Search results

Title: [Silas McMinn residence, Lake Idaho?]
Description: Portrait of an African American man on a horse-drawn sulky on a farm. The man, attired in a brimmed hat, a coat, pants, and shoes, holds the reins to the horse. In the background are two log cabins, grazing calves, and men with a hay wagon., Title supplied by cataloger., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s, exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs often won prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.179]

Title: [Philadelphia Divinity School 1933]
Description: Group portrait depicting the graduating students, including two African American men, posed outside of the school at 42nd and Spruce Streets. The nineteen students, attired in caps and gowns, sit and stand in three rows. The Philadelphia Divinity School, incorporated in 1863, was an outgrowth of the Diocesan training school started by Protestant Episcopal Bishop Alonzo Potter., Title supplied by cataloger., Date inscribed on negative: PDS 1933., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: 1933
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-11x14 [P.8888.8a]

Title: Picking cotton
Description: Scene showing three African American men and an African American woman as they pick cotton in a large field. In the foreground, the workers, attired in hats, bend over at the waist as they harvest the cotton and place it in bags that they carry. A very young African American girl stands in front of the woman and looks at the viewer. A house is visible in the right background., Title from manuscript note on verso., Date inferred from photographic medium and attire of the people., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-Non-Philadelphia-Afro-Americana

Title: [Champion horse]
Description: Portrait of a champion racing horse draped in a garland of flowers at a track. The jockey, still mounted, holds the reins. An African American man groom controls the horse by his bridle bit. A crowd of men and women spectators look on and congratulate the winner., Title supplied by cataloger., Date inferred from photographic medium and attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1945]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-Non-Philadelphia-Portraits-Sports & recreation

Title: [Men husking corn]
Description: Depicts men agricultural workers, including an African American man, sifting through and husking corn in the middle of a large mound of cobs. In the center, five men and two dogs sit and stand in a large amount of corn. In the left, an African American man, attired in a bowler hat, a white, long-sleeved shirt, a waistcoat, and pants, sits on a wooden crate as he husks corn into a wooden barrel. Another man stands and husks into the same barrel. Three other men bend and stand sorting the corn. Behind the mound of corn is a horse-drawn cart. In the background is a large barn with the doors removed., Title supplied by cataloger., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs won prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.180]

Title: Tallahasse, Florida
Description: Portrait of an African American man and woman seated in the doorway of a wooden cabin made of boards. In the left, the woman, attired in a head kerchief, a long-sleeved quilted shirt, a torn and worn skirt, an apron, and shoes, sits and looks at the viewer. In the right, the older man, attired in a head kerchief, a torn and worn long-sleeved shirt, a vest, pants, and open-toed shoes, sits with his right leg propped on a log., Title from manuscript note by photographer on verso., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Photographs-Wood [P.8743.183]

Title: Court. Lombard St. W. of 7
Description: Depicts the courtyard between the brick residences of 710 and 714 Lombard Street, Philadelphia. An African American man, attired in a brimmed hat, a white shirt, dark-colored pants, and shoes, stands in the courtyard near 710 facing the viewer. In the right, several children, including African Americans, sit on the stoop of the opposite residence. Chairs are visible in the courtyard., Title from manuscript note on verso., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.88], http://www.lcpimages.org/wilson/wilson88.htm

