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Title: South east corner of Third, and Market Street. Philadelphia
Description: Street scene depicting the bustling southeast corner of Third and Market Streets. Several vendors, mostly women, sell meat and produce from their basic stands and baskets to the numerous patrons, including two Black women in kerchiefs and shawls, milling on Market Street. View includes the commercial business block erected in 1792 by prosperous jeweler and developer Joseph Cooke, known as "Cooke's Folly." The lavish building, containing residences and stores to have been won as lottery prizes, was demolished in 1838 after several years of decay from lack of investment., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 8., Accessioned 1979., Description revised 2021., Access points revised 2021.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 8/P.2276.15]

Title: Market Street from Front St. Philadelphia
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named for its central location to the ferries from New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.C. Wild and J.B. Chevalier in 1838., Issued as plate 14 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). A series of Philadelphia views, the first produced by lithography, originally published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 457.1. Digital image shows the third state of the print., Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (2 copies), Athenaeum of Philadelphia: General Prints Collection - PR250, See Martin Snyder's "J.C. Wild and His Philadelphia Views," Pennsylvania magazine of history and biography 87 (January 1953), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W227.1 [P.2098]

Title: Market Street, from Front St
Description: View of the active business-lined street containing the "New Jersey" Market terminus, named after its central location to the ferries of New Jersey, the city's main provider of farm produce. Several marketers and pedestrians, including African Americans, stroll the streets, sidewalks, and under the market shed designed with cupola and clock. Peddlers sell their goods from carts on Front Street. Built in 1822, the market operated until the abolition of street markets in 1859., Title from item., Copyrighted by J.T. Bowen., Issued as plate 14 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 457.3, Free Library of Philadelphia: Philadelphiana - Streets - Market - 2nd (3 copies; 2 hand-colored), Snyder, Martin. "J.C. Wild and his Philadelphia views," Pennsylvania magazine of history and biography (January 1953, Vol. LXXXVII), p. 32-53., Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: c1840, 1848
Location: Library Company of Philadelphia | Print Department W227.3 [P.2099]

Title: [Stereoscopic view of a portion of Market Street, Philadelphia, looking west, embracing the cupola of the Market House]
Description: View showing the "New Jersey" Market terminus at the corner of Market and Front streets. The terminus, designed with cupola and clock and adorned with horns of plenty, was built in 1822 and operated until the abolition of street markets in 1859. In the background, businesses line the north side of the 100 block of Market Street, including: Thomas J. Mecauley, tin hardware (105 Market); R & W.C. Biddle & Co., hardware, (131 Market); and the seed and agricultural warehouses of Philip B. Mingle & Co. (103 Market) and Rogers & Boyer (111 Market). Also includes a partial view of William D. Jones & Co., dry goods, (217 Market) in the distance., Photographer, title, and publication information from duplicate., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860
Date: [c1859]
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Markets [(8)1322.F.9d]

Title: [Stereoscopic view of a portion of Market Street, Philadelphia, looking west, embracing the cupola of the Market House]
Description: View showing the "New Jersey" Market terminus at the corner of Market and Front streets. The terminus, designed with cupola and clock and adorned with horns of plenty, was built in 1822 and operated until the abolition of street markets in 1859. In the background, businesses line the north side of the 100 block of Market Street, including: Thomas J. Mecauley, tin hardware (105 Market); R & W.C. Biddle & Co., hardware, (131 Market); and the seed and agricultural warehouses of Philip B. Mingle & Co. (103 Market) and Rogers & Boyer (111 Market). Also includes a partial view of William D. Jones & Co., dry goods, (217 Market) in the distance., Photographer, title, and publication information from duplicate., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Odiorne, Henry B., 1805-1860
Date: [c1859]
Location: Library Company of Philadelphia | Print Department stereo - Odiorne - Markets [(8)1322.F.9d]

