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Title: 1776, Centennial International Exhibition, 1876 History of the United States
Description: Print containing a central view of the proposed Main Exhibition Building surrounded by titled vignettes showing key events in the history of the United States. View includes trains of people arriving by foot, on horseback, and by omnibus in front of the exhibition hall. The length, width, and square footage of the building are printed below the image. Vignettes, predominately events from the American Revolution, War of 1812, Mexican American and Civil War, include "Drafting the Declaration of Independence - The Committee"; "Reading the Declaration of Independence"; Celebration of the Fourth of July After the [Civil] War"; "Battle at Manmouth"; "Entry into Mexico"; "Battle of Lake Erie"; the raising of the American flag at "Fort Sumter"; "Surrender of Lee"; and Lincoln's celebratory "Entry into Richmond." Many of the images include victorious military leaders in addition to celebratory crowds. Other vignette views show street and pedestrian traffic in front of "Independence Hall or State House, Phila." and "The Memorial Building or "Art Gallery," Phila." Also contains the figure of America; an American eagle; a bee hive icon for "Agriculture" and train icon for "Mechanics"; Native American figures incorporated into the border; and banners reading "Great World Fair" and "Industry of All Nations." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Farimount Park., Not in Wainwright., Philadelphia on Stone, POS 3, Historical Society of Pennsylvania: Bc 8 S 325
Creator: Schile, H. (Henry)
Date: [c1875]
Location: Library Company of Philadelphia | Print Department **BW -Centennial [7859.F]

Title: Abraham's dream! "Coming events cast their shadows before."
Description: Cartoon lampooning Lincoln's belief in prophetic dreams and fear of losing the presidential election of 1864. Above the dreaming, sleeping body of Lincoln, Democratic candidate George McClellan arrives at the White House. He witnesses Liberty, depicted as a white woman, hurling the decapitated head of an African American man, portrayed in racist caricature, at a fleeing Lincoln as he states, "This don't remind me of any joke!!" Lincoln is attired in a plaid Scotsman's cap and cape, an allusion to his disguise in response to an assassination threat before his first inauguration, and carries an inscribed scroll, "To whom it may concern," a reference to his written edict that he would only receive, not seek, offers of peace from the Confederacy., Title from item., Date from copyright statement: Entered according to act of Congress, A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Probably drawn by Louis Maurer., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-41 [6374.F]

Title: America Fire Engine Co. of the city of Philadelphia
Description: Fire company membership certificate containing two side panel views, vignettes, and firefighting iconography. The left panel shows firefighters running from the fire house on Buttonwood Street, below Third Street. Two men stand lookout on the tower above the house, as others pull the fire engine from the garage. The right panel shows the fire company attempting to extinguish the January 14, 1869 fire caused by an explosion of a steam boiler at the southeast corner of Ninth and Chestnut Streets. Flames shoot from the top of three adjacent businesses on land formerly occupied by the Burd Mansion including, Howell & Brothers, paper hanging (900 Chestnut Street); J.M. Hafleigh, dry goods (902 Chestnut Street); and J.F. & E.B. Orne, carpets & oil cloths (904 Chestnut Street). The center vignette, below the membership text, depicts a man standing in front of the two horses that are hitched to a carriage pulling the fire company's engine. At the top of the certificate, American and Pennsylvania flags flank the image of lady liberty sitting on the wing of an eagle. With a lightning bolt in her left hand, she floats above a banner that reads "Allways [sic] ready and willing to assist". Fire fighting equipment, including a helmet, engine, and bugles, are drawn as decorative elements interspersed with the side panel views. Also contains the company's number "No. 9" and institution date, April 10th 1790. Incorporated on April 13, 1844., Not in Wainwright., Signed by Thomas F. Moore, president, and Frank Jacoby, secretary., Philadelphia on Stone, POS 16, Historical Society of Pennsylvania: Certificates - Fire Companies - American Fire Engine
Date: [ca. 1870]
Location: Historical Society of Pennsylvania HSP Certificates - Fire Companies - American Fire Engine

Title: The arming of the Wolf by his faithful squire. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion arming the wolf. The wolf stands with one foot on the lap of the lion, who is fixing his boots. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55g]