Title: Freedman's National Monument
Description: Interior view showing the plaster model for the proposed design of the Freedman's Memorial to Lincoln by expatriate sculptor Harriet Hosmer when on display in the Boston Athenaeum, likely statuary gallery, in 1866. Shows, from an oblique angle, the model on top of a draped table and in front of two archways. The model of the Memorial design was composed of mutiple tiers on the top of which lied a figure of Lincoln in a sarcophagus within an open temple. An edited version of the words of the Emancipation Proclamation adorned the temple which stood on a base with a frieze designed with thirty-six female allegories representing the states of the Union during Lincoln's presidency. On the base below the temple was a sculptural cycle of African American history to that period. Four standing Black male figures on pedestals surrounded the base at each corner. The figures portrayed included a seminude, enslaved man, with his head down, and his wrists manacled; a soldier in uniform with a forward gaze and a bayonetted rifle in his hands that was pointed to the ground; an enslaved man who rests on a hoe with his head bowed down; and a soldier, looking ahead, and holding a gun. On the four outside corners were "Mourning Victories" with their trumpets reversed. The angle of the image shows a view of the model that includes the Lincoln figure, three of the African American men figures, and three of the "Mourning Victories.", Hosmer designed the Memorial in response to a monument project sponsored by the Western Sanitary Commission of St. Louis after formerly enslaved Charlotte Scott of Marietta, OH pledged $5 for a monument to Abraham Lincoln following his assassination in 1865. Donations from formerly enslaved persons grew to $20,000 within months of Scott's original donation. Hosmer later altered the design and an engraving of her new proposal appeared in the Art Journal (London), January 1, 1868. Hosmer's model, purported to cost over $100,000 to be executed, was never sculpted. After years of competing projects, designs, and sponsoring agencies, on April 14, 1876, a sculpture by Thomas Ball, "Emancipation," designed without the input of the formerly enslaved donors was erected in Lincoln Square, Washington, D.C. on an eastern edge of Capitol Hill., Title printed on mount., Date from copyright statement: Entered according to Act of Congress, in the year 1866, by Harriet G. Hosmer, in the clerk's office of the District Court of the District of Massachusetts., Harriet Hosmer (1830-1908) was a lesbian, expatriate neoclassical sculptor, who was one of the most famous artists of her time. Hosmer had her own studio and her work often focused on idealized mythological female figures associated with strength and courage. Hosmer was also a women's rights activist and an inventor., Purchased with the Louise Marshall Kelly fund., See Kirk Savage, Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America (Princeton: Princeton University Press, 1997), p.89-128., John B. Heywood (d. 1870) operated a photographic studio in Boston circa 1858-circa 1870, when he then appears to have relocated to Chicago per 1870 census records. He may also be the J.B. Heywood who advertised a photographic studio in New Bern, N.C. in 1866. Between 1869 and 1870, he is listed in Boston at 25 Winter, the address of photographer and publisher Frank Rowell, who established a branch of his photographic studio in Chicago in 1867.
Creator: Heywood, John B., -1870, photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department cdv - Heywood - Monuments & statues [P.2022.28.1]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of David Long., Title variant of P.2017.121.2., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2018.16.6]

Title: Camp of 2d Penna. Infantry, "Anthony Wayne." Clifton Heights, Delaware Co. Pa. August 1889. (Major Porters tent) Lt. Col. O. C. Bosbyshell; Major Jno. Bieldles? [porter?]; George Brown (Colored.)
Description: Group portrait showing Lt. Col. Bosbyshell (right), Major John Bieldles? (left), and George Brown (center right) posed in front of the tent of Maj. J. Biddle Porter at the Pennsylvania National Guard Second Regiment encampment in Clifton Heights, August 4-10, 1889. The Lt. Col. and Major, attired in their uniforms of dark-colored jackets and white pants, sit on folding chairs, their legs crossed. Bieldles (left), with cropped dark hair and a mustache, holds a book in his right hand and points a finger on his left hand upwards. Brown, an African American man, possibly a porter, with cropped dark hair and attired in a white, long sleeve shirt, and dark-colored trousers, lies on his side, in front of Bosbyshell (right). Bosbyshell wears glasses and has grey hair and a goatee. He rests his right arm on the back of his chair. The flaps to the tent, marked "N.G.P.," are open. Shelving, pails, and a steamer trunk are visible inside. The men sit and lie under an awning pitched in front of the tent. A wooden water tower, shed, shelter, and crates, near a row of trees, are visible in the background. An African man stands next to the shed, and the head of a seated African American man is visible in the shelter. Bosbyshell was a coiner at the Philadelphia mint 1875-1885 and superintendent 1889-1894. The Pennsylvania National Guard encampment included drills, a dress parade, receptions, and inspections by Adjunct-General Daniel H. Hastings and Governor James A. Beaver. The camp adjoined the grounds of "Mr. Bishop.", Title from manuscript note on verso., Date from manuscript note on verso., Mount is black with gold edges., See Philadelphia Inquirer, August 5-6, 1889 and August 9, 1889., RVCDC, Description reviewed 2022., Access points reviewed 2022.
Date: [August 1889]
Location: Library Company of Philadelphia | Print Department group portrait photographs - military - Second Pennsylvania Infantry [P.2018.36]

Title: [Headquarters Lafayette - Headquarters Gen'l Porter. Farinholt's house and York River in the distance.]
Description: View from the Civil War showing the headquarters of General Lafayette and General Porter near Yorktown, Virginia during General McClellan's Campaign on the Peninsula. Depicts white Union soldiers, and African American men and a boy, probably freedom seekers, posed before Farinholt's dilapidated house supported by a large log. Several camp tents and the York River are seen in the background., Title from cdv photograph, Brady's Album Gallery, no. 370., Photographer given in Gardner catalogue (see LCP research file)., Date from copyright statement: Entered according to act of Congress, in the year 1862, by Gardner & Gibson, in the Clerk's Office of the District Court of the District of Columbia., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", Alexander Gardner was a respected photographer, businessman, and former manager of Mathew Brady's Washington, D.C. Gallery who produced the acclaimed "Photographic sketchbook of the Civil War.", Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James F. Gibson was a prominent Civil War photographer and one-time manager of Mathew Brady's Washington, D.C. gallery who also provided images for photographer Alexander Gardner's "Catalogue of photographic incidences of the war..." and "Photographic sketchbook of the Civil War."
Creator: Gibson, James F., 1828-, photographer
Date: 1862
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection - stereos - identified photo. [5779.F.6h]

