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Title: Pennsylvania at the Panama Pacific International Exposition, San Francisco, 1915
Description: Photograph album containing twenty-seven captioned views of Pennsylvania's contributions to the world's fair held in San Francisco, February 20-December 4, 1915. A number of the images include persons and groups of people posed in front of the Liberty Bell, which traveled nation wide on train from Philadelphia to the fair. Photographs include: "Pennsylvania Building"; "Corner of the Pennsylvania Garden"; "Corner of the Pennsylvania Bldg showing Plaque"; "Mural Pennsylvania Bldg. Steel Industry, Edward Trumbull";"Mural Pennsylvania Bldg. Penn's Treaty, Edward Trumbull"; "The Chinese Commission to the Exposition" in front of the Liberty Bell; "Gentlemen's Rest Room" in the Pennsylvania Building; "Education Day, October 11. 1915" showing young girls attired in "stars and stripes" dresses dancing; "Education Day, October 11. 1915" showing a woman attired as "Liberty" surrounded by young girls attired in "stars and stripes" dresses and standing in front of the Liberty Bell; "Great Grand Daughter of Gen. Putnam" by the Liberty Bell; "Ex Gov. John K. Tenor delivering address Dedication Day, March 18, 1915"; "Vice Pres. Fairbanks delivering address Dedication Day; "Judge William Bailey Lamar U.S. Repr. delivering address Dedication Day"; "Mr. Thomas A. Edison" by Liberty Bell; "A group of Chinese girls" by Liberty Bell; "Mr. Henry Ford" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh and Official Party" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh delivering address Pennsylvania Day, September 4, 1915; "Senator E.L. Tustin delivering address Pennsylvania Day, September 4, 1915";, "Judge Win Bailey Lamar U.S. Repr. delivering address Pennsylvania Day"; "Vice Pres Ruben B. Hale of P.P.J.E. delivering address Pennsylvania Day"; "Senator Boies Penrose" at Liberty Bell; "Farwell to the Liberty Bell, November 10, 1915"; "Philadelphia Officers 'Guards to the Liberty Bell"; "Chief Little Bear" at Liberty Bell; "Arrival of the Liberty Bell at the Pennsylvania Bldg"; and "Arrival of the Liberty Bell at the Pennsylvania Bldg.", Photograph titled, "The Chinese Commission to the Exposition," depicts nine Chinese men and one white man posed in front of the Liberty Bell behind a metal barrier. The men are attired in suits, some holding bowler hats in their hands, except one older Chinese man who wears a white mustache and is attired in a changshan and a round hat. The Liberty Bell is decorated with flowers and sits on a platform draped in an American flag. Four flags, including two American flags, are on flagpoles flanking the bell. Partial view of men and women spectators in the background. Photograph titled, "A group of Chinese girls," depicts six Chinese women posed in front of the Liberty Bell. In the center, the Liberty Bell is displayed on a platform that is draped with an American flag. Two women sit on the platform, and four women stand. Five of the women are attired in white tunics with Mandarin collars, dark-colored skirts, and lace-up, heeled boots, and several of the women wear necklaces and brooches. The woman in the right is attired in a long-sleeved white shirt, a quilted, dark-colored tunic with a Mandarin collar and matching quilted pants, a bracelet, and lace-up, heeled boots., Title and date from manuscript note on first page of album., See related: Rau Collection [P.9520.1] and photo - unid. -events [P.9520.2-8].
Date: [1915]
Location: Library Company of Philadelphia | Print Department albums [P.2022.2]

Title: Collection of Red Cross and World War I Pins
Description: Seven pins: 1. Red Cross 1919. 2. Red Cross 1920. 3. Red Cross. 4. Fourth Liberty Loan with flag. 5. Liberty Loan with V. 6. Third Liberty Loan with Liberty Bell. 7. I Helped War Chest with chest filled with gold and American flag crest. 1, 2, 5 -Made by The Whitehead Hoag & Co. Buttons, Badges, Novelties, and Signs Newark, NJ. 3, 6, 7- Made by American Art Works Conshocton, Ohio. 4-Made by American Art Sign(?) New York
Creator: The Whitehead & Hoag Co.
Date: 1914?-1920
Location: OBJ 689

Title: Liberty Bell, Independence Hall, [Philadelphia]
Description: Glass negative showing the Liberty Bell suspended from a pulley inside Independence Hall. The bell is inscribed with words and Roman numerals and has a large crack down the center. Construction on Independence Hall began in 1732 and completed in 1753 after the designs of Andrew Hamilton (1676-1741) and Edmund Woolley (1695-1771). It originally housed all three branches of the Pennsylvania colonial government, as well as being host to the signing of the Declaration of Independence, and the Constitutional Convention. The building went through numerous renovations and reconstructions, until in 1950 when the National Park Service restored much of the architecture and interior to its 1776 appearance. It is a part of Independence National Park and a major tourist attraction as of the 21st century. The Liberty Bell was commissioned in 1752 by the Pennsylvania Provincial Assembly. It first cracked after its arrival in Philadelphia and was recast twice by John Pass and John Stow. The large distinctive crack formed sometime in the early 19th century. The bell moved from Independence Hall to a nearby glass pavilion in 1976, and from there to Liberty Bell Center in 2003., Time: 2:30, Light: Sun shining outside. Too short exp[sosure]., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 25, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1109]