Title: Asher M. Childs clothes renovating establishment, No. 145 N. 9th St Old clothes made to look equal to new, by cleaning or dyeing without taking a part. Also repairing, and altering done to the latest fashions. All work done in a superior manner
Description: Advertisement containing an exterior view of the storefront flanked by patriotic vignettes. Vignettes show the figure of liberty and a sailor, with a woman at his feet, holding an American flag. Also includes interior scenes of employees dying and brushing clothes., Originally part of a McAllister scrapbook of Civil War miscellanies.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - C [(2)5786.F.162a]

Title: ASSU Illustration 7796
Description: Block numbered in three places: 7796., Image of interior of Independence Hall, Philadelphia; male and female visitors include one black woman. Two decorative rondelles in corners depict a statue of George Washington and the Liberty Bell, flanking an eagle., Signed: Lauderbach, sc.; S [i.e., Seymour?]., Illustration appears in Child's world, v. 33, no. 3 (Feb., 1876?), p. 1.
Date: [1876?]
Location: Boxed with **Per C51.7 11590.F (Teitelman)

Title: Board of Education of the City of Camden of the State of New Jersey second class certificate
Description: Teacher's certificate illustrated with three allegorical vignettes: the New Jersey state seal with Liberty and Prosperity, portrayed as white women; a group of objects representing knowledge including books, a globe, a protractor, and a beaker; and a group of objects representing the arts including musical instruments, an artist's palette, a painting on an easel, sculpture, and a camera., Title from item., Issued to Mary S. Bunday, who qualified as a "first assistant in a grammar school," on September 25th, 1874. Bunday, an African American woman, was issued a second class certificate awarded to Black teachers., Date from manuscript written on recto., Manuscript note on frame backing: second class certificate meant Black for a Black Teacher., Unframed 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Traubel, M. H. (Morris H.), 1820-1897, lithographer
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: Breuker & Kessler, lithographers, South West Corner Seventh & Chestnut Sts "Know all men by these presents: that Breuker & Kessler of Philadelphia, possessing ample facilities are prepared to execute in the finest style of the art, all orders for lithographing, including bonds, certificates of stock and deposit, checks, drafts, notes, letter note and bill headings, bills of exchange, cards, insurance policies, blanks etc. also show cards and labels in colors. Having given special attention to the engraving and printing of bonds and by using a combination of geometrical lathe and rosette designs we are able to produce a class of work so intricate as to prevent counterfeiting, it being impossible to imitate the same with any degree of accuracy. In witness whereof we have caused to be printed this sample in the form of a bond and have hereto attached our signatures, this first day of January, A.D. one thousand eight hundred and seventy four
Description: Advertisement for the lithographic establishment in the form of a $500 bond, with several small illustrations within the security designs. At top, within a scroll flanked by flags and military gear and overtopped by an eagle, a miner with pick and shovel and a farmer with pitchfork illustrate the motto "oro y plata." At left, a figure of liberty personified stands on a globe girdled by the motto "[e plu]ribus unum." At lower right, a reclining figure uses a pair of compasses. Bond Certificate" placed above 16 numbered rectangular "cards" marked "Breuker & Kessler, lithographers, Philadelphia." Verso covered with printed floral decoration. Numbers on bottom section correspond with numbers on recto., Not in Wainwright., Signed: Harry G. Kessler, J. Millard Kessler, Geo. W. Breuker., Philadelphia on Stone, POSA 8, American Antiquarian Society: Graphic Arts Lithf Breu Breu, George W. Breuker, Sr. and Harry C. Kessler, Sr. formed their practical and commercial lithography business in January 1866. The firm produced drug, perfume, wine and liquor labels, trade cards, show cards and all forms of commercial engravings and was in operation until the 1930s.
Creator: Breuker & Kessler Co.
Date: [1874]
Location: American Antiquarian Society AAS Graphic Arts Lithf Breu Breu

Title: Browne, Liberty, 1776-1831
Creator: Library Company of Philadelphia, creator
Date: April 20, 1812

Title: Bruce's New-York Type-foundry, 13 Chambers st., New York [specimen sheet]
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Specimen sheet containing twelve numbered examples of Civil War envelope vignettes published by the Bruce New York Type Foundry also known as George Bruce's Son & Co. Designs depict the American flag. Some include the American eagle; military personal; a patriotic-themed border; or historic figures. Vignettes also include prices, ranging between 50 cents and 2 dollars, for plain or two-colors.
Creator: George Bruce's Son & Co., creator
Date: [ca. 1863]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.1b]

