View of the lush grounds of the mission begun in the Black emigrant colony of Liberia in 1835 to educate and spread the gospel in Africa. Depicts the "mission houses," "school house," houses of a "native laborer" and "a colonist," and "native cattle broken to the yoke." A Black man guides a cattle-drawn cart on the dirt road outside of the fenced mission fields where Black laborers work. Begun under the auspices of the American Colonization Society and the Domestic and Foreign Missionary Society of the Protestant Episcopal Church, the mission moved on March 4, 1837 to Mt. Vaughan, named in honor of the Missionary Society's Secretary of the Board, Rev. John Vaughan. Contains key to figures below the image., Title from item., Lib. Company. Annual report, 1969, p. 56., Purchase 1969., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Breton was a 19th-century Philadelphia painter, delineator, and early lithographer who specialized in views.
Creator
Breton, William L., approximately 1773-1855, artist
Date
1838
Location
Library Company of Philadelphia | Print Department *GC - Views - Foreign - Africa [7821.F]
View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway in a large, deep pit on the 2100 block of Market Street. The construction workers include white and African American men. Shows men spectators looking down at the pit. Men fill horse-drawn carts with dirt, and theater advertisements for the "Famous Ithaca Band" at Willow Grove Park adorn construction equipment., Title supplied by cataloger., Date inscribed in negative: 9-17-04., Inscribed in negative: 579., Gift of Steven Dorfman, 2013., Description revised 2022., Access points revised 2022.
Date
[September 17, 1904]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.2013.6.9]
View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway in a shallow pit on the 2100 block of Market Street. The construction workers include white and African American men. Also shows cityscape, trollies traveling in the street, spectators, and construction equipment., Title supplied by cataloger., Date inscribed in negative: 7-22-04., Inscribed in negative: 563., Gift of Steven Dorfman, 2013., Description revised 2022., Access points revised 2022.
Date
[July 22, 1904]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.2013.6.7]
Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department Cased photos – sitter – Rogers [P.2016.78.1]
Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of George Allen., Title variant of P.2018.16.6., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator
Underwood & Underwood
Date
1895
Location
Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Work [P.2017.121.2]
Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting a group of African American men and boy peddlers at the corner of a city street. The figures are drawn with racist and caricatured features and mannerisms. In the center, a milk peddler stands and hawks with a trumpet in his left hand and a canteen of milk, ladle, and pitcher in his right hand. The man is attired in a wide-brimmed hat, shirtsleeves, pants, and a long apron. To the left, another African American man peddler pushes a large cart of junk wares and looks down at a young African American child running from a dog. The man wears a rumpled top hat, torn shirtsleeves, a vest, and patched pants. The child wears a smock dress and their hat has fallen by the feet of the milk peddler. In the right, a newspaper boy hawks the papers under his right arm. He is attired in a soft-brimmed hat, jacket, and pants. In the far right, a man attired in a hat, a shirt with turned-up collar, a long jacket, and striped pants, holds a bell and has his left leg stepped up on a box. Cityscape, a white woman street vendor at a table, and a horse-drawn cart are visible in the background. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn 1870., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date
1887
Location
Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.5]
Stereograph depicting “Uncle Jimmie,” an older African American man knitting the corner edge of a mesh fishing net extended out in front of him from a pole on the porch of a wood cabin. Shows the man, with receding, short, cropped hair, seated, and in profile. He wears a white, long-sleeve, button-down shirt; dark-colored pants; and work shoes. The man, possibly Gullah, uses a flat rule and needle on the edge of the net. Behind the man, in the background, an open door to an entryway with an open window is visible. A vertical beam is also visible in the left of the image. Knitting fish net was and is one of a number of Gullah traditions (customs developed by enslaved Africans living along the Atlantic coast of South Carolina) practiced in Beaufort, S.C., Title from manuscript note on verso., Date inferred from active dates of Wilson & Havens partnership., Orange mount with rounded corners., Description reviewed 2022., Access points revised 2022.
Creator
Wilson & Havens, photographer
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - misc. photographer - Wilson & Havens [P.2020.38]
Racist trade card illustration depicting a short-haired African American girl picking cotton. Surrounding the image are cotton leaves, buds, and bolls. The girl carries a large, overflowing bale of cotton in the skirt of her apron and stands on her left leg while kicking her right leg outward. Visible in the right corner of the image is a tin bucket of Golden Cottolene. The girl is attired in a red and blue striped collared dress, a yellow striped apron, red socks, and black heeled boots. She is depicted with exaggerated features. Golden Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy! Cottolene, the new and popular health food, is rapidly superseding lard and butter as a cooking fat, being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. The N.K. Fairbank Co. Chicago, St. Louis, New York, Boston, Philadelphia & Montreal. Recipe for New England Doughnuts. 1 cup sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls melted Cottolene. 1/2 cup milk. 2 teaspoonfuls baking powder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.137]
Racist trade card illustration depicting a three-quarter length portrait of a smiling African American girl. The girl holds an overflowing bale of cotton in her arms. A picturesque countryside and field of cotton is visible in the background. The girl is attired in a pink and blue striped short sleeved dress and her hair is tied into a braid with a yellow ribbon. She is depicted with exaggerated features. Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy!!! Cottolene, the new and popular Health Food is rapidly superseding lard and butter as a cooking fat being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking, and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. N.K. Fairbank & Co., Chicago. St. Louis. New York, Boston, Philadelphia and Montreal. Recipe for New England Doughnuts. 1 cup of sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls of melted Cottolene. 1/2 cup milk. 2 teaspoonfuls of baking bowder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.138]
Includes predominantly banknote specimens showing enslaved, free, and possibly free African American men, women, and children. Images depict an African American man driver hauling a wagon filled with hay (p. 38); an African American man farm hand tending to horse in a farmyard (p. 38); enslaved men harvesting a field of grain (p. 45); an African American man cart driver hauling bundles up an incline (p. 50); enslaved men picking cotton juxtaposed with a townscape vista (p. 54); African American men workers collecting sap from trees under the view of a white foreman on horseback (p. 61); enslaved men, women, and children cutting and loading sugar cane onto a wagon at a “Sugar Plantation” (p. 66); an African American man driver leading “The Mule Team” on a country road (p. 67); African American men workers “Breaking Hemp” (p. 68); and a proof copy of an illustration from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861) depicting a scene by a hearth from “The Spy” with an African American male servant looking over the shoulder of a white woman housekeeper (p. 26). Majority of specimens include roadside scenery or plantation or residential buildings in the background. “Sugar Plantation” view also shows a steamboat on a river in the background., Title supplied by cataloger., Date inferred from the active dates of the partnerships of the printers in the imprints and content., Artists include F. O. C. Darley and Louis Denoce., Printers include American Bank Note Co.; Baldwin, Bald & Cousland; and Bald, Cousland & Co., Some items contain specimen number printed in lower right corner. Includes 131, 144, and 212., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Date
