Search results

Title: Views of the Wilson family on their estate
Description: Views show the Wilson family recreating on their estate. Depicts the family reading, picnicking, sitting and lounging in their yard, walking and working in their gardens, harvesting corn, playing with family dogs, posing near a small footbridge, and eating on their porch. Several members of the family are seated on their horses in a few of the images. One image includes an African American man, attired in a white chef’s hat and apron, overseeing a meal under a tent. Also shows exterior views of the family's two-and-a-half story residence with porches on the first two levels, a stone barn, and outbuildings. American flags are included in several of the images., Title supplied by cataloger., Date based on content and attire of the people., Photographer's labels pasted on versos., Stereograph [P.9439.17] contains manuscript note on verso: "For Mr. Wilson with compliments of the artist.", Contains twenty-two photographs, seventeen printed on yellow mounts with square corners and five printed on mint green mounts with square corners., Purchase 1993., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Residences [P.9439.1-22]

Title: Is dese' your chickens miss Compliments of Durant & Oehlmann, druggists, 518 Hampshire St., Quincy, Ills
Description: Racist trade card depicting an African American man, portrayed in racist caricature and attired in a torn hat and shirt, on the ground with baby chicks in front of him. In the left, a white woman with a pitchfork leans over a fence to observe the scene and surprises him. Durant & Oehlmann, the partnership between Dr. Joseph F. Durant (b. 1831) and Charles Oehlmann (1849-1921), operated in Quincy, Illinois between 1875 and 1888., Title from item., Date inferred from date of operation of advertised business., Advertising text printed on verso promotes Falke's Sulpholine Cream and Falke's Kah-Kan-Kee Hair Restorative manufactured by J. Falke & Co., 418 Elm St., St. Louis., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - D [P.9828.5810]

Title: Your home is not complete without the Missouri Steam Washer. The best washing machine in the world. Johnston Bro's. St. Louis. Philadelphia There are more Missouri Steam Washers sold than all other washing machines in the world combined
Description: Trade card for the small portable washing machine invented by George D. Ferris and marketed by Johnston Bros., "General Agents for the United States." Depicts two male fairies, one white and one African American, presenting a "Missouri Steam Washer. Pat'd. May 1, 1883" to a white woman who stands over a washboard in a wash tub. Steam rises from the tub filled with clothes. The African American fairy, portrayed in racist caricature with orange wings and attired in blue pants with suspenders, pushes in the metal washing machine on a dolly, while the other fairy points to it. The African American fairy image was often used in newspaper advertisements for the machine that operated through placement on a family cook stove, internal perforated steam tubes, and a crank to keep the clothes in motion during washing., Title from item., Date from copyright statement: Copyright 1884., Contains five testimonials, including one by G. R. Brandt and Harry E. Brandt (Hurricane Laundry, 232 New Street), Philadelphia, Pa., printed on verso., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1884
Location: Library Company of Philadelphia | Print Department trade card - Johnston [P.2013.35.1]

Title: Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
Description: Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1886
Location: Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]

Title: Mrs. Lena Mason's Chautauqua meetings, Aug. 1st - Sept. Phila, Pa
Description: Postcard showing an African American Chautauqua meeting. Depicts African American men, women, and children gathered near several tents. In the foreground, an African American woman and man, possibly Mrs. and Mr. Mason, stand and look at the viewer next to a wooden chair with a hat on top of it. Chautauqua meetings, developed from the Lyceum Movement, were traveling tent shows providing education and entertainment to early 20th-century audiences., Title and date from item., Photographic paper company's imprint on verso: Mermont Photo Paper Co., New York., Purchase 2001., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1908
Location: Library Company of Philadelphia | Print Department LCP postcards - Events [P.9933.9]