Title: [Photographic reproduction of an allegorical view including Abraham Lincoln, a pavilion, and marching soldiers]
Description: Boudoir card depicting a photographic reproduction of an allegorical Civil War painting by Paul Philippoteaux, possibly a panel from one of his four versions of "The Gettysburg Cyclorama." Shows a figure resembling General George McClellan pointing to Lincoln, his hand on his chest and standing on the steps of a pavilion. A white and African American man stand next to Lincoln. The pavilion is comprised of a tent adorned with ornate shields and stone columns marked "Union" and "Liberty." Urns rest atop the columns. Smoke rises from them. A large statue of the figure of Liberty rises over the pavilion. Inside the pavilion, men in suits sit at a long table at which two other men, one in shirt sleeves, stand and sign documents. A crowd of men stand behind and beside the table. Near the "Liberty" column in the right, a white man breaks the shackles of a male slave as armed African Americans rush by. Troops of soldiers march around the pavilion in front of cheering men, women, and children, including blacksmiths near an anvil, flags, and a shield in the right foreground. In the left foreground, an older man holds the reigns of a rider less grey horse next to a man astride a black horse. In the left background, the U.S. Capitol is visible and in the right background ironclads sail on the ocean. French artist Paul Phillipoteaux was commissioned to create the Gettysburg Cyclorama painting in 1879. Depicting Pickett's charge, he created four versions, with the first completed in 1883 and displayed in Chicago. The second version was first shown in Boston in 1884, with the third and fourth versions shown in Philadelphia and New York in 1886. Two of the four versions are known to be extant (Chicago and Boston). Contemporary descriptions of the extant cyclorama paintings do not include the scene reproduced by Allen & Rowell, who also reproduced "The Gettysburg Cyclorama" as boudoir cards circa 1884., Date inferred from possible provenance and its year of display in Boston., Photographer's imprint printed on verso., Title supplied by cataloger., Purchased with funds for the Visual Culture Program (Junto 2015)
Creator: Allen & Rowell
Date: [ca. 1884]
Location: Library Company of Philadelphia | Print Department photo - Allen & Rowell [P.2017.83]

Title: Lehman & Bolton, lithographers, printers, engravers & publishers, 418, 420, 422 Library St., Philadelphia
Description: Advertising calendar for 1881 for Lehman & Bolton, a partnership between William H. Lehman and Mahlon Bolton, Jr. formed in 1871. Surrounded by a gilt border, the image shows an ornate setting containing patriotic allegorical figures and symbols, including Liberty with a lyre, marble bust, fasces, and an American shield at her feet sitting with the liberty pole draped across her lap and a laurel wreath on her head as she looks at an album of U.S. Presidents; flowers and cherubs holding grain, holly, a scythe, an umbrella, a watering pot, and other spring symbols; and the dome of the United States Capitol in the background. Text describes various kinds of job printing undertaken by the firm., Not in Wainwright., On bottom recto outside of gilt border: "Bell Telephone Communication.", Philadelphia on Stone, POSA 52
Creator: Lehman & Bolton, lithographers
Date: [1880]
Location: Library Company of Philadelphia | Print Department BW - Advertisements [P.9349.363]

Title: “Universal family” Soapine, Kendall Mfg. Co., Providence, R.I
Description: Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]

Title: Colossal hand and torch "Liberty".
Description: Free-standing hand and torch from the Statue of Liberty mounted on subscription kiosk. A small crowd at the base of structure and two men at the hilt of the torch. In background is New York 'Tribune' Building, Women's Pavilion, and Drinking Fountain. The 'Liberty' hand and torch was designed by Fridiric Bartholdi; the Drinking Fountain was erected by the Sons of Temperance of Pennsylvania.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9260.45]

Title: ASSU Illustration 7796
Description: Block numbered in three places: 7796., Image of interior of Independence Hall, Philadelphia; male and female visitors include one black woman. Two decorative rondelles in corners depict a statue of George Washington and the Liberty Bell, flanking an eagle., Signed: Lauderbach, sc.; S [i.e., Seymour?]., Illustration appears in Child's world, v. 33, no. 3 (Feb., 1876?), p. 1.
Date: [1876?]
Location: Boxed with **Per C51.7 11590.F (Teitelman)

Title: Kansas Exhibit - Kansas and Colorado Building
Description: Interior view of the Kansas and Colorado Building. Depicts the Kansas Exhibit, featuring a large fountain in the center, above which hangs a replica of the Liberty Bell made entirely out of grains and grasses. Also shows various other crops and plants throughout the exhibit.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.24a]

