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- Title
- Our relations at home and abroad.
- Description
- Stephen's album drolleries no. 1., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire,( i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a-l]
- Title
- Exeter Hall. The Lion weeps: "Is he not a bird and a brother?" [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion who weeps "is he not a bird and brother" for a crow, (i.e. a slave of the South) at Exter Hall. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55i]
- Title
- Grand tableau of the future. The little child, Liberty, shall lead them. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the little child Liberty leading the supplicant British lion and Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55a]
- Title
- For the precise period at which this occurred, consult history. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the victory of the eagle over the wolf. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55c]
- Title
- The Eagle vindicates the Monroe Doctrine in Mexico. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55b]
- Title
- Introduction of Master Swamp Angel: the Lion pockets his Rams. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion protecting his rams with the introduction of the "Swamp Angel" and Greek fire, ( i.e. the bombing of Charleston) by the American eagle. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55e]
- Title
- Grand combat between the Eagle and the Wolf. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the eagle and the wolf fighting. The lion hangs out of a window above the fight scene, near the words "police ; murder". Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55d]
- Title
- The arming of the Wolf by his faithful squire. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion arming the wolf. The wolf stands with one foot on the lap of the lion, who is fixing his boots. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55g]
- Title
- Which temporarily astonished even the Gallic Cock. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring and astonishing the Gallic cock. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55k]
- Title
- Who responded with warlike vigor when the Lion caved. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the Gallic cock overpowering the British lion. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55j]
- Title
- The Mexican Vulture garroted by the Gallic Cock. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., The Gallic cock is strangling the Mexican vulture and has his knife raised, about to stab him in this scene (i.e., French intervention in Mexico). Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55f]
- Title
- On England's muggy shore a surly lion gave a grievous roar! [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the British lion roaring from the coast of England, with the "Trent" (RMS Trent of the Trent Affair) steamship afloat in the background. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55l]
- Title
- Which he forgets in the embrace of the belligerent Wolf of the C.S.A. [graphic]
- Description
- Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Depicts the lion and the wolf shaking hands, and stepping on the crow. Forms part of a collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer., creator, Stephens, H. L. (Henry Louis), 1824-1882 artist., creator
- Date
- c1863.
- Location
- Library Company of Philadelphia Print Dept. Henry Lewis Stephens Collection [5780.F.55h]
- Title
- "Raising the liberty pole" Dedicated to the American people. Commemorative of 1776. The centenary of independence
- Description
- Print after painting by New York historical painter and Art Union exhibitor, Frederick Augustus Chapman, commemorating the Declaration of Independence. Depicts the raising of a liberty pole in a colonial town square. Image contains a group of men, including an African American man, raising the pole as around them revelers rejoice; a tavern sign with a portrait of King George III is pulled down; the Sons of Liberty rally; volunteers for "War, Liberty, and Rights" are recruited; a white man loyalist turns away in disgust; and a white woman raises her baby in celebration as other women solemnly look on. Liberty poles, symbols and meeting places of the radical group, Sons of Liberty, first appeared in 1766 following the repeal of the Stamp Act., Title from item., Date from copyright statement: Copyrighted 1875. By John C. McRae; New York., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- McRae, John C., engraver
- Date
- 1875
- Location
- Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.13]
- Title
- The Ledger carrier's annual greeting. To their subscribers, New Year, 1855
- Description
- Allegorical print depicting female allegorical figures in front of a temple of Justice. Depicts in the left, Peace as a white woman attired in a laurel wreath crown and a white Roman gown, standing across from the white figure of Liberty and pointing with her left hand toward the temple in the background. Liberty, wearing the American flag as a cape, and with a liberty pole and cap in hand, charges toward the temple. Three muse-like female followers, including two white women, one holding an urn, and a Black woman, looking toward the temple, stand alongside her. Behind Peace, a white cherub stands by a stack of books. Scene also includes a discarded shield and sword laying on the ground in the foreground., Title from item., Presumably issued late in 1854 by Swain, Abell & Simons, the publisher of the Philadelphia newspaper, the Public Ledger, for their subscribers., Printed below the image: Printing! the art of every art preserver. The lever that uplifts the world of mind. Of Justice, Peace, and Human Rights conserver; The sense of vision to the mental blind. The torch of genius flashes o’er its pages, Illumes Fame’s temple with its dazzling ray. And marks the means for moulding future ages, In universal education’s sway., Purchase 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, a premier Philadelphia portrait and genre engraver of the 19th century, was also a social reformer who often incorporated his reformist beliefs into his work., Schussele was a historical, genre, landscape, and portrait painter and respected professor at the Pennsylvania Academy of the Fine Arts whose paintings his professional associate and friend, John Sartain, often engraved.