Title: [Scraps for the year 1830]
Description: Plate three from the 1830 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary society titled: Practitioners of the Bar Lamenting the Failure of the United States Mint; Putting the Best Leg Foremost; Fixed Air; Erudition; A Discharge of Filth; Improvement in Bathing; Conjugal Affection; Making Up a Party of Pleasure; and Hot Corn. Scenes depict: white men commodities brokers bemoaning the "winter" market at a tavern; white women shoppers lamenting a lost butter firkin and questioning the quality of a leg of meat including an African American man carrying a basket of food; two white men in a bed chamber with a closed window discussing the unhealthiness of "fixed air"; a white man quibbling over the omission of the word "physician" in the dictionary; the chastisement of a Boston drunkard near his overturned cart pulled by his drunk "haus"; a white man shower-bathing with an umbrella; the fattening of a dying white man to be purchased as a cadaver ; a working class, white Boston family reminding a destitute woman of the pleasure in witnessing a hanging; and a discussion of the processing of "hot corn" between a African American waiter and two white men patrons. Includes two African American characters, a servant and a waiter, portrayed in racist caricature and speaking in the vernacular., Title supplied by cataloger., Inscribed upper right corner: Pl 3., Published in D. C. Johnston's Scraps for the year 1830 (Boston: D.C. Johnston, 1830), pl. 3. (LCP Am 1830 Joh, 7021.F.3)., Retrospective conversion record: original entry, edited., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1830]
Location: Library Company of Philadelphia | Print Department political cartoons - [1830]-Scr [P.2275.25]

Title: New market, in South Second Street Philadelphia
Description: Street scene with a view of the New Market shed on South Second Street. Depicts a group of men, women, and children with a dog, possibly a procession of a butcher's trade association, gathered across from the shed and by a bull decorated with garlands of flowers. An African American man fiddle player entertains the group as an African American boy and a dog runs toward them. Attached to the back of the shed is the fire engine house with cupola, known as the "headhouse." The New Market, erected about 1745, was created following a petition by the growing population of South Philadelphia residents who found it a hardship to cross Dock Creek to reach the High Street Market. The shed was razed in 1956 and rebuilt in 1963., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982), pl. 16., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 16/P.2276.35]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

Title: [Market building, Market and Fifteenth Streets]
Description: Street view of the market sheds at 15th and Market Streets, Philadelphia. Depicts men vendors selling their goods, including meats and produce, under covered stalls and from a wagon as customers, primarily women, walk and shop along the market. Also shows a Conestoga wagon parked by the market in the right, barrels and baskets of goods displayed near some of the stalls, and a fire hydrant at the corner. In the left foreground, a horse-drawn omnibus travels down tracks in the street. In the background, a row of building, including the Western Exchange Hotel is visible. The market sheds were removed April 1859 following the completion of the Western Market House at Sixteenth and Market Streets. The Western Exchange Hotel, a resting spot for many of the farmers who rented at the market, was demolished circa 1860., Title from print in the series., Date inferred from content and active dates of the artist., Signed by the artist in the lower right., Manuscript note written on recto: Masonic. Show to Masonic Hall get label., Inscribed in lower right corner: 5.00, Manuscript written on verso: The market sheds, extending two squares West of fifteenth street, were removed in 1862. The old Western Exchange building and the row of dwellings west from it were removed in 1880 to make room for the Pennsylvania R.R. first terminal. The arched front of the Western Market house is shown in the back ground., Contains series number written on sticker label in upper left corner: 336. Written in manuscript on the bottom left corner: 336. Number corresponds to the series, Old Philadelphia: Artistic reproductions from drawings by Frank H. Taylor depicting old structures and scenes of historic interest., See also: photo - McClees - Hotels, Inns, and Taverns [(9)1322.F.49b], Gift of David Doret and Linda G. Mitchell, 2019.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department *Doret and Mitchell Collection – Drawings & Watercolors [P.2019.62.22]