Title: Memorial chart centennial jubilee Liberty, equality, fraternity to all nations
Description: Print commemorating the Centennial Exhibition of 1876 containing allegorical vignettes bordered by portraits of the eighteen presidents and views of Philadelphia landmarks and Centennial buildings. Allegorical vignettes show the female figures of Justice, Liberty, and Prosperity seated next to each other on a pedestal in front of a mountain valley, and a large assembly of men of international origin attired in native costumes. Depicted Philadelphia landmarks include Independence Hall, Masonic Temple, Girard College, Carpenters Hall, the Academy of Fine Arts, and the Academy of Music. Centennial building exteriors include the Main Building, Machinery Hall, and Memorial Hall. Additional portraits depict prominent figures in the administration of the Centennial and Pennsylvania Governor John F. Hartranft and Philadelphia Mayor William S. Stokley. Portraits include Joseph R. Hawley, President of the U.S. Centennial Commission; Alfred T. Goshorn, Director-General of the Centennial Exhibition; Thomas Cochran, Vice-President of the U.S. Centennial Commission and chairman of the commission on grounds, plans, and buildings; John L. Campbell, Ohio professor who originated the idea of a Centennial exhibition; John Welsh, President of the Centennial Board of Finance; Frederick Fraley, secretary and treasurer of the Centennial Board of Finance; and building engineers H.J. Schwartzmann and Henry Pettit. Also contains a panoramic view from Fairmount Park looking east toward the city; lists of "The Original States of the Union" and "States Admitted into the Union," the text of the Declaration of Independence and President Grant's proclamation in support of the Centennial, and allegorical seals for the Declaration and the Centennial. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 467, Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views.
Creator: Stauch, Charles J., artist
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department **BW - Centennial [5758.F.9]

Title: In remembrance of the one hundredth anniversary of the independence of the United States
Description: Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Title from item., Date from copy with copyright statement in the collections of the Historical Society of Pennsylvania., Philadelphia on Stone, POS 374, Copy received after original dates of Philadelphia on Stone project., Copy at Historical Society of Pennsylvania: Bc 8 St 57, George Stinson & Co. began operations about 1871 and in advertisements for sales agents in newspapers across the country promoted the "pictures" sold by the firm as the "finest and most pleasing in [the] country, and ... endorsed by all the leading papers ... " The firm advertised for sales agents through at least the early 1890s.
Creator: George Stinson & Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2019.54.3]

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: The monument to liberty to be erected in Independence Square, Philadelphia, designed by William W. Story
Description: View showing an unexecuted monument commissioned by the citizen's group National Commemoration Monument Association and designed by sculptor William Wetmore Story for the re-landscaping of the square for the Centennial celebration of 1876. Shows the figure of Liberty standing upon a column adorned with female allegorical figures; an eagle encircled by stars; fearsome animal heads; and floral ornaments. The monument was to be placed in the center of the square at the intersection of the main paths. In 1876, the committee asked to and was allowed to be released from a city ordinance, passed in March 1875, that required them to raise $50,000 for the erection of the monument and the project effort apparently dissolved., Not in Wainwright., Philadelphia on Stone, POS 483, Historical Society of Pennsylvania: Bc 632 S 888
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 632 S 888

Title: In remembrance of the one hundredth anniversary of the independence of the United States
Description: Print containing a central view of the female figure of America surrounded by scenes and vignettes that commemorate the Centennial Exhibition of 1876, in West Fairmount Park, Philadelphia. Shows America, wearing a liberty cap and holding a laurel wreath, seated on a throne that is bordered by American flags. Vignette portraits of the presidents and prominent military figures from the American Revolution encircle the image and a bird's eye view of the exhibition grounds, "Centennial Exhibition Buildings, Philadelphia,"and vignettes of Independence Hall, Faneuil Hall, and the Bunker Hill Monument are visible above it. At the bottom of the print, a battle scene represents "The Struggle for Liberty" and a family resting on their porch in front of a farmer in his field, and a factory, represents "Peace and Prosperity". Also includes the American eagle holding the American shield and banner "E Pluribus Unum." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 374, Historical Society of Pennsylvania: Bc 8 St 57
Creator: George Stinson & Co.
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 8 St 57

Title: Outline of the monument to liberty to be erected in Independence Square, Philadelphia
Description: View showing an unexecuted monument commissioned by the citizen's group National Commemoration Monument Association and designed by sculptor William Wetmore Story for the re-landscaping of the square for the Centennial celebration of 1876. Shows the figure of Liberty standing upon a column adorned with female allegorical figures; an eagle encircled by stars; fearsome animal heads; and floral ornaments. The monument was to be placed in the center of the square at the intersection of the main paths. In 1876, the committee asked to and was allowed to be released from a city ordinance, passed in March 1875, that required them to raise $50,000 for the erection of the monument and the project effort apparently dissolved., Originally part of a McAllister scrapbook of views of Philadelphia., Philadelphia on Stone, POS 534
Creator: Hunter, Thomas, lithographer
Date: 1875
Location: Library Company of Philadelphia | Print Department BW - Monuments and statues - L [(3)1322.F.27c]