Title: Bruce's New-York Type-foundry, 13 Chambers st., New York [specimen sheet]
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Specimen sheet containing twelve numbered examples of Civil War envelope vignettes published by the Bruce New York Type Foundry also known as George Bruce's Son & Co. Designs depict the American flag. Some include the American eagle; military personal; a patriotic-themed border; or historic figures. Vignettes also include prices, ranging between 50 cents and 2 dollars, for plain or two-colors.
Creator: George Bruce's Son & Co., creator
Date: [ca. 1863]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.1b]

Title: Centennial buildings at Fairmount Park, Philadelphia, Penn
Description: Souvenir containing views of exhibition buildings in West Fairmount Park, descriptive text, and metric and customary ruler diagrams on the recto and verso. Recto includes images of the front and back of the Centennial medal illustrated with the figures Genius of American Independence and Liberty and bird's eye views of Machinery Hall, Horticultural Hall, Main Exhibition Building, Art Gallery, Women's Pavilion, and Agricultural Building. Views also show visitor traffic, are captioned with building dimensions, and are occasionally surrounded by decorative frames. Recto also contains paragraph of text detailing the size of Fairmount Park, the names of the major exhibition buildings; the number of nations participating; and the opening date May 16, 1876. Verso depicts a customary (36 in.) and metric (100 cm.) ruler; diagrams of 4 inches, one decimeter, 10 centimeters, and 100 millimeters arranged for comparison; an explanation of "The Metric System," "Units of the System," and "Approximate Equivalents"; conversion charts of "Measures of Length," "Measures of Surface," "Measures of Capacity"; and "Rules." The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Rolled., Rulers copyrighted by A & T.W. Stanley., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.43]

Title: [Centennial Memorial]
Description: Allegorical print showing the figure of liberty holding a laurel wreath over a bust of George Washington that is mounted on a pedestal reading “E. Pluribus Unum 1876 1776”. The image of two overlapping torches separates the dates on the pedestal and an American flag drapes the bust. The figures are surrounded by an eagle, American flags and oak leaves intertwined with a banner that reads “These United Colonies Are And Of Right Ought To Be Free And Independent States,” a quote from the Declaration of Independence., pdcp00038, Copyrighted by the "Centennial Album.", Title from duplicate in the collections of the Boston Athenauem, Boston, Massachusetts., Not in Wainwright., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Centennial, Trimmed.
Creator: Maurer, Louis, 1832-1932, artist
Date: c1875
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana – Centennial

Title: Civil War certificates containing patriotic designs. [graphic].
Description: Two of the certificates contain manuscript notes about prices., Originally part of a McAllister scrapbook of Civil War miscellanies., Includes military enlistment certificates, a hospital discharge certificate, and a certificate of donation printed by Philadelphia printers King & Baird and Mclaughlin Brothers. Designs depict soldiers, the figure of Liberty, and the Constitution. Companies include Pennsylvania Volunteers; Philadelphia Fire Zouaves (72nd Regiment, P.V.); the 119th Regiment, P.V.; and First Regiment Reserve Brigade, P.V. Other organizations include Church of the Evangelists and Chesapeake General Hospital.
Date: 1861-ca. 1863.
Location: Library Company of Philadelphia Print Dept. Philadelphia certificates - Civil War [5786.F.65e&f;77b;128b&c;180a]

Title: Civil War era patriotic ream wrappers [graphic].
Description: 5793.F.33a contains inscriptions about ream price., Originally part of McAllister scrapbooks of Civil War miscellanies and materials related to George McClellan., Seven of the collection trimmed., Collection includes ream wrappers for ruled note paper from Ellsworth Mills; Fremont Mills; McClellan Mills; Parsons Paper Co. (Holyoke, Mass.); and S.C. Upham (Philadelphia, Pa.). Also includes two "Union Note Paper" wrappers issued from unidentified sources. Majority of wrappers contain ornate borders and patriotic designs including eagles, the figure of Liberty, portraits of Elmer Ellsworth and George McClellan, and military iconography.
Date: ca. 1863.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Ream wrappers [(2)5786.F.159f; (5)5786.F.169d; 5793.F.33a&35a; P.2006.1.13a-d]

