Search results

Title: [Full-length portrait of an unidentified Asian man]
Description: Full-length portrait of an unidentified, young, Asian man attired in a white collared shirt, bowtie, waistcoat, jacket, pants, and dress shoes. He stands looking directly at the viewer with his hands at his sides. Studio backdrop includes a side table and a vase full of flowers., Title supplied by the cataloger., Date inferred from active dates of the photographer., Photographer's imprint on recto: "Bartholomew, Lansdale, PA" and a monograph of "JCB.", John C. Bartholomew (1862-1943) began his career as a traveling photographer with a portable studio where he stopped in Quakertown, Perkasie, Sellersville, Souderton and Telford, Pa. He opened a photography studio in Wilkes-Barre, Pa. in 1882. He then moved and opened a studio in Lansdale, Pa. in 1891, where he worked photographing portraits and local landmarks and landscapes until his death.
Creator: Bartholomew, John C, 1862-1943, photographer
Date: [ca. 1895]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - photographer - Bartholomew [P.2025.17]

Title: Columbia trading with all the world
Description: Allegorical print depicting "Columbia" (i.e., the United States) as a white woman with brown hair, on the deck of a ship. She holds a caduceus and disperses treasures from a horn of plenty held by "Wisdom," who is portrayed as a white woman attired in a helmet, armor, a skirt, and sandals. Wisdom holds a spear in her left hand and gives the treasures to three male figures representing the country's international trade partners. Figures depicted are: Africa as a Black man attired in a headpiece shaped like an elephant's head and leaning on a tusk of ivory; Asia as a bearded man with a light-brown color skin tone attired in a turban; and South America as a man in a feathered headpiece carrying a bow., Title from item., Date inferred from content., Possibly published in London and not the United States., Revised state. Previous title and imprint faintly visible and illegible below image., Gift of Dr. Mary DeWitt Pettit, 1965., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1789-ca. 1800]
Location: Library Company of Philadelphia | Print Department *GC - Allegories [7737.F]

Title: Ethnographic tableau Specimens of various races of mankind
Description: Chart showing racist depictions of fifty-four, bust-length, portraits of men and one woman of different "races" from eight geographic regions to emphasize contrived differences in cranial characteristics. The “Geographical Distribution” includes I. Arctic, II. Asiatic, III. European, IV. African, V. American, VI. Polynesian, VII. Malayan, and VIII. Australian. With each region, six depictions of individuals of that race are shown, some facing forward and some in profile. Many of the individuals are depicted as racist stereotypes. Many are attired in hats, turbans, or headdresses custom to their country of origin. In the left, under the caption “Cranioscopic Examples,” nine different skulls in right profile are depicted. In the right, chart sections include “Mankind, Grouped Physiologically” and “Linguistic Distinctions.”, Title from item., Folded plate removed from Josiah C. Nott and George R. Gliddon's Indigenous races of the earth (Philadelphia: J.B. Lippincott & Co.; London: Trubner & Co., 1857) (LCP *Am 1857 Nott (1)2733.Q (Rush)). See "Explanations of the tableau" pages 618-638., Captions below images on recto: Artic: Eskimo, Tchucktchi, Koriak, Aleoutian, Aino, Samoyede. Asiatic: Kamtschadale, St. Laurent Islander, Tartar, Chinese, Kalmuck, Tuda. Euro[pean]: Finn, Icelander: Cuvier, Bulgarian, Greek, Caucasian. [Euro]Pean: Syrian, Arab, Fellah, Berber, Uzbek Tatar, Affghan (sic). African: Ababdee, Sahara Negro, Yeboo Negro, Mozambique Negro, Caffr, Hottentot. American: Kutchin Indian, Stone Indian, Ottoe Indian, Yucatan Indian, Boroa Indian, Fuegian. Polynesian: New Zealander, Samoa Islander, Tikopia Islander, Vanikoro Islander, Tana Islander, Viti Islander. Malayan: Malay, Javanese, Marianne Islander, Hindoo, Mintira, Negritto. Australian: North Australian, West, Australian, South Australian, Tasmanian, Tasmanians (Men, Women)., Bequest of Dr. James Rush, 1869., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kramer, Peter, 1823-1907, artist
Date: 1857
Location: Library Company of Philadelphia | Print Department ***BW-Natural history [(1)2733.Q.1]

Title: Tsow Chaoong. Canton
Description: Calling card for the Boston Chinese Museum "Writing Master" Tsow Chaoong. Includes a border containing flowers, birds, and cherubs. Chaoong's name also printed in Chinese characters. The Boston Chinese Museum, established following the first official trade agreement between the U.S. and China (Wanghsia Treaty of 1844), operated 1845-1847 in Boston before traveling to Philadelphia. The Museum operated in Philadelphia 1847-1849 and New York 1849-1850 before closing. Chaoong produced custom made cards for visitors that contained their names and places of birth in Chinese characters that were accompanied by his calling cards., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of views of Philadelphia., Card described in Ronald J. Zboray's "Between "Crockery-dom" and Barnum: Boston's Chinese Museum, 1845-47" American Quarterly, June 2004, pp. 292.
Date: [ [ca. 1847]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - C [(6)1322.F.127]

Title: Chinese gent and lady
Description: Full-length portrait of a Chinese man and Chinese woman seated at a table. In the left, the woman, attired in a decorative headdress and a dress with large, full sleeves, sits on a carved, wooden chair with her feet on a wooden footrest. In the right, the man, attired in a cap, a traditional robe with fur at the cuffs, and cloth slip-on shoes, sits with his legs crossed and faces the viewer. A vase of flowers and possibly a tea set are on a tablecloth-lined table in-between the man and woman., Title from publisher's printed series list on verso with thirty other titled views (No. 1-36)., Date inferred from content., Series number (No. 28) also written in manuscript note on mount below image., Photographer's imprint printed on verso above titled series list., Publisher's imprint printed on mount., Orange mount with rounded corners., Manuscript note on verso: S.R. Marrines., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James., Indianapolis photographer D. R. Clark was included in one of eight observation parties sponsored by the United States government to gather information about the December 8, 1874 Transit of Venus. His party traveled to Vladivostock, Russia.
Creator: Clark, D. R., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Miscellaneous - Clark - Non-Phila. [P.9299.5]

Title: Group of old Japanese
Description: Full-length, forward-facing, group portrait of seven Ainu men. Shows a row of four men sitting cross-legged on the floor with a row of three men sitting in chairs. The barefooted men have long, white and gray hair and beards and are attired in patterned robes. A woven mat hangs behind them. The Ainu are an indigenous people from the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese., Title from manuscript note written on recto., Date inferred from content., Manuscript note written on verso: A group of Japanese old men.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - group portrait - misc. [P.9057.73] (Brenner)

