1855 was purchased by the Charles Warner Company in 1899., Completed in manuscript to Mr. Adam Waldner Bros. on June 29, 1885 for "1 Whole lime 19 1/2 Bus. Whole $1.00" -26 [cents]: $60., Manuscript note on recto: Augt 7/85 Received Payment, check by mail. Cedar Hollow Lime Co. Fm W.H. Laurie. Please accept our thanks!, Contains punched whole in center., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.128]

Title: Scenes on a cotton plantation
Description: According to the accompanying commentary (p. 69), these scenes show the Buena Vista plantation in Clarke County, Alabama. As the text suggests, "The four sketches in the centre [i.e., sowing, ploughing, hoeing, and picking] show the principal operations of the cotton culture; and around figure other scenes appropriate to a cotton plantation." Moving clockwise from the upper right, the outer scenes are titled: the cotton gin, the planter and his overseer, prayer meeting, Saturday evening dance, plantation graveyard, the call to labor, and the cotton press. The text describes these scenes as follows: "The cotton-gin; the picturesque cotton-press, to whose long lever the mules are harnessed to create the power which compresses the ginned staple into bales; the morning call, performed upon a cow-horn; the owner and his overseer, figure here; as well as the weekly distribution of rations; the dance which closes the week's labor, and the plantation burying-ground. Here the defunct negroes are buried, a rail-fence being raised above the graves to keep off marauding hogs, calves, etc.", Double-page illustration in Harper's Weekly, vol. XI, no. 527 (February 2, 1867), p. 72., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [February 1867]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v XI n 527 February 2 1867 p 72, https://digital.librarycompany.org/islandora/object/Islandora%3A2879

Title: A new song suitable to the season, to the tune of good English beer
Description: A cartoon supporting the Old Ticket Party of Pennsylvania which advocated a conversion from a proprietary government to a royal colony. Depicts well-to-do Philadelphians in a tavern drinking and singing "Huzza Old ticket, Old Ticket Forever." An African American server serves the men as he states in patois his support of the Old Ticket. As the devil exits the tavern, he indicates his support for the New Ticket Party which supported the existing proprietary government. Contains an electioneering song of six verses from which the depicted Philadelphians sing verses. The tavern was often used as a place to canvass election support and treat voters., Place and date of publication supplied by Evans., Possibly the work of Henry Dawkins., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1765]
Location: Library Company of Philadelphia | Print Department Political Cartoons -[1765] - New [959.F.87a]

Title: The results of abolitionism!
Description: Cartoon reflecting the fear among Northern white workers of job competition with free African Americans. Depicts African American men bricklayers, portrayed in racist caricature and speaking in vernacular, on a construction site giving orders to white laborers in a reversal of roles. The laborers work on a large multi-storied brick building fronted by scaffolding and a ladder. The African American supervisors hold trowels and stand at the top of the scaffolding. They hurl orders and abuse at white workers exclaiming: "Bring up the mortar you white rascals" and "You bog-trotters, come along with them bricks." An African American man standing on the ground, attired as a dandy, exclaims, "White man hurry up them bricks." A white man climbs the ladder and two white men work on the ground shoveling and picking up bricks. Another white man stands and says, "Sambo hurry up the white laborers.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1835 - Res [5780.F.1]

Title: Penn's tree, with the city & port of Philadelphia, on the river Delaware from Kensington
Description: Northeast view from the site of the Treaty Tree, the legendary location of William Penn's treaty with the Delaware Indians in 1682. Depicts a pier with docked boats; laborers, including shipbuilders, at work; and individuals relaxing, fishing, leading a horse, and strolling near a fenced property displaying the American flag. The Treaty Tree or Great Elm Tree blew down in 1810., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), Pl. 2., Retrospective conversion record: original entry, edited.
Creator: Birch, William Russell, 1755-1834, engraver
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 2c/P.2276.4]

Title: Chesnut Street Theatre, Philadelphia
Description: Exterior view of the third building of the popular theater, known as "Old Drury," at Chestnut Street above Sixth. White men and women pedestrians, a white newspaper boy, and laborers stroll the sidewalk. An African American huckster sells his wares to a customer in the street. The building, designed by William Strickland, was erected in 1822 after fire claimed the second building at Sixth and Chestnut Streets. It was demolished in 1855., Title from item., Published in John Howard Hinton's The history and topography of the United States (London: I.T. Hinton, & Simpkin & Marshall, 1830-1832), vol. 2, aft. p. 502. (LCP Am 1830 Hinto (2231.Q))., Printed in upper right corner: 47., Originally part of a Poulson scrapbook of Philadelphia illustrations., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Fenner, Sears & Co., engraver
Date: [May 15, 1831]
Location: Library Company of Philadelphia | Print Department PhPr - 8x10 - theaters [(1)1525.F.47a]

