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Title: [Folk art portraits of two African American women and two African American men]
Description: Folk art bust-length portraits of two African American men and two African American women, portrayed in racist caricature, shown in a row, alternating woman, then man. In the left, the woman, wearing her hair in two braids tied with blue bows on either side of her head that stick out, with red lips, and attired in an off-the-shoulder blue dress with ruffles, faces forward with her eyes looking left. Beside her the man, with red lips and attired in a white collared shirt, a pink tie, and a black jacket, slightly faces left and his eyes look at the woman. The woman, wearing her hair tied in multiple braids, with pink lips, and attired in a pink, ruffled dress, looks to the left. In the right, the man, with pink lips and attired in a blue bowtie, a white shirt with blue stripes, and a black jacket, faces left and looks at the woman., Title supplied by cataloger., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1909]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Unidentified - Faces [P.9057.28]

Title: A darktown wedding, the ceremony
Description: Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1901
Location: Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]

Title: [Charles J. Webb Company float during a parade along a Philadelphia street]
Description: View of the float for Charles J. Webb Co., Philadelphia woolen and cotton yarn dealer. Bordered by a log fence and adorned with cotton plants and two small American flags, the float carries four live sheep and several costumed passengers including: three African American men attired as cotton pickers; a white man attired as a colonial lady near her spinning wheel; and a white boy attired as a colonial sheepherder holding his crook. Partial view of preceding float is visible with a white man attired in colonial garb. A large, stone building lines the street., Title supplied by cataloger., Date inferred from content., Purchase 1989., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photos - unidentified - processions [P.9260.638]

Title: Frank & his darkies. A wagon load of beets just in from the field
Description: Group portrait depicting African American women agricultural laborers posed in front of a horse-drawn wagon loaded with beets. Three African American men agricultural laborers, including the foreman "Frank," stand beside them and on the cart. The women, most attired in hats, long-sleeved shirts, and full-length skirts, are covered in dirt from the day's work. In the left, another horse is visible., Title from manuscript note written on verso., Date inferred from attire of the sitters., Gift of Tom Nicely, 1990., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department photos - 5 x 7- unidentified - Non-Philadelphia [P.9297]

Title: [Robert Swayne collection of Philadelphia photographs]
Description: Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date: [ca. 1860-ca. 1952]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]

Title: [Abraham Lincoln miscellany]
Description: Collection of miscellaneous Lincoln prints and ephemera, including a circa 1880 right-profile, photo mechanical portrait print of the president; 1909 souvenirs from the Military Order of the Loyal Legion of the United States (MOLUS) and the Philadelphia Electric Company in honor of the 100th Anniversary of the birth of Lincoln; and a series of ca. 1890 illustrations of medals commemorating and memorializing him. Imagery on souvenirs includes a portrait of Lincoln bordered by an American and MOLUS flag and the reproduced Jean Leon Gerome Ferris painting "Lincoln and the Contrabands" depicting Lincoln greeting an African American woman freedom seeker with her two children. Scene also shows African American men and women freedom seekers near a Union soldier, including a woman sitting with her head in her hands and an older man who takes his hat off., Title supplied by cataloger., Artists, printers, and publishers include Jean Leon Gerome Ferris and Wolf & Co., 5792.F.94c contains copyright statement: painting only copyrighted, Wolf & Co, Philada, 1908., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", RVCDC, Description revised 2021., Access points 2021., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886.
Date: 1880
Location: Library Company of Philadelphia | Print Department GC - Lincoln [5792.F.88d; 5792.F.92a-d&93a&c; 5792.F.93d; and 5792.F.94c]

Title: A luxury fleet featuring newest pullman refinements at low travel cost! Pennsylvania Railroad Broadway Limited (All-Room Train). The General New York-Philadelphia-Chicago. "Spirit of St. Louis" New York-Philadelphia-St. Louis. Liberty Limited Washington-Baltimore-Chicago. The Pittsburgher (All-Room Train) New York-Pittsburgh. The Golden Triangle Pittsburgh-Chicago. Many types of Pullman private accommodations, modern section sleepers on all but Broadway Limited and The Pittsburgher-all room trains
Description: Poster showing an interior view of a luxury pullman car to advertise the Pennsylvania Railroad. Shows several white men and woman passengers relaxing in the car. In the left, a Black man server, serves drinks to two women and a man seated at a booth. Across from them, in the right, an older man sits in an arm chair, and smokes a cigar, and holds a paper in his lap. An older woman sits on the arm of his chair. Behind them, two women converse, one standing. In the far background, two men stand at a bar. Image also shows a train window. The server wears a white smock shirt and black pants. The men passengers wear suits. The women passengers wear a dress or suit jacket and skirt and/or hats., Title from item., Date inferred from content., RVCDC
Date: [ca. 1945]
Location: Library Company of Philadelphia | Print Department miscellaneous posters [P.2284.103]

