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Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: Centennial Exhibition and Philadelphia [viewbook]
Description: Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date: c1876
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Souvenirs [P.2008.36.47]

Title: [Unnumbered plate and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Unnumbered plates showing a section of the 900 block (256-305) of Chestnut Street. South side includes T. W. Dufrenes, Ornamental Stone Works (260-262); F. A. Hoyt, Boys’ Clothing (264); [E. N.] Scherrs’ Piano Forte Ware Rooms (266); E. Ferrett & Co., Pianos & Music (268); and John Bringhurst, Druggist (272). North side includes Simon Colton, [G]rocer (305) and B. E. Moore, Tailor (301). “Boy’s Clothing” signage (264) included on plate as pasted detail., Accompanying advertisements promote six of the businesses depicted as well as businesses from complementary plate, including Moore, Markoe House, Colton, Scherr, Ferrett, and Bringhurst. Advertisements contain ornamented type and two (Markoe House and Colton) contain lines of promotional text., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.14]. Inscribed in pencil 295, 297, 299., Folder 17.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 17 [*Am 1851 Rae, 2975.Q]

Title: [Advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Advertisements predominantly for sponsoring businesses not located on Chestnut Street, including George S. Storr’s Chemical Hair Invigorator, No. 68 North Eighth Street; H. P. & W. C. Taylor, Manufacturers of the Only Real Transparent Soap, Ninth, between Green & Coates Street; E. G. A. Baker, Manufacturing Jeweler, Northeast corner Branch & Fourth Streets; T. L. Buckingham, Dentist, 162 Race Street, below Fifth; music publisher Lee & Walker, 162 Chestnut Street; and C. G. Henderson & Co. Philadelphia Central Book & Stationery Warehouse, 164 Chestnut Street. Most of the advertisements contain several lines of promotional text. Storr’s text details the results of use of the product, including prevention of premature grayness and improved disposition of curled hair; testimonials; and a word of caution about impostors. Lee & Walker promote their title list, including asterisked items containing a lithograph cover. Henderson & Co. notes the "aim of proprietors to sell at the lowest rates"; "the Beauty and Elegance of Its Pictorial Department"; and their stationery merchandise. Taylor advertisement promotes their award wining and new varieties of soap, as well as contains a wood engraving of the exterior of the factory on the 600 block of North Ninth Street. Image includes a train traveling toward the building and pedestrians and a patron in front of the building., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 18.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 18 [*Am 1851 Rae, 2975.Q]

Title: [Advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Advertisements predominantly for sponsoring businesses not located on Chestnut Street, including George S. Storr’s Chemical Hair Invigorator, No. 68 North Eighth Street; H. P. & W. C. Taylor, Manufacturers of the Only Real Transparent Soap, Ninth, between Green & Coates Street; E. G. A. Baker, Manufacturing Jeweler, Northeast corner Branch & Fourth Streets; T. L. Buckingham, Dentist, 162 Race Street, below Fifth; music publisher Lee & Walker, 162 Chestnut Street; and C. G. Henderson & Co. Philadelphia Central Book & Stationery Warehouse, 164 Chestnut Street. Most of the advertisements contain several lines of promotional text. Storr’s text details the results of use of the product, including prevention of premature grayness and improved disposition of curled hair; testimonials; and a word of caution about impostors. Lee & Walker promote their title list, including asterisked items containing a lithograph cover. Henderson & Co. notes the "aim of proprietors to sell at the lowest rates"; "the Beauty and Elegance of Its Pictorial Department"; and their stationery merchandise. Taylor advertisement promotes their award wining and new varieties of soap, as well as contains a wood engraving of the exterior of the factory on the 600 block of North Ninth Street. Image includes a train traveling toward the building and pedestrians and a patron in front of the building., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 18.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 18 [*Am 1851 Rae, 2975.Q]