Title: [Wu Ying Ding]
Description: Bust-length portrait of Wu Ying Ding, attired in a tight-fitting cap and a shirt with a Mandarin collar and frog closures, facing slightly right. Hu Quang Yung exhibited a selection of his collection, including cloisonne, bronzes, and ceramics, at the 1876 Centennial Exposition in Philadelphia. Yung's nephew, Wu Ying Ding, attended the Centennial as an envoy with the objects., Title supplied by cataloger., Date inferred from active dates of the photographer., Manuscript note written on verso: To General Mrs. Basban, With best Compliments of Wu Ying Ding, Mandarin of China, N.Y., Feb. 17, 1877., Text printed on verso: No. [996]. In ordering duplicates please send no. as above, and name., Gustavus Gerlach and Gustavus Fromhagen were Philadelphia photographers who were in partnership from circa 1875 to 1878.
Creator: Gerlach & Fromhagen, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Ding [P.9664]

Title: Chinese prisoner
Description: Full-length portrait of an unidentified Chinese man with his queue tied to a ladder. The man, wearing a queue hairstyle and attired in a blue robe, belt, and cloth slip-on shoes, stands facing to the left with his hands inside his sleeves at his waist and his right foot forward. His hair is tied to a ladder that leans against the wall in the right. The manuscript inscription labels the man as a "Chinese prisoner.", Title from manuscript note written on recto under the image: Chinese prisoner., Date inferred from content., Gift of S. Marguerite Brenner, 1984.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. men sitters [P.9057.71]

Title: [Bust-length portrait of Li Hongzhang]
Description: Bust-length portrait of Chinese statesmen Li Hongzhang, also known as Li Hung Chang. He wears a mustache and is attired in a beaded Chinese court necklace and a shirt with a Mandarin collar and decorated with an image of a crane., Title supplied by the cataloger., Date inferred from active dates of the photographer., Photographer's imprint printed on verso: F. Gutekunst, 712 Arch St., Philadelphia., Distributor's label on verso: 816 Chestnut Street, Earles' Galleries, Philadelphia., Gift of Dr. Milton and Joan Wohl, 1991.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - sitter - Hung [P.9363.21]

Title: [ Ships departing from California](Amerikashū Karuharunoyakō shuppan no zu)
Description: Left sheet of a triptych depicting an American ship leaving the “port of California,” (probably San Francisco) bound for Japan. Shows the ship sailing in the water. A number of sailors stand on the deck and three sailors climb on the ship’s rigs. An American flag flies on the mast. In the right foreground, two white men stand on rocks and watch the ship. The print was produced shortly after Japan’s first diplomatic embassy was sent to the United States in 1860., Title and date based on similar copies held at the Harvard Art Museum and Metropolitan Museum., Printed signature reading "Gountei Sadahide ga.", Gift of Davida Deutsch in memory of Molly Roth., Sadahide Hashimoto or Sadahide Utagawa (1807-1873) was a Japanese artist active in Yokohama and known for his renderings of foreigners, especially Westerners. He was selected as part of the Japanese delegation to the Paris International Exposition of 1867.
Creator: Utagawa, Sadahide, 1807-1873, artist
Date: 1862
Location: Library Company of Philadelphia | Print Department *GC - Transportation [P.2016.35]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with multiple-colored fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., Series no. on verso: 2690 N., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112B04., Sheet number: 112A05., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112A05., Sheet number: 112B04., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: The celluloid corset clasps side & dress steels Warranted not to rust. Corsets after washing. With the old style clasps in. With the new celluloid clasps in
Description: Trade card advertising celluloid corset clasps and depicting racist caricatures of Chinese men laundry workers comparing celluloid and traditional corsets. In the center, the laundry worker, wearing a queue hairstyle with the braid sticking straight out to the right and attired in gold hoop earrings, a red tunic, white pants, and blue and white cloth, slip-on shoes, smiles as he holds up a clean, white corset with celluloid clasps. In the left, the laundry worker, wearing a mustache and queue hairstyle and attired in a blue tunic, yellow pants, and blue and white cloth, slip-on shoes, holds a soiled and dirty corset as he opens his mouth in dismay looking at the clean corset. In the right background, the Chinese man, wearing a queue hairstyle and attired in a yellow tunic, blue pants, and white cloth, slip-on shoes, washes laundry with his hands in a steaming washtub. Also visible are a basket of laundry; a corset hanging on a line; and a table with an iron on top of it., Title from item., Date inferred from content., Contains advertising text printed on verso: Celluloid corset clasps. Side and dress steels. Perspiration proof. Elastic. Durable. In introducing these improved corset clasps, &c., let us call your attention to some of the points of their superiority over all others heretofore in use. 1st.--The inferior is finely tempered clock spring steel. 2d.--The exterior is celluloid. 3d.--The combination of the two unites the strength of the steel with the rust-proof qualities of the celluloid. 4th--The trouble of ripping out and sewing in the steels every time corsets are laundried becomes unnecessary as these steels need not be taken out for that purpose. 5th--They are warranted not to rust and thus stain the corsets or other garments. 6th--They are the best steels in every particular ever offered. Sold by all dry and fancy goods dealers throughout the country., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.182]

Title: Celluloid cuffs, collars & bosoms, water & perspiration proof
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese man at the beach watching a white man demonstrate the waterproof qualities of his celluloid cuffs, collar, and bosom or bib. In the center, the white man, wearing a mustache and attired in a red robe, red-and-yellow striped shorts, and white celluloid cuffs, collar, and bosom, stands in the ocean with water dripping down his clothes, showing that they are waterproof. In the right, a Chinese man, wearing a queue hairstyle, a red tunic, blue pants, and slip-on, cloth shoes, carries two sacks of laundry and looks over at the man in the water. In the left, a white man, attired in a straw hat, a white collared shirt, a red vest, yellow striped pants, and red shoes, sits on the sand holding an umbrella and wipes perspiration from his face with a handkerchief. In the background, a white man swims in the water and a boat is visible., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, 1032 Chestnut St., Phila., Text printed on verso: Waterproof linen, patented. Ladies’ and gent’s cuffs, collars and bosoms, made from celluloid. Waterproof, elastic, durable. These goods are far superior to any Linen Goods yet placed before the public, and in recommending them, we would call attention to some of their remarkable features, which will commend their use to all who study economy, neatness and beauty. 1sr. The interior is fine linen. 2d. The exterior is celluloid. 3d. The unison of above, combines the strength of linen with the waterproof qualities of celluloid, 4th. The expense of washing is saved. If the goods are soiled, simply cleanse with soap and water. 5th. The goods never wilt or fray on edges and are perspiration proof. The best preparation to effectually cleanse them is celluline. For sale by all gent’s furnishing and fancy goods houses throughout the country., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.745]