Title: Vegetable dealer Bermuda
Description: Postcard depicting an older Black man with a beard, seated in a mule-drawn cart. Bunches of root vegetables, a basket, and a barrel lay behind him in the cart. A partial view of a building with three windows is visible in the background., Title from item., Date inferred from design of verso of postcard: Undivided back and "Post Card" in thin serif letters, Manuscript note written on recto: How would you like to ride [in that?] [ illegible]., Name and address of recipient in manuscript on verso: Miss Mabel McClure, 328 Preston St., W. Phila, Pa. U.S.A., RVCDC, Description reviewed 2022., Access points revised 2022.
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.2019.80.10]

Title: Joyous birthday
Description: Racist, metamorphic birthday card depicting a caricatured portrayal of a Black man taxi driver and a Black man passenger, riding in a taxi. Scene, with the card closed, shows the exterior of a yellow taxi with blue and checkered trims. The passenger and driver, depicted with exaggerated and minstrelized features, including wide eyes and a circular mouth, look out their respective rear and front windows, and toward the viewer. The passenger wears a bowler hat and the driver is in a uniform, including a cap. A suitcase is strapped to the top and a a spare tire is attached to the rear of the vehicle. Scene, with card opened, shows the rear door of the car open and the passenger, attired in a pink plaid suit, seated on a blue car seat, and holding a pot with three flowers on his lap. The trim of the taxi is pink., Title from item., Date deduced from the visual content., Printed in the vernacular on inside front cover: When yo' Birf'day rolls around. May it find yo' Up to Snuff,' And may it bring de best ob joys. Now ain' dat Fare enuf?, Printed on verso: Made in U.S.A., Manuscript note on verso: Hoping you have many more Happy and Joyous Birthdays to come. Ruth., RVCDC, Gift of James Hill.
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - Birthday [P.2021.26.2]

Title: Marriage certificate. This certifies that [blank] of [blank] and [blank] of [blank] united in holy matrimony according to the ordinance of God and the laws of [blank] at [blank] on the [blank] day of [blank] A.D. [blank]. Witnesses [blank] [blank]
Description: Marriage certificate containing a scene with an African American bride, groom, and reverend, pictorial details, and an ornamented border. Scene depicts the bride, in the left, in right profile, standing, and attired in a long-sleeved white wedding dress and bridal cap with floor length veil draped down her back. She holds a large bouquet from which ribbons stream and she bows her head slightly forward. In the right, the groom, in left profile, stands, attired in a dark suit with morning jacket and a boutonniere adorning the lapel. His head is slightly bowed. Between them, facing the viewer, stands an older reverend, attired in a clerical waistcoat and pants. He is balding with tufts of grey hair by his ears. He holds a Bible at his midriff. Ferns adorn the background. Pictorial details, surround the scene and text of the certificate, and include two Black putti; a vignette depicting the clasped hands of a Black bride and groom; and tropical greenery. The ornamented border is composed of ribbons and a chain link., Title from item., Name of publisher inferred and date from copyright statement: copyrighted 1910 P.P. and F. Co. Chi., Description of print (No. 1900) included in 1911 trade catalog for the Consolidated Portrait and Frame Co., p. 135a. Description reads: Good Luck Marriage Certificate. This certificate was printed and designed especially for the negro race. There is no other certificate so far as we know, exclusively for them., RVCDC, Purchased with partial funds from the Davida Tenenbaum Deutsch Women's History Fund.
Date: 1910
Location: Library Company of Philadelphia | Print Department *GC - Certificates - Marriage [P.2023.7]

Title: Minstrel show. Wentworth Town Hall. March 26th - 8:15. Adults .25. Children .15. Orchestra - dancing
Description: Mixed media poster containing a clipped, bust-length, racist caricature depicting "N.D. Johnson" above manuscript text promoting a minstrel show, probably in Wentworth, N.H. Clipped image shows a man in black face, with an exaggerated broad smile, and looking to the left with his eyes. He wears a top hat, red bow, a white shirt with wide lapels and a "shiny" star-shaped pin at the chest, and a tuxedo jacket., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from content., Contains pasted, clipped photomechanical print captioned: N.D. Johnson., C. Belyea is possibly Charles Moses Belyea (1904-1980) of Grafton, New Hampshire., RVCDC, Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021.
Creator: Belyea, C.
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department *GC - Advertisements - Minstrel [P.2022.57.2]