Title: Civil War era patriotic ream wrappers [graphic].
Description: 5793.F.33a contains inscriptions about ream price., Originally part of McAllister scrapbooks of Civil War miscellanies and materials related to George McClellan., Seven of the collection trimmed., Collection includes ream wrappers for ruled note paper from Ellsworth Mills; Fremont Mills; McClellan Mills; Parsons Paper Co. (Holyoke, Mass.); and S.C. Upham (Philadelphia, Pa.). Also includes two "Union Note Paper" wrappers issued from unidentified sources. Majority of wrappers contain ornate borders and patriotic designs including eagles, the figure of Liberty, portraits of Elmer Ellsworth and George McClellan, and military iconography.
Date: ca. 1863.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Ream wrappers [(2)5786.F.159f; (5)5786.F.169d; 5793.F.33a&35a; P.2006.1.13a-d]

Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

Title: [Cloth mitten pattern for Civil War soldiers provided by Wilcox & Gibbs sewing machine and E.W. Carryl & Co., military & house furnishing store; King & Baird, printers; and S.A. George, electrotyper and stereotyper] [graphic].
Description: Title supplied by cataloguer, Originally part of a McAllister scrapbook of Civil War miscellanies., Pattern containing explanatory text, cutting and sewing directions, patriotic vignettes, and advertisements. Vignettes show the figure of liberty, flags, a soldier, eagle, shield, and George Washington. Text explains the efficiency of women sewing cloth mittens by machine; the availability at E.W. Carryl & Co. of the pattern and free cloth remnants supplied by the U.S. Arsenal; and the receipt of the mittens by the "Philadelphia Ladies Aid Society." Advertising text promotes printed military supplies available at King & Baird, including muster rolls, military blanks,and military manuals. Also contains a testimonial by G.H. Crossman, Deputy Quartermaster General, dated November 30th, 1861.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War [(2)5786.F.4a]

Title: Collection of Red Cross and World War I Pins
Description: Seven pins: 1. Red Cross 1919. 2. Red Cross 1920. 3. Red Cross. 4. Fourth Liberty Loan with flag. 5. Liberty Loan with V. 6. Third Liberty Loan with Liberty Bell. 7. I Helped War Chest with chest filled with gold and American flag crest. 1, 2, 5 -Made by The Whitehead Hoag & Co. Buttons, Badges, Novelties, and Signs Newark, NJ. 3, 6, 7- Made by American Art Works Conshocton, Ohio. 4-Made by American Art Sign(?) New York
Creator: The Whitehead & Hoag Co.
Date: 1914?-1920
Location: OBJ 689

Title: Colossal hand and torch "Liberty".
Description: Free-standing hand and torch from the Statue of Liberty mounted on subscription kiosk. A small crowd at the base of structure and two men at the hilt of the torch. In background is New York 'Tribune' Building, Women's Pavilion, and Drinking Fountain. The 'Liberty' hand and torch was designed by Fridiric Bartholdi; the Drinking Fountain was erected by the Sons of Temperance of Pennsylvania.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9260.45]

Title: David Newton, manufacturer of Union tea & coffee ware, wholesale and retail, No. 710 North Fourth Street, above Coates, west side, Philadelphia Constantly on hand, a general assortment of tin and sheet iron ware, at the lowest cash prices. Out-door work and jobbing promptly attended to
Description: Illustrated trade card depicting the patriotic figure of Liberty wearing a headdress and a dress cinched at the waist with a "U.S." buckle. She holds an American flag in her right hand and a sword in her left., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., George S. Harris started his printing business in 1847 and relocated in 1852 to Fourth and Vine Streets. In 1872, he partnered with his son George T. Harris and renamed the business George Harris & Son.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department trade card - Newton [(2)5786.F.190f-1]

Title: The Declaration of Independence illustrated
Description: Cartoon evoking the Declaration of Independence to promote the emancipation from enslavement. Depicts rays of light representing God above a soaring American eagle that clutches olive and oak branches and two American flags labelled "All Men are Created Equal" and "Stand by the Declaration." Suspended from the flags is a large basket in which an African American man and a white man are seated. The African American man drops his broken shackles out of the basket as the abolitionist proclaims "Break Every Yoke; Let the Oppressed Go Free" to a large crowd of men, women, and children cheering below. Among the crowd is a white man Union soldier; a white newsboy selling the "Herald," an abolition newspaper; and a free African American man. Verses of text appear atop the rays of light and beside the basket espousing the religious, moral, and historical justifications for emancipation., Title from item., Date from copyright statement., Purchase 1968., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Dominique C. Fabronius was a respected Belgian born lithographer, watercolorist, and portraitist who worked in Philadelphia, Boston, and New York.
Creator: Fabronius, Dominique, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-41 [7700.F]