Title: Superstitious Chinese children covering their faces to avoid being photographed
Description: Photograph depicting a Chinese man and four Chinese children on a platform at the entrance of the Chinese Pavilion at the Louisiana Purchase Exposition in St. Louis. Shows a boy standing with his back to the viewer, wearing a queue hairstyle and attired in a red cap, a blue shirt and pants, and blue cloth slip-on shoes. In the left, the boy, attired in a blue cap, a pink shirt and pants, and blue cloth slip-on shoes, sits on a chair and looks to the left. Beside him, a seated young girl, wearing a pink bow in her hair and attired in a pink shirt and pants, and blue cloth slip-on shoes, covers her face with both of her hands. In the right, a child, attired in a dark blue shirt, blue pants, and blue cloth slip-on shoes, sits and raises their arm and hands to cover their face. In the left behind the children, a Chinese man, attired in a conical hat, a dark blue shirt and pants, and cloth slip-on shoes, stands and holds possibly a torch. A white man, wearing a mustache and attired in a white collared shirt and a gray suit, stands and faces the viewer. A green dragon with its mouth open decorates the platform. A decorative wooden railing is visible along the background. The Louisiana Purchase Exposition, also known as the St. Louis World's Fair, was held from April 30 to December 1, 1904 in commemoration of the centennial of the Purchase. More than 60 countries and 43 of the American states displayed exhibits at the fair, which was attended by 19.7 million people. The Chinese Pavilion included a theater, a temple, a tea house, a bazaar, and a reproduction of the summer home of Prince Pu Lun, the Imperial Commissioner. In the Chinese Village were Chinese merchants, mechanics, painters, waiters, silk weavers, musicians, performers, and children. The children were set at the entrance of the concession to attract visitors., Green mount with rounded corners., Title printed on mount., Date inferred from content and date of event., Text printed on verso: In the Chinese Village there were nine little Chinese children who were shrewdly employed at the entrance to the concession as a drawing feature and who attracted great crowds of people. The youngest child was but three years old. Both parents lived in the village as merchants. The favorite with the visitors was Fanny Moy, the seven-year old daughter of the village druggist. She possessed a sweet voice and spoke English almost without any foreign accent. The largest boy, nine years old, was an accomplished musician and took also a prominent part in the theatrical performances. The children were under government inspection, and physicians detailed from the army service looked after their physical welfare, while a returned missionary instructed them in English. Each child was under a bond of $500 to secure their safe return to China after the exposition., Gift of Linda Kimiko August.
Creator: Ingersoll, T. W. (Truman Ward), 1862-1922
Date: 1904
Location: Library Company of Philadelphia | Print Department stereos – misc. – Ingersoll [P.2023.43.6]

Title: Parade, Li Hung Chang's visit to Philadelphia, Pa
Description: View of the parade celebrating the arrival of Chinese statesmen, diplomat, and military general Li Hongzhang (1823-1901) in Philadelphia on September 3, 1896. Shows Li Hongzhang, wearing a mustache and attired in a cap and tunic, riding in a horse-drawn carriage driven by two white men. Members of the First Troop Philadelphia City Cavalry, attired in uniform, ride on horseback around the carriage and hold out their swords across the opening of the carriage. Several horse-drawn carriages follow in the procession. A large crowd of men and women spectators stand in the street surrounding the carriages to watch. In the right, people are visible standing on awnings and ledges and peering out of windows from the buildings lining the street. Several trolleys and carriages are parked in the right. Li Hongzhang traveled extensively in 1896, visiting Russia, Britain, Europe, the United States, and Canada to promote Chinese diplomatic interests and trade. He arrived in Philadelphia at the Germantown Junction train station on September 3, 1896. Hongzhang and other members of his party then traveled by carriage in a parade procession accompanied by police on bicycles and on horseback, members of the Reception Committee in carriages, and the First Troop Philadelphia City Cavalry, attired in uniform and on horseback. They journeyed to Independence Hall, then to Market Street, past City Hall, and down Broad Street., Title printed on mount., Date from copyright statement: Copyright 1897 by B.W. Kilburn., Photographer's imprint printed on verso: Photographed and published by B.W. Kilburn, Littleton, N.H., Pink curved mount with rounded corners., Gift of Linda Kimiko August, 2024., See related: Stereo - Kilburn - Processions [P.2024.31.1].
Creator: Kilburn, B. W. (Benjamin West), 1827-1909
Date: 1897
Location: Library Company of Philadelphia | Print Department stereo - Kilburn - Processions [P.2024.31.2]

Title: A cup for His Excellency
Description: Group portrait photograph showing Japanese ambassador to the United States Hiroshi Saitō receiving an award from representatives of the Northeast High School located at 8th Street and Lehigh Avenue, Philadelphia. The men, attired in suits and ties, stand in a line, from left to right: Dr. Theodore Rowland, Principal of Northeast High School; Ambassador Saito; Charles A. Yahn, Director of Assemblies; Briggs Kaesshaefer, President of the "A" class; and Charles P. Malloy, Assistant Director of Assemblies. A silver, two handled trophy cup is presented. In the right, Kaesshaefer holds the handle; in the center, Yahn holds the base; and in the left, Saito grasps the base and looks down towards it. A framed painting hangs on the wall, and coats and fedora hats are visible on a table in the right. Hiroshi Saitō (1886-1939) was the Japanese ambassador to the United States from 1934 to 1938. The Washington Naval Treaty was an agreement to prevent an arms race by limiting naval construction signed by the Allies of World War I in 1922. On December 29, 1934, the Japanese government gave formal notice that it intended to terminate the treaty., Title and date from label on verso., Typewritten label pasted on verso: P 285546. A Cup for His Excellency. Students of Northeast High School, Philadelphia, Pa., Shown presenting Hiroshi Saito, Japanese Ambassador to the United States, with a loving cup, during his visit there on November 22. From left to right, are: Dr. Theodore Rowland, Principal of the School; Ambassador Saito; Charles A. Yahn, Director of Assemblies; Briggs Kaesshaefer, Presidents of the "A" class, and Charles P. Malloy, Assistant Director of Assemblies. Saito predicted that Japan will termiate the Washington Naval Treaty "regardless of the developments at the preliminary conference at London." Credit line (Acme). 11/22/34., Stamped on verso: Ref. Dept. Nov 27 1934 N.E.A., Manuscript note written on verso: A30474., Gift of Linda Kimiko August, 2024.
Date: November 22, 1934
Location: Library Company of Philadelphia | Print Department group portrait photographs – education - Northeast High School [P.2024.31.4]

Title: [B.L. Dai looking at books of the Nashi who inhabit the high mountains between China & Tibet several hundred years ago. Now in The Library of Congress]
Description: Photograph depicting B.L. Dai, attired in a suit and tie, standing in front of shelves of folio books at the Library of Congress's Oriental Division on Jan. 9, 1931. He holds open a book of pictographs, probably Dongba, the script of the Nashi language. The Nashi (or Nakhi, Naxi) people inhabit the foothills of the Himalayas., Title supplied by cataloger from manuscript note on verso: Books of the Nashi who inhabit the high mountains between China & Tibet several hundred years ago. Now in the Library of Congress., Corporate photographer and publisher from stamp on verso: This credit line should not be omitted, altered, or abbreviated: Underwood & Underwood Studios. This photograph is realeased for use in one publication only and must not be used for trade or advertising purposes, copied, loaned, syndicated or rented. Underwood & Underwood, Inc. 1230 Connecticut Ave, Washington, D.C., Label on the front, Underwood & Underwood, Washington., Identity of sitter from duplicate photograph in the collections of the Library of Congress., Retrospective conversion record: original entry, edited., Gift of William H. Allen.
Creator: Underwood & Underwood
Date: 1931
Location: Library Company of Philadelphia | Print Department photo- Underwood & Underwood [P.8512.11]

