Block numbered in two places: 7028, also 1798 on small label on back of block., Image of an older man holding a cane, waving or gesturing to a boy who waves with one hand and carries a small pack in his other hand; behind the boy is a carriage or coach, with two men sitting in the driver’s box and another person entering; a man wearing a kepi stands at the side of the coach, holding a bugle at his side; likely a Civil War scene., “N.J. Wemmer & Son [Phila.] 215 Pear St.” – Back of block in two places. I.e. Nelson J. Wemmer.
Block numbered in one place: 7054, also 1741 on small adhesive label on back of block., Image of a man pushing or guiding a girl toward a woman sitting on a small sofa or fainting couch; the girl looks back and up at the man and holds one of his hands, and extends the other toward the woman; the woman leans against the arm of the sofa; the bottom half of a portrait of a man is visible on the wall behind the sofa., “[V] Grottenthaler [?]” — Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., “[?] 296” – Inscribed on back of block., Back of block partially obscured by small pasted-down paper., Illustration appears in Child's world, v. 15 no. 11 (1876), p. 3., Illustration also appears in Jessie Burton; or, danger in delay (Philadelphia, 1869), opp. p. 317.
Block numbered in two places: 7059., Image of two girls in the foreground speaking and gesturing over a fence to a man in a tall hat with a pipe; a tree and building are visible on the far side of the fence., Signed: VI-S [i.e. Van Ingen-Snyder]. Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active between 1853 and 1871., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “ K[?] Christmas T[?] p. 120-2[?]– Inscribed on back of block., Back of block obscured partially by pasted-down paper.
Block numbered in two places: 7073, also 1439 on small adhesive label on back of block., Image of two men; the standing man looks toward the other man, who sits up in a four-poster bed, and extends his arms slightly; the man in bed may be reacting with fright or surprise, as it appears that several books have fallen from the bottom of his bed., Back of block (and wood dealer’s imprint) partially obscured by pasted-down paper on back of block.
Block numbered in two places: 7106, also 8006 [?] in two places (both defaced), and 1385 on small adhesive label on back of block., Image of a lion attaching a man (or boy) in a rocky landscape; one of his arms is in the lion's mouth; he holds a small knife in his other hand; a small animal (possibly a lamb) appears to be beside him., 'N.J. Wemmer 215 Pear St. Phila" Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Block numbered in two places: 7110, also 71010, 8010 in two places (defaced in one place), 1014 on small adhesive label on back of block., Image of a child gesturing to a man while resting his other hand on the man’s knee; the man regards the child and gestures with one of his hands; the man is bearded and wears some kind of robe or tunic; behind him is a table with what appears to be various pieces of silverwork on it., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Block numbered in one place: 7114, also 8014 in two places (defaced), and 1464 on small adhesive label on back of block., Image of a man in a throne or large chair beside a low table; a younger man pour a drink into the seated man’s chalice; the seated man rests his hand on the shoulder of a young boy who faces or walks away; all wear tonic, and the clothing and furniture suggest a historical setting, perhaps Classical or Medieval.
Block numbered in two places: 7117, also 1109 on small adhesive label on back of block, also 8017 in two places (defaced)., Image of men climbing in a rocky landscape, many carrying bowls or basins with them; a boy in the foreground appears to be reaching for something which glints, suggesting that the men may be searching for gold or something similar in the rocks; a slender woman with long loose hair wearing a long draped garment stands to the side., Signed: I.F. [?], "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., Illegible inscription on back of block.
Block numbered in two places: 7118, also 8018 in two places (both defaced)., Image of nine small illustrations; in the first four a squirrel retrieves and then drops a nut; in the next five a tree grows where the nut was dropped, and the tree is cut for wood used to construct a church., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., Illustration appears in Child's world, v. 27 no 7 (1870), p. 1.