Title: The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55b]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: Enterprise Congress-World's Fair
Description: Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Meat Choppers." Contains an allegorical scene, including the patriotic figure of Uncle Sam and figures representing different nationalities. In the center, Uncle Sam turns the handle of an Enterprise meat chopper chopping meat attached to a table under which two pigs stand. A Scotsman attired in tartan kilt watches the chopper. Other international figures, including an Irishman, Englishman, and Japanese man surround the table. Lady Liberty and the American Eagle stand next to Uncle Sam. Also includes partially visible exposition buildings in the background. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Several lines of advertising text printed on verso. Text promotes the excellence of the "Enterprise Meat Choppers" in not tearing or grinding, but chopping the meat so devoid of "strings, sinew, fibers or gristle"; foods able to be chopped, including sausage meat, peppers, corn for fritters, coconut, and "Beef Tea for invalids"; the design of the plates; and prices of different models ranging from $2.00 to $15.00, including No. 42, a "Pork only" chops 5 lb. per minute., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustration on verso. Depicts an "Enterprise" meat chopper clamped to a table. Ground meat falls onto a plate., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1893
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.66]

Title: Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion who weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55i]

Title: F. Keeler, daguerreotype and stereoscope rooms, No. 276 Market Street, above Eighth, S. side, Philadelphia
Description: Illustrated trade card depicting the seated female figure of Liberty leaning against a large American shield. Includes in the background a pole topped by a liberty cap, the sails of a ship, and a steamboat on a body of water., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department trade card - Keeler [5786.F.176]

Title: FacSimile of the revolutionary flag, A.D. 1774
Description: Depiction of the First Troop Philadelphia City Cavalry’s flag from 1774. Shows the flag with fringed edges on a spiked flagpole adorned with two tassels and held open by a rope from its upper right corner tied to a tree in the right. In the top left of the flag are thirteen stripes representing the colonies. In the center, flanking a shield illustrated with thirteen ropes tied into a Gordian Knot are allegorical figures representing Liberty and Fame. Liberty, depicted as a barefooted Native American figure attired in a headdress, feather skirt, and with a quiver of arrows on their back, carries a bow and a liberty cap on a pole. Fame, depicted as a winged angel, blows a trumpet. Above the shield is a horse’s head wearing a bridle with the letters “LHC,” which stands for light horse cavalry. A banner below the shield reads, “For these we strive.”, Title from item., Date from copyright statement: Entered according to act of Congress in the Year 1839, by Wm. M. Huddy, in the Clerk’s Office of the District Court of the Eastern District of Penna., Printed on recto: Plate No. 4., Gift of David Doret., RVCDC
Date: 1839
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Prints [P.2019.64.33]

Title: Facsimile of the signatures to the Declaration of Independence
Description: Commemorative print containing facsimiles of the signatures of the signers of the Declaration of Independence within an ornamental border. In the top of the border are allegorical figures of Justice, depicted as a white woman carrying scales and a sword, and Liberty, depicted as a white woman attired in a liberty cap and carrying a spear and shield. An eagle stands between them next to a crest of an American flag. Along the sides of the border are the state seals of the original thirteen colonies. At the bottom is a vignette, “The Capitol, Washington,” showing the Capitol building. Vigettes also includes several white men standing with a dog and an African American woman caregiver with a white child who holds a hoop., Title from item., Date inferred from the aesthetics of the content., Contains printed statement by John Quincy Adams, Department of State, dated April 19, 1819 declaring the signatures "Exact Imitations.", McCabe, a New York engraver, was active in the mid-19th century., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Allen, J. W., engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department GC - Declaration of Independence [P.9999]

Title: For the precise period at which this occurred, consult history. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the victory of the eagle over the wolf. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55c]

Title: The game of secession or sketches of the rebellion Our army and navy for ever!
Description: Gameboard containing a serpent-like figure comprised of 135 spaces surrounded by captioned vignettes also used on Civil War envelopes. Pro-Union designs advance the player and anti-secession designs retard the player. Vignettes depict portraits of prominent war figures; views of forts, soldiers, and preparations for battle; Union and Confederate flags; allegorical figures; and satiric and racist depictions of Confederates. Includes President Abraham Lincoln; Confederate President Jefferson Davis, Gen. Winfield Scott, Maj-Gen. George B. McClellan, Comm. S.F. Dupont, Confederate Gen. Beauregard; bombardment of Fort Sumter; Philadelphia Navy Yard; liberty; Columbia; and Confederate soldiers on retreat; riding a enslaved African American man, and protected by bales of cotton. "Directions" to play the game printed in the lower left corner. Flags and shields adorn the borders., Title from item., Originally part of a McAllister scrapbook of materials related to George McClellan. McAllister Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at the Library Company of Philadelphia," The Ephemera journal 13 (2010), [39]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department **GC - Games [5793.F.44]