Title: "Dat corn takes a might site a hoe'in"
Description: Depicts an older African American man, attired in torn and worn clothing, exiting through the doorway of his wooden house carrying a hoe. The man, wearing white hair and a white beard and attired in a top hat, a white shirt, a waistcoat, a torn coat, torn pants with patches, and shoes, steps down his front stairs of the dilapidated house. In front of the house is a stool with a basket on top, a broom, a small table with a wooden bushel and a bowl, and a cup rests on the windowsill., Title from manuscript note on verso., Variant of prize winner at the Philadelphia Photographic Society Exhibition 1886., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Frances Orlando's "George Bacon Wood, photographer of the 1880's: an introduction to the Wood Collection in the Library Company of Philadelphia." (Master's thesis, Philadelphia College of Art, 1985), p. 41., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibition. His photographs won prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.181]

Title: Lincoln Monument, Phila. Park
Description: View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: R. Newell & Co., photographer
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Monuments and statues [P.9260.68]

Title: No. 2 The introduction
Description: Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]

Title: No. 3 The courting
Description: Third scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. In the left, one twin sits face to face with her tall suitor. She looks down and raises her hand to her mouth. In the right, the other twin sits next to her suitor and smiles. The twin holds a fan to her face. A hat and coat hang on the wall above them. The twins' parents watch from a doorway in the left background. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Reproduced from sketch by Sol Eytinge from Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher inscribed on original drawing., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.3]

Title: No. 4 The proposal
Description: Fourth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the twins and their suitors, seated in an open room with a stove by a mantle. The tall suitor of the twin in the left kneels on the floor, his chair fallen behind him, and proposes to her as he holds her right hand. She covers her mouth with the other. The twin of the couple in the right sits on her suitor’s lap as he holds her. Her foot rests on his hat on the floor, and she holds a fan down on her legs. The parents of the twins, an older couple, stand, their mouths ajar, in an open entryway in the left background. Keepsakes and knick knacks adorn the mantle behind the stove. A coat and hat hang above the couple in the right. The twins are attired in polka dot dresses and the men in suits., Title from item., Date from copyright statement inscribed on original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.4]

Title: No. 6 The wedding
Description: Sixth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the twins getting married in the parlor in which they were introduced to their fiancés (see No. 2 The Introduction). The twins are attired in white wedding dresses and veils and their betrothed in formal suits. An older African American reverend stands in front of them and officiates. Their relatives, including an older woman, attired in a bonnet, and seated in a rocker and holding in her lap a boy, attired in a striped suit with ruffled collar, watch the nuptials from behind them. "Dr. Black" and other acquaintances watch from through a doorway. Framed pictures adorn the wall. A table with a cake and a decanter with glasses is visible behind the reverend., Title from item., Name of publisher inscribed on original drawing: Cartoon Printing Co. Chicago., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.6]

Title: Negroes and religion. Disciplina et regula ordinis flagellantium [Discipline of the order of flagellants] The Episcopal Church at the South. To the General Convention of the Protestant Episcopal Church in the United States of America
Description: Copy photograph of an abolitionist satire containing a montage of scenes mocking the pro-slavery dioceses from the seceded Southern states absent from the General Convention of the Protestant Episcopal Church in New York in 1862. Probably related to an earlier pamphlet of the same title satirically "promoting" the policy that the church's African American communicants be treated as the South treats the enslaved people. A devilish figure with wings inscribed with the names of Confederate states, holding a "Testimonial" scroll under his arm, thumbs his nose and unlocks the door of the "House of Bishops" at the "General Convention." Figures pray at an altar near an animated preacher while stating, "We welcome our friends." A white man whips a bare-chested and bare-footed African American enslaved man, who kneels with his hands bound to a post. Two white women watch the events from the side of their dilapidated wooden house. During the Civil War, the Southern dioceses became the Protestant Episcopal Church in the Confederate States of America., Title from item., Date inferred from content., See related pamphlet Negroes and religion: The church at the South. Memorial to the general convention of the Protestant Episcopal Church in the United States of America. (United States : s.n., 1856?). (LCP Am 1856 Neg 18399.O.9)., Originally part of a McAllister Civil War scrapbook of humorous prints and photographs. McAllister Collection, gift, 1886 [5780.F.52h]. Purchase 1999 [P.9758.3]., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862?]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5780.F.52h; P.9758.3]

Title: Testimonial banquet to Ms. Eugenia M. Neal. Daughter Ruler Keystone Temple, No. 448 I.B.P.O.E.W., Dec. 8, 1930. O. V. Catto Elks Home, Philadelphia
Description: Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
Date: [1930]
Location: Library Company of Philadelphia | Print Department framed graphics [P.2023.5]

