Search results

Title: The Finish
Description: Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves; and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.268]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 14 - The finish [P.2017.95.267]

Title: The Finish
Description: Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves, and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.267]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 15 - The finish [P.2017.95.268]

Title: The Start
Description: Die-cut scrap depicting a racist caricature of an African American man riding in a two-wheeled, horse-drawn cart. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a red cart, smiling and looking at the viewer. He holds the reins to the brown horse, which trots and pulls the cart in the right. He also carries a black whip in his right hand., Title from item., Date deduced from the visual content., Duplicate copy [P.2017.95.287]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 16 - The start [P.2017.95.269]

Title: In danger
Description: Die-cut scrap depicting a racist caricature of an African American man trying to control the horse pulling the cart he is riding in. Shows the man, attired in a white top hat, yellow gloves, a white collared shirt, a blue bowtie, a black jacket with tails, white pants, and black shoes, seated on a two-wheeled cart. He opens his mouth in alarm as he pulls back on the reins of the brown horse hauling the cart. The horse’s mouth is open as it runs off making the cart jerk, causing its right wheel to lift off of the ground. The man also carries a whip in his right hand., Title from item., Date deduced from visual content., Duplicate copy [P.2017.95.266]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 17 - In Danger [P.2017.95.270]

Title: [African American man swimming attired in red shorts]
Description: Die-cut scrap depicting a racist caricature of two African American men swimming. Shows the African American man, attired in red shorts, standing in knee-high water and bending over with his right arm outstretched. In the left, an African American man has dived into the water head first. His legs and two hands protrude out of the water. In the background are some wooden boards nailed together. Trees and fronds grow up out of the water., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 20 [P.2017.95.273]

Title: [African American man attired in a gray hat and smoking a cigar]
Description: Die-cut scrap depicting a racist caricature of an African American man smoking a cigar. Shows the bust-length portrait of the man, attired in a gray top hat with a red band, gold hoop earrings, a white collared shirt, a green and blue bowtie, and a red jacket. He has a cigar in his mouth and looks to the left., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 21 [P.2017.95.274]

Title: [African American man attired in a gray hat with a blue striped band, a pink collared shirt with blue polka dots, and a green striped tie]
Description: Die-cut scrap depicting a racist caricature of an African American man attired a gray hat with a blue striped band, a pink collared shirt with blue polka dots, and a green striped tie. Shows the bust-length portrait of the man smiling and looking to the left., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 22 [P.2017.95.274x]

Title: [African American man attired in spectacles, a black top hat, a white shirt with an oversized collar, a red bowtie, and a plaid, beige jacket]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in spectacles, a black top hat, a white shirt with an oversized collar, a red bowtie, and a plaid, beige jacket. Shows the bust-length portrait of the man smiling as he looks down., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 23 [P.2017.95.275]

Title: [African American man attired in a black top hat decorated with a gold band and blue flower, a white collared shirt, a gold jacket with epaulettes, and gold hoop earrings]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in a black top hat decorated with a gold band and blue flower, a white collared shirt, a gold jacket with epaulettes, and gold hoop earrings. Shows the bust-length portrait of the man facing to the left., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy of [P.2017.95.293]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 24 [P.2017.95.276]

Title: [African American man attired in a brown hat and smoking a cigar]
Description: Die-cut scrap depicting a racist caricature of an African American man attired in a brown hat, a white collared shirt, a red and white striped tie, a brown jacket, and a gold earring. The bust-length portrait of the man faces right as he smokes a cigar., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 25 [P.2017.95.277]

Title: [African American man pulling a donkey on a rope]
Description: Die-cut scrap depicting a racist caricature of an African American man pulling a donkey on a rope. Shows the man in the left attired in a black hat, a white collared shirt, a blue jacket, white pants, and black shoes. He strains forward as he attempts to pull the donkey on a rope, which he holds over his right shoulder and in his right hand. He looks behind him with an open and downturned mouth. He also carries a stick in his left hand. The gray donkey pulls back against the rope with its mouth open., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 27 [P.2017.95.279]

Title: [African American man riding a donkey]
Description: Die-cut scrap depicting a racist caricature of an African American man riding a donkey. Shows the man, attired in a brown hat; a white collared shirt; a red tie; a brown checkered waistcoat, jacket, and pants; and black shoes, sitting on a saddle riding a donkey. He carries a whip in his left hand and holds his hat down on his head with his right hand. His eyes and his mouth are opened wide as the gray donkey runs with all four of its legs off of the ground., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 29 [P.2017.95.281]

Title: [African American man minstrel playing the bones]
Description: Die-cut scrap depicting a racist caricature of an African American man minstrel playing the bones and dancing. Shows the full-length portrait of the man portrayed with an oversized head and attired in gold hoop earrings, a blue jacket with yellow trim and tails, a white waistcoat, and green bowtie with red polka dots, yellow and red striped pants, and black shoes. He looks at the viewer and smiles as he holds bones in both of his hands. His legs are bent and his heels are off the ground as he dances on the grass., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 30 [P.2017.95.282]