Title: View in old park
Description: View looking north from the south garden, adorned with trees and benches, at the Fairmount Water Works on the Schuylkill River. In the left, an African American, attired in a bowler hat, a white shirt, a dark-colored waistcoat, and pants, possibly a groundskeeper, stands with a broom. Two park guards stand and converse in front of the Diana statue at the base of the promenade leading to the inclined walkway on Reservoir Hill. Another man walks down the promenade toward the guards. In the foreground, a man, attired in a bowler hat, a white shirt, and dark-colored pants, stands leaning his left arm on a tree with his back to the viewer. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872. The south garden was laid out in the 1830s., Attributed to James Cremer., Title from manuscript note on verso., Orange mount with rounded corners., Accessioned 1989., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Public Utilities [P.9260.51]

Title: [Springbrook, garden estate of George H. Stuart, Frankford Road]
Description: Views of the garden and greenhouses on the forty acre estate of Stuart, a Philadelphia philanthropist. Shows a gravel path in the garden near the rear of a building; the interior of a greenhouse filled with potted plants; and the exterior of a greenhouse. Exterior views include a man possibly, Stuart; African American gardeners, including one with a wheelbarrow; and potted plants lining the edge of a lawn. Stuart bought the estate from Caleb Cope, a collector of botany, in 1857 and sold the property in 1866., Attributed to John Moran., Title supplied by cataloger., Pale yellow or cream paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., For a description of the estate, see clipping in Poulson's scrapbook, vol 1, p. 73., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.39a, f, & h]

Title: Chew house, Germantown
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, attired in a hat, a white shirt, and overalls or a waistcoat, possibly a groundskeeper, posed near a tree holding a walking stick or a tool. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Attributed to John Moran., Title from manuscript note on mount., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.41a]

Title: Children's goat carriage. American scenery. Central Park N.Y
Description: View of an open air children's goat carriage steered by an African American man coach driver in New York City's Central Park. The driver, attired in a white collared shirt, a black bowtie, a dark-collared suit, and a brimmed hat, holds the reins to two white goats with horns. Riding as passengers in the carriage are two white girls, attired in fine hats and coats. In the right background, a white woman and two children sit on a bench., Title from item., One of a series of copy issues entitled: American Scenery., Gift of Saul Koltnow, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1874]
Location: Library Company of Philadelphia | Print Department stereographs - unidentified - Non-Philadelphia-New York [P.9022.23]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: New Pennsylvania Hospital for the Insane building, Pa
Description: View showing the progress of the construction of the Male Department, Pennsylvania Hospital for the Insane, built from 1856 until 1859 after designs by Philadelphia architect Samuel Sloan. Construction workers, including African American men, pose before and inside the partially completed building. Two well-dressed white men, possibly including the hospital superintendent Dr. Thomas Story Kirkbride, are seated in the foreground. Kirkbride, an authority on asylum construction, promoted and oversaw the construction of the new building to alleviate the overcrowding and to abolish the co-educational conditions at the original asylum opened at 44th and Market in 1841., Title printed on mount., Date inferred from history of the building's construction., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, of Philadelphia were pioneer photographers, and stereographic publishers. Between 1849 and 1865, the Langenheims produced over ninety different stereoviews of the Pennsylvania Hospital for the Insane and its staff as well as lantern slides of various subjects to be used for patient therapy.
Creator: W. & F. Langenheim (Firm), photographer
Date: [ca. 1857]
Location: Library Company of Philadelphia | Print Department stereo - Langenheim [(8)1322.F.7b]

Title: F.P. Louderbough, graduate in pharmacy, cor. Tenth & Jefferson Sts. Philadelphia
Description: Trade card promoting pharmacist F.P. Louderbough and depicting racist caricatures of two Chinese men and a crane. In the left, shows the Chinese man, attired in a yellow robe with a red sash around the waist, standing and holding a pot by the handle in his right hand. To the right, the Chinese man, wearing a mustache and goatee and attired in a black hat, yellow robe, and a pink shirt with long sleeves, holds a bowl towards a crane. Decorative border surrounds the scene., Title from item., Dare inferred from content., Series no. on recto: 1700., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Louderbough [P.9828.6373]