Numbered in one place: 7165, also 1078 on small adhesive label on back of block., Image of a standing man in the woods facing a seated man; the seated man sits facing away from the first man, but twists his torso and head to the side and shields or covers his face; the first man holds one hand clenched, and the seated man appears to hold a handkerchief or cloth in the hand by his side., “V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “Wh [?] Adams Pg. 102” – Inscribed on back of block.
Block numbered in two places: 7179, also 1062 on small adhesive label on back of block., Image of two women sitting at a table eating and watching a small girl who stands on the seat of a chair holding what appears to be half a piece of bread; a man stands behind the girl and supports her., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “Sil[ver] Shore [?]” – Inscribed on back of block.
Block numbered in two places: 7202, also 1006 on small adhesive label on back of block., Image of a stooping elderly man and a small dog facing a girl who is standing or hiding behind a coat hung on a wall hook, perhaps as part of a game., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Block numbered in one place: 7208, also 932 on small adhesive label on back of block., Image of a man in a top hat grasping the upper arms of a woman who leans forward slightly; behind that man stands another in front of an open gate; a small stands behind the gate and looks on., Back of block partially obscured by pasted-down piece of paper.
Block numbered in two places: 7209, also 963 on small adhesive label on back of block., Image of a standing woman regarding a seated elderly man; she appears to be tying or untying her bonnet., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Block numbered in one place: 7221, also 970 on small adhesive label on back of block., Image of a woman standing on the stoop of a house beside a man sitting on a bench or chair; another man faces them, holding one hand toward them and holding a pair of scissors in his other hand., Back of block partially obscured by pasted-down piece of paper.
Block numbered in two places: 7237, also 9 on small adhesive label on back of block., Image of boys bathing or swimming nude near the shore of a body of water; two men in the distance stand on the shore, one pointing toward what appears to be some kind of obelisk or tall natural land form; further in the distance are several hills and a small building with a fence.
Block numbered in two places: 7241, also 1074 on small adhesive label on back of block., Image of four men and a woman outdoors; all stand except for one man who sits with one knee pulled up, and the standing woman carries a small child in a wrap on her back; the men wear loose draped garments, sashes, and appear to have collars on their clothes; one appears to have a small mustache; behind them are several palm trees., N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Block numbered in two places: 7248, also 1069 on small adhesive label on back of block., Image of young men or older boys standing on a sidewalk; one holds something, perhaps a lantern or book strap, from his hand, and points toward a woman and man standing in the street., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., Signed; Vaningen-Snyder [i.e. Van Ingen & Snyder]; Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active between 1853 and 1871., Inscription on back of block partially obscured by adhesive label.
Block numbered in two places: 7495., Image of a man in bed, raising his hand slightly; a woman wearing a head covering and earrings stands at the foot of the bed, holding up a skirt or shawl with one hand and reaching her other hand toward the footboard; a young man wearing a tunic or short sarong kneels by the side of the bed; a small table beside the bed holds a bowl and a mug; a small framed painting, a wall hook and coat, and a mantel holding several vessels are on the wall on the other side of the bed.
Block numbered in two places: 7500, also 1645 on small adhesive label on back of block., Image of two standing women, a kneeling man, and a small girl holding a doll; one woman leans over to look at something the man holds in his hand. They appear to be unpacking a trunk. A mallet, a chisel, and books are strewn in the foreground., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., Signed: B.
Block numbered in one places: 7830, also 1708 on small adhesive label on back of block., Image of three bearded men in long robes on different parts of a flat roof with a wall around it ; one sits; another stands, and a third looks over the wall while holding a staff; palm trees, other trees, the spire of a building, and the tops of other buildings are visible., Back of block partially obscured by pasted-down piece of paper.
Block numbered in two places: 7841, also 1625 on small adhesive label on back of block., Image of a man in a long coat and a hat with a wide brim standing behind a slightly couching woman wearing flowing robes, bangles, and an elaborate head piece; she looks over her shoulder at the man; it is unclear whether he is restraining her or whether they are moving in a direction together., “[?]ntispiec” – Obscured, inscribed on back of block., “La[uder]bach [obscured] 4 Phila” – Inscribed on back of block., Signed with unidentified monogram.