Title: Views of Philadelphia
Description: Collection of prints from the various editions and restrikes of Birch's "Views of Philadelphia," originally published in 1800 as The City of Philadelphia, in the State of Pennsylvania North America; as it appeared in the year 1800. Four editions of the views, purchased through subscription and totaling 44 unique plates including a map of the city and title page with vignette, were published by William Birch in Philadelphia from 1800 until 1828. First and largest edition contained 29 plates, the pictorial views drawn by Thomas Birch and engraved by Samuel Seymour between 1798 and 1800; with the map and title page executed by script engraver William Barker. Bookseller Robert Campbell is listed as a seller on many of these plates, but appears to have been disassociated with the project before publication of the bound volume. Second edition of 22 plates was published in 1804. Third edition of 14 plates was published in 1809. Fourth edition of 12 plates was published between 1827 and 1828. The first and second edition were printed by Philadelphia printer, Richard Folwell. The later editions, predominately completed by William Birch alone, contained reissues of selected plates from the first edition as well as new engravings of prominent city structures erected after 1800. In the 1840s restrikes of five plates were produced by bookseller Robert Desilver, and in the 1860s, twelve by the antiquarian John McAllister, Jr; many of the restrikes originally published in the fourth edition. Collection also contains the second edition copper plate of the Bank of Pennsylvania, and the fourth edition copper plate of The Late Theatre in Chestnut Street., Series of late 18th and early 19th-century views of principal sections of the city of Philadelphia including primary streets, government buildings, local landmarks, and financial, religious, educational, and benevolent institutions. The series, the first of its kind in the United States, was created to attract new citizens and to illustrate to an international audience the vitality of the nation's premiere city. The views focus on structures, but also contain lively depictions of daily street life in Philadelphia. Plates depict Philadelphia's Delaware River port with the Penn Treaty Tree; several street views including Arch Street, High (Market) Street, and Third Street; city markets; city banks, such as the Bank of the U.S.; the State House (Independence Hall); Congress Hall; prominent churches, such as Christ Church; Pennsylvania Hospital; Library and Surgeon's Hall; Chestnut Street Theatre; the Alms House; Walnut Street Jail; the Water-Works; and the Schuylkill Bridge., See S. Robert Teitelman's Birch's views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., Snyder, "William Birch: His Philadelphia views," The Pennsylvania magazine of history and biography 73 (July, 1949), p. 271-315., Snyder, "Birch's Philadelphia views: New discoveries," The Pennsylvania magazine of history and biography 88 (April, 1964), p. 164-173., Description revised 2021., Access points revised 2021., William Birch, trained in England, was a Philadelphia engraver, miniaturist, and enamel painter. He also engraved and published in 1804 "The Country Seats of the United States of North America."
Creator: Birch, William Russell, 1755-1834
Date: 1800-1860, bulk 1800
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 1 - Sn 43]

Title: Second Street north from Market St. wth. Christ Church. Philadelphia
Description: Street scene showing Second Street north from Market Street in Philadelphia, including Christ Church and the Old Courthouse and market. Depicts the busy street corner with people riding horses, driving and loading carts, conducting business, and walking and performing errands. In front of the Courthouse, vendors sit and sell their goods while nearby a constable on horseback is flanked by citizens. An African American boy carrying a basket strolls across Second Street. He walks toward two men and a child convened together and a man on horseback traveling toward the church (his back to the viewer). A dog runs in front of the horse. Christ Church, a Protestant Episcopal Church, was built between 1727 and 1744 and was founded as part of a provision of the original charter given to Pennsylvania founder William Penn. The Old Courthouse, completed in 1710 was the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. The Courthouse was demolished in 1837., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 15., Accessioned 1979., Description revised 2021., Access points revised 2021.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch, William-Views of Philadelphia [Sn 15c/P.2276.33]

Title: Second Street north from Market St. wth. Christ Church. Philadelphia
Description: Street scene showing Second Street north from Market Street in Philadelphia, including Christ Church and the Old Courthouse and market. Depicts the busy street corner with people riding horses, driving and loading carts, conducting business, and walking and performing errands. In front of the Courthouse, vendors sit and sell their goods while nearby a constable on horseback is flanked by citizens. An African American boy carrying a basket strolls across Second Street. He walks toward two men and a child convened together and a man on horseback traveling toward the church (his back to the viewer). A dog runs in front of the horse. Christ Church, a Protestant Episcopal Church, was built between 1727 and 1744 and was founded as part of a provision of the original charter given to Pennsylvania founder William Penn. The Old Courthouse, completed in 1710 was the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. The Courthouse was demolished in 1837., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 15., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 15c/P.8718]

Title: Second Street north from Market St. wth. Christ Church. Philadelphia
Description: Street scene showing Second Street north from Market Street in Philadelphia including Christ Church and the Old Courthouse and market. Depicts the busy street corner with people riding horses, driving and loading carts, conducting business, and walking and performing errands. In front of the Courthouse, vendors sit and sell their goods while nearby a constable on horseback is flanked by citizens. An African American boy carrying a basket strolls across Second Street. He walks toward two men and a child convened together and a man on horseback traveling toward the church (his back to the viewer). A dog runs in front of the horse. Christ Church, a Protestant Episcopal Church, was built between 1727 and 1744 and was founded as part of a provision of the original charter given to Pennsylvania founder William Penn. The Old Courthouse, completed in 1710 was the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. The Courthouse was demolished in 1837., Manuscript note on recto: John A McAllister with compl[imen]ts of Jacob Broome., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 15., Broome was a Philadelphia lawyer and Pennsylvania legislator., Accessioned 1979., Description revised 2021., Access points revised 2021.
Creator: W. Birch & Son
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 15a facs./P.2276.34]