Title: F.P. Louderbough, graduate in pharmacy, cor. Tenth & Jefferson Sts. Philadelphia
Description: Trade card promoting pharmacist F.P. Louderbough and depicting racist caricatures of Japanese acrobats. Shows four barefooted, Japanese men, attired in red patterned kimonos, balancing, swinging, and flipping on two bamboo beams., Title from item., Dare inferred from content., Series no. on recto: 1700., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Louderbough [P.9828.6374]

Title: L.C. Smith, druggist, (successor to A.W. Rice), Rockville, Conn. Drugs, medicines, toilet requisites, etc., etc. prescriptions compounded day or night. Prices the lowest. Goods strictly pure
Description: Trade card promoting druggist Louis C. Smith and depicting racist caricatures of Chinese men being attacked by dogs. In the left foreground, shows a large dog chained to a doghouse. The Chinese man, wearing a queue hairstyle, a blue tunic and pants, and white, slip-on shoes, looks at the dog in fear. In the right, a Chinese man runs away with his queue flying behind him. In the background, a Chinese man, his back to the viewer, screams and raises both arms up as a white dog bites his bottom. Text written in pidgin English below the image: What d’yer soy? Ha! Ha! John Chinaman he eatie doggie., Title from item., Date inferred from content., Copyright statement printed on recto: Copyrighted, Bufford, Boston., Gift of William H. Helfand., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Smith [P.9828.6842]

Title: Laque de Chine
Description: Trade card promoting druggist John H. Sheehan & Co. and depicting a scene of two Chinese men painting. In the left, show the Chinese man, wearing a queue hairstyle and attired in a blue cap, blue robe, and blue, slip-on shoes. He sits on a bench in front of an easel and paints. In the right, the Chinese man, wearing a queue hairstyle and attired in a green, patterned robe, stands and lacquers a vase. Also in the room are a red lantern, screen, and side table with a blue jar. In the background is a river with boats and a pagoda on the shoreline., Title from item., Date inferred from content., Text printed on verso: John H. Sheehan, Dealers in Drugs, Medicines, Pefumery and Toilett (sic) Articles, 167 Genesee Street, Utica, N.Y., Gift of William H. Helfand., RVCDC, See related: P.9828.6766.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Sheehan [P.9828.6777]

Title: Japon
Description: Trade card promoting druggist John H. Sheehan & Co. and depicting a scene of a Japanese woman and a samurai holding a flag. In the right, the Japanese woman, wearing her hair up with Kanzashi hair ornaments and attired in a multi-colored kimono and yellow shoes, stands and reaches her right hand out towards the man. In the left, the Japanese samurai, attired in a helmet and armor, stands and holds a Japanese flag on a flagpole. A cherry tree with pink flowers grows in the background. In the top left corner is a crest with a Japanese flag., Title from item., Date inferred from content., Text printed on verso: John H. Sheehan, Dealers in Drugs, Medicines, Pefumery and Toilett (sic) Articles, 167 Genesee Street, Utica, N.Y., Gift of William H. Helfand., RVCDC, See related: P.9828.6777.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Sheehan [P.9828.6766]