Title: Paul Lee & bride
Description: Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Jean Gallagher Photograph Collection [P.2022.7.33]

Title: [Full-length portrait of Maung Shaw Loo]
Description: Full-length, forward-facing portrait of Maung Shaw Loo, attired in traditional Burmese clothes, including a gaung baung (head wrap); a light-colored shirt; a striped longyi (sarong or long skirt); and a floor-length, striped cloth cape around his shoulders. He stands with his right hand on the back of a wooden chair. A curtain hangs in the right, and a patterned carpet is visible on the floor. Maung Shaw Loo (1839-1929) was born in Burma (Myanmar) and traveled to the United States in 1858. He attended the University of Lewisburg (later renamed Bucknell University) in Pennsylvania, graduating in 1864. He earned a medical degree from Cleveland Medical College in 1867, becoming the first Western-trained Burmese physician. He returned to Burma and continued work as a physician and educator., Title supplied by cataloger., Date inferred from sitter's time in Lewisburg, Pa., Photographer's imprint on verso: E.L. Mowry, Photographer, Lewisburg, Pa.
Creator: Mowry, E.L, photographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Loo [P.2024.2]

Title: Kanrokuro Nakayama
Description: Bust-length portrait of Kanrokuro Nakayama. He wears his hair parted to the left and is attired in a white collared shirt, tie, and jacket. Kanrokuro Nakayama (1855-1934) attended Harvard Law School from 1877 to 1880. He returned to Japan and became Secretary to the Minister of the Interior., Title and date from manuscript note written on verso: Khanrokuro Nakayama, 5 April 1878., Photographer's imprint on verso: G.W. Pach, Photographer, No. 841 Broadway, Cor. 13th St. New York. Branches at Harvard and Yale. Poughkeepsie, Long Branch, and West Point, Ocean Grove. For duplicates order [214]., Gift of E. Perot Walker, 1980.
Creator: Pach, G.W, photographer
Date: 1878
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Nakayama [P.8514.28]

Title: B. Miller, segars, tobacco, stationery, toys &c., 1822 S. Seventh St., Phila
Description: Trade card promoting tobacco merchant B. Miller and showing two boys pulling the hair of a Chinese man depicted in racist caricature. In the right, the Chinese man, wearing an exaggeratedly long queue hairstyle and attired in a blue tunic, yellow pants, and black shoes, is pulled on his back onto a wooden box and grasps the sides with his hands. In the left, a white boy, attired in a white hat with a blue ribbon, a pink-striped shirt, blue pants, and black shoes, holds the man's hair and pulls back with his feet lifted off the ground. The white boy, attired in a yellow hat with an orange ribbon, a white shirt, yellow pants, and black shoes, stands facing left and pulls the man's hair over his shoulder with his feet lifted off the ground. Broadsides pasted on the fence in the background read,"Hoodlumism at discount education" and "Soiety [sic] for converting heathen." A building is visible in the right background., Title from text stamped on verso., Date inferred from content., Purchased 2015., See related: Berman Trade Card Collection - Weymann [P.2015.56.939]., RVCDC
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Miller [P.2015.56.591]

Title: The Dancing Chinaman. An amusing cut-out
Description: Racist caricature of a Chinese man printed as a paper toy marionette. Depicts the man wearing a queue hairstyle, attired in a green tunic with yellow trim, red pants with green trim, yellow socks, and black cloth slip-on shoes, and with long fingernails. He smiles broadly and holds two fingers up on each hand. Printed in segments of head, torso, and separate arms and legs with instructions on how to cut the pieces out and attach them with strings to sticks to make a puppet. In the right, shows a diagram with the constructed toy and two white hands holding the sticks to make him dance., Title from item., Date from copyright statement: Copyright 1909, by the North American Company., Published in the September 12, 1909 Sunday supplement of the North American newspaper., Text printed on recto: Directions: Paste this sheet upon a sheet of heavy cardboard: let it dry thoroughly, and cut out pieces around heavy black lines. Join parts together by knotting a piece of string on either side, as in diagram. (A to A, B to B, C to C, D to D and E to E.) Then take two sticks about eight inches long (two pencils will do), cut two pieces of black thread about twenty-four inches long: fasten them at either side of figure’s head (1 and 2) and at each end of one stick, as in diagram. Cut two pieces of black thread about six inches long, make them fast at bottom of arm and knee (Nos. 3, 4, 5 and 6), as in diagram. Cut then at either end of other stick, as in diagram. Hold stick No. 1 in left hand and No. 2 in right hand, let feet of figure touch floor and tilt stick No. 2 up and down in a seesaw manner. With a little practice you will be able to work your marionette in first-class order., RVCDC, Larry Semon (1889-1928) worked as a cartoonist for Philadelphia and New York newspapers before becoming an actor, director, producer, and screenwriter during the silent film era.
Creator: Semon, Larry, 1889-1928
Date: 1909
Location: Library Company of Philadelphia | Print Department *GC- Paper toys - Dancing [P.2024.71.1

Title: All together! Enlist in the Navy
Description: World War One recruitment poster for the United States Navy and depicting a white man American sailor standing among five other men sailors from allied countries. Flags are underneath each sailor to denote their nationality (left to right): Japan, France, United States, White Ensign of the Royal Navy used for the British Commonwealth, Russia, and Italy. In the left, the Japanese sailor, depicted with a dark-colored skin tone and attired in a blue uniform, holds his cap in his right hand. Next to him, the brown-haired, white French sailor with a mustache, attired in a blue shirt with two medals, a black utility belt, white pants, and black shoes, carries a rifle and bayonet in his left hand. He holds his cap up in the air with his right hand. The blond-haired American sailor, attired in a white cap and a blue uniform, stands in the center with his left arm around a sailor of the British Commonwealth. The British Commonwealth sailor, depicted with a light-brown color skin tone, is attired in a brimmed, straw sennet hat and a white sailor’s uniform (possibly to be portrayed from the Caribbean). He holds a telescope under his left arm and smiles at the American. The Russian sailor beside him with a mustache and attired in a white cap, a white shirt, and black pants, puts his arm on his back and on the back of the Italian sailor. In the right, the black-haired Italian sailor with a mustache and his face depicted with dark tones, is attired in a white cap, a blue shirt, and white pants. He stands and holds a rifle and bayonet over his right shoulder. In the background, battleships with Allied flags on the masts are visible on the water., Title from item., Publication information inferred from the content., Date from the artist's signature on recto: H. Reuterdahl, U.S.N.R.F. ’17., Accessioned 1980., Description revised 2022., Access points revised 2022., Henry Reuterdahl was a Swedish-born painter and illustrator who was well-known for his paintings of ships and nautical scenes. He served as artist-correspondent during the Spanish-American War and went on to develop a close association with the United States Navy.
Creator: Reuterdahl, Henry, 1871-1925, artist
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department WWI Posters Drawer 2 Folder 12 [P.2284.191-204]

