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Title: [Peace Jubilee parade, military men marching along North Broad Street near Columbia Avenue, Philadelphia]
Description: View showing the white men members of an unidentified marching band playing instruments as they walk down Broad Street, Philadelphia during the Peace Jubilee, a celebration commemorating the end of the Spanish American War. The Tenth Cavalry Regiment, an African American regiment that served at San Juan Hill, Cuba, marches and performs behind them. A large crowd stands on the sidewalk and sits in the viewing stands near the Columbia Avenue Savings Fund, Safe Deposit, Title & Trust Co. Depicts the east side of Broad Street looking southeast, including the spire of the Oxford Street Presbyterian Church in the distance. Bunting and American flags decorate the buildings. In October of 1898, Philadelphia honored the end of the Spanish-American War with the Peace Jubilee. To pay tribute to the armed services, the Court of Honor was built on Broad Street with the Triumphal Arch erected at Sansom Street. The celebration included military reviews and parades, and President William McKinley attended., Title supplied by cataloger., Gift of Albert L. Doering, 1994., Description revised 2022., Access points revised 2022.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.266]

Title: The colored band
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting African American women and girl spectators reacting to a passing African American marching band. The figures are drawn with racist and caricatured features and mannerisms. Shows in the foreground, two girls and a younger and an older woman, running next to and toward the band, mimicking the band leader, and dancing. The girls and women are barefoot and wear shift dresses of either calf or ankle lengths. The older, running woman (in right) also wears a kerchief. The mimicking girl who stomps and raises her left arm in front of the band leader wears short-cropped hair and is attired in a dress with wornout sleeves (center). The young woman dancing (center) and the running girl (left) wear their hair full and wavy. In the center foreground, the band leader looks past the girl in front of him. He wears a mustache and is attired in a tall, round-top shako with plume and a uniform. The uniform has tassels at the shoulder and a decorative chest plate and pants with a vertical stripe on the outseam. He holds up a mace adorned with an eagle with his right hand. In the background, members of the marching band, attired in caps with plumes and uniforms, play tubas. A line of older African American boys and a girl walks ahead of the band. Two of the children look behind themselves toward the band, including a boy with a look of surprise. During the Civil War, African American brass bands were formed by white commanding officers to promote and increase recruitment of African American soldiers. Following the war, many of the ex-military musicians formed civilian bands associated with quasi-military drill teams, volunteer organizations, and social clubs., Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1881. Mrs. R. Colburn, RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.1]

Title: [East Calvary Methodist Episcopal Church Marching Band, Brown & Stevens Bank, 427 South Broad Street, Philadelphia]
Description: Full-length group portrait depicting the eighteen African American men members of the band, including the Marching Captain, standing as a group, in front of the African American owned bank, possibly during the Fifty-Third Annual Session of the Delaware Annual Conference, Methodist Episcopal Church held at the East Calvary Methodist Episcopal Church in March 1916. The men wear uniforms, including caps with insignias and jackets with braiding details. Most are posed with their instruments in hand. The band drums, one marked "East Calvary Phila, Pa.," rest at the feet of the men in the center of the group. The Captain, in the left, wears white shoes and holds a marching baton to the ground. The Brown & Stevens bank building adorned with awnings is visible in the background. Brown & Stevens, founded by partners E.C. Brown and Andrew Stevens, Jr. was the leading Black bank in Philadelphia in the the early 1900s before ceasing operations in 1925.The Delaware Annual conference was established in 1864 for African Amerian Methodists in Delaware and the Mid-Atlantic Region. East Calvary Methodist Episcopal Church was under the pastorship of Charles Albert Tindley in 1916., Title supplied by cataloger., Attributed to William T. Robbins. Robbins was a Black Philadelphia photographer who photographed the members and events of the East Cavalry Methodist Church between at least circa 1916 and circa 1928. Robbins also worked as a shipping clerk between about 1920 and about 1950 as cited in U.S. Census records and city directories., Date inferred from attributed photographer and content., RVCDC
Creator: Robbins, William T., approximately 1898-, photographer
Date: [1916?]
Location: Library Company of Philadelphia | Print Department photo - Robbins [P.2025.14.5]

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