Title: [Glorification of the American Union]
Description: Allegorical print glorifying life and liberty in post-Civil War America depicting the figure Columbia, depicted as a white woman, atop a tall pyramid-shaped pedestal. Flanked by George Washington and Abraham Lincoln, the latter holding the "Proclamation of Emancipation," she raises her hand toward emancipated enslaved men and women to her right who acknowledge her with raised shackled hands, a knelt position, and a tipped hat. Newly arrived European immigrants are gathered to her left. Abolitionist Henry Ward Beecher stands among the enslaved men, women, and children who have been emancipated, and revolutionary and diplomat Carl Schurz stands before the immigrants. The freed persons embrace each other, break free from shackles, and brandish instruments of free labor as behind them the Capitol, a large American flag, and apparitions of colonial soldiers stand vigil. The immigrants, depicted in their native attire, look to Schurz as they carry their belongings ashore. More ships continue to arrive in the background., Title from copy print at the Calvert Gallery, Washington, D.C., Printer's proof., Manuscript note on recto: Aun myn goeden arrend J. Bollens; J. B. Michiels., After a painting by Belgian historical painter Ferdinand Willem Pauwels, exhibited in 1867 at the Kunstschule in Weimar and possibly at the 1876 Centennial Exhibition in Philadelphia under the title, "The New Republic.", See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989) Part 2, Vol. IV, p.248-249., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Michiels, Jean-Baptiste P., 1821-1890, engraver
Date: [ca. 1873]
Location: Library Company of Philadelphia | Print Department **GC-Emancipation [P.9672]

Title: Grand combat between the Eagle and the Wolf. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle and the wolf fighting. The lion hangs out of a window above the fight scene, near the words "police ; murder". Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55d]

Title: Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the little child Liberty leading the supplicant British lion and Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a]

Title: The great November contest. Patriotism vs bummerism
Description: Racist cartoon depicting the 1868 Presidential Election as a carriage race between the "patriotic" Democrats and the "bum" Republicans who support Reconstruction. Depicts the elegant Democratic carriage with the banner "This is a White Man's Government" pulled by the horses with the heads of Horatio Seymour and Francis P. Blair racing passed the stalled Republican wagon steered by the asses with the heads of nominees Ulysses Grant and Schuyler Colfax. In the Democrats' carriage are four allegorical figures: Liberty, depicted as a white woman holding the Constitution and a banner which reads "Our Glorious Union Distinct, like the Billows, One, Like the Sea' This is a White Man's Government!"; Navigation, depicted as a white woman holding a miniature ship; Agriculture, depicted as a white woman holding sheaves of wheat and a scythe; and Labor, represented by a bearded white man with a hammer and flywheel. The Republican wagon passengers include radical Thaddeus Stevens, the grim reaper, and an African American man and woman couple, portrayed in racist caricature and speaking in the vernacular. Massachusetts Republican representative Benjamin F. Butler tries to push the stalled wagon passed the bones of those who paid "The Price of Nigger Freedom" and the rocks of "Ruined Commerce," "Debt," and "Negro Supremacy.", In the background, a cheering crowd brandishing American flags near the U.S. Capitol await the winning Seymour and Blair while on the building's other side a group of African American men dance. In the left foreground, Henry Ward Beecher and Horace Greeley play a shellgame looking for Grant and an African American man and woman, attired in torn and worn clothes, discuss another man returning to his former enslaver. In the right foreground, an African American man sits behind a table labeled, "Pompey Smash, Salt River Line Ticket Agent" and sells tickets to "Salt River" (i.e., political disaster) to a white man with a bag labeled, "J.G.B. Boston Carpet Bagger." Behind them, two African American men and a drunken white man holding a bottle talk about the Republican wagon., Title from item., Date from copyright statement: Entered according to an Act of Congress in the year 1868 by Bromley & Co. in the Clerk's Office of the District Court of the U.S. for the southern District of New York., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1868
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1868-15 [5760.F.125]