Title: 1776, Centennial International Exhibition, 1876 History of the United States
Description: Print containing a central view of the proposed Main Exhibition Building surrounded by titled vignettes showing key events in the history of the United States. View includes trains of people arriving by foot, on horseback, and by omnibus in front of the exhibition hall. The length, width, and square footage of the building are printed below the image. Vignettes, predominately events from the American Revolution, War of 1812, Mexican American and Civil War, include "Drafting the Declaration of Independence - The Committee"; "Reading the Declaration of Independence"; Celebration of the Fourth of July After the [Civil] War"; "Battle at Manmouth"; "Entry into Mexico"; "Battle of Lake Erie"; the raising of the American flag at "Fort Sumter"; "Surrender of Lee"; and Lincoln's celebratory "Entry into Richmond." Many of the images include victorious military leaders in addition to celebratory crowds. Other vignette views show street and pedestrian traffic in front of "Independence Hall or State House, Phila." and "The Memorial Building or "Art Gallery," Phila." Also contains the figure of America; an American eagle; a bee hive icon for "Agriculture" and train icon for "Mechanics"; Native American figures incorporated into the border; and banners reading "Great World Fair" and "Industry of All Nations." The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Farimount Park., Not in Wainwright., Philadelphia on Stone, POS 3, Historical Society of Pennsylvania: Bc 8 S 325
Creator: Schile, H. (Henry)
Date: [c1875]
Location: Library Company of Philadelphia | Print Department **BW -Centennial [7859.F]

Title: "Raising the liberty pole" Dedicated to the American people. Commemorative of 1776. The centenary of independence
Description: Print after painting by New York historical painter and Art Union exhibitor, Frederick Augustus Chapman, commemorating the Declaration of Independence. Depicts the raising of a liberty pole in a colonial town square. Image contains a group of men, including an African American man, raising the pole as around them revelers rejoice; a tavern sign with a portrait of King George III is pulled down; the Sons of Liberty rally; volunteers for "War, Liberty, and Rights" are recruited; a white man loyalist turns away in disgust; and a white woman raises her baby in celebration as other women solemnly look on. Liberty poles, symbols and meeting places of the radical group, Sons of Liberty, first appeared in 1766 following the repeal of the Stamp Act., Title from item., Date from copyright statement: Copyrighted 1875. By John C. McRae; New York., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: 1875
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.13]

Title: [In commemoration of the centennial anniversary of our nation's birth.]
Description: Top half of the commemorative print depicting a monument that contains vignettes; allegorical, patriotic, and historical figures; state seals; and references to the Declaration of Independence to symbolize "A Free Nations Progress." Includes a central arch containing a view showing "Philadelphia Public Buildings. 1776. Independence Hall." View includes street and pedestrian traffic. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Flanking the central view are columns labeled with the names of the signers of the Declaration of Independence. Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Also includes views of a stagecoach; a sailing vessel, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength." The centennial of the United States was celebrated through an international exhibition, the Centennial Exhibition, of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368a, Historical Society of Pennsylvania: Bb 47 Z 992
Creator: Leonholdt, Frank H.
Date: [c1875]
Location: Historical Society of Pennsylvania HSP Bb 47 Z 992

Title: [Centennial Memorial]
Description: Allegorical print showing the figure of liberty holding a laurel wreath over a bust of George Washington that is mounted on a pedestal reading “E. Pluribus Unum 1876 1776”. The image of two overlapping torches separates the dates on the pedestal and an American flag drapes the bust. The figures are surrounded by an eagle, American flags and oak leaves intertwined with a banner that reads “These United Colonies Are And Of Right Ought To Be Free And Independent States,” a quote from the Declaration of Independence., pdcp00038, Copyrighted by the "Centennial Album.", Title from duplicate in the collections of the Boston Athenauem, Boston, Massachusetts., Not in Wainwright., Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Centennial, Trimmed.
Creator: Maurer, Louis, 1832-1932, artist
Date: c1875
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana – Centennial

Title: National Chromo Co., 927 Chestnut Street, Philadelphia, Pa. [catalog cover]
Description: Front cover contains a montage of vignette views of the main Centennial Exhibition of 1876 buildings bordering a central allegorical scene. Scene shows the figures of Columbia and Liberty surrounded by cherubic figures representing the arts, industry, agriculture, and science. Figures hold emblematic items, including a laurel wreath, liberty pole, American shield, hammer, paint palette, compass, and a sheath of wheat. Building vignettes show the Agricultural Hall, Machinery Hall, Horticultural Hall, Main Building, and Memorial Hall (Art Gallery). Also contains pictorial details representing "1776" showing the solitary figure of liberty and "1876" showing the figure of Justice with two women in humbled stances., Rear cover printed with promotional text reading "Chromos, Engravings, Mottoes, and Artist's Materials, Published, Imported and For Sale By the National Chromo Company, 927 Chestnut Street [stamped over No. 717 Sansom Street] Philadelphia, Pa., Not in Wainwright., Title annotated with stamp over previous address: No. 717 Sansom Street., Philadelphia on Stone, POSA 65, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Printers & Printing - Box 1 - National Chromo Co.
Creator: National Chromo Company
Date: c1875
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Printers & Printing - Box 1 - National Chromo Co.