Title: Views of the Wilson family on their estate
Description: Views show the Wilson family recreating on their estate. Depicts the family reading, picnicking, sitting and lounging in their yard, walking and working in their gardens, harvesting corn, playing with family dogs, posing near a small footbridge, and eating on their porch. Several members of the family are seated on their horses in a few of the images. One image includes an African American man, attired in a white chef’s hat and apron, overseeing a meal under a tent. Also shows exterior views of the family's two-and-a-half story residence with porches on the first two levels, a stone barn, and outbuildings. American flags are included in several of the images., Title supplied by cataloger., Date based on content and attire of the people., Photographer's labels pasted on versos., Stereograph [P.9439.17] contains manuscript note on verso: "For Mr. Wilson with compliments of the artist.", Contains twenty-two photographs, seventeen printed on yellow mounts with square corners and five printed on mint green mounts with square corners., Purchase 1993., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Residences [P.9439.1-22]

Title: [Progress photographs documenting the construction of the Sesquicentennial Exhibition, South Philadelphia, 1926]
Description: Series of progress photographs of the construction of the Tower of Light and "Progress on Lagoon" west of Broad Street and near Packer Street. Photographs depict the construction of the tower from its foundation to completion and the early stages of development of the lagoon from muddy marshland. Images show construction workers, including African Americans; construction equipment and supplies; automobiles and horse-drawn wagons; and foot traffic, including spectators. Lagoon photographs also show neighboring exhibition buildings under construction. Series also contains a view of the completed exhibition grounds. In the foreground, cars and visitors travel past the "Kodak" building. In the background, other exhibition buildings, including the "Battle of Gettysburg" theater, "Fire and Flame" hall, Alpine Haus restaurant, and Louis Mark Model Shoe Manufactory, are visible. The exhibition near the Navy Yard celebrated the 150th anniversary of independence in Philadelphia through attractions and entertainment in the form of pageants, exhibitions and sporting events., Title supplied by cataloger., Negative numbers written lower right corner. Includes 644; 1257; 1715; 1922- 1923, 1927, 3171; and 4057., Three photographs contain dates. Dates include: June 13, 1926 (Neg. #1257); June 26, 1926 (Neg. #1715); and July 2, 1926 (Neg. #1923)., See also related collection: Brightbill postcards [Sesquicentennial Exposition - 155]., Purchase 2010., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Cardinell, John D., photographer
Date: [1926]
Location: Library Company of Philadelphia | Print Department photo - Cardinell [P.2010.18.2-9]

Title: [Stereograph showing the office of the Grand Union Hotel advertising Maine druggists J.H. Irish & Co. on verso]
Description: Interior view of the office of the Grand Union Hotel in Saratoga Springs, N.Y. showing two employees at the front desk. An African American man, attired in a suit, stands and leans his left elbow on the desk. A white man, attired in a suit, stands behind the desk with a large book opened in front of him. Architectural details of the large space include columns draped in flower garlands, a tiled floor, and a large clock hanging above the desk. Built originally as Gideon Putnam's tavern and boarding house in 1802, the hotel formed through many expansions and additions. The name of the hotel as it appears on the stereograph was adopted in 1869. Demolished 1852-1853., Title supplied by cataloger., Yellow mount with rounded corners., Advertisement printed on verso printed by Wm. Miller Co., 57 Cedar, N.Y.: J.H. Irish & Co., druggists and apothecaries, dealers in drugs, medicines, chemicals, fancy and toilet articles, school books, stationery, periodicals, etc., Gorham, Maine. Physicians' prescriptions carefully compounded., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *Helfand Patent Medicine Trade Card Collection - Pharmacists - I [P.9828.6186]

Title: [22nd Street, west side north of Market Street, Philadelphia]
Description: View showing an African American man laborer and two horse-drawn carts in front of the Philadelphia Gas Works building. Shows the man, attired in a cap, a coat, pants, and shoes, standing in the street with his right hand on top of the cart. Trolley tracks line the street. Includes partial view of a railroad overpass., Inscribed in negative: 215011., Inscribed in negative: 9 30 13., Title from manuscript note on negative envelope: Penna. R.R. Co. 22nd St. W. side North of Market St. September 29, 1913. Pennsylvania Railroad No. 177. 214924., Photograph commissioned by the Pennsylvania Railroad Company., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: September 30, 1913
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.215811]

Title: View in old park
Description: View looking north from the south garden, adorned with trees and benches, at the Fairmount Water Works on the Schuylkill River. In the left, an African American, attired in a bowler hat, a white shirt, a dark-colored waistcoat, and pants, possibly a groundskeeper, stands with a broom. Two park guards stand and converse in front of the Diana statue at the base of the promenade leading to the inclined walkway on Reservoir Hill. Another man walks down the promenade toward the guards. In the foreground, a man, attired in a bowler hat, a white shirt, and dark-colored pants, stands leaning his left arm on a tree with his back to the viewer. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872. The south garden was laid out in the 1830s., Attributed to James Cremer., Title from manuscript note on verso., Orange mount with rounded corners., Accessioned 1989., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Public Utilities [P.9260.51]