Title: Hand in Hand Fire Company, first grand citizens dress ball
Description: Invitation containing vignette scenes and pictorial and ornate border details. Vignettes scenes depict the figure of liberty with the American eagle and shield; a sailor and farmer in conversation, and couples dancing in a ballroom. Details include a hand pump fire engine; clasped hands; and filigree. Hand-in-Hand Fire Company, one of the city’s first volunteer fire companies, was organized on March 1, 1741 or 1742., Date from Poulson inscription., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., POSP 280
Date: 1847
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol.5 [(5)2526.F.8]

Title: [In commemoration of the centennial anniversary of our nation's birth.]
Description: Top half of the commemorative print depicting a monument that contains vignettes; allegorical, patriotic, and historical figures; state seals; and references to the Declaration of Independence to symbolize "A Free Nations Progress." Includes a central arch containing a view showing "Philadelphia Public Buildings. 1776. Independence Hall." View includes street and pedestrian traffic. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Flanking the central view are columns labeled with the names of the signers of the Declaration of Independence. Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Also includes views of a stagecoach; a sailing vessel, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength." The centennial of the United States was celebrated through an international exhibition, the Centennial Exhibition, of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368a, Historical Society of Pennsylvania: Bb 47 Z 992
Creator: Leonholdt, Frank H.
Date: [c1875]
Location: Historical Society of Pennsylvania HSP Bb 47 Z 992

Title: In commemoration of the centennial anniversary of our nation's birth
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing central views of the "Philadelphia Public Buildings," Independence Hall (1776) and the new City Hall (1876), surrounded by vignettes; allegorical, patriotic, and historical figures; state seals; and references to prominent historical, national and local personages. The public building views include pedestrian and street traffic, the name of City Hall architect John McArthur Jr., and the motto "A Free Nation's Progress." City Hall image also contains misrepresentative views of other municipal- style buildings in the background. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Flanking the central views are columns labeled with the names of the signers of the Declaration of Independence; the states; the U.S. Presidents and Vice-Presidents; prominent citizens, including Alexander Hamilton, William Wirt, Thomas Sullly and Thomas U. Walter; and the Philadelphia Commissioners for Public Buildings. Also includes vignette views symbolizing industry, arts, politics, and technological advancement. Includes sailing vessels, bridges, locomotives, railroads, a factory, a turbine, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength" in addition to plaques with the names of the Mayor of Philadelphia, William S. Stokley, and the Governor of Pennsylvania, John F. Hartranft. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368, Historical Society of Pennsylvania: Bc 47 Z 992
Creator: Leonholdt, Frank H.
Date: c1875
Location: Historical Society of Pennsylvania HSP Bc 47 Z 992

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: In remembrance of the one hundredth anniversary of the independence of the United States
Description: Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Title from item., Date from copy with copyright statement in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 374, Copy received after original dates of Philadelphia on Stone project., Copy at Historical Society of Pennsylvania: Bc 8 St 57, George Stinson & Co. began operations about 1871 and in advertisements for sales agents in newspapers across the country promoted the "pictures" sold by the firm as the "finest and most pleasing in [the] country, and ... endorsed by all the leading papers ... " The firm advertised for sales agents through at least the early 1890s.
Creator: George Stinson & Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2019.54.3]

Title: In remembrance of the one hundredth anniversary of the independence of the United States
Description: Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 374, Historical Society of Pennsylvania: Bc 8 St 57
Creator: George Stinson & Co.
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 8 St 57

Title: Independence Hall, which first proclaimed Freedom, as "government by the people," -- Philadelphia
Description: View of the bell hanging from the ceiling in Independence Hall., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Westwood, N.J.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Copyrighted 1902 by Underwood & Underwood on recto under title and copyrighted 1904 by Underwood & Underwood on verso., Publisher's imprint printed on mount., Explicative paragraph of text describing the history of the Liberty Bell printed on verso. "Liberty Bell; Philadelphia, Pa." printed in five languages below paragraph., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Date: c1904
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Historic buildings & sites [P.9047.119]