Title: In commemoration of the centennial anniversary of our nation's birth
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing central views of the "Philadelphia Public Buildings," Independence Hall (1776) and the new City Hall (1876), surrounded by vignettes; allegorical, patriotic, and historical figures; state seals; and references to prominent historical, national and local personages. The public building views include pedestrian and street traffic, the name of City Hall architect John McArthur Jr., and the motto "A Free Nation's Progress." City Hall image also contains misrepresentative views of other municipal- style buildings in the background. Arch comprised of the seals of the original 13 states bordered by abutments containing angels trumpeting "Liberty" and "Independence." Above the arch figures of Liberty, American eagles, Christopher Columbus, William Penn, George Washington, Ulysses S. Grant, and Abraham Lincoln adorn a panel representing a time line of the nation's history. Flanking the central views are columns labeled with the names of the signers of the Declaration of Independence; the states; the U.S. Presidents and Vice-Presidents; prominent citizens, including Alexander Hamilton, William Wirt, Thomas Sullly and Thomas U. Walter; and the Philadelphia Commissioners for Public Buildings. Also includes vignette views symbolizing industry, arts, politics, and technological advancement. Includes sailing vessels, bridges, locomotives, railroads, a factory, a turbine, and the U. S. Capitol. Also contains the patriotic mottoes "United We Stand Divided We Fall" and "In Union There is Strength" in addition to plaques with the names of the Mayor of Philadelphia, William S. Stokley, and the Governor of Pennsylvania, John F. Hartranft. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Copyrighted by Frank H. Leonholdt., Philadelphia on Stone, POS 368, Historical Society of Pennsylvania: Bc 47 Z 992
Creator: Leonholdt, Frank H.
Date: c1875
Location: Historical Society of Pennsylvania HSP Bc 47 Z 992

Title: Board of Education of the City of Camden of the State of New Jersey second class certificate
Description: Teacher's certificate illustrated with three allegorical vignettes: the New Jersey state seal with Liberty and Prosperity, portrayed as white women; a group of objects representing knowledge including books, a globe, a protractor, and a beaker; and a group of objects representing the arts including musical instruments, an artist's palette, a painting on an easel, sculpture, and a camera., Title from item., Issued to Mary S. Bunday, who qualified as a "first assistant in a grammar school," on September 25th, 1874. Bunday, an African American woman, was issued a second class certificate awarded to Black teachers., Date from manuscript written on recto., Manuscript note on frame backing: second class certificate meant Black for a Black Teacher., Unframed 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Traubel, M. H. (Morris H.), 1820-1897, lithographer
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: Breuker & Kessler, lithographers, South West Corner Seventh & Chestnut Sts "Know all men by these presents: that Breuker & Kessler of Philadelphia, possessing ample facilities are prepared to execute in the finest style of the art, all orders for lithographing, including bonds, certificates of stock and deposit, checks, drafts, notes, letter note and bill headings, bills of exchange, cards, insurance policies, blanks etc. also show cards and labels in colors. Having given special attention to the engraving and printing of bonds and by using a combination of geometrical lathe and rosette designs we are able to produce a class of work so intricate as to prevent counterfeiting, it being impossible to imitate the same with any degree of accuracy. In witness whereof we have caused to be printed this sample in the form of a bond and have hereto attached our signatures, this first day of January, A.D. one thousand eight hundred and seventy four
Description: Advertisement for the lithographic establishment in the form of a $500 bond, with several small illustrations within the security designs. At top, within a scroll flanked by flags and military gear and overtopped by an eagle, a miner with pick and shovel and a farmer with pitchfork illustrate the motto "oro y plata." At left, a figure of liberty personified stands on a globe girdled by the motto "[e plu]ribus unum." At lower right, a reclining figure uses a pair of compasses. Bond Certificate" placed above 16 numbered rectangular "cards" marked "Breuker & Kessler, lithographers, Philadelphia." Verso covered with printed floral decoration. Numbers on bottom section correspond with numbers on recto., Not in Wainwright., Signed: Harry G. Kessler, J. Millard Kessler, Geo. W. Breuker., Philadelphia on Stone, POSA 8, American Antiquarian Society: Graphic Arts Lithf Breu Breu, George W. Breuker, Sr. and Harry C. Kessler, Sr. formed their practical and commercial lithography business in January 1866. The firm produced drug, perfume, wine and liquor labels, trade cards, show cards and all forms of commercial engravings and was in operation until the 1930s.
Creator: Breuker & Kessler Co.
Date: [1874]
Location: American Antiquarian Society AAS Graphic Arts Lithf Breu Breu