Title: [African American man holding on to a bucking donkey]
Description: Die-cut scrap depicting a racist caricature of an African American man holding on to a bucking donkey. Shows the man, attired in a black top hat, a white jacket, blue pants, red socks, and black shoes, grasping on to a bucking donkey. He wraps his arms around the donkey’s neck and his legs press against the donkey’s back as he tries to hold on. His eyes and mouth are opened wide. The gray donkey sinks his head down and kicks his back legs up., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 31 [P.2017.95.283]

Title: [African American man minstrel playing the banjo]
Description: Scrap depicting a racist caricature of an African American man minstrel playing the banjo. Shows the full-length portrait of the man attired in a white collared shirt, a blue bowtie with white polka dots, a white waistcoat, a white jacket with red polka dots and tails, yellow pants with blue stripes, and black shoes. He looks at the viewer and strums a banjo as he lifts his left leg up in a dance step., Title supplied by cataloger., Date deduced from the visual material., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 44 [P.2017.95.296]

Title: [African American man minstrel playing the accordion]
Description: Scrap depicting a racist caricature of an African American man minstrel playing the accordion. Shows the man attired in a white top hat with a black band, a white shirt with an oversized collar, a yellow jacket with red polka dots and tails, and red and white striped pants. He opens his mouth as he plays the accordion, which he pulls apart in both of his hands. A plant with long, green leaves is visible in the background., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 45 [P.2017.95.297]

Title: [African American man smiling and carrying a watermelon]
Description: Scrap depicting a racist caricature of an African American man smiling and carrying a watermelon. Shows the full-length portrait of the man portrayed with exaggerated features and attired in a white collared shirt with blue stripes, a yellow waistcoat, a red jacket with tails, white pants with blue stripes, and yellow and blue shoes with red buttons. He smiles with his mouth opened wide and carries a watermelon in both hands that he holds in front of him., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy [P.2017.95.300]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 47 [P.2017.95.299]

Title: [African American man smiling and carrying a watermelon]
Description: Scrap depicting a racist caricature of an African American man smiling and carrying a watermelon. Shows the full-length portrait of the man portrayed with exaggerated features and attired in a white collared shirt with blue stripes, a yellow waistcoat, a red jacket with tails, white pants with blue stripes, and yellow and blue shoes with red buttons. He smiles with his mouth opened wide and carries a watermelon in both hands that he holds in front of him., Title supplied by cataloger., Date deduced from the visual content., Duplicate copy [P.2017.95.299]., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 48 [P.2017.95.300]

Title: [African American man attired in a white collared shirt and beige bowtie]
Description: Die-cut scrap depicting a racist caricature of an African American man attired a white collared shirt and beige bowtie. Shows the bust-length portrait of the man facing left with his mouth open. He is portrayed with exaggerated features and attired in a white collared shirt and beige bowtie., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 11 [P.2017.95.264]

Title: Joyous birthday
Description: Racist, metamorphic birthday card depicting a caricatured portrayal of a Black man taxi driver and a Black man passenger, riding in a taxi. Scene, with the card closed, shows the exterior of a yellow taxi with blue and checkered trims. The passenger and driver, depicted with exaggerated and minstrelized features, including wide eyes and a circular mouth, look out their respective rear and front windows, and toward the viewer. The passenger wears a bowler hat and the driver is in a uniform, including a cap. A suitcase is strapped to the top and a a spare tire is attached to the rear of the vehicle. Scene, with card opened, shows the rear door of the car open and the passenger, attired in a pink plaid suit, seated on a blue car seat, and holding a pot with three flowers on his lap. The trim of the taxi is pink., Title from item., Date deduced from the visual content., Printed in the vernacular on inside front cover: When yo' Birf'day rolls around. May it find yo' Up to Snuff,' And may it bring de best ob joys. Now ain' dat Fare enuf?, Printed on verso: Made in U.S.A., Manuscript note on verso: Hoping you have many more Happy and Joyous Birthdays to come. Ruth., RVCDC, Gift of James Hill.
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - Birthday [P.2021.26.2]

Title: Hiram W. Stout, groceries, &c., 5th and Erie Ave
Description: Racist trade card illustration depicting an African American man musician playing the cello. The man is seated in a crouched position on a green chair. He is attired in a yellow cap, a red and white striped shirt, a dotted blue jacket, yellow and red striped pants, and blue, yellow, and black boots. The man holds the neck of the cello in his left hand and the bow in his right. He is depicted with exaggerated features., Title from item., Title and business name printed on verso., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Stout [P.2017.95.172]