Title: St. Johns Episcopal Church's minstral club - graphic of minstral show April 12 and 13, 1901
Description: Negative blocked with marking tape depicting a bust-length portrait of an African American man, portrayed in racist caricature wearing a beard and attired in a bowler hat. Contains name of minstrel club and performance dates. Along the top are small photographs including several portraits of white women, a large group portrait of white men and women, and a seated white man playing the guitar., Title from negative sleeve., Duplicate: St. John's club minstrels, Friday and Saturday, April 12 and 13 1901 (cartoon). [P.9645.743], Gift of Matthew Schultz, 1998., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Levis, Seth Pancoast, photographer
Date: [1901]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Levis [P.9645.1038]

Title: Pore lil' Mose sends his Pa a valentine
Description: Racist cartoon containing vignettes about an African American family, portrayed in racist caricature, with the boy prankster Pore Lil' Mose giving valentines to his gal Happy Lil' Sal and his Pa. In the left, shows Miss Sally Sunbeam, portrayed in caricature and wearing her hair in pigtails with yellow bows and attired in a pink dress with a white ruffled collar, yellow stockings, and boots, standing with her dog. She smiles and holds up the valentine while Mose looks on from behind a fence. Below is a vignette depicting Pa angrily holding and reading his “comic” valentine, “Moses Pryor shif’less coon quit his job de first of June never works again till fall hates to ever work at all.” Mose’s mother, attired in a red headkerchief with white polka dots, a yellow shawl, and a blue dress, smiles as she looks over Pa’s shoulder. A younger brother, attired in a red and white sailor shirt with a green bow and green pants, stands behind Pa and scowls with his hands in his pockets. The next vignette, shows Mose fleeing the kitchen with only his legs visible running out the door as a mule looks on. Pa, tripping over the cat, flies through the air head down and legs up and carrying a stick in his hand. Ma leans back with her hand on her head as the plates, cutlery, and coffee pot are thrown from the kitchen table. In the top right is a portrait of Uncle Jack, wearing white hair and attired in a black top hat, a white and red striped shirt, a yellow vest with red polka dots, blue pants, red socks, and brown shoes, standing with his hands in his pockets. The image of Pa’s valentine depicts a racist caricature of an African American man stealing a chicken at night under the moonlight. Contains 21 lines of text written in the vernacular explicating the scenes ending with the line "Pore Lil' Mose.", Title from item., The "Por Lil' Mose" series was published in the New York Herald from 1901 until 1902., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Richard Felton Outcault (1868-1928) is renowned as the creator of the first published full page comic. He is also the creator of "Buster Brown."
Creator: Outcault, Richard Felton, 1863-1928, artist
Date: [ca. 1901]
Location: Library Company of Philadelphia | Print Department political cartoons - 1901 Por [8391.F]

Title: Scene at polling place in Wilmington, Del. Local option election, Nov. 5 1907
Description: Documentary view taken by Delaware news photographer A.N. Sanborn showing African American men voters outside of Buck's Chemical Co., a Wilmington, Delaware polling place. Depicts the men standing on the edge of the sidewalk, some conversing, one holding papers in his hand, in front of the brick building of the chemical company adorned in signage reading "Incorporated 1900. Bucks Chemical Co., 1201 & 1203 French St. J.C. Buck[? ], Pres. Wm C. [?], Secy. & Treas. Other men stand near the building by the sign and an entryway with the frame marked "Laundry." To the left, a group of white men stand in a huddle, across from a partially visible entry way, and next to two white girls who look toward the photographer. All the men are attired in suits. To the right, a group of African American and white children crowd together and look toward the photographer. Behind them, in the background, the Black church, the Union American Methodist Episcopal Church, is visible. View also includes two lines of ropes and poles that extend into the empty street from the partially visible entryway and create a cordoned passage. In 1901, the Delaware State General Assembly took actions to dismantle laws that impeded voting by the Black community, as well as had finally symbolically ratified the 13th, 14th, and 15th amendments. The November 1907 local option election ballot was on the question of whether state licenses should be granted to outlets to serve alcohol. Wilmington voters voted in favor of licenses., Title and date from manuscript note on mount., Name of photographer from imprint blindstamped on mount., Manuscript note on verso: 5th Dis of 6th Ward. 2nd Ref Dis. Cor 12th & French, Wil Del., Partially purchased with funds for the Visual Culture Program., RVCDC
Creator: Sanborn, A.N. (Arthur N.), 1869-1959, photographer
Date: [November 5, 1907]
Location: Library Company of Philadelphia | Print Department photo - Sanborn [P.2023.17.2]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

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