- Creator
- Sartain, John, 1808-1897, engraver
- Date
- [1854]
- Location
- Library Company of Philadelphia | Print Department *GC - Allegories - L [P.9000.1]
- Title
- Stephens' album drolleries no. 1 Our relations at home and abroad
- Description
- Collection of twelve numbered and captioned comic cards satirizing the diplomatic relations between the United States, Confederate States, Great Britain, France, and Mexico during the Civil War. First nine cards show the British "surly lion" giving a "generous roar," (i.e., the recognition by Great Britain of the Confederacy); which "temporarily astonishes" the "Gallic Cock"; who eventually overpowers the lion; who later weeps "is he not a bird and brother" for a crow, (i.e. an enslaved person of the South) at Exeter Hall; "which he forgets in the embrace of the "Belligerent Wolf of the C.S.A." while stepping on the crow; which leads to his "arming of the wolf"; while the Mexican vulture is garroted by the Gallic cock (i.e., French intervention in Mexico); causing the lion to protect his rams with the introduction of the "Swamp Angel" and Greek fire, (i.e. the bombing of Charleston) by the American eagle; which causes the "grand combat" between the eagle and the wolf. Last three cards predict "to consult history" to see the Union victory of the eagle over the wolf; the eagle vindicating the Monroe Doctrine in Mexico by overthrowing the Gallic cock; and the little child Liberty leading the supplicant British lion and Gallic cock., Attributed to James Queen after Henry Louis Stephens., Title from accompanying wrapper., Date from copyright statement by William A. Stephens., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
- Creator
- Queen, James Fuller, 1820 or 21-1886, lithographer
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [5780.F.55a-l]
- Title
- James K. Polk
- Description
- Bust-length portrait within an ornate border of the U.S. president responsible for the statehood of Texas. Polk, attired in a white collared shirt, a black cravat, waistcoat, and jacket, faces to the right and tucks his left hand into his waistcoat. Border includes the figure of Liberty, depicted as a white woman, and a vignette titled "Annexation of Texas" depicting a trio of military officers reading the declaration of annexation to a crowd of civilians, including a cheering African American man. Border also includes angelic male torsos, flourishes, scrolls, and ornaments., Title from printed signature of sitter below image., Date inferred from content., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Andrews and Babson, Boston engravers, collaborated in the 1850s.
- Creator
- J. Andrews & R.E. Babson, engraver
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department portrait prints - Polk [P.8911.790]
- Title
- Facsimile of the signatures to the Declaration of Independence
- Description
- Commemorative print containing facsimiles of the signatures of the signers of the Declaration of Independence within an ornamental border. In the top of the border are allegorical figures of Justice, depicted as a white woman carrying scales and a sword, and Liberty, depicted as a white woman attired in a liberty cap and carrying a spear and shield. An eagle stands between them next to a crest of an American flag. Along the sides of the border are the state seals of the original thirteen colonies. At the bottom is a vignette, “The Capitol, Washington,” showing the Capitol building. Vigettes also includes several white men standing with a dog and an African American woman caregiver with a white child who holds a hoop., Title from item., Date inferred from the aesthetics of the content., Contains printed statement by John Quincy Adams, Department of State, dated April 19, 1819 declaring the signatures "Exact Imitations.", McCabe, a New York engraver, was active in the mid-19th century., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Allen, J. W., engraver
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department GC - Declaration of Independence [P.9999]
- Title
- Writing the Emancipation Proclamation
- Description
- Pro-Confederacy caricature bombasting Abraham Lincoln's legal and moral authority to write the Emancipation Proclamation. Depicts a demented Lincoln writing the Proclamation seated at a table adorned with a spectral eye; ram horned African American heads, portrayed in racist caricature; and legs ending in cloven hooves. He sits upon a chair with a back decorated with the head of an ass, the "U.S. Constitution" trampled beneath his foot. Atop the table, the devil holds his inkwell before him. A liquor decanter rests upon a sidetable nearby. On the wall, framed paintings hang depicting "saintly" St. Ossawotamie (i.e., John Brown), and the "murderous" rebellion of the enslaved in the 1790s in "St. Domingo"(i.e., Haiti). Behind Lincoln, near window drapes held back by a vulture headed tie back, a statue of liberty, her liberty cap fallen over her face, rests her shield down upon the wall pedestal on which she stands., Inscribed upper left corner: 25., Issued as plate 25 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Volck, Adalbert John, 1828-1912, artist
- Date
- [1864]
- Location
- Library Company of Philadelphia | Print Department Volck - Sketches - Volck 25 [2990.F.10]
- Title
- [Glorification of the American Union]
- Description
- Allegorical print glorifying life and liberty in post-Civil War America depicting the figure Columbia, depicted as a white woman, atop a tall pyramid-shaped pedestal. Flanked by George Washington and Abraham Lincoln, the latter holding the "Proclamation of Emancipation," she raises her hand toward emancipated enslaved men and women to her right who acknowledge her with raised shackled hands, a knelt position, and a tipped hat. Newly arrived European immigrants are gathered to her left. Abolitionist Henry Ward Beecher stands among the enslaved men, women, and children who have been emancipated, and revolutionary and diplomat Carl Schurz stands before the immigrants. The freed persons embrace each other, break free from shackles, and brandish instruments of free labor as behind them the Capitol, a large American flag, and apparitions of colonial soldiers stand vigil. The immigrants, depicted in their native attire, look to Schurz as they carry their belongings ashore. More ships continue to arrive in the background., Title from copy print at the Calvert Gallery, Washington, D.C., Printer's proof., Manuscript note on recto: Aun myn goeden arrend J. Bollens; J. B. Michiels., After a painting by Belgian historical painter Ferdinand Willem Pauwels, exhibited in 1867 at the Kunstschule in Weimar and possibly at the 1876 Centennial Exhibition in Philadelphia under the title, "The New Republic.", See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989) Part 2, Vol. IV, p.248-249., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Michiels, Jean-Baptiste P., 1821-1890, engraver