[ca. 1855-ca. 1857]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]
Advertisement showing the bustling industrial starch and farina works at the corner of Chestnut and Bridgewater Streets (ie. Chestnut and Thirtieth Streets) looking northeast toward the Schuylkill River. Laborers direct horse-drawn drays and wagons to and from factory buildings and railroad cars. Scene includes a man on horseback riding toward the factory buildings, a laborer standing in the foreground near the tracks, smoke rising from several chimneys in the complex, the Market Street Bridge crossing the Schuylkill River in the distance, and the outline of Philadelphia Gas Works gasholders immediately east of the bridge., Published in Edwin T. Freedley's Philadelphia and its manufactures: a handbook exhibiting the development, variety, and statistics of the manufacturing industry in Philadelphia in 1857 (Philadelphia: Edward Young, 333 Walnut Street, 1859 [c1858]), opposite page 460., Philadelphia on Stone, POS 826.2, Atwater Kent Museum: 88.98.74, Free Library of Philadelphia: 917.481 F87, Artist's study for print held in the collections of the Library of Congress. [DLC-PP-1997-105-Prints-StarchWorks]
Date
1859
Location
Atwater Kent Museum | Print Department AKM AKM 88.98.74
Contains advertisements for six of the depicted businesses below the image., Date from Poulson inscription on recto: Dec. 1848., View of the active business block containing and named after Grigg, Elliot, & Co., the largest and most prosperous publishing firm in the city that was founded by John Grigg in 1823 and purchased by J. B. Lippincott in 1849. Shows the block of buildings (10-20 North Fourth Street) covered in signage and including Barcroft, Beaver & Co., dry good dealers and S. M. Day, wholesale combs, brush and fancy goods trimmings (10); Goff & Peterson, importers and manufacturers of saddlery, carriage, and harness trimmings (12); Grigg, Elliot & Co. (14); C. H. & Geo. Abbott, dealers and importers of hardware and cutlery and C. Ahrenfeldt & Co., importers of toys & fancy goods (16); C. B. Lassell & Co., hats and caps and Charles Wingate, dealer in shoes, boots, and palm leaf hats (18); and Edwin & John Tams, importers and dealers of china, earthernware, and glass (20). Patrons exit and enter the various storefronts; delivery men, including an African American man, haul, load, and remove goods from horse-drawn and push carts; laborers load goods into shop storage cellars and use a pulley to raise a large cask; store clerks inspect and open newly arrived packages on the sidewalk; a horse-drawn dust settling machine passes in the street; and artisans and merchandise are visible in several of the shops' upper floor windows. Partial views of the adjacent buildings and a nearby alley with a laborer and push cart are also visible.
Creator
Rease, W. H., lithographer., creator
Date
[[1848]
Location
http://www.lcpgraphics.org/wainwright/W162.htm, Library Company of Philadelphia Print Dept. **W 162 [P.2077]
View of the active business block containing and named after Grigg, Elliot, & Co., the largest and most prosperous publishing firm in the city that was founded by John Grigg in 1823 and purchased by J. B. Lippincott in 1849. Shows the block of buildings (10-20 North Fourth Street) covered in signage and including Barcroft, Beaver & Co., dry good dealers and S. M. Day, wholesale combs, brush and fancy goods trimmings (10); Goff & Peterson, importers and manufacturers of saddlery, carriage, and harness trimmings (12); Grigg, Elliot & Co. (14); C. H. & Geo. Abbott, dealers and importers of hardware and cutlery and C. Ahrenfeldt & Co., importers of toys & fancy goods (16); C. B. Lassell & Co., hats and caps and Charles Wingate, dealer in shoes, boots, and palm leaf hats (18); and Edwin & John Tams, importers and dealers of china, earthenware, and glass (20). Patrons exit and enter the various storefronts; delivery men, including an African American man, haul, load, and remove goods from horse-drawn and push carts; laborers load goods into shop storage cellars and use a pulley to raise a large cask; store clerks inspect and open newly arrived packages on the sidewalk; a horse-drawn dust settling machine passes in the street; and artisans and merchandise are visible in several of the shops' upper floor windows. Partial views of the adjacent buildings and a nearby alley with a laborer and push cart are also visible., Title from item., Date from Poulson inscription on recto: Dec. 1848., Contains advertisements for six of the depicted businesses below the image., Philadelphia on Stone, POS 331, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease, W. H., lithographer
Date
[1848]
Location
Library Company of Philadelphia | Print Department **W 162 [P.2077]
Collection of billheads, dated between 1845 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts (some adorned in signage) and an allegorical scene showing Hermes seated among crates, barrels, and bundles, near a brick oven in front of a docked ship at which a horse-drawn dray stands. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details depict frames and filigree. Firms represented include Dr. S. Dickinson & Son (Erie, Pa.); Sisson, Butler & Co. (Hartford, Conn.); Smith & Atkinson (Baltimore); Theo. Ricksecker (N.Y.); Stretch, Bennet & Co. (Philadelphia); Underhill & Kittredge (Concord, N.H.); W. J. Whitehouse (Fort Edward, N.Y.). Billed patrons include Reed House Drug Store; C. S. Clark; Danl. Fahoney, Boonboro, Md.; Athey & Hill, Holly Spring, Miss.; Ebun Somers; Horace Chaser; and R. Williamson, Putnam., Many of the items contains manuscript notes about receipt of payment., P.2011.46.406 contains extensive manuscript note: Dr. D. Fahoney, We have above [?] of your acct. We gave Mr. Shaw a duplicate receipt for the money paid us & sent the box of rhubarb to his store to be sent by some of the waggons [sic] from your neighborhood, as they come to him with flour. Please accept our thanks for your attention in making us the remittance - We will be sending some orders to Germany & other parts of Europe about the 10th of May & of these are any articles that you have found it difficult to get good heretofore, if you will let us know before that time me can probably get them. Yours Very Truly, Smith & Atkinson., Printers and engravers include E. Brown; Ashby & Vincent, Printers, Erie, Pa.; E. Weber, Baltimore; and Frank H. Harris, Printer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1845-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (S-Z) [P.2011.46.403-409]
Collection of billheads, dated between 1852 and 1878, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts (some adorned in signage) and an allegorical scene showing crates and barrels on the coast in front of a ship sailing in the distance representing imported "English, French & India drugs." Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details depict frames, including a medal engraving, and flourishes, and filigree. Firms represented include N. S. Harlow (Bangor, Me.); O.B. Curran & Son (Ithaca, N.Y.); Peckham & Glading (Providence, R.I.); Penfold, Clay & Co. (N.Y.); R. A. Robinson & Co.; Robinson & Church (Troy, N.Y.); Robinson & Hassard (Providence, R.I.); Russell & Landis (Philadelphia); and Charles H. Rutherford (N.Y.). Billed patrons include Mills & Kimball; Gauntlett & Brooks; J.S. Frayne; C.P. Severich; Athey & Hill, Holly Springs, Miss.; M.B. Callaghan; Mr. Warren; F. P. Magraw; and Glover, Warner & Clark., Printers and engraver include Reilly, Lou. NY and Longacre & Co. Lith, Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1852-1878]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (N-R) [P.2011.46.382-390]