Title: Japan
Description: Trade card promoting coffee manufacturers Arbuckle Brothers and depicting Japanese men acrobats, jugglers, and dancers in a festival. In the left, shows a Japanese man acrobat wearing a chonmage hairstyle, a white headband, a pink kimono, and pink pants. He balances upside down on a flagpole with a pink banner and holds a fan in his right hand. In the right, a Japanese man, wearing a blue kimono, juggles a bottle and bowls. In the center is a fan with a vignette depicting three barefooted Japanese men, attired in black hats, yellow shirts, and blue pants, dancing holding branches. A Japanese man stands, attired in a black hat and green shirt, and holds a pink banner on a pole. Arbuckle's Coffee was founded by brothers John and Charles Arbuckle following the Civil War. The company was one of the first to sell roasted coffee and to place it in one pound packages. Arbuckle often included trade cards in the packages., Title from item., Date from copyright statement: Copyright, 1893, by Arbuckle Bros. N.Y., Series no. on verso: No. 34., Advertising text on verso: Grind your coffee at home…. Japan. The Japanese have the most advance civilization of any nation on Asiatic soil. Indeed in some regards they are even more advanced than the proudest of western countries. But in many ways they are ludicrously far behind. They cling to ancient forms of government and the Mikado is an autocrat, absolute almost over the life and death of his subjects. A country which yields such power to the individual, can never hope to work out its highest possibilities. So even the sports and pastimes of such a nation can never be the spontaneous expression of the animal spirits of the young of that land. Juggling is a fine art in Japan. Beside the Japanese juggler, the man of legerdemain of other countries is a clumsy bungler. The feats performed by the former are beyond all comparison. To achieve such dexterity, it may well be presumed that the wizard has been taught from earliest childhood. In fact the jugglers are sometimes a caste, so that the child often starts with the hereditary traits of forefather in the same line, and of the added experience of these. Of the acrobats of Japan who are also super-eminent much the same can be said. One would scarcely believe that the human body could be so sinuous and might be so contorted at will. The Japanese Festivals or Feasts are frequent. The main celebrations are held after dark; then fireworks are displayed, and lanterns are hung. These latter transform the most commonplace scenes into fairyland. The dancing indulged in on these occasions in most picturesque. As the figures flit from light into dark and back again, they form scenes never to be forgotten. The Japanese wrestlers are world-famed, and their contests are most skillful. This is one of a series of Fifty (50) cards giving a pictorial History of Sports and Pastimes of all Nations., RVCDC
Date: 1893
Location: Library Company of Philadelphia | Print Department trade card - Arbuckle [P.2025.35.1]

Title: Geo. F. Woods, druggist and apothecary, dealer in fancy goods, Bellows Falls, Ct Soda and mineral waters on draught and in package
Description: Trade cards promoting druggist George F. Woods and depicting an Asian man looking at a statue of an Asian woman in a park. Shows an Asian man, wearing a queue hairstyle and attired in a conical hat, patterned tunic and matching pants, and shoes. He stands behind a fence and looks at a statue of a barefooted woman, wearing a headpiece and attired in a sarong with her breasts exposed, on a pedestal. She holds a fan with a long handle in her right hand and gestures with her left hand. Also visible are a palm tree, potted plant, and a path., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., See related: P.9828.7151., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Wood [P.9828.7149-7150]

Title: Major E. Newell, with Genl. Tom Thumb's Museum. H.R. Jacobs, manager
Description: Die cut trade card in the shape of a painting palette. Promotes General Tom Thumb's Museum, a variety company tour, and depicts Edmund Newell, known as Major E. Newell, attired in four costumes. In the top, shows Newell in yellowface impersonating a Chinese man, wearing a queue hairstyle and attired in a blue tunic and pants and black cloth slip-on shoes. He lifts his left leg up; places his right hand on his hip; and holds a red fan in his left hand. Tom Thumb, born Charles Sherwood Stratton, and Edmund Newell, also known as Major E. Newell and General Grant Jr., were people with dwarfism who toured with P.T. Barnum. Newell married Minnie Warren, whose sister, Lavinia Warren, was married to Tom Thumb., Title from item., Date inferred from content., Advertising text printed on verso: General Tom Thumb and his charming little wife with entire troupe. Horticultural Hall positively two weeks only Sept. 25 to Oct. 7th. Every afternoon & evening. Skatorial champion. Major Newell, the impersonator; Zoe Meleke, and her performing canary birds; Whiston, humorist and great facial artist; marvelous midget; Bingham, ventriloquist & illusionist with a congress of brilliants., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Horticultural [1975.F.651]