Title: [Glorification of the American Union]
Description: Allegorical print glorifying life and liberty in post-Civil War America depicting the figure Columbia, depicted as a white woman, atop a tall pyramid-shaped pedestal. Flanked by George Washington and Abraham Lincoln, the latter holding the "Proclamation of Emancipation," she raises her hand toward emancipated enslaved men and women to her right who acknowledge her with raised shackled hands, a knelt position, and a tipped hat. Newly arrived European immigrants are gathered to her left. Abolitionist Henry Ward Beecher stands among the enslaved men, women, and children who have been emancipated, and revolutionary and diplomat Carl Schurz stands before the immigrants. The freed persons embrace each other, break free from shackles, and brandish instruments of free labor as behind them the Capitol, a large American flag, and apparitions of colonial soldiers stand vigil. The immigrants, depicted in their native attire, look to Schurz as they carry their belongings ashore. More ships continue to arrive in the background., Title from copy print at the Calvert Gallery, Washington, D.C., Printer's proof., Manuscript note on recto: Aun myn goeden arrend J. Bollens; J. B. Michiels., After a painting by Belgian historical painter Ferdinand Willem Pauwels, exhibited in 1867 at the Kunstschule in Weimar and possibly at the 1876 Centennial Exhibition in Philadelphia under the title, "The New Republic.", See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989) Part 2, Vol. IV, p.248-249., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Michiels, Jean-Baptiste P., 1821-1890, engraver
Date: [ca. 1873]
Location: Library Company of Philadelphia | Print Department **GC-Emancipation [P.9672]

Title: The United States Centennial International Exhibition
Description: Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: United States, Bureau of Engraving and Printing
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]

Title: America Fire Engine Co. of the city of Philadelphia
Description: Fire company membership certificate containing two side panel views, vignettes, and firefighting iconography. The left panel shows firefighters running from the fire house on Buttonwood Street, below Third Street. Two men stand lookout on the tower above the house, as others pull the fire engine from the garage. The right panel shows the fire company attempting to extinguish the January 14, 1869 fire caused by an explosion of a steam boiler at the southeast corner of Ninth and Chestnut Streets. Flames shoot from the top of three adjacent businesses on land formerly occupied by the Burd Mansion including, Howell & Brothers, paper hanging (900 Chestnut Street); J.M. Hafleigh, dry goods (902 Chestnut Street); and J.F. & E.B. Orne, carpets & oil cloths (904 Chestnut Street). The center vignette, below the membership text, depicts a man standing in front of the two horses that are hitched to a carriage pulling the fire company's engine. At the top of the certificate, American and Pennsylvania flags flank the image of lady liberty sitting on the wing of an eagle. With a lightning bolt in her left hand, she floats above a banner that reads "Allways [sic] ready and willing to assist". Fire fighting equipment, including a helmet, engine, and bugles, are drawn as decorative elements interspersed with the side panel views. Also contains the company's number "No. 9" and institution date, April 10th 1790. Incorporated on April 13, 1844., Not in Wainwright., Signed by Thomas F. Moore, president, and Frank Jacoby, secretary., Philadelphia on Stone, POS 16, Historical Society of Pennsylvania: Certificates - Fire Companies - American Fire Engine
Date: [ca. 1870]
Location: Historical Society of Pennsylvania HSP Certificates - Fire Companies - American Fire Engine

Title: The great November contest. Patriotism vs bummerism
Description: Racist cartoon depicting the 1868 Presidential Election as a carriage race between the "patriotic" Democrats and the "bum" Republicans who support Reconstruction. Depicts the elegant Democratic carriage with the banner "This is a White Man's Government" pulled by the horses with the heads of Horatio Seymour and Francis P. Blair racing passed the stalled Republican wagon steered by the asses with the heads of nominees Ulysses Grant and Schuyler Colfax. In the Democrats' carriage are four allegorical figures: Liberty, depicted as a white woman holding the Constitution and a banner which reads "Our Glorious Union Distinct, like the Billows, One, Like the Sea' This is a White Man's Government!"; Navigation, depicted as a white woman holding a miniature ship; Agriculture, depicted as a white woman holding sheaves of wheat and a scythe; and Labor, represented by a bearded white man with a hammer and flywheel. The Republican wagon passengers include radical Thaddeus Stevens, the grim reaper, and an African American man and woman couple, portrayed in racist caricature and speaking in the vernacular. Massachusetts Republican representative Benjamin F. Butler tries to push the stalled wagon passed the bones of those who paid "The Price of Nigger Freedom" and the rocks of "Ruined Commerce," "Debt," and "Negro Supremacy.", In the background, a cheering crowd brandishing American flags near the U.S. Capitol await the winning Seymour and Blair while on the building's other side a group of African American men dance. In the left foreground, Henry Ward Beecher and Horace Greeley play a shellgame looking for Grant and an African American man and woman, attired in torn and worn clothes, discuss another man returning to his former enslaver. In the right foreground, an African American man sits behind a table labeled, "Pompey Smash, Salt River Line Ticket Agent" and sells tickets to "Salt River" (i.e., political disaster) to a white man with a bag labeled, "J.G.B. Boston Carpet Bagger." Behind them, two African American men and a drunken white man holding a bottle talk about the Republican wagon., Title from item., Date from copyright statement: Entered according to an Act of Congress in the year 1868 by Bromley & Co. in the Clerk's Office of the District Court of the U.S. for the southern District of New York., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1868
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1868-15 [5760.F.125]