View of the commercial street, above Thirteenth Street, south side. Businesses include: Keystone Bank and F.A. Wenderoth & Co., photographers (1326 Chestnut); Cornelius & Sons, gas fixtures, (1332 Chestnut); Garriston Cornelius's "Arcadian Billiards" saloon (1338 Chestnut); and the Parisian Kid Glove Company (1344 Chestnut). Laborers work in the street in front of the Keystone Bank. Includes partial view of the U.S. Mint. Horse-drawn carriages travel down the street., Photographer's imprint printed on mount., Title printed on mount., Manuscript note on verso: West from 13th St., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Cremer, James, 1821-1893
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.9168.15]
Cartoon of a funeral procession portraying the erosion of Democratic support for presidential hopeful Martin Van Buren, the "Kinderhook Fox," during the election of 1844. Depicts President Tyler, instrumental in Van Buren's defeat, stating, "Thus do all our hopes end in Clay," as he steers a funeral cart carrying Van Buren, depicted as a dead fox; his son, poet Robert Tyler; and a bale of cabbages. The cart is pulled by Andrew Jackson, depicted as an old nag boasting about his part in Van Buren's death. Following the cart are the devil sobbing and bemoaning that he is Van Buren's only friend and a rotund man in a wide brimmed hat who rings a bell and calls, "Bring out your dead." In the right, two barefooted African American men gravediggers, portrayed in racism caricature and attired in torn and worn clothes, hold shovels as they stand over and comment about the open grave they have dug for Van Buren. "Here comes Pompey, we'll have this Fox earthed at last." A small cabin, with an emaciated white man in the doorway, and labeled "Loco Foco Hall" (Loco Focos were a radical branch of the Democrats who supported Van Buren) stands in the background., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1844 by James Baille in the Clerk's office of the Dist Court of the Southern District of N. York., Gift of Mrs. Francis P. Garvan, 1977., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bucholzer was a New York cartoonist whose work was published by James Baillie from 1843 until 1847.
Creator
Bucholzer, H., lithographer
Date
1844
Location
Library Company of Philadelphia | Print Department Political cartoons - 1844-17 [8366.F.21]
Street scene with a view of the Bank of the United States on Third Street. Shows groups of men in conversation, couples strolling the sidewalk, and individuals walking up the bank's steps. View also includes, horse-drawn carts traveling in the street and, in the right, an African American man laborer working with wood scraps in front of a nearby building. Designed by Samuel Blodget, Jr., the Federal-style building was completed in 1797 and housed the first Bank of the United States until revocation of the bank's charter by Congress in 1811. Purchased by wealthy Philadelphian Stephen Girard, the building became "Girard's Bank," and operated on the site for the next twenty years., Title from item., Reproduced in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 17., Gift of James D. Johnson, 1995., Description revised 2021., Access points revised 2021.
Creator
W. Birch & Son
Date
1799
Location
Library Company of Philadelphia | Print Department Birch's views [Sn 17a/P.9485]
Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; lithographer, John Childs; and engravers, stationers and producers of embossed cards, envelopes, labels, etc., Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 resided at the site until dissolving in 1860., Title from duplicate print., Date from Poulson inscription on recto: Fourth Street; s.w. cor.; Library Street; Feby, 26, 1856., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Louderbach & Hoffman, engraver
Date
[February 16, 1856]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.2277.23]
Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; the Dime Savings Fund; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; blank book manufacturer, J.R. McMullin; and engravers, stationers, producers of embossed cards, envelopes, and labels, Jacob Maas, Henry Percival, and Jacob's son, Charles E. Maas. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the site until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1853 remained at the site until dissolving in 1860., Title from item., Date inferred from content and history of the printer., Advertising text printed around border., Advertisements printed on verso: engraver, J.H. Byram - wholesale collar manufacturer, Robert C. Winters - and truss manufacturer and importer, C.W. Van Horn & Co., Originally part of a McAllister scrapbook of engravings related to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Louderbach & Hoffman, engraver
Date
[ca. 1857]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [(7)1322.F.158.1a]
Business advertisement depicting the commercial building at 402 Library Street containing the establishments of Howell Evans; ship and custom house brokers, E. Headley Bailey & M.S. Alexander; engravers on wood, James W. Louderbach & Gustavus A. Hoffman; and blank book manufacturer, J.R. McMullin. Several men and women pedestrians, including an African American man laborer carrying a bundle, walk the sidewalk. Patrons enter the building's open doorways. A coach travels speedily past the building. Evans, the self-promoted first "fast card press in the city" operated his firm at the address until 1880. In 1860, his press executed the advertisements for the Cohen Philadelphia City Directory. Louderbach & Hoffman, a partnership formed in 1852 remained at the site until dissolving in 1860. J.R. McMullin remained from 1857 until 1859., Title from item., Date from Poulson inscription on recto: Decem. 1858., Signage on building for Evans, Card & Fancy Printer stamped with gilt., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Louderbach & Hoffman, engraver
Date
[December 1858]
Location
Library Company of Philadelphia | Print Department PhPr - 11x14 - Business [P.8729.8]
Print from an unfinished plate by Philadelphia engraver Alexander Lawson, after the 1815 painting (owned by the engraver) titled "Election Scene. State House in Philadelphia" by his friend and genre painter, John Lewis Krimmel that was exhibited at the Pennsylvania Academy of the Fine Arts Exhibition of 1816. Depicts the rowdy immoral atmosphere during the afternoon of a Philadelphia election at the State House on Chestnut Street between Fifth and Sixth Streets. Voters arrive, complete and switch votes, and block the polls as politicians and campaigners, including former mayor John Barker, lobby for votes and engage in debate. A band and patriotic float parade down the street; a tavern quarrel occurs; two young African Americans attempt to rob a distracted woman peddler; an oyster vendor does a brisk business; and mothers and couples stroll and children play. Flags are displayed on the buildings, including Peale's Museum., Title from duplicate print at Henry Francis Dupont Winterthur Museum., Plate deposited by artist's daughter at the Pennsylvania Academy of the Fine Arts in 1887 from which 42 prints were produced between 1888 and 1904., Anneliese Harding's John Lewis Krimmel. Genre artist of the early republic (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 83-90., Milo Naeve's John Lewis Krimmel: An artist in federal America (Newark: University of Delaware Press, 1987), p. 118-119., LCP exhibition catalogue: Made in America,, Accessioned 1992., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Lawson, Alexander, 1773-1846, engraver
Date
[ca. 1894]
Location
Library Company of Philadelphia | Print Department ***PhPr-Gov't Buildings-Independence Hall [P.9380]
Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Description revised 2021., Access points revised 2021., Philadelphia on Stone, POS 351, Lower left corner missing., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis Schell in the 1850s, and eventually owned his own press until around 1872.
