A man lies in bed. His arms are up, his feet hang over the bed's edge, and his mouth is open. A chamber pot is visible under the bed., Text: At ten o'clock, you rub your eye's, / And slowly from your warm bed creep, / Or, drowsy asking what's o'clock? / Turn on the other side and sleep., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman stands next to her bed and holds up a blanket. Her low-cut gown reveals part of her breasts, and her crinoline tilts back to reveal her petticoats. The sender rejects the recipient, and the valentine connects lazy women with immodesty., Text: Crawling out at ten o'clock, / Hurry girl, put on your frock / You're a sleepy head I see, / So you'll never do for me., Cf. Valentine 3.39., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A women wears sleeping clothes and holds a candle., Text: To lounge in bed, / Is your delight, / And so I wish you / A Good Night., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a man with a waxed moustache, glasses, and a top hat. He stands in front of a man and woman. The valentine mocks the lounger for his unattractive idleness, superficial criticism of others, and transparent attempts to be near women., Text: Lounger! ambling 'round the places / Where the ladies congregate, / Critic of their forms and faces; / By them despised, you silly pate., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows an overweight woman with ringlet curls. Her gown is low cut., Text: "Fat, fair and forty," I have heard / As terms of half praise; on my word / I could not say the same of you, / Fat, ugly, lazy, is too true., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A large woman in bed holds her arms up and yawns., Text: My pretty maid, to me it seems, / You're always in the land of dreams; / Take my advice and never wed -- / Your mate should be a feather bed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman in gown with a bustle holds an umbrella and bouquet of flowers. "Three-balls" is slang for a pawnbroker. Bustles became popular after 1869., Text: A Mantilla from your shoulder falls / Just redeemed from the three-balls; / In the street you make a dash, / 'Tis strange how you obtain the cash. / You're too lazy, and fear to work / You dirty, nasty little flirt; / Stay at home-- not gad the street, / And speak to every loafer you meet., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The house-maid blacks a boot in a kitchen, where the tea pot and kettle have faces. "To have one's swing" means "to allow oneself every freedom." The valentine possibly accuses the maid of having more energy for playing with sweethearts than for her work., Text: Dirty, ugly, vulgar, pert, / So begrimed with grease and dirt, / I vow that I should afraid of, / Seeing what that MAID is MADE of / Tho' call'd MAID OF ALL WORK! they / Say you're often MADE OF PLAY. / And when sweethearts you've your swing / The MAID is quite a different thing., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A fireman pulls a running hose towards him and fails to turn it towards the fire behind him. The valentine uses slang and provinicialisms to mock the fireman and suggest that he will not attract any women., Text: Oh! what a "gallus" Fireman, / To run "wid der Machine; " / To "take de butt," or pick a muss / None better e'er was seen, / But do not think a decent girl / As a "Lize" would wish to shine : / Or be unto a Loafer! / A loving Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