Title: Arbuckle's ariosa coffee. Arbuckle Bros. Coffee Company, New York
Description: One of a series of "fifty" trade cards, "each one of which shows a correct map (properly bounded) of one State, or Territory" to promote Arbuckle's Ariosa Coffee. Depicts a map of Alabama (left) and a scene with African American men and women picking cotton in a cotton field (right). Scene shows a man in the foreground placing cotton in a basket piled high with it. In the center, right background, a woman stands and holds a large basket piled high with cotton on her head. In the distant background, two men and three women bend over and pick cotton from the plants. A piece of harvesting equipment is visible in the far left background. The men and women wear long sleeve shirts and hats or bonnets. Arbuckle's Coffee was founded by brothers John and Charles Arbuckle following the Civil War. The company was one of the first to sell roasted coffee and to place it in one pound packages. Arbuckle often included trade cards in the packages., Title from item., Image captions: Cotton Picking; Population 1,262,[ ]5; Area in Sq. Miles 52,250., Date inferred from content, dates of activity of lithographer, and reference to Washington which gained statehood in 1889 as a territory., Series number printed on verso: No. 67., Several lines of advertising text printed on verso explicating why Arbuckle's Ariosa Coffee "costs more and is worth more than other brands of coffee," including higher grade green coffee and the "glazing" process. Also includes a "Read This." section describing the series of cards as "interesting, instructive, and artistic," and their purpose as and "object lesson or both young and old." Section ends with the alphabetical list of 50 states and territories depicted. Washington, New Mexico, and Wyoming are listed as territories., RVCDC, Description reviewed 2022., Access points revised 2022., Some degradation to image.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Arbuckle's [P.2017.44]

Title: [Fulton House, No. 121 South Second Street, Philadelphia]
Description: Busy view showing the early 1780s former residence of miniature painter and steamboat engineer Robert Fulton when tenanted by a lager beer saloon. Depicts two saloon workers moving barrels across from two men conversing near the entryway of the two-story, wooden building with display window and awning. One worker emerges with a barrel from the cellar in front of the window while the other rolls one of four barrels in his direction and away from a tilted telegraph pole. The pole extends up through the awning and leans into the roof of the adjoining building in the left. “Restaurant” is written on the display window and "Lager Beer Saloon" is written on the awning. A fire insurance marker and signage reading “121 Fulton House” and “ale” also adorn the building. Also shows partial views of adjacent brick buildings, and in the left, a woman attired in a hat, dress, and apron walking on the sidewalk and carrying a ceramic carafe. Building in right, likely a grocery store, is adorned with an awning frame on which a small round sign reading “L” hangs. Building is also adorned with signage that is partially visible and reads "Groc" and "Joh." Fulton lived and worked on South Second Street in the early 1780s. While in Philadelphia, he worked as an apprentice and miniature painter as well as began his experiments with the mechanics of steam power. In 1786 he relocated to Front Street. About 1787 he moved to London and studied painting with American-born artist Benjamin West., Artist and title from manuscript note on oil painting depicting similar scene and given in 1863 to Ferdinand Dreer by James L. Claghorn. Sold on liveauctioneers in 2019. Manuscript note: Ferdinand J. Dreer Esq. with Jas. l. Claghorn’s compliments, House No. 121 South Second Street Philadelphia PA in which Robert Fulton served his apprenticeship to an optician by John M. Falconer for NY Artists Fund Society, October 1863., Title supplied by cataloger., Drawing may be the watercolor listed as entry 291 and for sale by the artist in the United States Centennial Commission International Exhibition 1876 official catalogue, Art gallery and annexes. Department IV. Art. Tenth and Revised Edition (Philadelphia: John R. Nagle & Co., 1876), 14., Artist's initials written in lower right corner., Manuscript notes in modern hand on verso: Fasten title on backs, 132. From the collection of Samuel Castner, Jr. of Philadelphia., John Mackie Falconer (1820-1903), a Scottish-born New York artist, began his career as a painter and watercolorist before also specializing in etching starting in the mid 1860s. Known for works depicting older buildings and ruins, he was a treasurer of the Artist’s Fund Society, a member of the New York Etching Club, and an honorary member of the National Academy of Design.
Creator: Falconer, John Mackie, 1820-1903, artist
Date: [1861]
Location: Library Company of Philadelphia | Print Department *drawings & watercolors - Falconer [P.2021.1]

Title: The light-running New Home sewing machine, D.S. Ewing, general agent, 1127 Chestnut St. Phila, PA
Description: Racist trade card illustration depicting an African American family riding a donkey and leaving their small cabin, which is likely located on or near a plantation. The family consists of a father, son, mother, and baby. Surrounding the family are two small dogs, two children waving goodbye on a wooden fence, a child who tugs the donkey's tail, a woman bidding the group farewell with her arms outstrethced, and a man who sits on the steps of the cabin in the background. A second cabin is visible in the background of the image behind the wooden fence. The father is attired in a yellow coat, a white and black top hat, and shoes. The son is attired in a white dotted shirt, a hat, plaid yellow pants, and shoes. The mother is attired in a yellow shirt, a white bonnet, a blue dotted shirt and shoes. She holds the baby in a wrapped blanket and gestures toward the onlookers behind her. A sign shaped like an arm with a hand pointing its index finger is situated beside the wood fence and reads "New home." In the upper right corner is a circular image of a New Home sewing machine. Daniel S. Ewing was a Philadelphia merchant who sold sewing machines at his eponymous store. The store was located in Philadelphia on Chestnut Street., Title from item., Text on recto: We's gwine to get a new home we is!, Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - New Home [P.2017.95.140]