Creator
Rease, W. H., artist
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department **W174 [P.2143]
Advertisement depicting the large factory's several industrial buildings, sheds, and fenced yard near a busy street and sidewalk. Workers attend to a maze of drying lines with hanging leather pieces; delivery carts traverse the yard and depart through the gate under the sign "McNeely & Co."; and a laborer uses a horse-drawn cart to collect coal from a mound beside the main building. Pedestrians, including a white woman and boy, stroll and converse on the sidewalk. In the street, an African American man and woman couple push a filled handcart and a crowded horse-drawn omnibus from the "Frankford Road - Fourth Street" line passes by. The McNeely family operated a leather manufactory in Philadelphia from 1830 until the early 20th century., Title from item., Date of publication supplied by Wainwright., Philadelphia on Stone, POS 463, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.
Creator
Rease, W.H, artist
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department **W230 [P.2129]
View of the float for Charles J. Webb Co., Philadelphia woolen and cotton yarn dealer. Bordered by a log fence and adorned with cotton plants and two small American flags, the float carries four live sheep and several costumed passengers including: three African American men attired as cotton pickers; a white man attired as a colonial lady near her spinning wheel; and a white boy attired as a colonial sheepherder holding his crook. Partial view of preceding float is visible with a white man attired in colonial garb. A large, stone building lines the street., Title supplied by cataloger., Date inferred from content., Purchase 1989., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1920]
Location
Library Company of Philadelphia | Print Department photos - unidentified - processions [P.9260.638]
View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway on the 700 block of Market Street. Shows the very active street with several trolleys, horse-drawn vehicles, and men and women pedestrians hurrying on the street near the sidewalk mobbed with people. African American construction workers work under a "Danger" sign. Nearby, a man carries a sign advertising "Dr. Hyman" who "will fix your teeth." Several businesses line the street, including Lit Brothers department store (701-739 Market); "Dr. Wyeth's Painless Modern Dentistry" covered with signage; Hanscom's, grocery and lunch room (734 Market); Hertfelder's, tailor and clothiers; Wick Narrow Fabric Co.; and Asam Brothers, wall paper., Title from manuscript note on verso., Date inscribed in negative., Inscribed in negative: 4396., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
September 25, 1907
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.375]
View showing street construction by the Philadelphia Rapid Transit Company of the Market Street Subway across from the Broad Street Station (built 1879-1882). In the foreground, a number of African American construction workers stand in a pit. In the background is another pit with more construction workers. Pedestrians and spectators look on at the scene. Several businesses on the south side of the 1600 block of Market Street, including "Cronin's," are visible. Also shows several horse-drawn wagons traveling past the rail station, and theater advertisements adorning construction equipment., Title supplied by cataloger., Date inferred from a closely-numbered photograph in the series with an inscribed date., Inscribed in negative: 555., Gift of Steven Dorfman, 2013., Description revised 2022., Access points revised 2022.
Date
[1904]
Location
Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.2013.6.5]
Print commemorating the Emancipation Proclamation containing a bust-length portrait of Abraham Lincoln and two abolitionist vignettes above text from the Proclamation. In the center, Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly right and is bordered by an American eagle clutching an olive branch and arrows in front of a backdrop of American flags. To the left and right of the portrait are scenes of an auction of enslaved people, with an African American woman, and free African American men working in a carpentry shop. Below the scenes, two African American cherubs hold a banner inscribed, "By the President of the United States of America." Below the text, an allegorical vignette contrasts the productive North with the destitute South depicting a white woman crying, surrounded by her children, sitting underneath a tree., Title from item., Date from copyright statement., Purchase 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., J. Mayer & Company, the Boston lithography firm established by John Julius Mayer in 1862, specialized in practical lithography. Despite the official firm name, John Mayer had no partners.