Title: Testimonial to Samuel B. Fales Esq. from the Union Volunteer Refreshment Committee
Description: Certificate commemorating Fale's service to the committee. Includes a decorative floral border containing a profile vignette portrait of Fales captioned "The Soldier's Friend", an American eagle, the figures of liberty and justice, interior and exterior views of the Union volunteer Refreshment Saloon and Hospital, and a battle scene., Signed October 25, 1863 by Arad Barrows, Chairman; John B. Smith, W. S. Mason, Curtis Myers, committee on testimonial; and Joseph B. Wade, secretary., Philadelphia on Stone, POS 747, Dunton was a Philadelphia teacher.
Creator: Dunton, Alvin R.
Date: 1866
Location: Library Company of Philadelphia | Print Department **Philadelphia Certificates - Charitable organizations [7853.F]

Title: The last offer of reconciliation In rememberance of Prest. A. Lincolns. "The door is open for all."
Description: Allegorical print with decorative border commemorating the reconciliation of the North and South at the end of the Civil War. Depicts Lincoln extending a hand to Confederate President Jefferson Davis and to Liberty, depicted as a white woman, who sits behind the presidents in a temple adorned with the names of the Union states. Secretary of State William H. Seward, Secretary of War Gideon Welles, two Union Officers, General Sherman, and General Grant on horseback accompany Lincoln in the prosperous North. Grant holds a ribbon containing the names of the Confederate states, and Sherman attaches it to the Temple of Liberty. In the burning, war-torn South where ghostlike figures roam, Davis is accompanied by General Lee, a man resembling Henry Wilkes Boothe, an enslaved African American man who holds his shackled arms above his head, and a solemn young man holding his stove pipe hat. The decorative border contains healthy vines and branches on the northern side, dead vines on the side of the "South," and vignettes of an enslaved African American man being whipped by a white man enslaver, hand-to-hand combat, white men working the field, and a white man fishing., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year of 1865 by Henry & Wm. Voight in the Clerk's Office of the Southern District of New York., Text below title: Dedicated to the Memory of our most lamented late President Abraham Lincoln., One of three companionate allegorical lithographs about the Civil War produced by Kimmel & Forster., Originally from a McAllister scrapbook of Lincoln materials. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Thomas, Henry, lithographer
Date: 1865
Location: Library Company of Philadelphia | Print Department Political cartoons-1865-6R [5792.F]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: Northern coat of arms
Description: Racist cartoon expressing anti-abolitionist sentiment within the North by depicting a "Northern Coat of Arms," in which only the rights of African Americans are represented. Depicts a Phrygian cap from which an African American man's large feet protrude. The cap, inscribed "Liberty," is adorned with the American symbols of stars and the eagle with an arrow and olive branches., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by j.E. Cutler in the clerk's office of the district court of the dist. of Mass., Series no. printed on recto: 159., Probably drawn by Joseph E. Baker, Boston., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-36R [P.2275.4]

Title: Writing the Emancipation Proclamation
Description: Pro-Confederacy caricature bombasting Abraham Lincoln's legal and moral authority to write the Emancipation Proclamation. Depicts a demented Lincoln writing the Proclamation seated at a table adorned with a spectral eye; ram horned African American heads, portrayed in racist caricature; and legs ending in cloven hooves. He sits upon a chair with a back decorated with the head of an ass, the "U.S. Constitution" trampled beneath his foot. Atop the table, the devil holds his inkwell before him. A liquor decanter rests upon a sidetable nearby. On the wall, framed paintings hang depicting "saintly" St. Ossawotamie (i.e., John Brown), and the "murderous" rebellion of the enslaved in the 1790s in "St. Domingo"(i.e., Haiti). Behind Lincoln, near window drapes held back by a vulture headed tie back, a statue of liberty, her liberty cap fallen over her face, rests her shield down upon the wall pedestal on which she stands., Inscribed upper left corner: 25., Issued as plate 25 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 25 [2990.F.10]