Title: [Springbrook, garden estate of George H. Stuart, Frankford Road]
Description: Views of the garden and greenhouses on the forty acre estate of Stuart, a Philadelphia philanthropist. Shows a gravel path in the garden near the rear of a building; the interior of a greenhouse filled with potted plants; and the exterior of a greenhouse. Exterior views include a man possibly, Stuart; African American gardeners, including one with a wheelbarrow; and potted plants lining the edge of a lawn. Stuart bought the estate from Caleb Cope, a collector of botany, in 1857 and sold the property in 1866., Attributed to John Moran., Title supplied by cataloger., Pale yellow or cream paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., For a description of the estate, see clipping in Poulson's scrapbook, vol 1, p. 73., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.39a, f, & h]

Title: Portable type 'G' stone loader, Field, Barker & Underwood, Philmont, Pa
Description: Product advertisement, probably from a trade portfolio, showing a group of laborers, including an African American man, utilizing a Belt-Link portable type "D" stone loader in a cleared field. In the left, the white man stands behind a wheelbarrow filled with stone. In the center, a man digs with a shovel, another man tilts a wheelbarrow, and three other men stand and look on., Title and date from typewritten text on recto., Title altered in manuscript: Portable type "D" stone loader, Field, Barker & Underwood, Philmont, Pa., Typewritten on recto: 3 HP Ideal gasoline engine, SS825 chain with 14 x 7 M.I. AA buckets, having manganese steel digging prongs. Provided with extra chute and cutoff gate for delivering to wheel Barrows. (1913), Inscribed in negative: 6462., Purchase 1990., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1913
Location: Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.7]

Title: Chew house, Germantown
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, attired in a hat, a white shirt, and overalls or a waistcoat, possibly a groundskeeper, posed near a tree holding a walking stick or a tool. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Attributed to John Moran., Title from manuscript note on mount., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.41a]

Title: Chew house, Germantown, 1867
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, James Smith, posed near the front door of the home. He is attired in a hat, a white collared shirt, white gloves, a dark-colored jacket, pants, and shoes. A smaller building used as a kitchen or for laundry is visible in the rear (left). Smith was enslaved in Chestertown, Maryland before buying his freedom. He began work for the Chews as a coachman in 1819 and later worked as a general servant until his death in 1871. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title and date from inscription on mount., Originally part of an album of seventy eight views by John Moran entitled "A collection of photographic views in Philadelphia & its vicinity taken in the year 1868-1869" (Philadelphia, 1870)., Retrospective conversion record: original entry, edited., Photograph pasted on verso: Stenton 1900., See website "Cliveden. Know it. Feel it. Share it." (link above)., Purchase 1870., Description revised 2021., Access points revised 2021.
Creator: Moran, John, 1831-1903, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department Moran album [1717.F.123], http://www.cliveden.org/

Title: [Founders' Week parade, procession of Keystone Phone Co. float, 300 block of South Broad Street, Industrial Day, October 7, 1908]
Description: View showing the telephone company float during the Founder's Week parade. The float is drawn by a team of horses guided by handlers, including an African American man. The handlers are attired in dust jackets and hats marked with the company logo. Spectators sit in and under a grandstand lining the street in front of the Pennsylvania Museum School of Industrial Art (i.e., University of the Arts) at 320 South Broad Street. Also shows a partial view of the Bellevue-Stratford Hotel (200-216 S. Broad) in the far right background. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title supplied by cataloger., Purchase 1976., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: October 7, 1908
Location: Library Company of Philadelphia | Print Department photo - unidentified - Processions [8191.F.3]

Title: [Broad Street Station fire, Philadelphia, June 1923]
Description: Scene showing smoke filled interior of the burnt train shed. Depicts laborers, including African Americans, clearing debris from a row of tracks upon which two burnt out train cars rest. Wires hang down from the skeletal framework ceiling. Fire hoses are strewn across the tracks. A camera and tripod rest on a walkway near the damaged trains. In the background, a group of well-dressed men and a group of firemen consult amongst debris. The fire, started by a short circuited cable, was at the time considered one of the worst fires in the city's history with an estimated $1,500,000 worth of damage. By the second day, despite the fire continuing to burn in areas, 2000 laborers began to clear debris and set up umbrella shelters to prepare for the station's planned reopening by the end of that week., Title supplied by cataloger., Date inferred from content., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [June 1923]
Location: Library Company of Philadelphia | Print Department photo - unidentified - transportation [P.8683.13]