Creator
J. Mayer & Co., lithographer
Date
1865
Location
Library Company of Philadelphia | Print Department **GC - Emancipation [8025.F.4]
Collection of billheads, dated between 1886 and 1899, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); mortars and pestles, including a trademark with an eagle perched on the tool; and an allegorical scene juxtaposing a mule caravan in tropical setting with a "Quinine Chemical Works." Pictorial details include floral and cloud imagery, frames, and flourishes. Firms represented include New York Quinine Chemical Works (N.Y.); Nichols & Harris (New London, Conn.); Noyes Brothers & Cutler (St. Paul, Minn.); Ohio Truss Co. (Cincinnati); Gilbert R. Parker (Johnston, R.I.); Charles H. Pleasants (N.Y.); Plimpton Cowan & Co. (Buffalo, N.Y.); John B. Raser (Reading, Pa.); Raynolds & Churchill (Burlington, Ia.); Robert Baker & Co. (Philadelphia); R. W. Robinson & Son (N.Y.); and Rodgers, Tedford & Co. (Knoxville, Tenn.). Billed patrons include The Resinol Chemical Co., Baltimore, Md.; C. D. Clark; A. Hirschle Smith, Amenia, N.D.; C. H. Case, Jefferson, Ohio; Walter W. Place; [New York] Dept. of Public Charities & Correction; A. E. Phillips, Sinclairville, N.Y.; J. F. Wagonhurst, Mertztown, Pa.; J. S. Banes, Villisca, Ia.; J. F. Wagernhuss (i.e., Wagonhurst?); E. S. Stokes; and Marion Roberts., Some items contain manuscript notes and/or stamps acknowledging receipt of payments and terms of sale., Printers include Falls City Litho. Co. Louisville, KY; Ketterlinus, Phila; Gast, St. LS. N.Y; G.H. Dunston, Buffalo, N.Y.; and Lith. Pioneer Press Co., St. Paul, Minn., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1886-1899]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (N-R) [P.2011.46.391-402]
Collection of billheads, dated between 1883 and 1905, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and tools; a sick-bed scene showing a doctor with a thermometer at the side of his female patient; an eagle perched on a cliff; the interior of a drug store; and a horse and groom. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a thermometer, floral imagery, frames, filigree and flourishes. Firms represented include Sagar Drug Co. (Duluth, Minn.); Sandhop, Fritsch & Co. (N.Y.); J. J. Seinsoth (Hartford, Conn.); S. H. Wetmore Company (N.Y.); J. E. Silliman (Erie, Pa.); Smith, Benedict & Company (Boston); Southern Drug Co. (Morristown, Tenn.); Stone, the Druggist (Fitchburg, Ma.); Strong, Cobb and Co. (Cleveland); Tarrant & Company (N.Y.); Thomsen & Muth (Baltimore); Dr. G. Ulrich (Erie, Pa.); Van Natta-Lynds Drug Co. (St. Joseph, Mo.); Van Vleet-Mansfield Drug Co. (Memphis, Tenn.); Vogeler, Winkelmann & Co. (Baltimore); William A. Whittem (Philadelphia); Winkelman & Brown Drug Co. (Baltimore); and Alfred Wright (Rochester, N.Y.). Billed patrons include T. Belhummeur, Lake Linden, Mich.; New York Department of Public Charities; Hartford Street Railway Company; H. A. Kerste, Schnectady, N.Y.; A. A. Beckman; Geo. H. Gilbert Mfg. Co.; A. S. Emmons; Carriger & Roberts; Fitchberg [?] Electric Light Co.; A. E. Phillips, Sinclairville, N.Y.; Dr. H.C. Porter & Son (Towanda, Pa.); W. P. Carriger, Morristown, Tenn.; J. F. Walther; D. W. Marris, Emporia; J. E. Chandler, Malvern; A. W. Holsey; Resinol Chemical Company; and H. F. Belanger, Houma, La. Collection also contains billhead of British chemist and druggist R. C. Walshaw (Huddersfield)., Some items contain manuscript notes and/or stamps acknowledging receipt of payments, terms of sale, and changes of address., Printers include Christie & Collier, Litho. Duluth; Strobridge & Co., Lith Cincinnati; A. Hoen & Co. Baltimore; S. C. Toof & Co., Memphis; and Craig, Finley & Co. Lith. Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1883-1905]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (S-Z) [P.2011.46.410-428]
Collection of letterheads and stationery from the late 19th century containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict trademarks, including Mishhler's Herb Bitters anchor of "Hope"; exteriors of factories and storefronts (some including signage); druggists rubber goods, including a bulb syringe and atomizer; and the waiting room and exam room of a dental office. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. View of New York Sumac Extract Company factory complex (20 Cedar Street) also shows a ship docked at the factory pier. Pictorial details include a phoenix, quarter moon, banners, mortar & pestle, frames, filigree and flourishes. Firms represented include Naph B. Greensfelder & Co. (San Francisco, Ca.); New York Sumac Extract Company (Long Island City, N.Y.); Rev. Jasper Marx Medicines (Jersey City, N.J.); Richardson Drug Company, Omaha (Salt Lake City, Ut.); S. B. Hartman & Co, Office of Eastern Laboratory and Wholesale Depot (Lancaster, Pa.); R.H. Mcdonald & Co. (San Francisco, Ca.); Smith, Kline & French Co. (Philadelphia, Pa.); Smith & Prime (Ausable Forks, N.Y.); Spink & Co. (Minneapolis, Minn.); H.N. Stratton (Brooklyn, N.Y.); Judson B. Todd (Ithaca, N.Y.); Tyer Rubber Company (Andover, Ma.); Westlake & McIntyre (Grand Rapids, Mi.); Whitall, Tatum & Co. (Philadelphia); Wm. H. Armstrong & Co. (Indianapolis, Ind.); and G. F. Witter (Grand Rapids, Wis.). Correspondence relates to product orders and fees, solicitations for business, and payments. credits, and payment disputes., Correspondents include Parchen-D'Acheul Drug Co.; Brooks R. Webber; R. B. Hutchings; H.M. Parchen & Co.; Samuel Newton; S. B. Hartman & Co.; H. R. Sands & Co.; R. H. McDonald & Co.; Polk Miller Drug Co.; F.M. Hopkins Sons; Henry A. Kerste; C.W. Prindell; Leonard Kellar; and Henry Bartry., Printers and engravers include Seifert & Lawton, Milwaukee; Baker-Randolph Litho. & Eng. Co. Chicago; and [George W.?] Mills., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1860-ca. 1896]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Letterheads & Stationery (N-Z) [P.2011.46.464-479]