Title: Abraham's dream! "Coming events cast their shadows before."
Description: Cartoon lampooning Lincoln's belief in prophetic dreams and fear of losing the presidential election of 1864. Above the dreaming, sleeping body of Lincoln, Democratic candidate George McClellan arrives at the White House. He witnesses Liberty, depicted as a white woman, hurling the decapitated head of an African American man, portrayed in racist caricature, at a fleeing Lincoln as he states, "This don't remind me of any joke!!" Lincoln is attired in a plaid Scotsman's cap and cape, an allusion to his disguise in response to an assassination threat before his first inauguration, and carries an inscribed scroll, "To whom it may concern," a reference to his written edict that he would only receive, not seek, offers of peace from the Confederacy., Title from item., Date from copyright statement: Entered according to act of Congress, A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Probably drawn by Louis Maurer., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-41 [6374.F]

Title: The past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel is held under the year 1863 by Father Time; Thomas Crawford's statue of freedom; and the hellhound Cerberus fleeing liberty. The Great Central or Sanitary Fair of 1864 was organized by the Philadelphia division of the United States Sanitary Commission to raise money for their soldier relief organization. Although emancipation was a popular theme of the fair, African Americans were excluded from the exhibition., Title from item., Date inferred from content., Inscribed: Price [Fif?]ty Cents., Originally published in "Harper's weekly," January 24, 1863., LCP exhibition catalogue: African American Miscellany, p. 22., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Nast, Thomas, 1840-1902, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3a variant [P.9177.30]

Title: Civil War era patriotic ream wrappers [graphic].
Description: 5793.F.33a contains inscriptions about ream price., Originally part of McAllister scrapbooks of Civil War miscellanies and materials related to George McClellan., Seven of the collection trimmed., Collection includes ream wrappers for ruled note paper from Ellsworth Mills; Fremont Mills; McClellan Mills; Parsons Paper Co. (Holyoke, Mass.); and S.C. Upham (Philadelphia, Pa.). Also includes two "Union Note Paper" wrappers issued from unidentified sources. Majority of wrappers contain ornate borders and patriotic designs including eagles, the figure of Liberty, portraits of Elmer Ellsworth and George McClellan, and military iconography.
Date: ca. 1863.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Ream wrappers [(2)5786.F.159f; (5)5786.F.169d; 5793.F.33a&35a; P.2006.1.13a-d]

Title: Civil War era patriotic ream wrappers [graphic].
Description: 5793.F.33a contains inscriptions about ream price., Originally part of McAllister scrapbooks of Civil War miscellanies and materials related to George McClellan., Seven of the collection trimmed., Collection includes ream wrappers for ruled note paper from Ellsworth Mills; Fremont Mills; McClellan Mills; Parsons Paper Co. (Holyoke, Mass.); and S.C. Upham (Philadelphia, Pa.). Also includes two "Union Note Paper" wrappers issued from unidentified sources. Majority of wrappers contain ornate borders and patriotic designs including eagles, the figure of Liberty, portraits of Elmer Ellsworth and George McClellan, and military iconography.
Date: ca. 1863.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Ream wrappers [(2)5786.F.159f; (5)5786.F.169d; 5793.F.33a&35a; P.2006.1.13a-d]

Title: Bruce's New-York Type-foundry, 13 Chambers st., New York [specimen sheet]
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Specimen sheet containing twelve numbered examples of Civil War envelope vignettes published by the Bruce New York Type Foundry also known as George Bruce's Son & Co. Designs depict the American flag. Some include the American eagle; military personal; a patriotic-themed border; or historic figures. Vignettes also include prices, ranging between 50 cents and 2 dollars, for plain or two-colors.
Creator: George Bruce's Son & Co., creator
Date: [ca. 1863]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.1b]

Title: Our relations at home and abroad.
Description: Stephen's album drolleries no. 1., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire,( i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a-l]

Title: Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion who weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55i]

Title: Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the little child Liberty leading the supplicant British lion and Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a]

Title: For the precise period at which this occurred, consult history. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the victory of the eagle over the wolf. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55c]

Title: The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55b]

Title: Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion protecting his rams with the introduction of the "Swamp Angel" and Greek fire, ( i.e. the bombing of Charleston) by the American eagle. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55e]

Title: Grand combat between the Eagle and the Wolf. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle and the wolf fighting. The lion hangs out of a window above the fight scene, near the words "police ; murder". Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55d]

Title: The arming of the Wolf by his faithful squire. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion arming the wolf. The wolf stands with one foot on the lap of the lion, who is fixing his boots. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55g]

Title: Which temporarily astonished even the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]

Title: Who responded with warlike vigor when the Lion caved. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]

Title: The Mexican Vulture garroted by the Gallic Cock. [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., The Gallic cock is strangling the Mexican vulture and has his knife raised, about to stab him in this scene (i.e., French intervention in Mexico). Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55f]

Title: On England's muggy shore a surly lion gave a grievous roar! [graphic]
Description: Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring from the coast of England, with the "Trent" (RMS Trent of the Trent Affair) steamship afloat in the background. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55l]

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