Title: [Unnumbered plate and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Unnumbered plates showing a section of the 900 block (256-305) of Chestnut Street. South side includes T. W. Dufrenes, Ornamental Stone Works (260-262); F. A. Hoyt, Boys’ Clothing (264); [E. N.] Scherrs’ Piano Forte Ware Rooms (266); E. Ferrett & Co., Pianos & Music (268); and John Bringhurst, Druggist (272). North side includes Simon Colton, [G]rocer (305) and B. E. Moore, Tailor (301). “Boy’s Clothing” signage (264) included on plate as pasted detail., Accompanying advertisements promote six of the businesses depicted as well as businesses from complementary plate, including Moore, Markoe House, Colton, Scherr, Ferrett, and Bringhurst. Advertisements contain ornamented type and two (Markoe House and Colton) contain lines of promotional text., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.14]. Inscribed in pencil 295, 297, 299., Folder 17.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 17 [*Am 1851 Rae, 2975.Q]

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The peoples' favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent, William Early, officer ... Look at this bill for Christmas week Programme for this evening: ... Bijou Minstrels! ... The school ... Grand impalement feat! ... Imitations! of dogs, cats, monkeys, apes, chickens, goats, horses, turkeys and geese, ... Medical college! by the Corkonians. ... Turning the tables! ... To conclude with the comic pantomime of Paul and Julia or Troubles in a kitchen. ... On Christmas Day three grand performances, at 10 in the morning, half-past 2 in the afternoon, and half-past 7 in the evening. Miss Nellie Taylor, Philadelphia's favorite vocalist, is engaged, and will positively make her first appearance Monday, January 4th, 1864. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Performers include: Billy Boyd, Carrie Carson, Harry Enochs, Helene Smith, Tom Vance, Dave Williams, Ida Williams, Sammy Williams, and Billy Wright., "Card.--The management takes pleasure in informing his patrons, and the public generally, that the Bijou is next door to the Arch St. Theatre, easy of access, and the only place in the city entitled to the name. Gentlemen visiting here will find none of the difficulties pertaining to second floor and basement establishments. Our latch-strings are always out, and no pitfalls around the threshold.", Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1863 (27)5761.F.1a (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The peoples' favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent ... First appearance of Philadelphia's favorite vocalist, Miss Nellie Taylor! Aeso [sic], Miss Ella Ogden, the beautiful vocalist Programme for this evening: ... Bijou Minstrels! ... Take-it-and-leave, man! ... Imitations! by the great Billy Boyd ... Who stole them chickens ... 3 crows! ... To conclude with, and most positively the last week of the comic pantomime of Paul and Julia or Troubles in a kitchen. ... Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Nellie Taylor was advertised to appear at the Bijou Music Hall Jan. 4, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Carrie Carson, Harry Enochs, Helene Smith, Tom Vance, Dave Williams, and Billy Wright., "Card.--The management takes pleasure in informing his patrons, and the public generally, that the Bijou is next door to the Arch St. Theatre, easy of access, and the only place in the city entitled to the name. Gentlemen visiting here will find none of the difficulties pertaining to second floor and basement establishments. Our latch-strings are always out, and no pitfalls around the threshold.", Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (27)5761.F.2a (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent Officer, Wm. Early ... First week of the accomplished vocalist, Miss Ada Tesman! Second successful week of the sweet balladist, Miss Nellie Taylor! Programme for this evening: ... Bijou Minstrels! ... Take-it-and-leave, man! ... Dumb man of Gin-o-ah ... Imitations! ... An awkward predicament! ... The adventures of a lieutenant ... To conclude with the laughable afrerpiece [sic] The Rush-in ball: ... Thursday evening, Jan. 14th, benefit of Helene Smith Friday evening, Jan. 15th, benefit of a wounded soldier of the 118th Regiment Pennsylvania Volunteers. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Jan. 14 fell on a Thursday in 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Billy Boyd, Carrie Carson, Harry Enochs, Tom Vance, Dave Williams, and Billy Wright., "Card.