Block numbered in two places: 7875, also 1683 on small adhesive label on back of block., Block numbered in two places: 7875, also 1683 on small adhesive label on back of block., Signed: Lauderbach [i.e., James W. Lauderbach?]
Block numbered in two places: 7933, also 1914 on small adhesive label on back of block., Image of a man reading a sheet of paper he holds in one hand while two seated women look on; behind them is a fireplace with a lamp, a candle, a pitcher and a few other objects on it., Signed: Lauderbach Sc. [i.e., James W. Lauderbach?], Illegible inscription on back of block.
Block numbered in one places: 8052., Image of three men making their way through rocky terrain, possibly during a snow or sand storm; two men ride horses and have visible beards; the third walks, carrying a staff and holding his cape or cloak over his nose and mouth; the three men wear hats, possibly pakuls., Signed: V [?], sc., Back of block covered by taped-down paper, with the illustration printed on it., Illustration appears in Child's world, v. 17 no. 3 (1878), p. 1.
Block numbered in two places: 8149, also 1202 on small adhesive label on back of block., Image of two men standing indoors grasping hands; one stands facing the open door and the other stands on a mat just inside, looking down and holding his hat under his other hand., Signed: Lauderbach Sc. [i.e., James W. Lauderbach?]
Block numbered in two places: 8280, also 1207 on small adhesive label on back of block., Image of two women and a man standing indoors; one woman extends her hand toward the man, who holds a top hat in his hand, as the other woman looks on., Signed: Dalziel & Markley., “Dalziel & Markley [?]ers and [?] Wood and Metal Book Illumination And [?] 706 Arch [St. Philadelph]ia” – Back of block., “[Laura’s?] [?]” – Back of block.
Block numbered in two places: 8355, also 1159 on small adhesive label on back of block., Image of several boys in a classroom holding slates in front of them; most look ahead but the boy in the foreground grasps his slate loosely in one hand and looks at the ground; a man stands to their side while another man on a small raised platform sits at or beside a desk; the floors of the room are wooden and there appears to be a map on the wall., Signed: B., "V. Grottenthaler, Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., “[?] Bible” – Illegible writing on back of block.
Block numbered in one place: 8672., Image of four people in what appears to be a kitchen; a boy or young man stands beside a broken object on the floor and holds a broom; a woman points at either the boy or the object; another young man stands behind the woman; a second woman stands behind her holding something, possibly a plate., Signed: F.E.L.
Block numbered in two places: 8691, also 1866 on small adhesive label on back of block., Image of two seated women observing a standing man who holds his long coat open with one hand; a child appears to be sleeping on the ground at the man’s feet; one of the women is wearing a wimple or headdress, possibly suggesting a medieval setting., Signed: N. Bryant, Sc., “V. Grottenthaler Phila.” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876.
Block numbered in two places: 8824., Portrait of Stephen Paxson, a missionary for the American Sunday-School Union who was nicknamed "Stuttering Stephen"; in the waist-length portrait Paxson has a goatee., Signed: A.H. Markley Phila. sc., “V. Grot[tenthaler] [?] P[hila.]” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., Illustration appears in A fruitful life: a narrative of the experience and missionary labors of Stephen Paxson (Philadelphia, 1882), frontispiece.
Block numbered in two places: 8825., Waist-length portrait of John Adams, who founded many Sunday schools., Signed: A.H. Markley, sc., “V. Grottenthaler [?]” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., Illustration appears in A fruitful life: a narrative of the experience and missionary labors of Stephen Paxson (Philadelphia, 1882), opp. p. 47.