Title: Fine clothing, for men, youths and boys at the Misfitstore, cor. 10th & F Sts
Description: Racist trade card illustration depicting an African American man minstrel musician to promote a clothing store. Shows the man facing the viewer and playing a recorder. The man is attired in a red cap, a white shirt with the collar turned up, a green bowtie, a brown jacket, blue and white striped pants, and brown shoes., Title from item., Date inferred from content and genre of print., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misfitstore [P.2017.95.132]

Title: The battle at Bunker's Hill near Boston, June 17th, 1775
Description: Commemorative print after John Trumbull's historical painting based on his eyewitness account of the battle while serving as a commissioned officer during the American Revolution. Dramatically depicts the scene of American Major General Joseph Warren's death proceeding the Americans' retreat from the hill. Amidst a melee of activity, Warren lays dying in the arms of an American militiaman who fends off a bayonet pointed down over his body by an English soldier. British Major John Small restrains the bayonet of his soldier as Americans Captain Thomas Gardner, holding a musket, Major Andrew McClary, and Colonel William Prescott stand guard over their fallen compatriot. Behind Small, British Major John Pitcairn, mortally wounded, is held up by Lieutenant William Pitcairn and to the far right American Lieutenant Thomas Grovesnor stands en guarde shielding an armed African American man usually identified as Peter Salem, credited as the fatal shooter of Pitcairn, but more likely Grovesnor's enslaved man. British Generals William Howe, Henry Clinton, and Lieutenant Francis Lord Rawdon, flag in hand, continue the charge in the background. Other American soldiers involved in the battle include: Colonel Israel Putnam who gallantly leads the retreat; Rev. Samuel McClintock; Major Willard Moore, as well as an African American soldier, possibly Peter Salem. American Lieutenant Colonel Moses Parker and British Lieutenant Colonel Sir Robert Abercromby lay dying., Title from item., Theodore Sizer's The works of Colonel John Trumbull (New Haven: Yale University Press, 1967), 95., The Library of Congress' An album of American battle art, 1755-1918. (Washington, D.C.: The U.S. Printing Office, 1947), 27-30., See Elisa Tamarkin, Anglophilia: deference, devotion, and antebellum America (Chicago: University of Chicago Press, 2008), 137-8 for Peter Salem misidentification., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Muller, was a renown German painter, engraver, and professor, commissioned, following the refusal of the English artist community, to engrave Trumbull's historic painting. Muller completed the painting in 1786 at his mentor Benjamin West's London studio.
Creator: Müller, Johann Gotthard, 1747-1830, engraver
Date: 1798
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [1142.F.4]

Title: Skating. Scene on the River Delaware at Philadelphia. Febry. 12th 1831
Description: Amusing winter genre scene showing several individuals enjoying the frozen river as a place for recreation, travel, and as a place of observation for the February 12, 1831 solar eclipse. In the foreground, several ice skaters, predominately men, skate, perform tricks, and fall. One of the fallen includes an African American man, lying on his back, his hat on the ice near a dog playing with a ball. In the right of the image, a vendor serves beverages from a refreshment stand. In the background, several others skate, ride and pull sleds, or enjoy a horse-drawn sleigh ride., Philadelphia on Stone, POS 696, Historical Society of Pennsylvania: Bb 07 S 17, LCP exhibit catalogue: Made in America, entry #44, Smithsonian, Harry T. Peters Collection: DL*60.3655. Copy hand-colored., Trimmed.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1831]
Location: Historical Society of Pennsylvania HSP Bb 07 S 17

Title: Happy contraband
Description: Photographic reproduction of a caricature depicting a half-length, cameo portrait of an African American man playing a fife. Shows the man, posed to the right, looking up with his eyes, and holding up with both his hands, a fife to his pursed lips. He leans slightly forward, is portrayed with a furrowed brow, and is attired in a wide-brimmed hat adorned with a ribbon, white shirt with long sleeves, and a dark-colored vest. While commander of Fort Monroe, Virginia, General Benjamin Butler declared freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861. During the war, several visual materials, often satires, depicting Black persons as "contraband" were published., Title from manuscript note on verso., Date inferred from active dates of publisher., RVCDC, Philadelphia Photographic Company operated from 730 Chestnut Street circa 1864-1865 before relocating to 24 N. 8th Street. Active until about circa 1869, the firm, per advertisements, issued a catalog, sold "specialties" for albums, including "from original drawings by artists of high quality," and published "[Thomas H.] Johnson's Photographic Views of the Whole Oil Regions," as well as sold election campaign cards and badges.
Creator: Philadelphia Photographic Company
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - non-portrait -Philadelphia Photographic Company - Happy [P.2022.50]