Title: [View of the Centennial Machinery Hall with people from all nations]
Description: Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]

Title: Chinatown, Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 13, 1911 4:30 P.M., Gift of Linda Kimiko August.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.2]

Title: Chinatown by moonlight Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Light emanates through windows and from the signs on the buildings, and the moon shines from above. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 17, 1915 1[0] A.M., Gift of Linda Kimiko August.
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.3]

Title: [Full-length group portrait of Imperial Japanese Troupe members Denkichi, Sentarō, Yonekichi, and Rinzō Hamaikari]
Description: Full-length group portrait depicting the Hamaikari family, who were members of the Imperial Japanese Troupe. From left to right, shows brothers Denkichi, Sentarō, Yonekichi, and their father Rinzō Hamaikari. Denkichi and Rinzō wear chonmage hairstyles, which are shaved in the front with a top knot. They are attired in kimonos and sandals and carry swords in scabbards at their waist. Sentarō and Yonekichi wear their hair in top knots and are attired in long-sleeved shirts, striped pants, and sandals. Denkichi and Rinzō sit in wooden chairs, while Yonekichi stands with his right arm on Sentarō’s shoulder, who is seated on a small wooden stool and looks down. In the background is a backdrop with a column and a two-handled urn. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain. Rinzō Hamaikari played the flute and his sons were acrobats., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
Creator: Keeler, F. S. (Francis S.), photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.36]

Title: A joyous Christmas and a happy New Year Geo. Remsen Jr. & Co., Stationers & engravers, 815 Arch St. Phila
Description: Trade card promoting engraver and stationer Geo. Remsen Jr. & Co. and depicting racist caricatures of a Chinese woman and two Chinese men. In the right, a Chinese woman, wearing her hair up with decorative pins and a flower and attired in a blue, off-the-shoulder dress, sits in a red chair and holds a bouquet of pink flowers. In the center, the Chinese man, wearing a beard and a queue hairstyle and attired in a purple tunic and green pants, stands with his arms folded. In the left, the Chinese man, wearing a goatee and queue hairstyle and attired in a red tunic, pink-and-white striped pants, and black cloth slip-on shoes, stands in front of the woman with his hands out. Also in the scene are a small dog and a red dragon., Title from item., Date inferred from calendar printed on verso., Text printed on verso: "Geo. Remsen Jr. & Co., Stationers & engravers, 815 Arch St., Philadelphia" with a monthly calendar for 1880., RVCDC.
Date: [1879]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Geo. Remsen Jr. & Co. [P.2015.56.299]

Title: Tuesday, August 15, 1905. The Ladies clothing emporium. She and I[?] take an umbrella to [the?] and get our first look at the heathen Chinee
Description: Manuscript note with images from magazines of four women and a Chinese man pasted on the back of a Keystone Telephone Company order form. Handwritten note, presumably by a white woman, describes a trip to a women's clothing store and an encounter seeing a Chinese man. It reads, "Tuesday, August 15, 1905. The Ladies clothing emporium. She and I[?] take an umbrella to [the?] and get our first look at the heathen Chinee." Four fashion magazine prints depicting women attired in dresses have been cut out and pasted on each corner of the card. In the bottom center is a photomechanical print of a Chinese man, wearing a queue hairstyle and attired in a tunic, robe, a string of beads, and cloth slip-on shoes, standing with his hands at his waist and looking down. An arrow points from the word "Chinee" to the image. Robert H. Foerderer (1860-1903) founded the Keystone Telephone Company in 1900. Bell bought Keystone in 1944., Title and date from manuscript written on verso., Text printed on recto: Keystone Telephone Company, Equip. Dept., Detail Order Record. Detail order no.; File no.; Ordered; Supply order no.; Location and nature of work; [C]ompleted; Elapsed time; [?]st material; Cost labor; [T]otal cost; Acct. chgble; [?]reman; Men; Remarks., Library Company copy is torn on the left side., RVCDC
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department ephemera - forms/documents [P.2025.42]

Title: [Full-length portrait of Tozo Ohno]
Description: Full-length, forward facing portrait of Tozo Ohno sitting in a rocking chair on a covered porch at Hill School, Pottstown, Pa. Shows Ohno wearing his hair parted to the left and attired in a white collared shirt, waistcoat with pocketwatch chain, suit jacket and pants, and lace-up boots. He sits in the rocking chair with his legs crossed and his hands on his lap as he looks directly at the viewer. The porch floor and covering are composed of wooden planks. Partial view of trees in the background. Tozo Ohno (1869-1896) converted to Christianity and was disowned by his father. He traveled to the United States where he worked as a farm laborer, domestic employee, teacher, and missionary. He spent three years at Toronto University. In circa 1893, he arrived at Hill School in Pottstown, Pa. where the principal, John Meigs, invited him to stay. Ohno lived at the school and became the minister of Bethany Chapel. He died of tuberculosis in October, 1896 in Pottstown., Title supplied by the cataloger., Date inferred from content and life dates of the sitter., Manuscript notes written on verso: In pen, "Tozou Ono about 1910." In pencil, "These pictures once belonged to my father so I don't know how old they are, I only remember some stories told about him. Valet to Prof. John Meigs."
Date: [ca. 1895]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - sitter - Ohno [P.2025.51]

Title: Purgen, Japan’s superiority over other oriental countries is indicated by the enlightenment of its medical profession, which prescribes in habitual constipation the pleasant and certain hydragogue laxative Purgen
Description: Advertisement for Lehn & Fink's patent medicine and depicting a group of Japanese men and women. In the left, shows the man, attired in a wicker Kasa hat, black-striped kimono with a red obi, and geta shoes, playing the samisen as he looks down at two small dogs. A woman, attired in a white hat and red and purple kimono, walks behind him. Next is the woman attired in a gray kimono. Two young men control the strings to a puppet at her feet. In the right, the Japanese man, wearing a chonmage hairstyle and with a sword at his waist, walks carrying a bundle and staff. In the left is the building decorated with red paper lanterns and with a counter holding a plate of food, possibly rice balls. A tree branch of red flowers arches across the top. Five black boxes for stamps are in the top of the print. Library Company copy has four Imperial Japanese Post stamps. Louis Lehn (1838-1915) and Frederick W. Fink (1846-1925) founded Lehn & Fink in New York in 1874., Title from item., Date inferred from active dates of the advertised business., Gift of William H. Helfand., See related: Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.72]; Helfand Graphic Popular Medicine Print Collection - Advertisements [P.2012.29.58].
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.71]