Title: Use Muzzy's starch
Description: Trade card promoting Elkhart Starch Company and depicting a racist caricature of a Chinese man laundry worker holding up a shirt to a white family. Shows the family standing in the right, including the white man, attired in a brown bowler hat, a white collared shirt, a black bowtie, and a brown-checked suit, holding a walking stick; the white woman attired in a yellow and pink hat and a blue dress with a red bow; and the white girl, attired in a yellow hat and a red and blue dress, holding a small box. In the left, the Chinese man, wearing a queue hairstyle and attired in a blue tunic and blue pants with yellow accents, stands behind a table with an iron and ironing board on top of it. He holds up a white shirt, which shows the reflection of the white woman. A basket full of laundry is on the ground. In the background is a stove and a clothesline of white shirts and clothes. A.L. Muzzy built the Muzzy & Sage Mill in Elkhart, Indiana in 1870. Albert R. Beardsley (1847-1924) purchased the mill in 1878 and founded the Elkhart Starch Company. The Company was bought by the National Starch in 1893., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: "Be sure to use Muzzy's Corn Starch." Includes six recipes, including for sponge pudding, creamy pudding sauce, Salem pudding, scolloped oysters, oyster pie, and butter scotch., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards - Muzzy [P.2023.43.3]

Title: Boston boot and shoe and gents’ furnishing house, also, a fine line of hats, caps, trunks, valises &c. At no. 253 South Clark St., near Jackson, Chicago. L. F. Shanovski, - proprietor
Description: Trade card promoting L.F. Shanovski’s shoe store and depicting a racist caricature of a Chinese man upset that a cat has taken a rat from his plate. Shows the man, wearing a queue hairstyle and attired in red pants and brown cloth slip-on shoes, holding a large white plate across his chest and a pair of chopsticks in his right hand. He opens his mouth upset that a cat is taking a dead rat from his plate. Louis F. Shanovski was born in Germany and moved to Chicago in the early 1870s, opening a shoe store in circa 1877. The firm L.F. Shanovski and Bro. dissolved in 1899., Title from item., Date inferred from dates of operation of business advertised., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1888]
Location: Library Company of Philadelphia | Print Department trade cards - Shanovski, L.F. [P.2023.43.1]

Title: Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill
Description: Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade cards – Firmenich [P.2023.43.2]

Title: [Domestic Sewing Machine Co. trade cards]
Description: Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Domestic [1975.F.229 & 230; P.9983.5]

Title: [Hunter's handsome drug stores, cor. Pacific & New Jersey Aves., cor. Atlantic & Indiana Aves., Atlantic City, N.J. and cor. Fifteenth and Wharton Sts., Philadelphia]
Description: Series of illustrated trade cards promoting Hunter's Drug Stores, and depicting white boys bowling, a large fish in a pond surrounded by flowers, and men and women laboring outside, including a white man and woman couple fetching water from a well, a white woman standing in a field carrying a staff, and a white woman watering flowers with smiling, human faces in a garden as a cupid figure with wings watches her from the other side of a fence. Two African American men, portrayed in racist caricature, haul large bundles of wheat past a milestone labeled "M. 10." In the left, the barefooted man is attired in a tunic, and in the right, the man is attired in a hat, a tunic, and shoes., Title supplied by cataloger., One print [P.9828.6173] contains advertising text printed on verso promoting the purity, quality and accuracy of Hunter's drugs and lists items available for sale at his drugstores., Date from copyright statement on six prints [P.9828.6175-6180]: Copyright 1882 by Ed. Wolf., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - H [P.9828.6173-6180]

Title: [Specimens album]
Description: Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1852-ca. 1876]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up

Title: [J. & P. Coat's thread trade cards]
Description: Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]