Title: "A guard of colored soldiers"
Description: Full-length group portrait depicting three African American Union soldiers, attired in uniform, standing with bayoneted Springfield rifle muskets and non-commissioned officer swords in hand. The soldiers include a sergeant (center left) who wears a regular belt plate, three chevrons on his sleeve, a kepi with a tarred cover, and a non-commissioned officer baldrick on his sword. The African American private (center) wears an infantry bugle and brass insignia on top of his kepi. The private (right) wears an unadorned kepi. In the left, is a white man soldier, probably a junior officer, attired in a great coat and slouch hat and holding possibly an 1850 foot officer's sword. Possibly soldiers from Camp William Penn, the African American training camp near Philadelphia, Pennsylvania., Title from manuscript note on recto., Name of photographer/publisher attributed from copy of photograph available in Hindman February 27, 2024 auction. Copy included revenue stamp and was stamped on verso: O.H. Willard's New Galleries, 1203 Chestnut St. No. [4485] Phl. Copy of listing included in Willard research file at repository., Date inferred from revenue stamp on verso of copy at Hindman auction, February 2024., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2024 with information from 2024 Hindman auction listing., Access points revised 2024., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Willard, Oliver H., -1875
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department cdv portraits- group - Military [5779.F.3d]

Title: [Wu Ying Ding]
Description: Bust-length portrait of Wu Ying Ding, attired in a tight-fitting cap and a shirt with a Mandarin collar and frog closures, facing slightly right. Hu Quang Yung exhibited a selection of his collection, including cloisonne, bronzes, and ceramics, at the 1876 Centennial Exposition in Philadelphia. Yung's nephew, Wu Ying Ding, attended the Centennial as an envoy with the objects., Title supplied by cataloger., Date inferred from active dates of the photographer., Manuscript note written on verso: To General Mrs. Basban, With best Compliments of Wu Ying Ding, Mandarin of China, N.Y., Feb. 17, 1877., Text printed on verso: No. [996]. In ordering duplicates please send no. as above, and name., Gustavus Gerlach and Gustavus Fromhagen were Philadelphia photographers who were in partnership from circa 1875 to 1878.
Creator: Gerlach & Fromhagen, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Ding [P.9664]

Title: Jay Rial's ideal Uncle Tom's Cabin L.H. Stockwell as lawyer Marks & his trained donkey Jerry
Description: Trade card for Jay Rial's touring stage company's production of "Uncle Tom's Cabin." Shows actor L.H. Stockwell in character as Marks from the play standing on the sidewalk. He is attired in a top hat, a white collared shirt, a white bowtie, a black jacket with tails, yellow-and-black striped pants, and black shoes and holds a red umbrella. In the left, a donkey stands in the street. In the background is a block of buildings. Jay Rial, a New York theatrical manager, began tours of his production of "Uncle Tom's Cabin" circa 1881. The production was associated with novel features of live dogs and donkeys and props, such as floating cakes of ice, and was purported to have earned $1,000,000 by the end of its run., Title from item., Date inferred from dates of the theatrical production., Advertising text printed on verso: Academy of Music! Week commencing September 12. Matinees Wednesday & Saturday. The survival of the fittest. Sixth season. The Jay Rial Uncle Tom's Cabin Co. This Great Company is the only one considered worthy of metropolitan recognition. The only Company that has stood the test of all the important Academies and Theatres in the great capitals of the country. All the old favorites. New scenery. Trained donkey. Beautiful music. The magnolia jubilee band. Camp meeting shouters. And the only genuine trained bloodhounds in the world. The enormous success of the enterprise has prompted imitation in many ways. The matter of the show bills has been widely copied, and especially have efforts been made to give the appearance of presenting Bloohounds; but imitation is ever entirely successful. Excellence is only obtatined by time and labor. The people's prices: 25, 35 & 50 cents. No higher. No extra. Sale of Tickets will commence, Thursday, Sept. 8, at 9 a.m., Gift of David Doret, 2011.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department LCP Trade Cards - Academy [P.2011.45.24]

Title: Governor Clinton
Description: Photographic reproduction of the 1797 portrait engraving made by St. Memin of George Clinton. Bust-length, right profile portrait of Clinton attired in a neckerchief, waistcoat, and jacket. George Clinton was governor of New York from 1777 to 1795 and 1801 to 1804. He served as Vice President from 1805 to 1812., Title from manuscript note written under image: Governor Clinton., Date inferred from photographic medium., Gift of David Doret.
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department misc. photo - portraits - miscellaneous [P.2010.6.35]

Title: [Bust-length portrait of Li Hongzhang]
Description: Bust-length portrait of Chinese statesmen Li Hongzhang, also known as Li Hung Chang. He wears a mustache and is attired in a beaded Chinese court necklace and a shirt with a Mandarin collar and decorated with an image of a crane., Title supplied by the cataloger., Date inferred from active dates of the photographer., Photographer's imprint printed on verso: F. Gutekunst, 712 Arch St., Philadelphia., Distributor's label on verso: 816 Chestnut Street, Earles' Galleries, Philadelphia., Gift of Dr. Milton and Joan Wohl, 1991.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - sitter - Hung [P.9363.21]