Title: Representation of the Philadelphia fish market
Description: Periodical illustration depicting the bustling market near the Camden Ferry and the Delaware River on Market Street below Water Street. Under the market shed, in the right, women peddlers sell their goods to the many milling customers. Under the adjacent canopy walkways, in the left, white men sailors and couples of men and women stroll and an African American man and woman couple argues. On the street, in the right background and center foreground, dockworkers deliver wheelbarrows of goods and a white woman peddler chases a dog stealing a fish. From the late 18th century, Philadelphia continually had a fish market below Water Street. The permanent shed, built in 1816, was torn down when the market closed in 1860., Title from item., Originally published in Gleason's pictorial drawing room companion, ca. 1852., Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Leslie, most known as the publisher of "Frank Leslie's Illustrated News," began his career as an engraver at "London Illustrated News." He left the London newspaper for "Gleason's Pictorial..." where he worked from 1851 until 1853.
Creator: Leslie, Frank, 1821-1880, engraver
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Markets-Philadelphia Fish Market [P.9361.2]

Title: A " jam" on Dock Street, Philadelphia's produce market place
Description: View of street traffic at the produce market on the 200 block of Dock Street. Horse-drawn carts and wagons packed with sacks, barrels, and crates crowd the cobblestone street lined with storefronts, including C.G. Justice & Co. (123 Dock St.); Rosskam, Gerstley & Co. (133 & 135 Dock Street); Carstairs & McCall Co (139 Dock St.); and J. M. Morris & C. H. Peacock warehouse. Signs advertising "Carstairs & McCall Co. fine rye whiskies," "Rosskam, Gerstley & Co. fine whiskies," and "Fruits" adorn the buildings. Produce dealers C.G. Justice & Co. was established in 1871. Isaac Rosskam and Henry Gerstley founded the whiskey wholesale firm Rosskam, Gerstley & Co. in circa 1869 and continued until 1921. Brothers Charles and James Carstairs, Jr. and John C. McCall founded the whiskey company Carstairs & McCall Co. in 1868., Title printed on mount., Date from copyright statement: Copyrighted 1903 by William H. Rau., Curved buff mount with rounded corners., Distributor's imprint printed on mount: Sold only by Universal View Co., Publisher's imprint printed on mount., Gift of Raymond Holstein.
Creator: Rau, William Herman, 1855-1920, publisher
Date: 1903
Location: Library Company of Philadelphia | Print Department Holstein stereo - Streets - Chestnut Street [P.2011.47.1840]

Title: Dancing for eels at Catharine [sic] Market N.Y A scene from "New York as it is" as played by Chanfrau and Winans, at the Chatham Theatre N.Y
Description: Print after the theatrical advertisement published by Eliphalet Brown, Jr. and James Brown depicting the most popular scene from the mid-19th century play about the lives of the New York city lower classes. Shows an African American boy, attired in torn and worn clothes, street dancing while surrounded by a crowd of spectators. Spectators include an African American man, boy, and woman marketer with a basket; Mose, the central character of a fireman b'hoy, and a white man fish monger, attired in torn and worn clothes. Also shows a white woman vendor near a broadside titled "Mose" to the right of the image and the slip in the background. From the 18th century, Long Island enslave people would cross the East River to sell produce or to street dance to earn money, fish, or eels at the Catherine Slip Market. The performances transformed into impromptu dance contests paid for by market customers., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1848 by J. Baillie in the Clerk's Office of the District Court of Southn Dist of N.Y., Created postfreeze., Purchase 2005., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Baillie, James S., active 1838-1855
Date: 1848
Location: Library Company of Philadelphia | Print Department *GC - Entertainment [P.2005.10]