--The management takes pleasure in informing his patrons, and the public generally, that the Bijou is next door to the Arch St. Theatre, easy of access, and the only place in the city entitled to the name. Gentlemen visiting here will find none of the difficulties pertaining to second floor and basement establishments. Our latch-strings are always out, and no pitfalls around the threshold.", Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.141b (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent Officer, Wm. Early ... Immense success of Miss Nellie Taylor, Philadelphia's favorite--also of Jimmy Quinn, the great Ethiopian comedian. Programme for this evening: ... Bijou Minstrels! ... Othello: ... Pilgrim fathers, ... Wonderful imitations! ... Intrusive nigger! ... Ten-pin Johnny ... Castinet duet ... To conclude with, for three nights only, the laughable negro farce of Two in a bed ... Thursday night, Feb. 4, benefit of Billy Boyd on which occasion will be produced The Virginny mummy. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Feb. 4 fell on a Thursday in 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Carrie Carson, Harry Enochs, Helene Smith, Tom Vance, Dave Williams, and Billy Wright., "Card.--The management takes pleasure in informing his patrons, and the public generally, that the Bijou is next door to the Arch St. Theatre, easy of access, and the only place in the city entitled to the name. Gentlemen visiting here will find none of the difficulties pertaining to second floor and basement establishments. Our latch-strings are always out, and no pitfalls around the threshold.", Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.136a (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent Officer, A. Lake ... The manager takes great pleasure to announce to his patrons that he has made an engagement, for one week only, commencing Monday evening, Feb. 22d, with the champion jig dancer of the world, Hank Mason! who challenges any man or boy, white or black, for one thousand dollars. Don't fail to see him. Miss Nellie Taylor & Ada Tesman the immense favorites. Boyd, Williams, Quinn, Sparks, Wright and Enochs the great Ethiopian comedians, in new acts. Programme for this evening: ... Bijou Minstrels! ... Take-it-and-leave, man! ... Colored philosophers! ... The garroters! ... Castinet duet, ... Run for life ... To conclude (by request) with the musical farce of The Swiss cottage ... Thursday evening, grand complimentary benefit to Hank Mason, on which occasion a splendid silver-mounted banjo will be presented to the best banjoist; also a silver goblet to the best jig dancer. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Feb. 22 fell on a Monday in 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Helene Smith, and Tom Vance., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (27)5761.F.1b (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent Officer, A. Lake Another bright star--Mr Leon Berger! The St. Louis favorite--his first appearance. The manager takes great pleasure to announce to his patrons that he has made an engagement, for one week longer, of the champion jig dancer of the world. Hank Mason! who challenges any man or boy, white or black, for one thousand dollars. Don't fail to see him, for this is your last chance prior to his departure for California. Nellie Taylor, Ada Tesman and Helene Smith. Programme for this evening: ... Bijou Minstrels! ... Imitations by the great Billy Boyd. ... Deaf as a post! ... Running the blockade: ... The Crow family, ... The whole to conclude with the laughable farce, entitled The old clock! ... Concluding with the grand plantation scene, entitled How are you, greenbacks? By the whole strength of the company. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Hank Mason's first week at the Bijou Music Hall began Feb. 22, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Billy Boyd, Jimmy Quinn, Tom Vance, Dave Williams, and Billy Wright., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.127b (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent Officer, A. Lake First week of Louisa St. Croix, J. Clark Wells, and Mast. Bobby Programme for this evening: ... Bijou Minstrels! ... Malicious trespassing! ... Landing of Columbus, ... Imitations by the great Billy Boyd. ... Balloon ascension! ... Adventures of a night ... Old heads and young hearts! .... To conclude with a new and original farce, by J. Clark Wells, entitled Julius Crow or, Going to the convention! ... Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Leon Berger's first week at the Bijou Music Hall began Feb. 29, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Leon Berger, Billy Boyd, Harry Enochs, Jimmy Quinn, Helene Smith, Nellie Taylor, Tom Vance, Dave Williams, and Billy Wright., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.125b (McAllister)