Title: Chinese prisoner
Description: Full-length portrait of an unidentified Chinese man with his queue tied to a ladder. The man, wearing a queue hairstyle and attired in a blue robe, belt, and cloth slip-on shoes, stands facing to the left with his hands inside his sleeves at his waist and his right foot forward. His hair is tied to a ladder that leans against the wall in the right. The manuscript inscription labels the man as a "Chinese prisoner.", Title from manuscript note written on recto under the image: Chinese prisoner., Date inferred from content., Gift of S. Marguerite Brenner, 1984.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. men sitters [P.9057.71]

Title: Below Lewistown, Pa
Description: Lithograph showing a view of a river. On the left is a rocky outcropping covered in foliage. On the right the river curves and disappears into the background while two men push a canoe away from shore., Printed lower left: 2., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: below., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
Creator: Kollner, Augustus, 1812-1906, artist
Date: 1860
Location: Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.6]

Title: The Hawks Nest or Marshalls Pillar A celebrated cliff on the Kenawha River, Virginia
Description: View of the Kanawha River at Hawks Nest or Marshalls Pillar near Ansted, West Virginia. In the right foreground, shows three men fishing on a large rock. The large Kanawha River flows towards the viewer. Trees grow along the shorelines and on the cliffs that rise in the background. The area was called Marshalls Pillar after Chief Justice John Marshall, who visited. By the Civil War, the area was named Hawks Nest. It was established as a State Park in 1935., Title from item., Date inferred from active dates of the lithographer and content., Text printed below image: Measuring 1200 feet from the top of the cliff to the river beneath., Gift of David Doret.
Creator: Bowen, John T, approximately 1801-1856?, lithographer
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department GC - Views - United States - Virginia [P.2010.35.7]

Title: The Silver cascade, in the north of the White Mountains
Description: View depicting the Silver Cascade in the White Mountains of New Hamshire. Shows water flowing down the mountain. Two men fish at the edge of the water, and a man and a woman look on at the falls. Trees grow along the shoreline and cliffs., Title and date from item., Text printed below image: Cascade d’argent, dans le ravin des montagnes blanches. Die silbercascade in der thalenge der weissen berge., Gift of David Doret.
Creator: Havell, Frederick James, 1801-1840, engraver
Date: 1839
Location: Library Company of Philadelphia | Print Department GC - Views - U.S. - New Hampshire [P.2010.6.27]

Title: The election, humbly inscrib'd to the Saturday-Nights Club, in Lodge Alley
Description: At the top, depicts the 1765 the election for the county and city of Philadelphia. In the left, shows Britannia, depicted as a white woman, with a shield with the Union Jack and a liberty cap and pole, saying "Oh my sons, my sons." America, depicted as a white woman, carries a sword and replies "Don't grieve too much sister." Treachery, depicted as a white women with two faces, stands behind Britannia with a dagger and says, "I hope that will do for you Madam." A large group of men stand in the foreground, including clergymen, and discuss the election. In the background, a line of men enter a building to vote., Title from item., Date from Evans., "About 150 lines of blank verse [in four columns] engraved on copper, with a picture of the election at the top."--Hildeburn., First line: Long with a Cruel, and perfidious Hand:, Manscript note by DuSimitiere: Published after the election of the members for the county and city of Philadelphia for the first of 8be 1765., Retrospective conversion record: original entry, edited.
Creator: Dawkins, Henry, d. 1786?
Date: [1765]
Location: Library Company of Philadelphia | PRINT political cartoons [1765] Ele [959.F.88 (DuSimitiere)]

Title: On foot of Blue Ridge Mountains, Pa
Description: Lithograph showing a covered wagon hitched to four hourses. In the center, a man sits on horseback and talks to a man standing and holding a whip. A woman holds a baby and stands in front of a wooden home with a paddock. In the left is an empty cart. Trees and hills fill the background., Printed lower left: 13., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: on., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
Creator: Kollner, Augustus, 1812-1906, artist
Date: 1860
Location: Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.4]

Title: Near Harrisburg Pa
Description: Lithograph showing a view of a river with a large tree in the foreground. To the left of the tree, two men push a raft away from shore. A house is visible on the far bank of the river and above it are a few wispy clouds., Printed lower left: 9., Title from inscription lower right., Date based on publication date of series: North American Foliage and Trees., First word in title on print in lower case: near., Gift of David Doret., See Nicholas B. Wainwright, "Augustus Kollner, Artist" in Pennsylvania Magazine of History and Biography 84 (1960) 325-351.
Creator: Kollner, Augustus, 1812-1906, artist
Date: 1860
Location: Library Company of Philadelphia | Print Department GC-Views-United States-Pennsylvania [P.2010.35.5]