Title: Illustrations of Philadelphia. Vol. X
Description: Scrapbook containing newspaper clippings and prints predominately dated 1858 and pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Majority of the contents are articles about city businesses, industries, and municipal services; public interest stories; editorials relating to public concerns and social mores; and reports, lists, and statistics. Subjects include the operation of the fire department, including the introduction and trials of steam fire engines, the discontinuation of fire bells, and the yearly report of the “Fire Detective”; the City Passenger Railroad, including its commencement, progress and improvements to the city, and the auction of former omnibus horses at Herkness’s Auction House; balls, parades, lectures, and other forms of entertainment, including the questionable protocols of the minor theatres, horse racing in Chestnut Hill, and the opera season at the Academy of Music; fashion, including histories of the red petticoat and crinolines, hoop skirts, and satires about style and cost; the prison system, including Eastern State Penitentiary and corruption; the Great Comet and Blizzard of 1858; the removal of the market sheds and increasing the value of properties on Market Street; the inauguration of the Schuylkill Navy; and the economic state of shad fishing and fisheries, the oyster trade, dairy owners, ice dealers, paper manufacturers, and dentists., Several articles also report about city construction, improvements, and renovations. Sites referenced include businesses on downtown Chestnut Street and in South and North Philadelphia (Bailey & Co., silverware; Levy & Cox, retail dry goods store; Caldwell & Co., jewelry; the Butler House Hotel; John McClure, stationery store; John Fuss, lager beer); Church of the Incarnation, and Pine Street Presbyterian and Tabernacle Methodist Episcopal churches; Hunting Park; and the new market house (Sixteenth and Market). Editorials address the institution of a city ordinance against public smoking; the daily inhabitants of the State House Square and Custom House steps; the plight and nuisances of city street beggars, fortune tellers, gamblers, and organ grinders; and the heavy use of opium by Americans. Additional articles discuss Christmas, including retail store windows adorned for the holiday; events and activities of local organizations, including the Washington Monument Association, American Systematic Beneficence Society, American Veterinary Association, and the Newsboys’ Aid Society; auctions by M. Thomas & Sons, including the Howard Tilden estate, the wine cellar of the late Joseph Gratz, and oil paintings sold below market value; the closing of the Jones Hotel; proposal by city commissioner James M. Leidy for the creation of ward maps to aid city development; histories of the 12 1/2 Society and Hurst Mansion; the exercise mania; lost and found advertisements; the “fogyism” and “favoritisim” of the Franklin Institution mechanical exhibitions; and views of historic landmarks and the Hope Hose Company by photographers James McClees (p. 57) and Walter Dinsmore (p. 102)., Reports, lists and statistics detail mortality and crime rates; the domestic, flour, produce, hay, cattle, and pork markets; the weather for the week, season, and year; real estate and stock sales; churches in the city; taxes; the public schools; fire companies; current town topics; and “Local” and “Noteworthy” events, fires, and railroad and steamboat accidents for the year. Also contains the “Annual Message of the Mayor” reporting on the state of the city and classifieds for patent medicines and entertainments, including fortune tellers, the National Circus, and balls and parties attended, according to Poulson, by “firemen, apprentices boys, new boys, gamblers and fancymen" who are the " ‘efficient beaus’ " of the factory girls, milliners, shop girls etc."… on the occasions.” Ephemera includes a “Ticket of Admission to ‘Franklin Hall’ " for the Heenan & Jones Sparring Exhibition., Scrapbook also contains graphics including an albumen print, engravings, wood engravings, trade cards and cameo stamps. Comic and advertising vignettes, caricatures, and advertisements predominate as genres. Comic vignettes include many satirizing the fashion of large hoop skirts. Other vignettes satirize the new police uniform, gentlemen’s collars, the Irish, and African Americans ("Baker-street beauties"). Non-satiric vignettes show predominately home furnishings and wares, including silver utensils and serving ware, boxes for papers and deeds, a wire dish cover, coffee pots and kettles, pudding moulds, perforated nursery lamps, serving platter, and a double oven cooking stove. Caricatures (some hand-colored) depict burglars (annotated by Poulson as “ ‘fair hits’ at…the inconsiderable folly of the ‘compassionate’”); "The City Inspector," i.e., a street rag picker; the crude manner of men “on the balconies in front of the ‘gentleman saloons’”; a ‘Schuylkill Ranger’ and “chocker’ gang member; “A Juvenile Party” annotated as "A fair hit at precosity [sic]"; Kris Kringle; and comparisons of country and city doctors, store-keepers, and belles., Advertisements include views of " 'Sharpless’ new store on the N.W. cor. of Chestnut and Eighth Street (Butler property)' "; Crystal Building, F.H. Smith, forte monnaie, pocket book, & dressing case manufacturer (Fourth and Chestnut); Barnes cough syrup establishment (333 Chestnut); Giovanni & Oliver, wholesale fruit store (248 Market); Bailey & Co., British sterling silver ware (819 Chestnut); Perry & Erety, booksellers, binders & stationers (Fourth and Race); Warnick & Leibrandt, Philadelphia Stove Works & Hollow-Ware Foundry (First Wharf above Noble Street); Girard House ( 800 block Chestnut); Henry O.B. Banks, paint and glass store (400 block Callowhill) French, Richards & Co., wholesale, drug, paint & glass warehouse (1000 block Market); M’Daniels & Fort, saddlery, hardware & coach trimmings (101 N. Third); Wright, Hunter & Co., plumbers and gas fitters (900 Walnut); Moore’s Porter & Ale Brewery (1300 block Fitzwater); Anspach, Jacoby & Co., dry goods (Third and Cherry); J. Thornley’s India Rubber Emporium (311 Chestnut); John C. Keller, stove manufacturer (Ridge Avenue and Willow Street); St. Lawrence Hotel (1000 block Chestnut); Merchant’s Hotel (000 block N. Fourth Street); Mansion House (1000 Market); and Weymer & Brothers, dealers in warm air furnaces, stoves, and ranges & c. (1000 block Coates). Graphics also depict a photographic reproduction of a daguerreotype of the moon, a hand-colored illustration showing lady’s "Winter Fashions," and an illustration of "Lalla Rookh, The Tight Rope Elephant" annotated “exhibited at ‘Dan Rice’s great show’ … 29th of March 1858.” Many of the advertisements include street and pedestrian traffic and merchandise displays., Majority of contents annotated by Poulson with dates and manuscript notes, particularly social commentaries., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Front free end paper contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP." Inscription framed with cut out containing filigree and an eagle. Clipped vignette of a pointed finger also pasted on page., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include Calvert & McClaine, Robert Crump, M’laughlin Bros, J.B. Neagle, E. Rogers, J. Spitall, and J.W. Steel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 10 [(10)2526.F]