Title: The Bijou Music Hall, No. 607 Arch Street, next door below the theatre Harry Enochs, sole lessee C. McMillan, acting and stage manager J. Nosher, musical director First appearance of Miss Adelaide Miller. First appearance of Dave Williams. The great banjo player. First appearance of Harry Harrington the favorite balladist. Programme for this evening. ... Bijou Minstrels. ... Rise and fall of stocks! ... The stranger! A tragedie. ... Great prize fight! ... The whole to conclude with the laughable farce, entitled Pat's blunders characters by the company. A grand matinee every Saturday at 2 o'clock for ladies and children. Admission, Parquet, 15 cents Orchestra chairs, 25 cents Private boxes, $2.00 Single seats, 50 cents Doors open at 7 o'clock. Performance commence quarter-before 8
Description: Adelaide Miller's first appearance at the Bijou Music Hall was advertised for Nov. 2, 1863; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Billy Boyd, Ellen Colene, Dora Dawson, Denny Gallagher, Billy Holmes, Lida Levans, and C. McMillan., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1863 (26)5761.F.138b (McAllister)

Title: The Bijou Music Hall, No. 607 Arch Street, next door below the theatre Harry Enochs, sole lessee P.A. Fitzgerald, stage manager J. Nosher, musical director Programme for this evening. ... Bijou Minstrels. ... The school ... Deaf as a post, ... Black brigade ... Grand impalement act, ... To conclude with the laughable episode of Two in a bed! ... Monday evening, Nov. 30th, first appearance of the Western favorite and vocalist, Miss Julie Dawson. Will soon appear, the delightful songstress, Miss Nellie Taylor. Thanksgiving afternoon, a grand performance in which the entire company will participate. Grand matinee every Saturday at half past 2 o'clk for ladies and children. Admission, Parquet, 15 cents Orchestra chairs, 25 cents Private boxes, $2.00 Single seats, 50 cents Doors open at 7 o'clock. Performance commence quarter-before 8
Description: Nov. 30 fell on a Monday in 1863; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Performers include: Billy Boyd, Kate Covington, Harry Enochs, Harry Harrington, Billy Holmes, J. Kelchner, Lida Levans, Adelaide Miller, Tom Vance, Dave Williams, Sammy Williams, and Billy Wright., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1863 (26)5761.F.125a (McAllister)

Title: Fattie Stewart's Apollo Free Concert Hall Fattie Stewart, proprietor J.E. Gilligan, stage manager Prof. Robinson, leader of orchestra We strive to please! Success rewards our efforts! Entire change of programme. Look at the talent. Miss Ida Furr, Mr F. Alexander, Mr Samuel Williams, Miss Martin, Mr J.E. Gilligan, Mr Robinson, Mast. Tommy, Fattie Stewart! Programme for this evening ... Not to be shaken ... Grand posturing act, ... The bill-posters' dream! ... He would be an actor! ... A nigger in a fix! ... The whole to conclude with scenes from the opera of Lucia di Lammermoor in which the whole company will appear. Admission, ten cents including refreshment ticket, doors open at 7. Commence quarter to 8 No boys admitted. Best of liquors, cigars and lager beer, constantly on hand at the bar
Description: Many of these performers were active in 1864, some with Fattie Stewart at the Bijou Music Hall in Philadelphia., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Fattie Stewart's Apollo Free Concert Hall
Date: [1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Fattie 1864 (27)5761.F.40a (McAllister)

Title: Head quarters of the Army of the Potomac Our Head-Quarters! (late "New Idea") Concert Saloon No. 609 Chestnut Street, (above Sixth.) Sole lessee and proprietor, Chas. St. Clair Superintendent, J.J. Fullerton Leader of orchestra, J.K. Search Stage manager, W.H. Porter Everything new all this week. Greatest company of living artists in the city! Return and successful engagement of Joe M. Mortimer! the well-known and very popular banjoist, Also, Miss Sallie Brooks the beautiful songstress. The above popular artists will appear henceforth, nightly. First week of the old favorite, Old Bob Sheppard, the original Old Bob Ridley. Second week of the old favorite, Bob Harrison, the celebrated Ethiopian comedian. Second week of the nonpareil banjo soloist and Ethiopian comedian, Billy Spaulding, second week of the great English clog and Scotch jig dancer, James Williams Continued success of the old company: Billy Porter, the celebrated plantation delineator. Second week of Miss Annie Stattler, Philadelphia's favorite songstress. Ella Zoyara Forrest, the beautiful danseuse. Miss Kate Oakland, danseuse and comedienne. George Jones, the astonishing Irish comedic singer and Ethiopian comedian. John Riley, the wild Irishman. Prof'r Anderson, musical director. ... Come and see the amusing play, called Here she goes and there she goes ... Come and be amused with the Cigar-maker in difficulty by three stars. This evening, the musical farce, entitled The Swiss cottage. Home where genius dwells Admission (including refreshments) 10 cts. Come & see. No boys admitted
Description: Some of the performers listed appeared in other Philadelphia music halls in 1863 and 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Our Head-Quarters Concert Saloon (Philadelphia, Pa.)
Date: [1863 or 1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Our 1863 (27)5761.F.30a (McAllister)