Title: The old way. The new way
Description: Cartoon satirizing old and modern business practices. Shows a split view of two white men, possibly merchants or bankers. In the left, a thin man with disheveled hair sits on a crate near an overturned basket filled with credit vouchers at his feet. He is attired in a shirt, ragged pants and jacket, and shoes with holes in them. He holds his right hand up to his forehead in a gesture of distress for “he gave credit.” To his right is an open window in which a sign reading “The Poor House” is visible. In the right, a white man, sits, cross legged, in a chair between a table covered with a cloth on which he rests his elbow and a safe on which a “Government Securities” box of “U.S. Bonds” is set. He wears his hair combed back and has long mutton chops. He is attired in a suit, bow tie, vest adorned with a watch fob, and shined shoes. He holds a cigar in his left hand, his lapel in his right hand, and blows smoke from his mouth., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1870 in the clerks' office of the district court of the United States for the southern district of New York., Image captioned: I Gave Credit. I Sell for Cash., Lib. Company. Annual Report, 2019, p. 91.
Creator: Currier & Ives
Date: 1870
Location: Library Company of Philadelphia | Print Department political cartoons - 1870 Old [P.2019.54.2]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with multiple-colored fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., Series no. on verso: 2690 N., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112B04., Sheet number: 112A05., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: The Smile that was childlike
Description: Print depicting characters from Bret Harte’s 1870 poem “Plain Language from Truthful James” later reprinted as “The Heathen Chinee.” The narrative of the poem focuses on two white men, Bill Nye and “Truthful James,” and a Chinese man named Ah Sin playing the card game Euchre. Bill and James believe Ah Sin is “childlike” and does not comprehend how to play the game. The print shows Bill and James standing in the left on a dirt road and showing playing cards to Ah Sin, who looks on with his hands in his pockets. Ah Sin is depicted in racist caricature and wears a queue hairstyle, a conical hat, gold hoop earrings, a blue tunic and pants, and cloth, slip-on shoes. In the background are mountains and a partial view of a cabin. Later in the poem’s narrative, Bill cheats playing the game by having cards up his sleeve. When Ah Sin plays a card that James already has, it is discovered that Ah Sin is also cheating with decks of cards hidden in his sleeves. Bill proceeds to fight Ah Sin. Bret Harte’s poem “Plain Language from Truthful James,” satirizing anti-Chinese sentiment, was originally published in the Overland Monthly Magazine in September, 1870. It became widely popular and was reprinted and republished as “The Heathen Chinee” in several illustrated series in pamphlet and loose print form., Title from item., Date inferred from content., Print contains registrations marks., See related: GC-Genre [P.2007.39.24]., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Genre [P.2007.39.23]

Title: The Smile that was childlike
Description: Print depicting characters from Bret Harte’s 1870 poem “Plain Language from Truthful James” later reprinted as “The Heathen Chinee.” The narrative of the poem focuses on two white men, Bill Nye and “Truthful James,” and a Chinese man named Ah Sin playing the card game Euchre. Bill and James believe Ah Sin is “childlike” and does not comprehend how to play the game. The print shows Bill and James standing in the left on a dirt road and showing playing cards to Ah Sin, who looks on with his hands in his pockets. Ah Sin is depicted in racist caricature and wears a queue hairstyle, a conical hat, gold hoop earrings, a blue tunic and pants, and cloth, slip-on shoes. In the background are mountains and a partial view of a cabin. Later in the poem’s narrative, Bill cheats playing the game by having cards up his sleeve. When Ah Sin plays a card that James already has, it is discovered that Ah Sin is also cheating with decks of cards hidden in his sleeves. Bill proceeds to fight Ah Sin. Bret Harte’s poem “Plain Language from Truthful James,” satirizing anti-Chinese sentiment, was originally published in the Overland Monthly Magazine in September, 1870. It became widely popular and was reprinted and republished as “The Heathen Chinee” in several illustrated series in pamphlet and loose print form., Title from item., Date inferred from content., Print contains registrations marks., See related: GC-Genre [P.2007.39.24]., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Genre [P.2007.39.23]

Title: The Rev. Richard Allen, Bishop of the First African Methodist Episcopal Church, in the U. States
Description: Half-length portrait of the African American bishop, seated, and holding the Holy Bible upright in his lap with his right hand. Allen is depicted with gray curly hair and is attired in a shirt with a high neck collar, a vest, and a jacket. A geometric border frames the portrait. Allen, born into slavery in Philadelphia, founded and was ordained the first bishop of the denomination, the African Methodist Episcopal Church, in 1816., Original painting attributed to Raphaelle Peale., Title from item., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Purchase 2006.
Creator: Boyd, John, engraver
Date: cDecember 8th, 1823, December 10th, 1823
Location: Library Company of Philadelphia | Print Department *portrait prints - A [P.2006.29]