Title: [Thomas H. Wilkinson watercolor views of Philadelphia]
Description: Series of watercolors by British-born, Canadian artist Thomas H. Wilkinson showing views of historic and prominent landmarks, sites, and residences in Philadelphia, including the Roxborough and Germantown neighborhoods. Many of the sites are historically significant in relation to the American Revolution. Includes “Arnold Mansion,” i.e., Mount Pleasant (built 1761) in East Fairmount Park where British General James Agnew died after being wounded in the Battle of Germantown (P.2017.8.2); Cannon Ball House (built ca. 1715) also known as Blakely House on Mud Island through which a cannonball went during the largest British bombardment of the Revolution in 1777; Dunkards Church (built 1770) also known as Church of the Brethren, 6613 Germantown Avenue; Gloria Dei (built 1698-1700) also known as Old Swedes Church, 929 South Water Street; Haines House, i.e., Wyck (originally built ca. 1690), the ancestral family home of the Wister-Haines families, 6026 Germantown Avenue; Johnson House (built 1765-8 and used as a stop on the Underground Railroad), 6306 Germantown Avenue (P.2017.8.7); The Jolly Post (built ca. 1680), a colonial inn on Main Street, Frankford where the American Army rested on its march to capture Cornwallis at Yorktown in 1781; Market House at Second and Pine Streets, i.e the Newmarket or Head House Square Market (originally built 1745) from the Northwest; Mennonite Church, Germantown (built 1770), 6119 Germantown Avenue and used as a hospital during the American Revolution;, "Morris House" also known as the Deshler-Morris House (built 1772) and used as the summer residence of President George Washington 1793 and 1794; "Old Fort Mifflin" (built ca. 1772-98) on Mud Island; Penrose Ferry Hotel near the Penrose Ferry Bridge in Kingsessing; St. Peter’s Church at Third and Pine Streets (built 1758-61); Smith Mansion on Queen Lane, Germantown also known as Carlton built ca. 1780 and owned by Cornelius S. Smith ca. 1840-ca. 1880s; Wagner House also known as Mechlin-Wagner House (built 1747), 4840 Germantown Avenue and used as a hospital during the American Revolution; and "Wister House, Germantown" (built 1744) also known as Grumplethorpe, 5267 Germantown Avenue. Most of the views include the surrounding property and/or adjacent buildings and residences. Some of the views also show street and pedestrian traffic, including persons in conversation, market visitors, and a street car. Some of the church views show the church’s graveyard as well. Penrose Ferry Hotel view includes chickens in the side yard., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., The Johnson House was built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Title supplied by cataloger., Watercolors signed by the artist in lower left or right corner: T.H. Wilkinson., Small number of the drawings include a title in the lower left corner., Accompanied by label: The Historical Collection of the late Samuel Castner, Jr. of Philadelphia., Gift of David Doret and Linda G. Mitchell., LCP also holds glass plate negatives in the Marriott C. Morris Collection showing a variant ca. 1893 watercolor view of the Morris-Deshler house by Thomas H. Wilkinson [*P.9895.6.3 and *P.9895.11.18]., New items acquired for and housed with collection after 2017., See Lib. Company. Annual report, 2017, p. 62-64., Description revised 2022., Access points revised 2022., Thomas H. Wilkinson (1847-1929) was a British-born artist who specialized in landscape views. Although he settled in Canada in the later 19th century, he traveled the United States through the 20th century to execute his art works. During the 1890s, he created several watercolor views of Philadelphia. He died while a well-known local artist and resident of Hamilton, Ontario.
Creator: Wilkinson, Thomas H., 1847-1929, artist
Date: [ca. 1890-ca. 1895]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Watercolors and Drawings - Wilkinson [P.2017.8.2-18]