Collection of billheads, dated between 1850 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict allegorical figures and scenes, exteriors of storefronts and factories (some adorned in signage), and pharmaceutical apparatus and goods, including mortar and pestles, distillers, and barrels, crates, and cans of medicinals. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include trademarks depicting a white lily (White Lily Catarrh Cure) and a serpent wrapped around an adorned staph. Firms represented include A. B. & D. Lands (N.Y.); Adie & Gray (Richmond, Va.); Frank S. Allen (N.Y.); Almy, Milne & Co. (Fall River, Ma.); Barrick, Roller & Co. (Philadelphia); Beates & Miller (Philadelphia); Bentley & Miller (New Haven, Ct.); B.H. Douglass & Sons (New Haven, CT); Breinig, Fronefield & Co. (Philadelphia); Burdsal & Brother (Cincinnati); H. H. Burrington (Providence, R.I.); Jno. S. Carter (Erie, Pa.); C. & J. L. Van Deusen (Roundout, N.Y.); A. L. Cutler (Boston); C. V. Clickener & Co. (N.Y.); Davis & Tucker (Canton, Oh.); Rutger L. Drake (Troy, N.Y.); and I. C. Dubose & Co. (Mobile, Ala.). Also contains billheads of the Glasgow Dispensing Chemist Thomas Davison and Stony Stratford Retail Chemists and Druggists Cox & Robinson., Billed patrons include Wynard & Sayer, Warwick, N.Y.; Jar. Courier, Blue Sulphur Springs, Greenbrier; H.L. Plumb; A.H. Dailey; J.B.M. Linn & Co.; Jos. Abrams; Warner, Clark & Taylor; J. F. Rambo; L. & N. Cross; Geo. E. Doolittle & Co., Erie, Pa.; Late C.W. Bersford S. Lowndes; J. Burnhamer; D. F. Lamon & Co.; Lorin Schaefer, Sr., Canton ; M. L. Filley; Thos. McMillan; and Wm. Jas. Comper, Holmwood, Cathcart., Some items contain stamps or pasted labels., Printers include J. L. Brooks Bank Check Co. Lith. Boston; Middleton, Strobridge & Co.; Billing Bros. & Whitmore Birmm.; and W. Weatherston & Son., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1850-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (A-D) [P.2011.46.271-289]
Collection of billheads, dated between 1882 and 1902, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict allegorical figures and scenes, including a griffin; exteriors of storefronts and factories (some adorned in signage); and pharmaceutical apparatus and goods, including mortar and pestles, scales, and trusses. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include tropical imagery, banners, filigree and flourishes. Firms represented include Clarence S. Abrams, Ph. G. (Middleton, N.Y.); Henry Adams, Phar. D (Amherst, Ma.); Allan Pfeiffer Chemical Co. (St. Louis, Mo.); American Silver Truss (Buffalo, N.Y.); Apothecaries Hall Co. (Waterbury, Conn.); A. M. Foster & Co. (Chicago); Arthur Peter & Co. (Louisville, Ky.); M. F. Benjamin (Riverhead, L.I.); Benton, Myers & Co. (Cleveland); Andrew Blair (Philadelphia); Boykin, Carmer & Co. (Baltimore); Blumauer-Frank Drug Co. (Portland, Ore.); J. H. Boher (Harrisburg, Pa.); Stephen Bowen (Blossburg, Pa.); W[illiam] E. Brown (Providence, R.I.); W. E. Brown (Calverton, Md.; Bush & Co. (Worcester, Ma.); Bruen Bros. & Ritchey (N.Y.); Carr Brothers & Co. (Baltimore); Carter, Carter & Meigs (Boston); Joe/J.E. Chamberlain (Malvern, Ark.); Charles Hubbard Son & Co. (Syracuse, N.Y.); Charles Leich & Co. (Evansville, Ind.); Chas. W. Snow & Co. (Syracuse, N.Y.); C. W. Coulter & Co. (Slippery Rock, Pa.); Demoville & Co. (Nashville, Tenn.); and Davis & Lawrence Co. (Schnectady, N.Y.), Billed patrons include C. A. Stanton, Wurtsboro, N.Y.; G. C. Lee; Joseph Schnell, Binghamton, N.Y.; O.H. Case, Jefferson, Ohio; Duscher & Kiel; J. E. Chamberlain's Drug Store, Malvern, Ark.; Carreger Roberts & Co., Morristown, Tenn.; Goldsmith & [Fairhill?]; A. E. Phillips; Mrs. W. Hinckle Smith; The Clifton Mfg. Co., Clifton, S.C.; Benjamin Foster; Mrs. J. Boyle; W. H. Place; Resinol Chemical Co.; C. W. Phillips; Gilbert Bigelow; A. & G. Hewitt; J.W. Garrien & Co; L. D. Cooper; Rhoden & Miller; A. B. Brooks; Schultz Thurman; A. McKinney; McClellan Bros., Red Boiling Springs; and H. A. Kerste, Schnectady, N.Y., Some items contain manuscript notes and/or stamps acknowledging shipment or receipt of payments., P.2011.46.315 title annotated from Bought of C. W. Coulter & Co. to C. W. Coulter, "& Co." is crossed out., Printers include Shober & Carqueville Litho. Co.; Equitable Litho. Eng. Co. Balto. MD; J. L. Brooks Bank Check Co. Springfield, Mass.; Moser, Lyon & Co., Syracuse, N.Y.; Heincke-Fiegel Litho. Co. St. L.; Thomas & Miller Printers, New Castle; Foster & Webb Print, Nashville; G. H. Dunston Lith. Buffalo, N.Y.; and Gilmour & Kearns Lith. Montreal., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1882-1902]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (A-D)[P.2011.46.290-317]
Collection of billheads, dated between 1852 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and goods, including "patent shaving mug," mortar and pestles, scales, and rates, barrels, and jugs of medicinals; and a medieval scene of an apothecary in his laboratory. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a key; a druggist and also a lion using a mortar and pestle; banners; flourishes; and frames. Firms represented include Earl P. Mason & Co. (Providence, R.I.); E. Hartshorn & Sons (Boston); F. M. Keeler & Co. (Boston); D. H. Fonda (Albany, N.Y.); Frambes & Wright (Absecon, N.J.); Frederick Klett & Co. (Philadelphia); Gauntlett & Brooks (Ithaca, N.Y.); Geo. E. Greene (Brattleboro, Vt.); G. & S. Crawford & Co. (N.Y.); Geo. W. Norton & Fitch (Lexington, Ky.); Jos. B. Gorrell (Culpeper, Va.); H. H. Hay (Portland, Me.); Henry C. Willard & Co. (Brattleboro, Vt.); H. O. D. Banks & Co. (Philadelphia); William Hadde (New York); J. S. Ingraham (Bangor, Me.); I. N. Thorn & Co., partnership between Thorn and George E. Greene (Brattleboro, Vt.); J. M. & W. W. Cubbison (New Castle, PA); John F. Henry, Curran & Co. (N.Y.); Klein & Fleet (N.Y.); Kenyon, Potter & Co. (Syracuse, N.Y.); Lanman & Sevin (Norwich, Conn.); A. J. McKean (Mercer, Pa.); McMonagle & Rogers (Middletown, N.Y.); and Martin Kalbfleisch's Sons (N.Y.)