Title: Head quarters of the Army of the Potomac Our Head-Quarters! (late "New Idea") Concert Saloon No. 609 Chestnut Street, (above Sixth.) Sole lessee and proprietor, Chas. St. Clair Superintendent, J.J. Fullerton Leader of orchestra, J.K. Search Stage manager, Joe Mortimer Everything new all this week. First appearance of Miss Hettie St. Clair Philadelphia's favorite danseuse. Return and successful engagement of Joe M. Mortimer! the well-known and very popular banjoist, Also, Miss Sallie Brooks the beautiful songstress. The above popular artists will appear henceforth, nightly. Second week of the old favorite, Old Bob Sheppard, the original Old Bob Ridley. Third week of the old favorite, Bob Harrison, the celebrated Ethiopian comedian. Third week of the nonpareil banjo soloist and Ethiopian comedian, Billy Spaulding, third week of the great English clog and Scotch jig dancer, James Williams Continued success of the old company: Billy Porter, the celebrated plantation delineator. Second week of Miss Annie Stattler, Philadelphia's favorite songstress. Ella Zoyara Forrest, the beautiful danseuse. George Jones, the astonishing Irish comedic singer and Ethiopian comedian. John Riley, the wild Irishman. Prof'r Anderson, musical director. ... Come and see the amusing play, called Here she goes and there she goes ... Come and be amused with the Cigar-maker in difficulty by three stars. This evening, the musical farce, entitled The Swiss cottage. Home where genius dwells Admission (including refreshments) 10 cts. Come & see. No boys admitted
Description: Some of the performers listed appeared in other Philadelphia music halls in 1863 and 1864., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Our Head-Quarters Concert Saloon (Philadelphia, Pa.)
Date: [1863 or 1864?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Our 1863 (27)5761.F.31a (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor & manager Jas. W. Holden, leader of orchestra Andrew Enochs, door tender E. Buck, ticket agent Abe lake, officer First appearance of Jno. E. Gilligan the great Irish comic singer. Programme for this evening: ... Bijou Minstrels! ... Ten-pin Johnny, ... Household troubles, ... Simmons outdone! ... Young Eph's lament, ... Troubadors! ... Great impalement feat ... Aquatic sportsmen, ... The whole to conclude with the laughable farce of Uncle Jeff's return ... Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at 7 o'clock. Commence at 8
Description: Leon Berger's first week at the Bijou Music Hall began Feb. 29, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Leon Berger, Master Bobby, Harry Enochs, Charley Petre, Louisa St. Croix, Nellie Taylor, Tom Vance, J. Clark Wells, and Billy Wright., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.129b (McAllister)

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor & manager Jas. W. Holden, leader of orchestra Andrew Enochs, door tender E. Buck, ticket agent Abe Lake, officer First appearance of Philadelphia's favorite Ethiopian comedian, Fattie Stewart First appearance of the beautiful danseuse, Miss Emma Gardiner. Engagement, for this week only, at a great expense, the wonder of the world, George Wambold, the boneless man. First appearance of Mortimer Williams in his celebrated measure dance, (original,) dancing inside and outside of a half-bushel measure. Programme for this evening: ... Bijou Minstrels! ... Not to be shaken! ... Le diable d'Chaneau, ... Little Furgy, ... An affair of honor ... The whole to conclude with the laughable farce of The black filly or, The blundering Irishman. ... Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at 7 o'clock. Commence at 8
Description: Parentheses substituted for square brackets in title transcription., Leon Berger's first week at the Bijou Music Hall began Feb. 29, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Leon Berger, Harry Enochs, John E. Gilligan, Charley Petre, Nellie Taylor, Master Tommy, and Tom Vance., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.128a (McAllister)