Title: [Aftermath of the Broad Street Station fire, Philadelphia, June 1923]
Description: Scene showing a large crowd of men and women commuters on a makeshift walkway stretching to the back of the interior of the train shed. Depicts the crowd, including African Americans, milling about on the landing overseen by a railroad conductor. Two laborers with a plank, one an African American, wait at the front of the crowd. Labor crews on either side of the commuters repair the destroyed platforms and tracks upon which burnt out train cars rest. Under a sign pointing left "To Filbert Street," a conductor and two men consult near a telephone box. The Broad Street Station fire started on a Monday and burned for three days. The fire was still burning when 2000 laborers began repairing the station to reopen that Friday., Title supplied by cataloger., Date inferred from content., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [June 1923]
Location: Library Company of Philadelphia | Print Department photographs- unidentified - transportation [P.8683.19]

Title: [Railroad overpass to Reading Terminal over Poplar Street near Ninth Street, Philadelphia, March 18, 1913]
Description: Scene showing a commercial section of Poplar Street surveyed for a Pennsylvania and Reading Railroad street grade elevation project. Trolley tracks run down the cobblestone street lined with stores including grocers and a butcher. Customers, including an African American man, peruse one of the grocery store's display of canned peaches. In front of "Greisinger Co. Meats," 907 Poplar Street, an African American man stands in the street near a cart. Other storefronts with awnings are seen in the distance behind the overpass. Reading Railroad terminal was located at 12th and Market streets., Title supplied by cataloger., Manuscript note on verso: (907 Poplar)., Inscribed in negative: 12708; 3-18-13; 0.690, Stamp on verso: Philadelphia & Reading Ry. Co., Huntingdon St., Apr. 11, 1914, Philadelphia, Ass't Engineers Office., Illegible manuscript note on verso., Gift of Mrs. S. Marguerite Brenner, 1984., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Harrison, Edward, photographer
Date: [March 18, 1913]
Location: Library Company of Philadelphia | Print Department Philadelphia and Reading Railroad Company [P.9057.177]

Title: North Carolina cotton plantation
Description: Collection depicting scenes on a cotton plantation, probably in North Carolina. Images include African American men and women at work picking cotton, often amongst large piles of cotton; wooden buildings on the plantation grounds; and portraits and candids of the African American agricultural laborers and resident children., Name of provenance from manuscript note on verso of P.8502.13: John H. Gibbons, Jr., b. North Carolina, in Phila. for medical school., Name of photographer from manuscript note on verso of P.8502.13: Dear Jno. -Sorry I did not get to see you before you left Phil. but Harvey came through & I went over to NY with him. So did not get around. Harry Sanders. I call this one of my best shots., Gift of Marjorie G. Battles, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sanders, Harry, photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department photos - Sanders [P.8502.1-18]

Title: Pennsylvania Rail Road Co. connecting bridge at Girard Ave
Description: View of a construction crew working under a viaduct of the bridge to enlarge West River Drive. In the foreground, an African American man crew member lowers a hose into the ditch in which the crew of predominately African American men work. Most of the men sift through a large pile of dirt and rubble near a horse-drawn cart., Title from note on negative sleeve: Penn R.R. Co. connecting bridge at Girard Avenue., Inscribed on negative: 7314., Published in Harry Silcox's Philadelphia: the life of photographer William Nicholson Jennings, 1860-1946 (Philadelphia: Brighton Press, Inc., 1993), p. 85., Purchase 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: August 29, 1912
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.7314]

Title: [Philadelphia and Reading Railroad Company tracks under construction to raise grade crossings, Ninth Street above Poplar Street in Philadelphia]
Description: View of fenced in railroad tracks under construction with a railroad construction crew in the distance. The project, to raise tracks above street level to prevent pedestrian casualties from Wayne Junction to Spring Garden Street, lasted from 1907 to 1911. Residences and businesses line the street. Inside the fence, pedestrians, including African Americans, look on from and traverse the makeshift dirt walkways. An African American woman looks on from a second story window, Negative inscribed: 10255; 3-7-10; 0-65., Title supplied by cataloger., Manuscript note on verso: Meyers STW 4 23 13., Forms part of: Philadelphia and Reading Railroad Company Photograph Collection., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Harrison, Edward, photographer
Date: March 7, 1910
Location: Library Company of Philadelphia | Print Department Philadelphia and Reading Railroad Company [P.9260.420]

Title: The port, Philadelphia. Loading ships from cars
Description: View of an active railway pier at Port Richmond on the Delaware River showing several dock workers, including African Americans, unloading pipe sections from railway cars onto a docked ship. In the right, the workers use pulleys to move the pipes from the cars, one of which is marked “N.Y.C.” In the left, workers on the ship look down at the scene. Port Richmond was owned by the Philadelphia and Reading Railway Company starting in the mid-1850s., Title from manuscript note on verso., Date inferred from photographic medium and content., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8836.27]