Title: Purgen, Japan’s superiority over other oriental countries is indicated by the enlightenment of its medical profession, which prescribes in habitual constipation the pleasant and certain hydragogue laxative Purgen
Description: Advertisement for Lehn & Fink's patent medicine and depicting a group of Japanese men, women, and boys. In the left, shows the man, attired in a blue-striped kimono and sandals, holding a wooden tray and blowing colorful bubbles that float up. A young boy runs and looks up at the bubbles. A woman, attired in a white hat, purple patterned kimono with a red obi, and sandals, walks with a boy who carries a branch of cherry blossoms. Next two women, attired in white hats and a gray kimono with a black obi and a purple kimono with a red obi, walk and talk together. In the right, the Japanese man, wearing a chonmage hairstyle and attired in a gray kimono and sandals, walks carrying a red bundle and a branch of cherry blossoms. A cherry tree, with a red-and-white striped banner tied to it, has a flowering branch that extends across the top of the print. Library Company copy has five Imperial Japanese Post stamps. Louis Lehn (1838-1915) and Frederick W. Fink (1846-1925) founded Lehn & Fink in New York in 1874., Title from item., Date inferred from active dates of the advertised business., Gift of William H. Helfand., See related: Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.71]; Helfand Graphic Popular Medicine Print Collection - Advertisements [P.2012.29.58].
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Ephemera Collection - Series II - Advertisements [P.2010.37.72]

Title: John F. Patton, York, Penn'a
Description: Trade card promoting John D. Patton and depicting a catamaran with a dragon on the sail. Shows a vignette of a wooden catamaran with a red sail decorated with a dragon traveling on the water. Four men, attired in white shorts, sit and stand on the boat. A large crane and other birds fly in the sky. Vignette is set over a red background with decorative leaves and a scroll with the advertising text. John F. Patton relocated to York, Pennsylvania from Baltimore and started his drug business in 1869., Title from item., Dare inferred from content., Advertising text printed on verso: You will never go amiss, if you go to Wallick’s Book Store, to make your purchases, books and stationery, pictures & frames, and a great variety of fancy goods. Remember Wallick’s Book Store. The city drug store is the best place in York, to buy drugs, medicines, chemicals, toilet articles, perfumery, &c., &c. and John F. Patton, is the man to sell them to you, and don’t you forger it., Gift of William H. Helfand.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Patton [P.9828.6582]

Title: Tommy polka Dedicated to Tateish Onogero [or Tommy] of the Japanese Embassy
Description: Sheet music for a polka composed by Charles Grobe and depicting a full-length, seated portrait of Tateishi Onojirô, a member of the Japanese Embassy that traveled to the United States in 1860 to ratify the Treaty of Amity and Commerce, also known as the Harris Treaty. Shows the teenage Onojirô, wearing his hair tied back and attired in a kimono and shoes, sitting in a wooden chair and looking directly at the viewer. He holds a sword in its scabbard tied to his waist with his left hand and holds another sword in his right hand which points down to the floor. In the right is a side table covered in a floral print tablecloth and with a vase of flowers and a Japanese kasa (hat). Tateishi Onojirô, whom the media called “Tommy” was the youngest member of the ambassadorial delegation and served as an interpreter-in-training accompanying his adoptive father, formal interpreter Tateishi Tokujûrô., Composed by Charles Grobe., Copyright statement: Entered according to Act of Congress A.D. 1860 by Lee & Walker at the Clerk’s Office of the Dt. Ct. of the En. Dt. of Pa., Polka dance for piano., Dedication: To Tateish Onogero (or Tommy) of the Japanese Embassy., First line of text: Wives and maids by scores are flocking, Round that charming, little man, Known as Tommy, witty Tommy, Yellow Tommy, from Japan., Number 4 in 5 pointed star on lower right of the title page; Op: 1211; Publisher's Plate # 8085.4., Sold by: James E. Lent, Music Store, 359 Fulton St., Brooklyn, Stoddard Pianofortes for Sale or Rent., Retrospective conversion record: original entry.
Creator: Grobe, Charles, 1817-1880
Date: 1860
Location: Library Company of Philadelphia | Books Rare Sheet Music Tom 8530.F

Title: Darlington, Runk & Co. Importers and retailers of dry goods
Description: Trade card promoting dry goods store Darlington, Runk & Co. and depicting a white man walking with an Asian, Spanish, and Arab man. Shows a white man, attired in a black top hat, a white collared shirt, black bowtie, black jacket, and white pants, walking and leading three men with his arms out. The three men are in cultural attire, including an Asian man, wearing a conical hat and a pink robe with buttons down the front and a white and gold collar and gold trim; a Spanish man, wearing a green and gold matador Traje de luces; and probably an Arab man, wearing a red and gold turban, gold shawl, and and red pants. In the background are large buildings lining a city street and heavy pedestrian traffic on the sidewalk. Joseph G. Darlington (1842-1908) and William M. Runk founded Darlington, Runk & Co. in 1874. After Runk's death in 1893, the firm changed to Joseph G. Darlington & Co., Title from item., Date inferred from active dates of the business advertised., Text printed on recto: 1126 and 1128 Chestnut Street, Philadelphia., Purchased 2015., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Darlington, Runk & Co. [P.2015.56.193]

Title: Wanamaker’s ladies’ & gents’ dining rooms, 42 N. 8th St., bel. Arch, Geo. W. Wanamaker
Description: Trade card promoting Wanamaker's restaurant and depicting a Chinese man serving tea to a Chinese man and woman on a balcony. In the left, the man, wearing his hair in a queue and attired in a cap, long-sleeved tunic, pants, and black, slip-on shoes, hands a steaming cup and saucer of tea to a seated man. The man, wearing a mustache and attired in a cap and long-sleeved robe, sits holding a paper in his left hand and rests his feet on a footrest. In the right, the Chinese woman, wearing her hair up in a bun and with decorative pins and attired in a long-sleeved dress with a collar, sits and holds a fan in her left hand. A building is visible in the background., Title from item., Date inferred from active dates of the lithographer and advertised business., Advertising text printed on verso: Wanamaker’s ladies’ and gents’ dining rooms, 823 Market St., & 42 S. Second St., Philadelphia. Geo. W. Wanamaker, Prop’r. [Over.], RVCDC
Creator: Craig, Finley & Co.
Date: [1875]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Wanamaker's [P.2015.56.919]

Title: Use the agate iron ware, as it never rusts or leaks, and loudly are its praises sung by every tongue that speaks
Description: Trade card promoting Weber & Bro. and depicting a caricaturized Chinese man sailing in a pot and a duck sailing in a kettle. In the left, the man, wearing his hair in a queue and attired in a red cap and long-sleeved, yellow tunic with red polka dots, holds an oar as he sails in an oversized handled pot with a shirt as the sail. The pot reads, "For China." In the right, a yellow duck, attired in a red cap and shirt, looks through a telescope as it sails in a kettle that reads, "For Europe, Asia, Africa." A ship is visible in the left background. George and William Weber founded Weber & Bro. in 1881. They sold hardware, cutlery, and tools at their store located at 2230 North Front Street., Title from item., Date inferred from active dates of the advertised business., Advertising text printed on verso: Weber & Bro., 2230 North Front Street, Philadelphia, PA., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Weber & Bro. [P.2015.56.928]