Block numbered in two places: 9220, also 1462 on small adhesive label on back of block., Image of girl lying in bed, her left forearm attached with bandages to a splint; a drinking glass and two bottles are on a table beside her; in the space around this circular image are a thin fruit tree, two goats pulling an open carriage, and a seated girl with arms crossed beside a man holding a cane and wearing a tall pointed hat., V. Grottenthaler Phila. – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876.
Block numbered in two places: 9246, also 1779 on small adhesive label on back of block., Image of a man and a woman sitting on wooden chairs in front of a mantel; the woman wears a bonnet or mob cap and regards the bearded man, who holds a small child on his lap; the child stands and reaches for the man’s hair., Signed: R.G.J. Sc., “Grot[tentha]ler” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., Wood engraving (Process), End-grain blocks.
Block numbered in two places: 9336., Image of a man on the steps of a porch gesturing with his hand, as two men standing in the road regard him from over a fence; one man has a hand on his hip and holds either a box or several books in the crook of the same arm; the other man appears to be holding a small bundle over his shoulder., Signed: J Dalziel [i.e. John Dalziel.], “Wemmer [?] Philada” – Back of block. [I.e. Nelson J. Wemmer.], “Snares and SafeGuards” – Inscribed on back of block., Illustration appears in Snares and safeguards, frontispiece.
Block numbered in one place: 9337, also 1472 on small adhesive label on back of block., Image of what appears to be the interior of a barn with a mezzanine running along the three visible walls; several men are in the barn along with two camels; one man stands barefoot in the middle of the barn on a small rug, others sit in a circle toward the wall, and more men stand among bales or packages; the men appear to be wearing headdresses of some kind, perhaps keffiyeh., Back of block obscured by pasted-down paper.
Block numbered in two places: 9341, also 1605., Image of a bearded man wearing a flowing garment and a head wrap or cap; he holds a thin ornamented rod or stick in one hand and sits cross-legged, staring ahead of him and to the side., Back of block partially obscured by pasted-down piece of paper.
Block numbered in two places: 9397, also 1384 on small adhesive label on back of block., Image of a young man and woman seated in a boat; the long-haired woman holds what appear to be leaves or flowers in her lap, and trails one small branch or vine in the water; the man sits immediately behind her and regards her turned face; the woman’s long full sleeves and the man’s small decorated cap suggest a historical setting – possibly Renaissance; a small hill on the shore is visible behind the boat.
Block numbered in one place: 9398, also 1392 on small adhesive label on back of block., Image of a man and a woman in a boat; the man stands and the woman sits, with the small child hiding its face in her lap; a hilly, empty shoreline is visible behind them., Back of block partially obscured by pasted-down paper.
Block numbered in one place: 9400, also 1224 on small adhesive label on back of block., Image of a man and a woman in a small boat; the woman wears a bonnet and holds a basket or woven bag in her lap; the man, who wears a tall hat rests his chin on his clasped hands, possibly leaning on a small cane; behind the boat a short distance away is a spired building on the shore, likely a church.
Block numbered in one place: 9467, also 116 on small adhesive label on back of block., Image of a dervish standing in profile, wearing a loose garment and a pointed hat., Back of block covered by pasted-down paper., Illustration appears in Home and work by the rivers of Eden (Philadelphia, 1888), p. 90.
Block numbered in two places: 9470., Image of a man wearing a turban and holding a thin staff; he wears layered clothing, including a tunic reaching to mid-calf, a thick sash around the waist, and a cloak or shirt with loose sleeves; a small cat sits at the man’s side., Signed: EAH., “A Koord and his Angora Cat.” – Inscribed on side of block., “92 [obscured] Hair of [?]” – Inscribed on back of block., Illustration appears in Home and work by the rivers of Eden (Philadelphia, 1888), p. 31.