Title: [Academy of Music trade cards]
Description: Series of illustrated trade cards promoting performances and events at the Academy of Music. Illustrations depict men and women dressed in costumes and dancing and celebrating Carnival, including a joker disembarking from a gondola; a little girl sitting in a lily pad; fairies; angels; jokers; butterflies; flowers; bust portraits of unknown actors in the Humpty-Dumpty show surrounding a vignette of a horse-drawn cart carrying "humpty-dumpty"; portraits of Mr. and Mrs. Jay Rial flanked by dogs; and L.H. Stockwell as lawyer Marks and his trained donkey Jerry. The Academy of Music was designed by architects Napoleon LeBrun and Gustav Runge. Building constructed 1855-1857 at the southwest corner of Broad and Locust Streets. Served as home of Philadelphia Orchestra from 1900-2000., Title supplied by cataloger., Printers and engravers include Bailey, Banks & Biddle, The Courier Lith. Co., Reen Lith. Co., H.A. Thomas, and Maerz Lith. Co., One of prints [1975.F.1] die cut in shape of keystone., Several of the prints contain promotional text printed on the recto and/or verso. Performances and events promoted include the Reception of the Bi-Centennial Mystic Tableau Association; Grand Cannstatter Carneval; Cannstatter Bal Masque; Maennerchor Carneval Mardi Gras; the Fairy Juvenile Troupe's Little Red Riding Hood; German Comic Opera starring Mme. Marie Geistinger.; Humpty-Dumpty (performance); and The Jay Rial Uncle Tom's Cabin Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.45.24] gift of David Doret., Digitized.
Date: 1879-1882
Location: Library Company of Philadelphia | Print Department trade card - Academy of Music [1975.F.1; 1975.F.5; 1975.F.7; 1975.F.11; 1975.F.17; 1975.F.20; 1975.F.23-24; 1975.F.26; 1975.F.738; P.2011.45.24]

Title: [Partridge & Richardson trade cards]
Description: Series of illustrated trade cards and caricatures for Artemus Partridge & Thomas D. Richardson's "bee hive" dress trimmings' store at 17, 19 & 21 North Eighth Street in Philadelphia. Illustrations include various series depicting flowers; men and women couples promenading; bust-length portraits of well-dressed women; children playing and fishing on the beach; frogs and cherubs seated on or near mushrooms holding umbrellas in the rain; and anthropomorphic rabbits jumping rope, one rabbit pulling another on a sleigh with a banner labeled "Rabbit Transit," the sleigh crashing through the ice, and two African American men, portrayed in racist caricature, trying to lure rabbits into a trap. Other imagery includes an anthropomorphic moon smiling down at a boy sitting on the limb of a bare tree with two cats singing from sheet music labeled "Clair de lune"; a portrait of a mother holding her infant; a female cherub picking flowers; a girl picking flowers; a fox standing under a grapevine trellis; three cats in a basket; a girl blindfolding a dog; a boy fishing in a pond; and two boys and a girl pulling and guiding a dray of flowers., Title supplied by cataloger., Four prints [1975.F.660-662 & 665] copyrighted 1881 by Chas. Moritz., Printers and engravers include Graf Brothers (Philadelphia), Sunshine Publishing Company (Philadelphia), Wemple & Kronheim (New York), and Craig, Finley & Co. (Philadelphia)., Four prints [1975.F.701-704] signed with the same trademark initials (C.A. or A.C.) and contain French titles, including "Zozor revenant du bain," "Lili pechant la crevette," "Nini prenant sa leçon de natation," and "Petit marin faisant une découverte"., 1975.F gift of Emily Phillips, 1883., P.2024.74.1 gift of Ivan Jurin., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Partridge [various]