Title: [Security Bank & Trust Company, Franklin Street and Girard Avenue, Philadelphia.]
Description: Real estate photograph commissioned by the Jackson-Cross Company depicting the bank and trust company, established in 1870, at Franklin Street and Girard Avenue in Philadelphia. People, including African American men, walk on the sidewalk and sit in the adjacent plumbing supply store's doorway at 712 Girard Avenue. An “air-conditioned” movie theater showing the film "State of the Union" with Spencer Tracy stands across Franklin Street. Several cars are parked on the street. The Jackson-Cross Company, established around 1876, was a successful and prominent local real estate firm in operation until 1998., Label on recto: Jackson-Cross Company., Title supplied by cataloger., Date inferred from content., Purchase 2000., Description revised 2022., Access points revised 2022.
Creator: Parker & Mullikin, photographer
Date: [ca. 1948]
Location: Library Company of Philadelphia | Print Department Jackson-Cross [P.9784.32]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, New Jersey through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Reproduced in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 69., Arcadia caption text: Ferries transported passengers from Philadelphia to various New Jersey towns along the Delaware River until 1952, long after the completion of the Benjamin Franklin Bridge in 1926. Prior to the opening of the Pennsylvania Railroad’s service to New York City in 1867, travelers relied on the ferries from Philadelphia to connect with the Camden & Amboy Railroad in New Jersey. The custom of naming a ferry service after its owner changed when the ferries were adopted by the railroads, such as the Pennsylvania Railroad’s Market Street ferry terminal, depicted here in 1889, nine years before the railroad reconstructed the slips and station., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.5]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Upper half of photograph discolored., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.6]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Pennsylvania Railroad Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.7]

Title: Market St. Ferry
Description: Busy Philadelphia street scene depicting the Pennsylvania Railroad Market Street Ferry terminal at the foot of Market Street at Delaware Avenue near the Ridgway Hotel. Horse-drawn cars, trolleys, and pedestrians, including an African American man leaning on a lamppost, crowd the street, markets, and sidewalks. The Market Street Ferry was established about 1800 and was a principal form of transportation from Philadelphia to Camden, N.J. through the early 20th century., Title inscribed in negative., Inscribed in negative: 429., Attributed to Philadelphia photographer Robert Newell., Published in the Philadelphia evening public ledger, January 1, 1922., Gift of William E. Conner, 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department photo - Newell [P.9781.7]

Title: [Group portrait in front of the rear of a frame residence at an unidentified location]
Description: Portrait of a large group standing before a picket fence before a house at an unidentified location. In the right, five white men stand and sit, attired in uniforms, possibly baseball uniforms. In the center, a group of white men, women, and children, possibly a family, sit and stand and look at the viewer. In the left, a group of African Americans, who possibly work with the family, include two women one of whom holds a baby, a young girl, and a man who holds the reins of a horse. Several dogs are also in the portrait., Title supplied by cataloger., Date inferred by attire of the sitters., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department group portrait photographs - family [P.9260.615]

Title: [Employees of the Philadelphia Grain Elevator Company's Twentieth Street elevator]
Description: Depicts a group portrait of nine employees of the Philadelphia Grain Elevator Company at Twentieth Street and Pennsylvania Avenue in Philadelphia, Pa. posed before the grain storage facility. In the left, two white men employees stand in an open doorway underneath the sign, "The Phila. Grain Elevator Co’s. Twentieth St., Elevator." An African American man, holding his bowler hat in his hand, and another white man stand in front of the doorway. An African American man, holding his bowler hat in his hand, and two white men, stand in the center. In the right, an African American man, attired in a brimmed hat, a striped shirt, a waistcoat, torn pants, and shoes, stands with his hands at his side. A barefooted white boy, attired in a long-sleeved white shirt and pants with suspenders, looks at the viewer. Behind him is a horse-drawn cart with two horses resting under grain chutes near an open entranceway. The cloth chutes are labeled, "Philadelphia Seamless." The Philadelphia Grain Elevator Company was incorporated in 1878 and engaged in the operation of a rail terminal elevator for the exporting and importing of grain., Title supplied by cataloger., Date based on the operation of the business and the attire of the sitters., Gift of Chester County Historical Society, 1991., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department group portrait photographs - occupations - Philadelphia Grain Elevator Co. [P.9325.1]

Title: James Weldon Johnson
Description: Bust-length portrait of the eminent African American civil rights activist, poet, writer, and educator. Johnson, wearing a beard and attired in a white collared shirt, a patterned bowtie, and a dark-colored jacket, looks slightly left. Johnson was a prominent member of the NAACP, serving as an organizer and field secretary from 1920 to 1931, a lawyer, lyricist of the "Negro National Anthem," a U.S. Consul to Venezuela and Nicaragua, and author of several works including, "The Autobiography of an Ex-colored Man.", Photographer's imprint stamped on mount., Accessioned 1992., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Johnson [P.9398]