Shows men getting their shoes shined at the Automatic Electric Shoe Shining Company of Philadelphia at the 1300 block of Market Street, Philadelphia. The shoe shining booths line the perimeter. Men, attired in boater hats and suits, stand with one foot on the ground and one foot in the electric shoe shiner. In the right, a man, attired in a suit and tie, sits at the ticket booth under a sign, “Get your tickets here. 8 shines for 25c. One ticket good for both shoes.” Standing in the center is African American man, attired in a uniform and cap, holding a rag., Title supplied by cataloger., Gift of Matthew Schultz, 1998., Description revised 2022., Access points revised 2022., One of the images [P.9645.203] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 59., Arcadia caption text: At the turn of the century the Automatic Electric Shoe Shining Company of Philadelphia opened its first parlor on the north side of the 1300 block of Market Street. For a nickel, customers could enjoy the latest technological wonder, a machine designed to shine either black or tan shoes. The African American attendant standing in the center of this c. 1900 photograph holding a rag probably buffed the customers’ shoes. According to the large advertisement above the door, the company planned to open 15 parlors in Philadelphia., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Levis, Seth Pancoast, photographer
Date
1900
Location
Library Company of Philadelphia | Print Department glass negatives - Levis [P.9645.203 & 584]
Racist trade card promoting Dr. J.C. Ayer & Co.’s Cathartic Pills and depicting a caricature of an older African American man doctor administering Ayer’s pills to an infant girl on his lap. Shows the African American man with white hair and a white beard, attired in spectacles, a brown hat, a white collared shirt, a brown bow tie, a green waistcoat, a green jacket, green pants, and black shoes. He sits on a wooden chair and holds an infant African American girl, attired in a red dress with yellow polka dots and a white collar, on his lap. In his left hand he carries a box filled with white pills, and in his right hand he holds a single white pill. The infant carries a pamphlet labeled "Ayer’s pills" in her hands. In the left, a barefooted African American boy, attired in a blue and white checked shirt and orange and yellow striped overalls, kneels beside the chair and looks on. On the ground in front of the boy is an open medicine bag labeled “Dr. Bolus” and filled with containers labeled, Ayers. James Cook Ayer (1818-1878) was a successful patent medicine manufacturer who estabished a factory in Lowell, Mass. After his death, J.C. Ayer & Co. continued to manufacture medicine under the management of his brother Frederick Ayer (1822-1918). After Frederick's death, the company continued to operate under the management of family members and professional managers until it left Lowell in 1943., Title from item., Publication information and date from the copyright statement: Copyright, 1883, By J.C. Ayer & Co., Lowell, Mass., Advertising text printed on verso: Ayer’s pills supply the universal want of a safe and reliable purgative medicine. The disorders which they are designed to cure, and for which they prove a sure remedy, are all caused by the derangement of one or more of the digestive and assimilative organs, and include constipation or costiveness, indigestion, dyspepsia, biliousness, heartburn, loss of appetite, flatulency, foul stomach, nausea, dizziness, headache, numbness, jaundice, diarrhoea, dysentery, and disorders of the liver. Eruptions and skin diseases, and piles, when the result of indigestion or constipation, are cured by the use of Ayer’s pills. They are, also, often the best remedy for rheumatism, gout, neuralgia, dropsy, kidney complaints, and other disorders arising from a reduced condition of the system, or the obstruction of its functions. In colds they operate beneficially by opening the pores, removing inflammatory secretions, and allaying fever. Ayer’s pills are made of vegetable ingredients only, and may be administered even to children with perfect safety. They are sugar-coated, and pleasant to take; and for all the purposes of a cathartic medicine they are unequalled. Ayers’ pills are usually put up in oval wooden boxes; but for hot and damp climates, and for export, in sealed glass vials, as above represented. Sold by., Text printed on verso: “The Country Doctor.” A fine Chromo-Lithograph (7 ½ x 13 inches, in “Statuette” style) of this original and popular subject, will be sent, post-paid, to any address, with a set of our elegant Album Cards, on receipt of 10 cents in cash or postage stamps. Address, Dr. J.C. Ayer & Co., Lowell, Mass., Gift of David Doret.