Title: Interior view of Independence Hall, Philadelphia
Description: View showing visitors of all ages in the Assembly Room being used as an exhibit gallery. Men, women, and children promenade, converse, and admire the artifacts that adorn the room with a parquet floor. Framed artwork, predominately from the Charles Wilson Peale portrait collection in addition to Henry Inman’s portrait painting of William Penn, and Thomas Sully’s portrait painting of Lafayette, line the paneled walls. Under a chandelier, in the rear center of the room stands William Rush’s wood statue of George Washington (carved 1815, installed 1824). To the right, a stuffed bald eagle sits atop the Liberty Bell (installed 1852). The bell is displayed on a pedestal adorned with fasces, a banner, and shield and stands near the "Rising Sun" chair, one of a number of chairs lining the room, which was used by George Washington as he presided over the Constitutional Convention. The gallery also includes a writing desk associated by legend with the Declaration of Independence and the framed Thomas Sully painting of the coat of arms of Philadelphia., Philadelphia on Stone, POS 386, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc47 R815., Original watercolor for print in the collections of the Historical Society of Pennsylvania., See also LCP copy in Joe Freedman Collection of Philadelphia Ephemera. Freedman oversize - I [P.2013.87.4]. Copy variant in printed color.
Creator: Rosenthal, Max, 1833-1918, artist
Date: c1856
Location: Library Company of Philadelphia | Print Department **W185 [P.2068], Library Company of Philadelphia | Print Department Freedman oversize - I [P.2013.87.4]

Title: Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion protecting his rams with the introduction of the "Swamp Angel" and Greek fire, ( i.e. the bombing of Charleston) by the American eagle. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55e]

Title: James K. Polk
Description: Bust-length portrait within an ornate border of the U.S. president responsible for the statehood of Texas. Polk, attired in a white collared shirt, a black cravat, waistcoat, and jacket, faces to the right and tucks his left hand into his waistcoat. Border includes the figure of Liberty, depicted as a white woman, and a vignette titled "Annexation of Texas" depicting a trio of military officers reading the declaration of annexation to a crowd of civilians, including a cheering African American man. Border also includes angelic male torsos, flourishes, scrolls, and ornaments., Title from printed signature of sitter below image., Date inferred from content., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Andrews and Babson, Boston engravers, collaborated in the 1850s.
Creator: J. Andrews & R.E. Babson, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department portrait prints - Polk [P.8911.790]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: [Joseph P. Mickley trade cards]
Description: Series of illustrated stock trade cards for Joseph P. Mickley's printing and stationery establishment at 1241 Vine Street in Philadelphia. Illustrations depict patriotic symbols, including American shields, flags, eagles, drums, cannons, cannon balls, laurel wreaths, spears, bayonets, liberty caps on poles, and lady Libery holding an American flag in her right arm while pointing and looking left., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department trade card - Mickley [5786.F.001; 5786.F.004; 5786.F.10b]

Title: Journey of a slave from plantation to the battlefield
Description: Collection of twelve titled album (carte-de-visite size) cards depicting the evolution of the life of an African American man from enslavement to a Union soldier. "In the Cotton field" and "The Christmas Week" show his life on the plantation from which he is sold and separated from his family in "The Sale" and "The Parting: 'Buy us too'." His new enslaver whips him in "The Lash," for which he then retaliates in "Blow for Blow." He hides "In the Swamp" and is finally "Free!" to become a Union soldier and "Stand up a Man" to fight in the battlefield to "Make Way for Liberty!" He is struck down in "Victory!" for Liberty, depicted as a white woman, who states as she mourns over his body, "He Died for Me!", Title from series title., Publication information inferred from copyright statement: Entered according to the act of the year 1863 by William A. Stephens in the Clerks' Office of the Dist. Court of the U.S. for the E. Dist. of Pa., Attributed to James Fuller Queen after Henry Louis Stephens., Henry Louis Stephens was a native Philadelphia caricaturist, book, and magazine illustrator who worked in New York in the mid-19th century for the periodical "Frank Leslie's." His brother William Allen Stephens served as his business manager., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 26., Original wrapper for the card set held in the collections of the Library of Congress, Washington, D.C. [LOT 5174], Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Copyright by William A. Stephens, 1120 Girard Avenue, Philadelphia., Description revised 2023., Access points revised 2023., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1863
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(5)5780.F.56m-p; (5)5780.F.57a-h]

Title: Kansas Exhibit - Kansas and Colorado Building
Description: Interior view of the Kansas and Colorado Building. Depicts the Kansas Exhibit, featuring a large fountain in the center, above which hangs a replica of the Liberty Bell made entirely out of grains and grasses. Also shows various other crops and plants throughout the exhibit.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.24a]

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