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Title: Caspar Wistar, M.D
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is depicted seated at a desk, on top of which are a set of books. He holds a sheet of paper in his left hand. He is attired in a shirt with a ruffled collar, vest, and jacket., Gift of David Doret, 2004., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
Creator: Neagle, John B., ca. 1796-1866, engraver
Date: [ca. 1820]
Location: Library Company of Philadelphia | Print Department portrait prints - W [P.2004.44.18]

Title: Caspar Wistar, M.D Late professor of anatomy to the University of Pennsylvania and President of the American Philosophical Society &c. &c
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Printed below image: From the original picture in the possession of Mr. Wistar., Variant appears in the Analectic magazine (Philadelphia: 1818) vol. 12, p. 441. (LCP Per A 192, vol. 12)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Charles Goodman and Robert Piggot, Philadelphia engravers, worked as partners from 1817 to 1822.
Creator: C. Goodman & R. Piggot, engraver
Date: [ca. 1818]
Location: Library Company of Philadelphia | Print Department portrait prints - W [1885.F.33]

Title: Caspar Wistar, M.D
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Probably by C. Goodman & R. Piggot after painter Bass Otis., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Date: [ca. 1818 - ca. 1850]
Location: Library Company of Philadelphia | Print Department portrait prints - W [5750.F.159c]

Title: Caspar Wistar, M.D
Description: Bust-length portrait of the Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is attired in a shirt with a ruffled collar and a double-breasted jacket., Appears in volume three of several editions of James Barton Longacre and James Herring's The National portrait gallery published by various Philadelphia publishers between 1835 and 1868. LCP holds the imprints: 1834-1839; 1856; and 1867, (3)5750.F.160c originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., P.9156.9 gift of Charles Rosenberg, 1986., P.9660.16 gift of William Helfand, 1999., Access points revised 2021., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Longacre, James Barton, 1794-1869, engraver
Date: [ca. 1835 - ca. 1868]
Location: Library Company of Philadelphia | Print Department portrait prints - W [(3)5750.F.160c; P.9156.9; P.9660.16]

Title: U. S. B. M. Dockstaders. US BM black mail. Charles and Lewis Dockstader, Carncross' Minstrels, Eleventh St. Opera House, Philadelphia, Pa
Description: Racist advertisement designed as a postcard to promote Carncross' Minstrels performers the Dockstaders, and the A. Vogeler & Co. patent medicine St. Jacobs Oil. Includes graphic details and vignettes depicting caricatured African Americans in a cancellation mark, stamp, and as postal workers. The cancellation mark (upper left) depicts the right, bust profile of a black man, possibly an allusion to a man in black face. The stamp (upper right) depicts the left, bust profile of a black man, possibly an allusion to a man in black face. In the lower left corner, an African American mail carrier, a mail bag around his shoulder, empties a "U.S.B.M." mailbox attached to a post. His back is to the viewer. In the lower right, an African American mail carrier, a mail bag filled with mail around his shoulder, and holding letters in his hand is depicted in mid stride. The unrelated Charles Dockstader and Lewis, i.e., Lew Dockstader (George Alfred Clapp) partnered in 1878. They joined John L Carncross' Minstrels in Philadelphia in 1880. The Dockstaders continued to perform with Carncross' until 1883 and the illness of Charles ending the partnership. In 1882, the men also performed with George Thatcher's Minstrel's (Philadelphia)and Haverly's Minstrels (St. Louis, Mo.). Lew remained with Carncross until 1886 and the creation of Dockstader's Minstrels., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from content., Printed on verso: Miss Information:-- Most worthy of estimation: After long and serious consideration on the reputation that you have in the nation. I have taken a serious inclination to remove my habitation, to a close situation, in order that I may pay a visitation for the sake of conversation. If this should meet with your approbation, I remain ever yours, without simulation. Ado Ration. P. S.---I thus give affirmation without qualifications that St. Jacobs Oil is the best application in the wide creation., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Housed with the Ellen Phillips Advertising Card Collection., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Access points revised 2022., Description revised 2022.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade cards - Dockstader [P.2017.6]

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