Title: [Thomas H. Wilkinson watercolor views of Philadelphia]
Description: Series of watercolors by British-born, Canadian artist Thomas H. Wilkinson showing views of historic and prominent landmarks, sites, and residences in Philadelphia, including the Roxborough and Germantown neighborhoods. Many of the sites are historically significant in relation to the American Revolution. Includes “Arnold Mansion,” i.e., Mount Pleasant (built 1761) in East Fairmount Park where British General James Agnew died after being wounded in the Battle of Germantown (P.2017.8.2); Cannon Ball House (built ca. 1715) also known as Blakely House on Mud Island through which a cannonball went during the largest British bombardment of the Revolution in 1777; Dunkards Church (built 1770) also known as Church of the Brethren, 6613 Germantown Avenue; Gloria Dei (built 1698-1700) also known as Old Swedes Church, 929 South Water Street; Haines House, i.e., Wyck (originally built ca. 1690), the ancestral family home of the Wister-Haines families, 6026 Germantown Avenue; Johnson House (built 1765-8 and used as a stop on the Underground Railroad), 6306 Germantown Avenue (P.2017.8.7); The Jolly Post (built ca. 1680), a colonial inn on Main Street, Frankford where the American Army rested on its march to capture Cornwallis at Yorktown in 1781; Market House at Second and Pine Streets, i.e the Newmarket or Head House Square Market (originally built 1745) from the Northwest; Mennonite Church, Germantown (built 1770), 6119 Germantown Avenue and used as a hospital during the American Revolution;, "Morris House" also known as the Deshler-Morris House (built 1772) and used as the summer residence of President George Washington 1793 and 1794; "Old Fort Mifflin" (built ca. 1772-98) on Mud Island; Penrose Ferry Hotel near the Penrose Ferry Bridge in Kingsessing; St. Peter’s Church at Third and Pine Streets (built 1758-61); Smith Mansion on Queen Lane, Germantown also known as Carlton built ca. 1780 and owned by Cornelius S. Smith ca. 1840-ca. 1880s; Wagner House also known as Mechlin-Wagner House (built 1747), 4840 Germantown Avenue and used as a hospital during the American Revolution; and "Wister House, Germantown" (built 1744) also known as Grumplethorpe, 5267 Germantown Avenue. Most of the views include the surrounding property and/or adjacent buildings and residences. Some of the views also show street and pedestrian traffic, including persons in conversation, market visitors, and a street car. Some of the church views show the church’s graveyard as well. Penrose Ferry Hotel view includes chickens in the side yard., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., The Johnson House was built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Title supplied by cataloger., Watercolors signed by the artist in lower left or right corner: T.H. Wilkinson., Small number of the drawings include a title in the lower left corner., Accompanied by label: The Historical Collection of the late Samuel Castner, Jr. of Philadelphia., Gift of David Doret and Linda G. Mitchell., LCP also holds glass plate negatives in the Marriott C. Morris Collection showing a variant ca. 1893 watercolor view of the Morris-Deshler house by Thomas H. Wilkinson [*P.9895.6.3 and *P.9895.11.18]., New items acquired for and housed with collection after 2017., See Lib. Company. Annual report, 2017, p. 62-64., Description revised 2022., Access points revised 2022., Thomas H. Wilkinson (1847-1929) was a British-born artist who specialized in landscape views. Although he settled in Canada in the later 19th century, he traveled the United States through the 20th century to execute his art works. During the 1890s, he created several watercolor views of Philadelphia. He died while a well-known local artist and resident of Hamilton, Ontario.
Creator: Wilkinson, Thomas H., 1847-1929, artist
Date: [ca. 1890-ca. 1895]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Watercolors and Drawings - Wilkinson [P.2017.8.2-18]