Title: The celluloid corset clasps side & dress steels Warranted not to rust. Corsets after washing. With the old style clasps in. With the new celluloid clasps in
Description: Trade card advertising celluloid corset clasps and depicting racist caricatures of Chinese men laundry workers comparing celluloid and traditional corsets. In the center, the laundry worker, wearing a queue hairstyle with the braid sticking straight out to the right and attired in gold hoop earrings, a red tunic, white pants, and blue and white cloth, slip-on shoes, smiles as he holds up a clean, white corset with celluloid clasps. In the left, the laundry worker, wearing a mustache and queue hairstyle and attired in a blue tunic, yellow pants, and blue and white cloth, slip-on shoes, holds a soiled and dirty corset as he opens his mouth in dismay looking at the clean corset. In the right background, the Chinese man, wearing a queue hairstyle and attired in a yellow tunic, blue pants, and white cloth, slip-on shoes, washes laundry with his hands in a steaming washtub. Also visible are a basket of laundry; a corset hanging on a line; and a table with an iron on top of it., Title from item., Date inferred from content., Contains advertising text printed on verso: Celluloid corset clasps. Side and dress steels. Perspiration proof. Elastic. Durable. In introducing these improved corset clasps, &c., let us call your attention to some of the points of their superiority over all others heretofore in use. 1st.--The inferior is finely tempered clock spring steel. 2d.--The exterior is celluloid. 3d.--The combination of the two unites the strength of the steel with the rust-proof qualities of the celluloid. 4th--The trouble of ripping out and sewing in the steels every time corsets are laundried becomes unnecessary as these steels need not be taken out for that purpose. 5th--They are warranted not to rust and thus stain the corsets or other garments. 6th--They are the best steels in every particular ever offered. Sold by all dry and fancy goods dealers throughout the country., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.182]

Title: I'se a dude!
Description: Trade card promoting New Jersey grocer H. G. Prall & Sons and depicting an African American man dandy, with a sheepish expression, and posed with his left hand to his lips and his other hand holding a white top hat at his shoulder. He is portrayed in racist caricature and attired in a ruffled white shirt, a white waistcoat adorned with a watch fob, a gold jacket with tails, and blue and white striped pants. He stands in front of a background of fauna details. H. G. Prall primarily appears as the sole proprietor of his grocery in later 19th-century directories, but is listed as H. G. Prall & Son in 1883., Title from item., Date inferred from city directory listing for business., Series no. printed on recto: 58., Advertising text printed on verso: H. G. Prall & Sons, Dealers in fine Groceries. Headquarters for Fish, Provisions, Flour, Feed, &c., 174 and 176 Main Street, Somerville, N. J., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade cards - Prall [113419.D]