., Billed patrons include H. Warner; F. A. Richards; A. H. Dailey, Fall River; W. H. Barnes, Chartam Village; Ebenezar Somer; C. Schrack; Gauntlett & Brooks, Ithaca; Julius J. Estey; C. S. Clark, Center Brook, Conn.; D. J. Ayers; D. W. A. Hill; T. A. Pewdexter; Frederick Ehrhardt; Mr. Leverich; J. M. Daniels; A. McKinney; F. L. Norton; McKiney Bros; C. W. Philips; and New York Eyelet Co., P.2011.46.324 title annotated: Gauntlett & Brooks, crossed out., Engravers include Redman-Kenny, N.Y.; J. Spittall; Richardson; and Gibson & Co., Cincinnatti., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1852-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (E-M) [P.2011.46.318-342]
Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1865-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [P.9304]
Photograph album containing identified portrait photographs, bust-length, half-length, and full-length, of twenty-one prominent Philadelphia African American men. Named sitters in order of inclusion in album include veteran Harmon Richardson attired in a military uniform; educator and activist Octavius Catto; civil rights activist Edwin Chew (son of John and Charlotte Henson Chew); janitor and later undertaker Guy M. Burton with musician Ed[ward] H. Johnson and Terry V. Hall; musician Joseph G. Anderson; Civil War veteran and waiter Taylor Aldridge; Johnson al-Jube holding a basket; laborer Parker T. Smith; Jeremiah V. Hall; George Hall; waiter William I. Lancaster; barber James Keith; caterer Henry Tobias; Cheslea Bass, barber and partner to James Keith, with caterer Andrew F. Stevens; Edwin Lewis; Jas. H. Williams ae.[sic] Rush; Thomas Proctor; and restauranteur/caterer Ja[me]s B. Page. Musicians Edward Johnson and Joseph G. Anderson were members of Francis Johnson's band in the 1830s and 40s., Title supplied by cataloger from label on spine., Date from content and medium of photographs., Cardboard binding with torn spine label inscribed: Portraits of Well Know[n]. Insides of binding covers include scribbles and a pasted partial scrap of a flower., Photographs are loose or attached to album pages within binding., Sitters, and occasionally their profession, identified by manuscript notes on verso of photograph or album page. Some notes include statement "deceased," including for sitters Harmon Richardson, Edwin Chew, Octavius Catto, Edward H. Johnson, Terry V. Hall, Joseph G. Anderson, Johnson al-Jube, George Hall, James H. Williams, and James Page., Mostly unidentified photographers with identified Philadelphia photographers John L. Gihon and Parlor Gallery., Portrait photograph of Octavius Catto reproduced after a circa 1871 portrait photograph taken by African American Philadelphia photographer Gallo W. Cheston and/or Philadelphia photographers Broadbent & Phillips. See "Amy Cohen's Catto the Forgotten Hero" at catto.ushistory.org/. See also Harper's Weekly 15 (October 28, 1871), p. 1005 and a copy of the original portrait at https://npg.si.edu/object/npg_NPG.2006.8. Photograph stamped on verso: Kean Archives, Phila., Portrait photograph of Taylor Aldridge inscribed on verso: Nov. 27 '83., Verso of album page with portrait photograph of Edwin Lewis inscribed: July '83., Verso of album page with portrait photograph of James Page printed: Sharpless Bros. Dry Goods, Chestnut and Eighth Sts. Philadelphia., Purchase 1990., Description revised 2023., Access points revised 2023., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1865-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [P.9304]
Print commemorating men prominent in and representative of the advancement of African American civil rights. Depicts a central vignette of bust-length portraits of ex-Senator Blanche Kelso Bruce of Mississippi, abolitionist Frederick Douglass, and ex-Senator Hiram Revels of Mississippi surrounded by four scenes of pre- and post-Civil War African American life. Includes two titled scenes, "Receiving the News of the Emancipation" depicting an older African American man, two women, and children celebrating, and "Studying the Lesson" depicting an African American man teacher instructing a classroom of children. Adorning the borders of the central vignette are a portrait of John Brown flanked by a horn of plenty and school books, and an eagle holding American flags embellished with portraits of Abraham Lincoln, James Garfield, and Ulysses S. Grant. Other scenes depict enslaved African American men and women picking cotton and African American Civil War soldiers fighting a battle. Includes corner portraits of African American legislators John R. Lynch of Mississippi, Joseph H. Rainey of South Carolina, Robert Smalls of South Carolina, and Charles E. Nash of Louisiana., Lib. Company. Annual report, 1975, p. 60-61., Gift of Gordon Colket, 1975., Reaccessioned as P.9615., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1881
Location
Library Company of Philadelphia | Print Department **GC - African American Heroes [8140.F]
Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator
Richardson, Thomas, 1802-approximately 1881
Date
[ca. 1854-ca. 1861]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]