Title: Daily Vacational Bible School #63
Description: Group portrait photograph depicting the African American Bible school, students and instructors, posed before a large brick residence, probably in Philadelphia. The students and men and women teachers sit and stand in five rows. In the right back row, two boys hold baseball bats., Title, date, and photographer's imprint inscribed in negative., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paul, Dan E., photographer
Date: 1920
Location: Library Company of Philadelphia | Print Department *group portrait photographs - education [P.9273.7]

Title: Robert Small, pilot of the steamer Planter, Charleston, S.C
Description: Bust-length portrait of the formerly enslaved and later South Carolina congressman who commandeered and harbored fifteen enslaved people on the Confederate steamer, "Planter," consequently escaping to freedom across the Charleston Bay in May 1862. Smalls, a "Planter" crew member who impersonated the Confederate Captain, surrendered the vessel to a flotilla of the Union Blockade after navigating passed several Confederate fortifications. The nationally publicized escape sparked a military campaign to recruit African American volunteers in South Carolina. Small, attired in a white shirt and a dark-colored jacket, looks at the viewer., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1862, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania by McAllister & Brother, 728 Chestnut Street, Philadelphia., See account of escape with illustrations in Harper's Weekly, June 14, 1862, p. 372. (LCP **Per H, 1863)., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department cdv portraits -sitter-Small [(3)5750.F.44b]

Title: [Construction of the Frankford Elevated railroad tracks at Front and Arch Streets in Philadelphia, September 6, 1922]
Description: Scene showing predominantly African American construction workers laying down railroad tracks near a block of rowhouses at Front and Arch Streets in Philadelphia. The men are surrounded by piled planks, buckets, and construction debris. Many of the workers have stopped to pose, including a white man, possibly a foreman. In the left, two men continue to work and consult near steps by a curved railing. The half completed tracks, bridge platform, a billboard, factory buildings, and water tower are visible in the background. Constructed under the auspices of the City of Philadelphia's Department of City Transit (later Transit Operations and Planning Division) between 1915 and 1922, the Frankford Elevated Railway consisted of a two track structure six miles in length that extended north over the roadway of Front Street, Kensington Avenue and Frankford Avenue between Arch and Bridge Streets. Operated under lease to the Philadelphia Rapid Transit Company (later South Eastern Public Transportation Authority or SEPTA), the line opened November 5, 1922., Title supplied by cataloger., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [September 6, 1922]
Location: Library Company of Philadelphia | Print Department photos - unidentified - Construction [P.9260.419]

Title: Colonnade Hotel, SW corner 15th & Chestnut, Phila., 1896, showing monument on the ground of Epiphany Ch[urch]
Description: View of the prominent hotel erected in 1868 at 1500-1506 Chestnut Street. White men and women pedestrians stroll the sidewalk, and an African American man passes by on his horse-drawn cart. Businesses line Chestnut Street, including: George E. Dearborn, piano dealer; a paper hangings store; and a custom shirt proprietor. The hotel, named after the previously existing "Colonnade Row" of early nineteenth-century pillared, porched townhouses, was demolished in 1925 for the erection of the Franklin Trust Company building. Also includes the fenced obelisk monument to James Henry Fowles, former rector of the church previously located at the northwest corner of Fifteenth and Chestnut streets, the Church of the Epiphany., Title from manuscript note on verso., Purchase 1984., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1896]
Location: Library Company of Philadelphia | Print Department photo - unidentified - hotels [P.9005.19]

Title: Type "C" loader with swiveling belt conveyor storing coal at University of Pennsylvania, Philadelphia
Description: a Product advertisement, probably from a trade portfolio, showing the Link-Belt coal loader in action behind a small ivy covered building on the campus. In the foreground are large piles of coal. In the center, a coal shooting loader is set up and an African American man, attired in a brimmed hat, stands and oversees the operation. A laborer shovels coal from the back of a dump truck. Link-Belt Engineering Co. was founded by William Dana Ewart, inventor of the link-belt, in 1874., Title from typed note on verso., Date inferred from photographic medium and content., Inscribed in negative: 9249., Purchase 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photo - Link-Belt [P.9285.21]

Title: [Construction on Market Street between 17th and 18th Streets, Philadelphia, July 8, 1904]
Description: View of a fenced exposed area of the street with unearthed pipes protected by a series of wood girders. African American construction workers guide a steel bin over the girders and haul dirt from the site with a horse-drawn cart. Several spectators, including a well- dressed African American man, line the fence. In the distance, a white boy with a bucket rests on a crane near a workman's shed. Businesses line the street including "Leiber's Red Front Dining Room, 1788 Market Street." Painted advertisements for Coca Cola and a liquor dealer adorn the building visible on the street corner., Title supplied by cataloger., Negative inscribed: 554., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [July 8, 1904]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Construction [P.9260.362]

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