Title: [Partridge & Richardson trade cards]
Description: Series of illustrated trade cards and caricatures for Artemus Partridge & Thomas D. Richardson's "bee hive" dress trimmings' store at 17, 19 & 21 North Eighth Street in Philadelphia. Illustrations include various series depicting flowers; men and women couples promenading; bust-length portraits of well-dressed women; children playing and fishing on the beach; frogs and cherubs seated on or near mushrooms holding umbrellas in the rain; and anthropomorphic rabbits jumping rope, one rabbit pulling another on a sleigh with a banner labeled "Rabbit Transit," the sleigh crashing through the ice, and two African American men, portrayed in racist caricature, trying to lure rabbits into a trap. Other imagery includes an anthropomorphic moon smiling down at a boy sitting on the limb of a bare tree with two cats singing from sheet music labeled "Clair de lune"; a portrait of a mother holding her infant; a female cherub picking flowers; a girl picking flowers; a fox standing under a grapevine trellis; three cats in a basket; a girl blindfolding a dog; a boy fishing in a pond; and two boys and a girl pulling and guiding a dray of flowers., Title supplied by cataloger., Four prints [1975.F.660-662 & 665] copyrighted 1881 by Chas. Moritz., Printers and engravers include Graf Brothers (Philadelphia), Sunshine Publishing Company (Philadelphia), Wemple & Kronheim (New York), and Craig, Finley & Co. (Philadelphia)., Four prints [1975.F.701-704] signed with the same trademark initials (C.A. or A.C.) and contain French titles, including "Zozor revenant du bain," "Lili pechant la crevette," "Nini prenant sa leçon de natation," and "Petit marin faisant une découverte"., 1975.F gift of Emily Phillips, 1883., P.2024.74.1 gift of Ivan Jurin., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Partridge [various]

Title: [Philadelphia Inquirer art supplements]
Description: Series of art supplements, some set in Philadelphia, depicting genre, historical and allegorical scenes, landscapes, portraiture, character studies, and battleships. Includes "Aurora" showing a white female fairy figure smelling a flower; "The Pilot" portrait of an older white man sea captain smoking a pipe; "The Partners" showing a white girl and boy with a broom and shovel; "Tambourine Girl"; "Playmates" depicting a white girl holding a cat; "Deep Sea Fisherman"; "Night of the Ball" depicting an exterior view of a palatial estate in the snow with an inset showing a young white woman in evening attire; "One of the Four Hundred" showing a white boy costumed as a vagabond; "By the Sea" showing an older African American seaman, attired in a grey top hat, a white collared shirt, a blue and gold bowtie, red suspenders, a yellow jacket with a flower boutonniere, brown pants, and boots, smoking a pipe; an older white man reading "Fairy Tales" to a white girl; "Sheik of the Desert" a bust-length portrait of an Arab man; "A Lively Scrimmage" during a football game; a dog inspecting "Five O'Clock Tea"; a white clergyman having "A Disappointing Luncheon"; a view "Off the Belgium Coast near Ostend"; "Spring" and fall landscapes; "Does You Mother Know You're Out" depicting a white girl with a newly hatched chick; "Napoleon and the Old Guard"; "Wellington and His Soldiers"; a white man and woman couple on "A Honeymoon at Niagara"; and a white lady portrayed fancifully "Among the Roses." Other titles issued between February 1897 and May 1898 include "U.S. Dynamite Cruiser 'Vesuvius'”; U.S. Torpedo Boat Destroyer; “Mayflower”; "Christmas Shopping"; "Christmas Morning-Rittenhouse Square"; "U.S. Protected Cruiser 'San Francisco'”; "St. Valentine’s Day in Philadelphia"; "Wissahickon Drive-Fairmount Park"; "U.S. Battle Ship, 'Maine'”; "U.S. Double Turret 'Miantonomoh'”; "William McKinley"; "Leaving the Bellevue on a Coaching Trip"; "The Newsboy"; "Skating on the Schuylkill"; "The First Lenten Service"; and "Before the Meet, Radnor Hunt.", Title supplied by cataloger., Various artists and photographers, including M. Duboy, C.L. Van Vredenburgh, Charles P. Gruppe, J.S. Johnston, A. I. Keller, Max Klepper, and W. Merritt Post, and Walter Granville Smith., Various printers, including G.H. Buek & Co., Forbes Lithograph Manufacturing Company; Leopold Gast & Brother; Julius Bien & Co.; Donaldson Bros.; Ketterlinus; and J. Ottmann., Two of prints designed to stand as display cards., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., Description revised 2024., Access points revised 2024., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1894-1898]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Philadelphia Inquirer [P.9349.280-282, 287, 290, 295, 310-313, 323-325, 330-331, 333, 412-413, 424-425, 432, 434, 438, 440, 457, 462-471]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: Scenery on the Pennsylvania Railroad
Description: Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department albums [P.2014.74]