- Date
- [ca. 1873]
- Location
- Library Company of Philadelphia | Print Department **GC-Emancipation [P.9672]
- Title
- Journey of a slave from plantation to the battlefield
- Description
- Collection of twelve titled album (carte-de-visite size) cards depicting the evolution of the life of an African American man from enslavement to a Union soldier. "In the Cotton field" and "The Christmas Week" show his life on the plantation from which he is sold and separated from his family in "The Sale" and "The Parting: 'Buy us too'." His new enslaver whips him in "The Lash," for which he then retaliates in "Blow for Blow." He hides "In the Swamp" and is finally "Free!" to become a Union soldier and "Stand up a Man" to fight in the battlefield to "Make Way for Liberty!" He is struck down in "Victory!" for Liberty, depicted as a white woman, who states as she mourns over his body, "He Died for Me!", Title from series title., Publication information inferred from copyright statement: Entered according to the act of the year 1863 by William A. Stephens in the Clerks' Office of the Dist. Court of the U.S. for the E. Dist. of Pa., Attributed to James Fuller Queen after Henry Louis Stephens., Henry Louis Stephens was a native Philadelphia caricaturist, book, and magazine illustrator who worked in New York in the mid-19th century for the periodical "Frank Leslie's." His brother William Allen Stephens served as his business manager., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 26., Original wrapper for the card set held in the collections of the Library of Congress, Washington, D.C. [LOT 5174], Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Copyright by William A. Stephens, 1120 Girard Avenue, Philadelphia., Description revised 2023., Access points revised 2023., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
- Creator
- Queen, James Fuller, 1820 or 21-1886, artist
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(5)5780.F.56m-p; (5)5780.F.57a-h]
- Title
- In commemoration of the hundredth anniversary of American independence
- Description
- Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- 1876, 1877
- Location
- Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]
- Title
- The game of secession or sketches of the rebellion Our army and navy for ever!
- Description
- Gameboard containing a serpent-like figure comprised of 135 spaces surrounded by captioned vignettes also used on Civil War envelopes. Pro-Union designs advance the player and anti-secession designs retard the player. Vignettes depict portraits of prominent war figures; views of forts, soldiers, and preparations for battle; Union and Confederate flags; allegorical figures; and satiric and racist depictions of Confederates. Includes President Abraham Lincoln; Confederate President Jefferson Davis, Gen. Winfield Scott, Maj-Gen. George B. McClellan, Comm. S.F. Dupont, Confederate Gen. Beauregard; bombardment of Fort Sumter; Philadelphia Navy Yard; liberty; Columbia; and Confederate soldiers on retreat; riding a enslaved African American man, and protected by bales of cotton. "Directions" to play the game printed in the lower left corner. Flags and shields adorn the borders., Title from item., Originally part of a McAllister scrapbook of materials related to George McClellan. McAllister Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at the Library Company of Philadelphia," The Ephemera journal 13 (2010), [39]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1862]
- Location
- Library Company of Philadelphia | Print Department **GC - Games [5793.F.44]
- Title
- Civil War stationery collection
- Description
- Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1861-1865
- Location
- Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]
- Title
- The United States Centennial International Exhibition
- Description
- Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- United States, Bureau of Engraving and Printing
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]
- Title
- Specimen sheet Union, patriotic and humorous designs upon envelopes
- Description
- Advertisement containing twenty-five examples of Civil War envelope vignettes published by King & Baird. Majority of the vignettes include titles and slogans. Designs depict the American flag; liberty, the American eagle; soldiers (including the martyred Colonel Ellsworth); caricatures of Brigadier General Henry A. Wise (former governor of Virginia), Jefferson Davis, and the Southern gentry; a portrait of Washington; an abolitionist scene showing the whipping of an African American man entitled "The persuasive eloquence of the Sunny South"; and a racist caricature of an African American man on all fours carrying a whip and asking in the vernacular, "Whar's Jeff Davis?" Also contains a description of the envelopes and shipping information, as well as the scale of prices ranging from "25 Assorted Envelopes, (25 kinds)" at 25 cents to 1000 at 5 dollars., Title from item., Text printed on recto: Single copies of this sheet will be mailed free of postage, upon receipt of six cents, by King & Baird, Book and Job Printers, 607 Sansom St., Philadelphia., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886 [5786.F.161a]. Accessioned 2002 [P.2002.45]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- King & Baird
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department *GC - Civil War [5786.F.161a; P.2002.45]