Title: H.A. Weymann, dealer in watches, clocks and jewelry, 156 North Second St., Philadelphia
Description: Trade card promoting clock and jewelry dealer H.A. Weymann and showing two boys pulling the hair of a Chinese man depicted in racist caricature. In the right, the Chinese man, wearing an exaggeratedly long queue hairstyle and attired in a blue tunic, yellow pants, and black shoes, grabs his hair with his hands and pulls back sitting on top a wooden box. In the left, a white boy, attired in a yellow hat with an orange ribbon, a white shirt, yellow pants, and black shoes, stands on the corner of the box, holds the Chinese man's hair and pulls back. The boy, attired in a pink-striped shirt, blue pants, and black shoes, stands below the other boy, holds onto the man's hair, and pulls. His white hat with a blue ribbon falls off of his head. Broadsides pasted on the fence in the background read,"How beautiful are the ways of South" and "Do unto others what others [do un]to you" A building is visible in the right background., Title from item., Date inferred from content., Purchased 2015., See related: Berman Trade Card Collection - Miller [P.2015.56.591]., RVCDC
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Weymann [P.2015.56.939]

Title: Just a little Chinaman laundry work fine, will cookie, washee, ironie if you'll be his valentine
Description: Racist caricature of a Chinese man laundry worker holding an iron and an ironing board and bending down towards a rat. In the right, the Chinese man wears a queue hairstyle with a red bow tied at the end of his braid and is attired in a blue tunic with gold trim, black pants, red socks, and green cloth slip-on shoes. He holds an iron in his right hand and an ironing board in his left hand. He bends over and looks down at a rat that runs away. In the left are red hearts and a clothespin. The text is written in pidgin English: Just a little Chinaman laundry work fine, will cookie, washee, ironie if you'll be his valentine., Title from item., Date inferred from medium and content., Series no. printed on verso: Series IV., Library Company copy has manuscript message and address written on verso and is postmarked, Blodgett Mills, N.Y., Feb. 12, P.M. 1906; Syracuse Feb. 13, A.M. 1906. Includes one-cent stamp depicting Benjamin Franklin., RVCDC
Date: [ca. 1906]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Genre - Just [P.2024.11]

Title: [Eiichi Hirose collection of bookplates]
Description: Collection of seventeen Japanese bookplates owned by Eiichi Hirose. Sixteen bookplates were designed and created by Yumimaro Ohmori, and one was created by Koson Nakayama. The bookplates depict scenes of Japanese landscapes, flowers, insects and animals, and people, including a person on a bridge over water and looking at a mountain; a man leading a horse; two people at a camp fire; a Japanese woman attired in a kimono; a young man farmer riding backwards on an ox; a potted plant; cherry blossoms; dragonflies; and a bird flying over bamboo. Two type-written letters are included describing some of the bookplate designs and gifting the bookplates to the Library Company of Philadelphia., Title supplied by cataloger., Date from letter of gift., Partial transcript of letter accompanying the gift: I enclosed my ex-libris in use, designed and engraved by Yumimaro Ohmori, a graduate of the Tokyo College of Fine Arts, and would be glad to make an exchange of ex-libris with you. Because of my great interest in which I have been collecting ex-libris for three years, I shall appreciate very much if you can favor me with some of your specimens. I desire to extend this collection all over the world, and any information in this connection will be deeply appreciated. With best wishes, I am yours very truly, Eiichi Hirose. Oct. 8th, 1935., Text of accompanying letter: The design of this ex-libris represents a tombstone characteristic of 12th century Japan. This plate is designed and used by Koson Nakayama of Tokyo. The design of this plate is symbolical of dramatic art, the three colors, perhaps of curtains, representing the three largest theatres that existed in Yedo (present Tokyo). This plate is used by Shuzan E. Hirose. The design show a youthful farmer rising an ox. From this one may infer that the owner (Hirose) is a collector of books on agriculture and rural problems.
Creator: Ohmori, Yumimaro, artist
Date: [ca. 1935]
Location: Library Company of Philadelphia | Books & Other Texts | Rare LCP Records MSS 00270 Series 4B Bookplates Box 23, Folder 10 [12126.Q.10]

Title: Li
Description: Full-length portrait depicting a racist caricature of Chinese statesmen, diplomat, and military general Li Hongzhang (1823-1901). Shows Hongzhang, wearing a mustache and attired in spectacles, a cap with a peacock feather, a patterned, gray and gold robe, a yellow jacket with buttons down the front, and black, slip-on shoes. He stands with his right hand out, showing long fingernails, and faces slightly right. Li Hongzhang traveled extensively in 1896, visiting Russia, Britain, Europe, the United States, and Canada to promote Chinese diplomatic interests and trade., Title and date from item., Published in Vanity Fair, August 13, 1896., Gift of Linda Kimiko August, 2024.
Creator: Guth, Jean Baptiste, 1855-1922
Date: 1896
Location: Library Company of Philadelphia | Print Department *portrait prints - Hongzhang [P.2024.31.3]

Title: A Japanese family. A pretty and interesting cut-out
Description: Print depicting a Japanese man, boy, and two women, which could be cut out and made into a paper toy. In the left, shows a Japanese woman attired in a red kimono with green trim tied with a black and yellow obi and wearing her hair up and adorned with a kanzashi hair ornament. She looks left with her left hand at her waist and holds a fan in her right hand. In the right at her feet are white flowers. The Japanese man wears a chonmage hairstyle, which is shaved in the front with a top knot, and is attired in a blue, green, and white kimono and slip on shoes, and has a sword in a scabbard at his waist. He stands with his face in right profile. In the top right, the boy, attired in a white and red kimono and socks, sits on the ground beside a white flower. In the bottom right, a Japanese woman, attired in a blue kimono with gray trim tied with a black obi and wearing her hair up and adorned with a kanzashi hair ornament, sits on the floor with her left hand resting on her leg and her right hand up. She is surrounded by two vases, a black stand with a teapot on top, and a decorative screen depicting a bird. In the top center, shows a diagram depicting how the figures could be cut out and flaps used to stand them upright., Title from item., Date from copyright statement: Copyright 1910, by the North American Company., Published in the March 6, 1910 Sunday supplement of the North American newspaper., Text printed on recto: Directions: Paste this sheet upon a sheet of heavy cardboard: let it dry thoroughly, and cut out pieces around heavy black lines. To make figures stand, bend the flabs backward at the dotted lines, A, B, C, D, E, F, as in the diagram. When ready, stand the figures up and arrange to suit yourself., RVCDC, Larry Semon (1889-1928) worked as a cartoonist for Philadelphia and New York newspapers before becoming an actor, director, producer, and screenwriter during the silent film era.
Creator: Semon, Larry, 1889-1928
Date: 1910
Location: Library Company of Philadelphia | Print Department *GC- Paper toys - Japanese [P.2024.71.2]