Date
1883
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - J.C. Ayer [P.2017.95.91]
Series of illustrated trade cards for jewellers and silversmiths Bailey, Banks & Biddle. Illustrations depict cherubs playing with a flower garland; three fish and a seashell pattern on an ornate, gilt-stamped card; a ship at sea visible through a keyhole arch; and a man studying ancient pottery and porcelain. The partnership of Bailey, Banks & Biddle was formed in 1878 and operated from Twelfth and Chestnut Streets until 1953. Its assets were sold to the Zale Jewelry Company in 1961., Title supplied by cataloger., Three prints [1975.F.50, 1975.F.52, 1975.F.162] contain advertising text on rectos or versos for the Stationery Department of Bailey, Banks & Biddle. Stationery items "made expressly to order by Messrs. Goodall & Son, London". Two prints [1975.F.50; 1975.F.31] contain calendars on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880-1900]
Location
Library Company of Philadelphia | Print Department trade card - Bailey, Banks & Biddle [1975.F.31; 1975.F.32; 1975.F.50; 1975.F.52;1975.F.162]
Film negative showing an African American men’s marching band playing on the lawn at the Hampton Institute. The men, attired in uniforms and caps, stand in rows and play a variety of instruments including brass, woodwind, and drums. In the background is a building with ivy-covered walls and an audience of men and women watching the musicians. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington., Originally located in negative album [P.2013.13a], Gift of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris, 2013., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
April 24, 1912
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.462]
Film negative showing a marching band leading a procession of African American women through two straight rows of African American men, attired in in uniforms and caps, at Hampton Institute. In the foreground, the African American men play their musical instruments while marching in five columns. Flanking them, the men stand at attention holding their hats to their chests. Following the band are several men carrying flags and the women, attired in white dresses, walking in rows. In the left, a crowd of white and African American men and women watch the scene. In the background, is the Hampton River where several boats sail and trees grow along the banks. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington., Originally located in negative album [P.2013.13a], Gift of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris, 2013., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
April 24, 1912
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.467]
Film negative showing a marching band playing while a crowd of spectators looks on at Hampton Institute. The African American men musicians, attired in uniforms and caps, play their instruments and march down a walkway. Flanking them are white and African American men and women who watch. In the left is a brick building covered with ivy with several more buildings in the background. Trees line the walkway. Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington., Originally located in negative album [P.2013.13a], Gift of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris, 2013., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
April 24, 1912
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.468]
Street scene with a view of the Bank of the United States on Third Street. Shows groups of men in conversation, couples strolling the sidewalk, and individuals walking up the bank's steps. View also includes, horse-drawn carts traveling in the street and, in the right, an African American man laborer working with wood scraps in front of a nearby building. Designed by Samuel Blodget, Jr., the Federal-style building was completed in 1797 and housed the first Bank of the United States until revocation of the bank's charter by Congress in 1811. Purchased by wealthy Philadelphian Stephen Girard, the building became "Girard's Bank," and operated on the site for the next twenty years., Title from item., Reproduced in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 17., Gift of James D. Johnson, 1995., Description revised 2021., Access points revised 2021.
Creator
W. Birch & Son
Date
1799
Location
Library Company of Philadelphia | Print Department Birch's views [Sn 17a/P.9485]
Image is set Lynchburg, Virginia, where a party of African American men rest on the bank of the River James. A row-boat and two oars are visible in the left foreground; a wagon occupies the background., Illustration in Harper's New Monthly Magazine, vol. 12, no. 68 (January 1856), p. 174., Engraving accompanies Porte Crayon's [i.e., David Hunter Srother's] "Virginia Illustrated. Adventures of Porte Crayon and his Cousins," which was published in book form in 1857. See David Hunter Strother, Virginia Illustrated (New York: Harper & Brothers, 1857)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date
[January 1856]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 12 n 68 January 1856 p 174, https://digital.librarycompany.org/islandora/object/Islandora%3A2869