Title: Sanford's new Opera House Race Street, between Second & Third Thursday evening, December 15, 1864. Beauty & fashion all come to see the most extraordinary performance in the world, by Nino Eddie together with Sanford's Troupe! who are giving the most chaste and select entertainments in the city. Programme. ... Sanford's sketch, from the black letter of Shakspere, Romeo and Juliet! ... Music taught here ... To conclude with the burlesque on Richard III ... Friday evening, benefit of Nino Eddie Sanford's benefit, Saturday evening! Secure your tickets in advance. Look out for the "Frightened family." Cards of admission, 25 cents Orchestra seats, 50 cts Private boxes, dress circle, $5 Private boxes, family circle, $4 & $3 Office will be open from 9 to 2 o'clock, for the sale of secured seats and boxes, without extra charge. Doors open at quarter before 7 o'clock. To commence quarter before 8
Description: The company includes: Dan Gardner, J.M. Mortimer, Fulton Myers, H.J. Raynor, J.P. Reese, Eddie Rivers (a.k.a. El Nino Eddie), S.S. Sanford, Frank Schaeffer, Jake Wallace, and J. Williams., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Sanford's Opera House (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Sanford 1864 (26)5761.F.72a (McAllister)

Title: Miss Kathleen O'Neil's novelty, drawing-room and pantomimic troupe! Prof. Eugene Thiodon, leader of orchestra Programme. ... The Irish girl's drawing-room entertainment in which Miss Kathleen O'Neil will perform the stage-struck servant girl, and sing her great original song of No Irish need apply. French dancing master! ... Afterwards will be presented the laughable Irish sketch, The flowers of the forest! in which Miss Kathleen O'Neil will sing "Oh steer my bark to Erin's isle," "The jug o' punch," and dance an Irish jig. ... To conclude with the laughable, comic and interesting pantomime, The statue blanc!
Description: The company includes: Fanny Archer, W.H. Bartholomew, A. Lenton, J.S. Maffitt, La Petite Heloise, Ida Ross, and W.A. Ward., Printed area, including double-rule border, measures 42.3 x 16.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kathleen O'Neil's Troupe
Date: [ca. 1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 Kathleen (28)5761.F.31b (McAllister)

Title: Brandt's Hall Miss Kathleen O'Neil, proprietress J.S. Maffitt stage manager Mons. Eugene Thiodon leader of orchestra J.W. Holden business manager Dick O'Neil treasurer Miss Kathleen O'Neil's grand drawing-room entertainment pantomimic and novelty troupe! This evening, Miss Kathleen O'Neil the world-renowned original Irish comedienne and vocalist, from the principal European and American theatres, in three great acts! Including a laughable Irish sketch, The flowers of the forest in which she will sing "Oh, steer my bark to Erin's isle," "The jug o' punch," and dance an Irish jig Miss Ida Ross, ... Miss Fanny Archer ... La Petite Heloise ... Jas. S. Maffitt, W.H. Bartholomew, and W.A. Ward, the three greatest pantomimes in the world! ... Mr. A. Lenton, Prof. Eugene Thiodon, Prof. A. Schultz, Prof. C. Graham, Prof. H. Hoffman Admission, 15 cents
Description: Printed area, including double-rule border, measures 55.6 x 20.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Kathleen O'Neil's Troupe
Date: [ca. 1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1865 Kathleen (27)5761.F.2b (McAllister)