Title: Beadle's half dime singer's library. Selected favorites. Comic and sentimental songs of all nations and ages "An encyclopedia of song." For sale here. Price five cents
Description: Poster-size advertisement containing a montage of the cover illustrations for Beadle & Adams songbooks No. 1- No. 17 published May 18, 1878 - September 14, 1878. Montage laid out as a grid. Illustrations often depict gender, ethnic, and racial stereotypes. Includes No. 1. "Whoa Emma and 59 other songs" depicting the profile of a woman attired in a horse costume composed of a horse head-shaped head piece and red dress with an immense bustle and a horse tail; No. 2. "Captain Cuff and 57 other songs" depicting a blonde male effete wearing a monocle, checkered suit, blue overcoat with red lapels, and holding a top hat in one hand and twirling the tip of his mustache with his other; No. 3. "The Gainsboro' Hat and 60 other songs" depicting a profile portrait of a fashionable brunette woman wearing a wide-brimmed hat, red long-sleeved dress with yellow and blue bodice and holding a parasol stick in one hand and a flower to her mouth in the other; No. 4. "Johnny Morgan and 60 other songs" depicting a dark-haired, mustached male organ grinder singing and playing his street organ; its strap hung over his shoulder; No. 5. "I'll Strike You with a Feather and 60 other songs" depicting a fashionable blonde woman in a coy pose and holding a feather in one hand and her gathered skirt edge in the other; No. 6. "George the Charmer, O! And 60 other songs" depicting an African American male dandy, with a mischievous glint in his eye and attired in a top hat, ruffled white shirt, yellow vest adorned with a watch fob, blue waist coat with tails, red checkered pants, and gloves;, No. 7. "The Belle of Rockaway and 52 other songs" depicting a brunette woman in swim attire (kepi, long-sleeved blue blouse, yellow and green two-tiered, ruffle edged knee length bustled skirt); No. 8."Young Fellah, You're too Fresh and 60 other songs" depicting a blonde male bon vivant attired in an orange bowler, white collared shirt, red bow tie, blue jacket, fob, and light blue pants, standing, leaning back and with his hands, one holding an upturned cane, in his pockets; No. 9. "I'm a Shy Young Girl and 65 other songs" showing a young blonde woman attired in a long-sleeved green dress with red and yellow details and multi-tiered, ruffled skirt, and standing in a demure pose, her head slightly tilted, as she slightly leans over, with her hands clasped over each other and placed near her knees; No. 10. "I'm the Governor's only Son and 59 other songs" depicting a dark-haired, mustached, confident-looking man, attired in a bowler, tan coat with collar, and light blue pants, as he stands, one leg crossed over the other, and with one hand in a coat pocket and the other resting on a walking stick; No. 11. "Comin' Thro the Rye and 55 other songs" depicting a Scottish lad, attired in a cap and kilt, and blonde-haired lass, embracing each other about the waist, and on a stroll in a rye field; No. 12. "Wave my fan just so! And 60 other songs" showing a light-haired woman, attired in a red evening gown with gold trim, and holding a blue shawl over her arm and a large green fan to her face;, No. 13 "The Rollicking Irishman" depicting a hod carrier, attired in a yellow broad-rimmed hat, an open-collared red shirt, and blue pants, and standing with a hod over his shoulder near a ladder and a pile of bricks; No. 14 "Old Dog Tray and 62 other songs" depicting a fair-headed woman, her eyes closed, attired in a blue Elizabethan-style dress with red details, and holding a black long-furred dog by his collar; No. 15. "Whoa, Charlie! And 59 other songs" depicting a fashionably-attired couple with a dark-haired, mustached man on his knee, hands clasped, and behind a fair-haired woman who stands and looks over her shoulder at him; No. 16. "In this Wheat by and by and 62 other songs" depicting anthropomorphized grasshoppers, with valises, and at rest from travel, including playing sticks, on and near a fence post; No. 17. Nancy Lee" depicting a light-haired woman, attired in green shirt, yellow kerchief at her neck, and a red skirt, standing on a pier, and waving goodbye with a red-striped handkerchief to a ship at sea., Date inferred from date of publication (September 14, 1878) of last songbook advertised: No. 17. Nancy Lee., Advertisement reverses the titles of No. 11 and 12 from their listings in Albert Johannsen's "House of Beadle and Adams" (1950)., Gift of Robert Staples and Barbara Fahs Charles., Description revised 2021., Access points revised 2021.
Creator: Orr, Nathaniel, engraver
Date: [1878]
Location: Library Company of Philadelphia | Print Department **GC - Advertisements - B [P.2013.86]

Title: "The Freedman's Bureau."
Description: Visual pun on the Freedman's Bureau, a benevolent government organization, which aided formerly enslaved African Americans in the South by providing food, housing, and jobs, as well as establishing schools, hospitals, and a court system. Depicts a simply furnished attic room where an African American man, portrayed in racist caricature, ties his tie as he stands beside his bed and before his dresser/bureau. Atop the bureau, which has its top drawer open, is a stand with a broken mirror upon which you see the man's reflection. A portrait of Lincoln and a bow and fiddle hang on the wall. His overcoat and hat rest on a chair with a broken back behind him., Title from item., Date from copyright statement: Entered according to Act of Congress in the year A.D. 1868 by Currier & Ives in the Clerk's Office of the District Court of the United States for the Southern District of New York., Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Worth was a comic and genre artist whose popular work was published by the lithographic firm Currier & Ives.
Creator: Worth, Thomas, 1834-1917, artist
Date: 1868
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-2W [7687.F]

Title: Life in New York. Inconvienency of tight lacing
Description: Caricature satirizing early 19th-century, middle-class men’s fashion, specifically male corsets. Depicts a scene in front of a fence at New York's “St. John’s Park” where a white dandy dressed in a top hat, ruffled shirt, and slip on shoes holds onto a lamp post, his right leg up, outstretched, and held by a dandy man companion. He holds his head back and his right hand toward his mouth. The friend, similarly attired in a top hat, waistcoat, and stiped pants crouches with his legs apart. Both are unable to bend. A "practically" attired, older man wearing an overcoat, vest, pants, and boots stands to the right and observes the scene. He states that he will report the event to the "Morning Courier & N.Y. Enquirer." Scene also shows dense foliage and a tree in the park behind the fence., Title from item., Date inferred from content and name of publisher., Inscribed: No.4., Inscribed: St. Johns Park, Sept. 28, 1829., Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.2]

Title: Sandeago - Cuba
Description: Scene of a street in Santiago, Cuba showing pedestrian traffic including a team of Black laborers near a horse-drawn dray. In the left, six Black men sit and stand around the dray. Buildings line both sides of the street with signs in Spanish. Men walk in front of the buildings and in the street. Two men walk towards the viewer. Several horse-drawn drays and wagons are visible in the background., Title from caption on mount., Purchase 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Rich, a professional Philadelphia landscape photographer, was an avid traveler.
Creator: Rich, James Bartlett, 1866-1942, photographer
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department Lantern Slides - Rich [P.9266.1241]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

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