Title: [Thomas H. Wilkinson watercolor views of Philadelphia]
Description: Series of watercolors by British-born, Canadian artist Thomas H. Wilkinson showing views of historic and prominent landmarks, sites, and residences in Philadelphia, including the Roxborough and Germantown neighborhoods. Many of the sites are historically significant in relation to the American Revolution. Includes “Arnold Mansion,” i.e., Mount Pleasant (built 1761) in East Fairmount Park where British General James Agnew died after being wounded in the Battle of Germantown (P.2017.8.2); Cannon Ball House (built ca. 1715) also known as Blakely House on Mud Island through which a cannonball went during the largest British bombardment of the Revolution in 1777; Dunkards Church (built 1770) also known as Church of the Brethren, 6613 Germantown Avenue; Gloria Dei (built 1698-1700) also known as Old Swedes Church, 929 South Water Street; Haines House, i.e., Wyck (originally built ca. 1690), the ancestral family home of the Wister-Haines families, 6026 Germantown Avenue; Johnson House (built 1765-8 and used as a stop on the Underground Railroad), 6306 Germantown Avenue (P.2017.8.7); The Jolly Post (built ca. 1680), a colonial inn on Main Street, Frankford where the American Army rested on its march to capture Cornwallis at Yorktown in 1781; Market House at Second and Pine Streets, i.e the Newmarket or Head House Square Market (originally built 1745) from the Northwest; Mennonite Church, Germantown (built 1770), 6119 Germantown Avenue and used as a hospital during the American Revolution;, "Morris House" also known as the Deshler-Morris House (built 1772) and used as the summer residence of President George Washington 1793 and 1794; "Old Fort Mifflin" (built ca. 1772-98) on Mud Island; Penrose Ferry Hotel near the Penrose Ferry Bridge in Kingsessing; St. Peter’s Church at Third and Pine Streets (built 1758-61); Smith Mansion on Queen Lane, Germantown also known as Carlton built ca. 1780 and owned by Cornelius S. Smith ca. 1840-ca. 1880s; Wagner House also known as Mechlin-Wagner House (built 1747), 4840 Germantown Avenue and used as a hospital during the American Revolution; and "Wister House, Germantown" (built 1744) also known as Grumplethorpe, 5267 Germantown Avenue. Most of the views include the surrounding property and/or adjacent buildings and residences. Some of the views also show street and pedestrian traffic, including persons in conversation, market visitors, and a street car. Some of the church views show the church’s graveyard as well. Penrose Ferry Hotel view includes chickens in the side yard., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., The Johnson House was built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Title supplied by cataloger., Watercolors signed by the artist in lower left or right corner: T.H. Wilkinson., Small number of the drawings include a title in the lower left corner., Accompanied by label: The Historical Collection of the late Samuel Castner, Jr. of Philadelphia., Gift of David Doret and Linda G. Mitchell., LCP also holds glass plate negatives in the Marriott C. Morris Collection showing a variant ca. 1893 watercolor view of the Morris-Deshler house by Thomas H. Wilkinson [*P.9895.6.3 and *P.9895.11.18]., New items acquired for and housed with collection after 2017., See Lib. Company. Annual report, 2017, p. 62-64., Description revised 2022., Access points revised 2022., Thomas H. Wilkinson (1847-1929) was a British-born artist who specialized in landscape views. Although he settled in Canada in the later 19th century, he traveled the United States through the 20th century to execute his art works. During the 1890s, he created several watercolor views of Philadelphia. He died while a well-known local artist and resident of Hamilton, Ontario.
Creator: Wilkinson, Thomas H., 1847-1929, artist
Date: [ca. 1890-ca. 1895]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Watercolors and Drawings - Wilkinson [P.2017.8.2-18]

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