Collection of letterheads and stationery from the late 19th century containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict trademarks, including the Alpine Products Co. eagle; the bloodhound "Grip"; and interiors and exteriors of storefronts, laboratories, and medical dispensaries (some adorned in signage), including H.E. Bucklen & Co.'s Bottling Dept., Composing Room, Engine & Press Room, Shipping Room, Main Office, and Mailing Dept. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a ladies truss, a profile portrait of a woman captioned "The crowning glory of Woman is Her Hair," mortar & pestle, floral imagery, frames, filigree and flourishes., Firms represented include A.C. Meyer & Co. (Baltimore); Alpine Products Co. (N.Y.); The Altenheim Medical Dispensary (Cincinnati); T.P. Bailey, M.D. (Georgetown, S.C.); Bellows Falls Drug Store (Bellows Falls, Vt.); Benton, Myers & Company (Cleveland); S. Biggs (Rockingham, N.C.); D. Wood Brant (Newark, N.J.); Canadian Kennel Club (Toronto); Horace Bush (Lowville, N.Y.); Carriger & Speck (Morristown, Tenn.); C.E. Grafton Drug Company (Brookhaven, Miss.); Chicago Medical Society (Chicago); Collegiate and Polytechnic Institute, i.e., Polytechnic Institute of Brooklyn (Brooklyn, N.Y.); Wm. Connolly, M.D. (Cresco, Ia.); Edward H. Currier (Manchester, N.H.); E.S. Leadbeater & Sons (Alexandria, Va.); Dr. E. Greenmayer (East Palestine, Oh.); Dr. Robert Hamilton's Medical Institute (Saratoga Springs, N.Y.); Bunting Hankins (Bordentown, N.J.); H.E. Bucklen & Co. (Chicago, Ill.); Heintzelman's Pharmacy (Philadelphia); D. E. Hoagland (Cobleskill, N.Y.); J. Henderson & Bros. (Pittsburgh); John Carle & Sons (N.Y.); John F. Henry & Co. (Waterbury, Vt.); Johnston, Holloway & Cowden (Philadelphia); Joseph Hahn & Co. (Sacramento, Ca.); J. S. Merrell Drug Co. (St. Louis, Mo.); Aug. Korndoerfer, M.D. (Philadelphia); Lyman, Sons & Co. (Montreal); Max Wocher & Son (Cincinnati); and Muth Brothers & Co. (Baltimore)., Correspondence relates to shipping arrangements and fees, product orders, payments, letters of certification and retention of employees, diagnoses and treatments, as well as a purchase of a storefront and feedback on a supply of samples. Collection also includes a personal letter completed July 8, 1884 by J.F. Madden describing his medical treatment and his day in Sacramento, Ca. Correspondents include Parchen D'Archeu Drug Company; The Polk Miller Drug Co.; G.W. Aimar & Co.; A. C. Mitchell; Jacob Estey; S. Biggs; Wm. R. Scudder; Geo. B. Sweetnam; Lyman, Sons & Co.; Chapman, White, Lyons & Co.; W. W. Newsam; E. C. Seymour; John C. Legel; Burt H. Brooks; B. Hankins; H. C. Parter & Son; McKinney Bros.; J. D. Aug. Hartz; C. A. Williams; Henry B. Semple; J. F. Madden; C. P. Walbridge; and C. K. Gardner., Printers include A. Hoen & Co., Balto.; G. H. Dunston, Lith., Buffalo; A. Gast & Co., St. Louis & N.Y.; and Buston & Skinner, Lith. St. Louis., One print [P.2011.46.456 ] contains two-cent stamp., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1860-ca. 1900]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Letterheads & Stationery (A-M) [P.2011.46.429-463]
Collection of billheads, dated between 1880 and 1898, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and goods, including "patent shaving mug," mortar and pestles, scales, and rates, barrels, and jugs of medicinals; and scenes of a harbor view, a druggist in his pharmacy, and a blacksmith at work on his anvil. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include trademarks, art nouveau imagery, an incense burner, truss, sun bursts, scrolls, medallions and shields, flowers, frames, flourishes, and filigree., Firms represented include Edward C. Jones & Co. (Philadelphia); E. J. Hart & Co. (New Orleans); E. L. Stanwood & Co. (Portland, Me.); F. B. & Thos. Tomlinson (Tate Spring, Tenn.); Finlay, Dicks & Co. (New Orleans); E. B. Fletcher (Erie, Pa.); Forney & Knouse (Harrisburg, Pa.); Fox, Fultz & Co. (N.Y.); Fritzche Brothers (N.Y.); Fuller & Fuller (Chicago); George A. Kelly & Co. (Pittsburgh); F. Hagerman (Birmingham, Ala.); The Hastings and McIntosh Truss Co. (Philadelphia); Henry, Johnson & Lord (Burlington, Vt); Hub Drug Co. (Boston); Orlando H. Jadwin (N.Y.); J. E. Goold & Co. (Portland, Me.); J. K. McKee Company (Pittsburgh); John Reynders & Co (N.Y.); Edward L. Johnson (N.Y.); John W. Perkins & Co. (Portland, Me.); Kalish Pharmacy (N.Y.); Lamar, Rankin & Lamar (Atlanta, Ga.); Lee & Osgood (Norwich, Conn.); Lord, Owen & Co. (Chicago); Lord, Smith & Co. (Chicago); J. R. McCampbell (Knoxville, Tenn.); J. A. McDonald (Reedsville, Pa.); McClure, Walker & Gibson (Albany, N.Y.); John M. Maris & Co. (Philadelphia); John W. Perkins & Co. (Portland, Me.); Jordan & Scott (Charlotte, N.C.); Lewis W. Booth & Co. (Bridgeport, Conn.); William E. Mann (Bangor, Me.); Meyer Brothers Drug Company (St. Louis, Mo.); J. E. Moore (Albany, N.Y.); and Moyer Bro.'s (Bloomsburg, Pa.). Collection also includes billhead of Great Britain dispensing chemists Fletcher & Pater (Retford) and R. K. Kermode (Castletown)., Billed patrons include Jos. P. Remington; H. F. Belanger; A. & B. Young; Burdett Organ Co.; E. H. Light; H. A. [Kerste]; Resinol Chemical Co.; D. W. Morris; McKinney Bros.; E. K. Thompson & Son; D.J. Saunders; E.C. Mathews; S.M. Bixley & Co.; L.M. & G.W. Putney; Wm. H. Hays; Hinkley, Cragin & Field; Clifton Mfg. Co.; John A. Rockwell; Quincy Mining Corporation; Marian Roberts; Samuel Hegarty; C. H. Case; Herrick, Smith & Co.; Warner & Clark; D. S. Sanders; J. E. Chamberlain; and William Davenport., Some items contain manuscript notes and/or stamps acknowledging receipt of payments., P.2011.46.367 title annotated with stamp: Jno M. Scott & Co., Successors To., Printers include H. B. Church; Kentucky Litho Co., Louisville; Henry Siebert & Bro. Co. N.Y.; C. Otto [Triel?]; J.H. Warner, N.Y.; Budden & Son Lith, Atlanta, Ga.; J. Reynders Co.; Golder Co., Pitt.; Lakeside Press, Portland, Me.; and Shober & Carqueville Lith. Co., Chicago., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1880-1898]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (E-M) [P.2011.46.343-381]
Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
Date
1899
Location
Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]