Title: A Chinese laundry in Philadelphia
Description: Interior view of a Chinese owned and operated laundry in Philadelphia. In the center, shows the owner of the business attired in a top hat, white collared shirt, bowtie, suit jacket, waistcoat, and pants. He sits in a wooden chair with his legs crossed and smoking a cigarette as he supervises the workers. The four Chinese men laundry workers wear queue hairstyles and are attired in tunics, pants, and slip-on, cloth shoes. In the left, two men stand behind the counter and iron, one of whom spits water from his mouth onto the laundry. In the right, the man stands facing the viewer with his hand on top of his head while a man irons from another countertop. Steam rises up from the irons. There is a storage closet with the door partially open revealing shelves with folded laundry. More stacks of folded laundry sit on the countertops. In the right foreground, there are five irons warming on a heater and two baskets of laundry. A clock hangs on the wall., Title from item., Date and publication information from original source., Published in the June 3, 1876 issue of the Graphic, a British weekly illustrated newspaper., Text description of the engraving from the Graphic, p. 542: A Chinese Laundry in Philadelphia. Though not nearly so numerous as in California, where their presence has recently excited extreme hostility among the white working classes, the Chinese are to be found, though few and far between, in the Eastern States. There are several Chinese laundries in Philadelphia, and as they have only been recently introduced from California, they are almost as much objects of interest to Philadelphians as to foreigners. Our artist came across the laundry shown in our engraving unexpectedly. As soon as the Chinamen perceived him sketching it through the window, they rushed out and shouted after him, whereupon he made off, thinking it prudent to avoid a scene. The Celestial in European dress is the "boss," or master, who owns several laundries, and who attends to the customers and business arrangements. The manner of damping the clothes preparatory to ironing is peculiar, the operator fills his mouth with water, and squirts it over the linen., Gift of Linda Kimiko August., RVCDC
Date: June 3, 1876
Location: Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Businesses - Chinese Laundry [P.2023.27.1]

Title: The Smile that was childlike
Description: Print depicting characters from Bret Harte’s 1870 poem “Plain Language from Truthful James” later reprinted as “The Heathen Chinee.” The narrative of the poem focuses on two white men, Bill Nye and “Truthful James,” and a Chinese man named Ah Sin playing the card game Euchre. Bill and James believe Ah Sin is “childlike” and does not comprehend how to play the game. The print shows Bill and James standing in the left on a dirt road and showing playing cards to Ah Sin, who looks on with his hands in his pockets. Ah Sin is depicted in racist caricature and wears a queue hairstyle, a conical hat, gold hoop earrings, a blue tunic and pants, and cloth, slip-on shoes. In the background are mountains and a partial view of a cabin. Later in the poem’s narrative, Bill cheats playing the game by having cards up his sleeve. When Ah Sin plays a card that James already has, it is discovered that Ah Sin is also cheating with decks of cards hidden in his sleeves. Bill proceeds to fight Ah Sin. Bret Harte’s poem “Plain Language from Truthful James,” satirizing anti-Chinese sentiment, was originally published in the Overland Monthly Magazine in September, 1870. It became widely popular and was reprinted and republished as “The Heathen Chinee” in several illustrated series in pamphlet and loose print form., Title from item., Date inferred from content., Print contains registrations marks., See related: GC-Genre [P.2007.39.24]., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Genre [P.2007.39.23]

Title: The Smile that was childlike
Description: Print depicting characters from Bret Harte’s 1870 poem “Plain Language from Truthful James” later reprinted as “The Heathen Chinee.” The narrative of the poem focuses on two white men, Bill Nye and “Truthful James,” and a Chinese man named Ah Sin playing the card game Euchre. Bill and James believe Ah Sin is “childlike” and does not comprehend how to play the game. The print shows Bill and James standing in the left on a dirt road and showing playing cards to Ah Sin, who looks on with his hands in his pockets. Ah Sin is depicted in racist caricature and wears a queue hairstyle, a conical hat, gold hoop earrings, a blue tunic and pants, and cloth, slip-on shoes. In the background are mountains and a partial view of a cabin. Later in the poem’s narrative, Bill cheats playing the game by having cards up his sleeve. When Ah Sin plays a card that James already has, it is discovered that Ah Sin is also cheating with decks of cards hidden in his sleeves. Bill proceeds to fight Ah Sin. Bret Harte’s poem “Plain Language from Truthful James,” satirizing anti-Chinese sentiment, was originally published in the Overland Monthly Magazine in September, 1870. It became widely popular and was reprinted and republished as “The Heathen Chinee” in several illustrated series in pamphlet and loose print form., Title from item., Date inferred from content., Print contains registrations marks., See related: GC-Genre [P.2007.39.24]., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Genre [P.2007.39.23]

Title: “Universal family” Soapine, Kendall Mfg. Co., Providence, R.I
Description: Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]

Title: Celluloid waterproof collars, cuffs & shirt bosoms Economical, durable, handsome
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting racist caricatures of Chinese men laundry workers in shock when a white man holds up a box of celluloid collars and cuffs. In the left, a white man, attired in a black bowler hat, a white collared shirt, a red bowtie and waistcoat, a blue-and-white checked suit, and black shoes, stands holding and pointing his finger to a box labeled, “Wear Celluloid Cuff & Collars.” Four Chinese men laundry workers jump up in surprise on their tiptoes with their mouths open and grimacing and their queue braids flying straight up into the air. The men have long fingernails and are attired in gold hoop earrings, colorful clothes, including yellow, red, or green tunics, and yellow or blue short pants, and cloth, slip-on shoes. In the left, one laundry worker stands behind the white man with his hands in a steaming washtub. Also visible are two baskets full of laundry on the ground, a table with irons on top, and white sheets hanging on a line. The text, “The Last Invention” is printed on the bottom right., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.728]

Title: General Grant and the Chinese viceroy, Li Hung Chang
Description: Full-length, forward-facing portrait of Ulysses S. Grant and Li Hongzhang, also known as Li Hung Chang, in Tianjin, China in 1879. In the left, Grant, wearing a beard and attired in a white collared shirt, a white bowtie, a black waistcoat with a pocket watch chain, a black jacket, and pants, sits on a chair with his hands curled on his lap and his feet on a footrest. In the right, Li Hongzhang, wearing a beard and attired in a conical hat, a traditional Chinese robe with buttons down the front, and cloth slip-on shoes, sits with his left hand on his lap, his right arm resting on a side table, and his feet on a footrest. On the table between the two men is a vase filled with flowers and two teacups. Ulysses S. Grant and his wife Julia embarked on a diplomatic tour of 19 countries from May 1877 to September 1879. Grant visited China in April to May, 1879 and met with Governor General Li Hongzhang. They discussed China's dispute with Japan over the Ryukyu Islands., Title from item., Date from manuscript note written above the image: 2-10-90., Text printed beneath image: From the original photograph taken in Pekin (1879) and loaned to the Exhibition by Mr. Geo. W. Childs., The original photograph was taken by photographer Liang Shitai also known as See Tay., Part of a collection of disbound scrapbook pages re-housed in folders in three boxes., Brothers Louis Edward Levy (1846-1919) and Max Levy (1857-1926) founded a photoengraving business in Baltimore in 1875. In 1877, they moved to Philadelphia and reorganized the firm as the Levytype Company. In 1900, the firm was renamed the Graphic Arts Company.
Date: [ [ca. 1890]
Location: Library Company of Philadelphia | PRINT portrait prints - Civil War scrapbook of portraits [(1)5775.F.32]

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