Title: Illustrations of Philadelphia. Vol. IX
Description: Scrapbook containing newspaper clippings, prints, and ephemera predominately dated 1857 and pertaining to the built environment, and social, cultural, and economic climate of Philadelphia. Majority of the contents are articles about city businesses and industries; public interest stories; editorials relating to public concerns and social mores; reports, lists, and statistics; and caricatures and cartoons. Several articles concern the new house numbering system; the chartering of Fairmount and Sedgeley parks; the Academy of Music (New Opera House), including the inaugural ball and first opera season; the temporary relocation of the Post Office; progress of Camden; volunteer fire companies, including the debate over the oldest instituted, new fire houses, and parades; fires on the 300 and 600 blocks of Chestnut (i.e., Peterson/Goodyear building and Melodion); transportation, including omnibus lines and the Camden and Atlantic, and Philadelphia and Baltimore Central railroads; and the new coinage of cents issued from the mint. Also contains numerous columns about building dedications, laying of cornerstones, and improvements and new construction to the city’s infrastructure, including Drown’s Umbrella Manufactory (86 Market); the silver plated ware establishment of John O. Mead (Ninth and Chestnut); the Butler house lot (800 block Chestnut); the hall of the "Colored Masons"; the Spring Garden district and Northwestern section of the city (Twelfth, Thirteenth, and Fifteenth wards); the Pennsylvania Bank building; First Welsh Presbyterian Church (1500 Lombard); the Penn Widow’s Asylum; Washington building (000 block S. Third); and the restaurant of John Campbell (500 block Chestnut)., Other articles describe the Library Company’s receipt of the ca. 1720 Peter Cooper painting of Philadelphia; culture, politics, and economy of the year 1856; local medical schools and hospitals, including Penn Medical University, Jefferson Medical College, Philadelphia small-pox hospital, and Eclectic Medical College; local industries and trades, including Wood & Perot's ornamental iron work establishment, Newell & Knight barrel making machinery and the oyster trade; and Moyamensing Prison. Anecdotal columns and editorials provide commentaries about Philadelphia Insurance companies; Aprils Fools Day; servants; tramps; the city’s “noisy spot” of Third and Chestnut; the lore of stage coaches; popular catch phrases, including those from the theater; the Molly Maquires; the public expense of public lamps and paupers; the importance of newspapers, including as a more perfect venue for advertising than storefront signage; the poor use of the language in classified advertisements; storefront and tavern signages (p.41-42); and the cricket mania. Also contains historical pieces about the University of Pennsylvania; Independence Square; Chew’s Mansion; Zion Lutheran Church; and the Chinese Museum; reports, lists and statistics detailing the crime and mortality rate, sales of stocks and real estate; the retail, cattle and produce markets, meteorology and weather, telegraph use for the year, the comparative health of manufacturing cities, and architectural improvements in progress; a column about how the 1785 city directories represented the population of the city from the series "Philadelphia As It Was"; and an illustrated article about shawls., Graphics, predominately caricatures and cartoons, include lithographs, engravings, and wood engravings. Majority of cartoons satirize the hoop skirt, including the Clara and Charles series. Other cartoons satirize German beer culture, patent medicine, P.T. Barnum, and the social mores of the upper classes. Caricatures, often racist, depict African Americans while at work, including a sweeper, cook, and painter. Prints also include advertisements, vignettes, and views. Advertisements depict the Union hotel (300 block Arch); Thornley & Chism, importers, jobbers and retailers of fancy & staple dry goods (N.E. cor. Spring Garden and Eighth); Lincoln, Wood & Nichols, manufacturers and importers of straw goods; and Fairbank’s patent platform scales. Vignettes depict a knife cleaning apparatus, Olmstead stove, and a piano. Views show a genre scene titled by Poulson "An ‘omnibus’ sleigh and a 'rung' "; the Academy of Music; Jefferson Medical college, Presbyterian Church; Central Presbyterian Church; and "The Performing Elephants" at the National Circus accompanied by the classified for the performance. Scrapbook also contains ephemera, including the "Deaf and Dumb Alphabet" chart inscribed "In use at Phila Institution 1857 as per report Jany 1858" ; a "Premium medal, Franklin Institute"; and two elaborately illustrated tickets to the Pennsylvania Horticultural Society., Majority of contents annotated by Poulson with dates and explicative manuscript notes., Title page trimmed and illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Chart "Length of Squares East and West" pasted on verso of title page., Label inscribed "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP" pasted on verso of front free end paper., "Index to set in back part of vol. XI.", Insert: “Report of the President of the Girard College to the committee on Instruction September 3, 1850, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: 1857-1858
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 9 [(9)2526.F]

Title: Philadelphia [viewbook]
Description: Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]

Title: Philadelphia [viewbook]
Description: Souvenir viewbook, probably issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; and Girard Avenue Bridge. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall. Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Publication information from variant copy., Title from embossed blue morocco binding, front cover stamped: Philadelphia., Prints connected by accordion folds. Verso of folds stamped with the name of the distributor, Hall & Garrison, Philada. & New York, and variant promotional text, including Compliments of; Fine Cabinet Work; Mill Work; Mirrors; Picture Frames; Ornamental Mouldings; Fine Furniture; and Interior Decorations., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Housed in phase box., Gift of Helen Beitler.
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.66]