Title: Oliver Chilled Plow Works
Description: Racist trade card illustration depicting a group of African American men and women observing an African American man posing while a cow and donkey pull an -Oliver Chilled Plow in a field. A white dog in the foreground walks into a hollow and fallen tree trunk. The women in the crowd are attired in yellow and blue dresses, a red coat, and white and red headwraps. The men in the crowd are attired in blue, red, green, and yellow vests, jackets, shirts and pants. A white-haired older man in the crowd kneels forward with his hands in his knees. His top hat is visible on the ground in front of him. The man near the plow stands with his right leg crossed in front of his left and his left arm bent toward his chest. He raises his hat with his right hand and bends his head back. He is attired in a white collared shirt, green checkered pants, and black shoes. Visible in the background are two men chasing a goat. Houses, trees, fences, and a steamboat on a body of water are also depicted in the background. On the verso of the trade card is an illustration of an aerial view of the Oliver Chilled Plow Works. The Oliver Chilled Plow Works was founded in Mishawaka, Indiana in 1836 by James Oliver. Shortly after, Oliver began operating from a foundry in South Bend, Indiana where he began manufacturing chilled plows. In 1929, the company merged with the American Seeding Machine Company, Hart-Parr Tractor Company, and Nichols and Shepard Company to form the Oliver Farm Equipment Company., Title from item., Advertising text printed on left panel of verso: Oliver Chilled Plow, 750.000 now in use and more than 90.000 sold for the trade of 1883, a record that cannot be equaled. The Casaday Sulky Plow in spite of the determined opposition of our competitors has taken the very front place in the list of labor saving implements. 20.000 sold for the season of 1883 being more than the combined sales of any three of our competitors. Send for circulars., Advertising text printed on right panel of verso: Oliver Chilled Plow Works. South Bend, Ind., Housed with *Trade cards [*Trade cards - Oliver (P.2017.95.142)], Gift of David Doret.
Date: [1883]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Oliver [P.2017.95.142]

Title: Mount Vernon, the seat of the late Genl. Washington
Description: View of the first president's Virginia estate showing the residence and grounds near the Potomac River. Shows the house and a white gentleman standing near the entrance. On the grounds, two white women with parasols promenade, an enslaved African American man leads a horse, a white man carries a sickle and a bundle of wheat, and a dog chases another horse. In the left background, a boat sails on the river., Title from item., Date inferred from provenance and publication history., Originally published as a smaller plate in William Birch's Country Seats in the United States of North America (Philadelphia: 1804), this view was revised on a larger plate and reissued as a separate print by Birch in 1812. The popular larger 1812 plate was later republished, probably by John McAllister, around 1860., Originally part of a McAllister scrapbook of views of Virginia. McAllister Collection, gift, 1886., Reaccessioned as P.9683.5., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Seymour, Samuel, 1796-1823, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *GC - Residences - Mt. Vernon [5737.F]

Title: [Certificate of membership on the committee of ships and ship builders in behalf of the Great Central Fair of the States of Pennsylvania, New Jersey, and Delaware] Great Central Fair, for the United States Sanitary Commission. Philadelphia June 1864
Description: Committee membership certificate containing six vignettes and two scenes related to ship building and the Sanitary Fair. Scenes at the top and bottom edges show ships under construction at dry dock and visitors entering the Union Avenue entrance of the fair. Ship building scene shows several ship builders at work in front of and on the hull of a ship at dry dock at the river. A completed ship on a floating dry dock and ships in the water complete the view. Scene also includes a large America Flag incorporated as a pictorial element from the bottom scene and the motto "The Wealth and the Strength of the Nation." The fair scene shows throngs of people entering the arch-shaped entrance to the central passage of the fair site at Logan Square. A large flag pole ascends from the building. Vignettes create a side border and depict workshop scenes of the different professions within ship building. Laborers form the hull of a rowboat, sand and shave wood planks and huge spars (i.e. masts), sew sails, blacksmith using an anvil and hot coal from a furnace, and craft parts of the rigging. Many of the scenes include the tools of the trade, raw materials, and views out of the open entryways of the workshops toward vessels on the river. Vignettes surrounded by scroll flourishes. Also includes the names of committee members by their profession - Ship Builders, Boat Builders, Ship Joiners, Ship Smiths, Spar Makers, Riggers, Block Makers, and Sail Makers. Members include Henry Hoover, William Cramp, Joseph Albertson, Jonathan Jenks, Henry Delaney, Thomas Humphreys, William Hugg, and George Brazier. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Title supplied by Wainwright., Issued to Henry Delaney. Signed by Charles H. Cramp, Chairman; Preston Brearly, Secy.; and John W. Lynn, Treasr., Philadelphia on Stone, POS 99, Hagley Museum and Library: BSIDE
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1864
Location: Hagley Museum and Library | Imprints HML BSIDE

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