Title: [Silhouette collection]
Description: Collection of silhouettes depicting men, women, and children, primarily bust-length and cut at a Peale's Museum (Philadelphia, Baltimore or New York) in the early 19th century. Some silhouettes depict African American sitters. Items often contain physiognotrace impressed lines and some contain amateur pencil markings. A small number also include eyelash cutouts, contain ink details to depict hair or collars, or are folded in fours. Many silhouettes also include hair adornments and other fashion details, including ribbons, bows, collars, bonnets, hats, and flowers. Collection also contains one non-portrait cutout composed of a bird, several branches, and a temple-like structure, as well as several numbered leaves of silhouettes removed from an album. Leaves contain 1- 8 silhouettes, some cut and some in ink. The silhouettes also show flowers adorning clothing, hair, and as bouquets; hair ornaments; ribbons; and hats. Some silhouettes depicted as if framed or with pictorial details or overdrawn with scales of dimension. A small number of uncut silhouettes inserted in one of the albums [P.9346] and a scrap completed February 25, 1837 by silhouette sitter Miss Anne Sophia Billmeyer, Germantown containing manuscript notes related to religious values and morals, possibly notes from a sermon, also form the collection [P.2010.29.17]., Sitters identified by inscriptions include Lydia Biddle; Paulus Brzostowski; Isaac Collins, Jr.; William Dilworth; Rebecca Gratz; Rubens Peale; Robert Pearsall, Sr.; Robert Pearsall, Jr.; Benjamin Say, Thomas Shillitoe; John Snyder, Jr.; Benjain West; and Moses Williams. Surnames of other identified sitters include Bartram, Lansadale, Caldwell, Collins, Headley, Logan, and Smith., Title supplied by cataloger., Several blindstamped: Museum or Peale's Museum [with image of eagle]., Some blindstamped: Day's Patent or Todd's Patent., Some sitters identified by inscriptions on recto or verso. Some inscriptions illegible., Some annotated with addresses, or a number, or a series of sequential numbers., One of albums (P.9347) accompanied by list of sitters written in manuscript., Artists include Raphaelle Peale, William James Hubard, T. P. Jones, Moses Williams, Martha Ann Honeywell, J. M'Conachy, Isaac Todd, and Augustus Day., P.9339.22c blindstamped: T. P. Jones, fecit., P.9341.31d blindstamped: J. M'Conachy., P.2012.3 mounted on textile and suggested, but doubtfully by Martha Ann Honeywell., Silhouette of Rebecca Gratz [8146.F] inscribed: Cut with scissors by Master Hubbard without Drawing Machine. Accompanied by manuscript letter signed R. Gratz, secy., Silhouettte of John Snyder, Jr. [P.9343.1] inscribed: Cut by M. Honeywell with the mouth., Silhouette of Mr. Shaw's Blackman [P.9339.59a] attributed to Moses Williams., Silhouette of Moses Williams [(3) 5750.F.153b] possibly by Moses Williams or possibly by Raphaelle Peale., P.9340.80 contains manuscript note: Mr. Gill will call for two pictures in frames paid for [pr J. L. S.?], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., P.9339-P.9343 and P.9346 & P.9347 bequest of James Rush, 1869., P.9686 gift of Elizabeth McLean., Three of collection [P.2012.1.1-3] transferred from Things Found in Books Collection., Index to identified sitters available at repository.
Date: [ca. 1803-ca. 1841]
Location: Library Company of Philadelphia | Print Department Silhouette Collection [5306.F.144 c1; (3)5750.F.39 1/2d(v); (3)5750.F.153b; 8146.F; 8416.F; P.9339; P.9340; P.9341; P.9342; P.9343; P.9346; P.9347; P.9686; P.2010.29.1-17; P.2012.1.1-3; P.2012.3]

Title: [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
Description: Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
Creator: Browne, John C. (John Coates), 1838-1918, photographer
Date: [1882-1886]
Location: Library Company of Philadelphia | Print Department albums [P.9318]

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