Title: [M'Clees & Germon daguerreotype rooms, 160 Chestnut Street, Philadelphia]
Description: View of the south side of Chestnut Street between 6th and 7th Streets showing the daguerreotype studio of McClees & Germon at 160 Chestnut Street. Neighboring tenants include Howell & Brothers, paper hangings (156 Chestnut); Charles Oakford, hats (158 Chestnut); James H. Orne, carpets (160 Chestnut); and the adjoining businesses of Jones Hotel and J.C. Smith, piano fortes and J. Couenhoven, music store (162 Chestnut). Also shows horse-drawn wagons parked in the foreground. The partnership between James E. McClees and Washington Lafayette Germon lasted from 1846 to 1855, and was located at this address from 1854 until a fire destroyed the studio on March 15, 1855., McClees 1855-10., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 56., Arcadia caption text: Photographer James McClees captured this view of the south side of the 600 block of Chestnut Street showing the studio he shared with Washington Lafayette Germon shortly before the building was destroyed by fire in March 1855. At the time, Philadelphia, a leading center of American photography, supported more than 120 photographers. Although signage on the building advertised the men as daguerreotypists, by the mid 1850s McClees was also producing some of the earliest photographic views of Philadelphia printed on paper., McClees, a prominent Philadelphia photographer and daguerreotypist, produced some of the earliest paper photographic views of Philadelphia between 1853 and 1859.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: ca. 1855
Location: Library Company of Philadelphia | Print Department photo - McClees - Businesses [(7)1322.F.57d]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a green coat with tails, red collar, blue bow tie, yellow pants, stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large yellow bonnet adorned with bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date inferred from content and name of publisher., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., First edition of print described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.4]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a blue coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with pink bows and with ribbons tied into a bow under her chin. She is also attired in a yellow dress with long puff sleeves, blue trim, and a laced bodice, blue ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 2., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9705.1]

Title: [Music class at Philadelphia Orthopedic School, 22nd & Brown Streets]
Description: Depicts the young students, including African American children, from the Willis and Elizabeth Martin Orthopedic School playing simple percussion instruments during a music lesson of the "Shoemakers Dance." In the left at the front of the classroom, a boy student acts as conductor, overseen by the teacher and woman piano accompanist. The students sit on the floor with their instruments. Along the wall are several students in wheelchairs. Opened in 1936, the Public Works Administration funded school, named after the Philadelphia judge and health care reformer and his philanthropist wife, provided the students with medical care and a curriculum of humanities, arts, crafts, and drama., Title supplied by cataloger., Date inscribed on negative: No. 12219; 4-5-37., Manuscript note on verso: Phila. Orthopedic School, 22nd & Brown Sts., Duplicate of P.8578.16., Gift of Mrs. Arthur Kushlan, 1980., Description revised 2022., Access points revised 2022., Forms part of Philadelphia Public Schools Photograph Collection., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [April 5, 1937]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Education [P.8578.15]

Title: [Music class at Philadelphia Orthopedic School, 22nd & Brown Streets]
Description: Depicts the young students, including African American children, from the Willis and Elizabeth Martin Orthopedic School playing simple percussion instruments during a music lesson of the "Shoemakers Dance." In the left at the front of the classroom, a boy student acts as conductor, overseen by the teacher and woman piano accompanist. The students sit on the floor with their instruments. Along the wall are several students in wheelchairs. Opened in 1936, the Public Works Administration funded school, named after the Philadelphia judge and health care reformer and his philanthropist wife, provided the students with medical care and a curriculum of humanities, arts, crafts, and drama., Title supplied by cataloger., Date inscribed on negative: No. 12219; 4-5-37., Manuscript note on verso: Phila. Orthopedic School, 22nd & Brown Sts., Duplicate of P.8578.15., Gift of Mrs. Arthur Kushlan, 1980., Description revised 2022., Access points revised 2022., Forms part of Philadelphia Public Schools Photograph Collection., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [April 5, 1937]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Education [P.8578.16]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with red ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with red and green bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, red ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: No. 19., Charles Hunt was a respected London engraver who is most well known for his aquatints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.15]

Title: [Plate 10 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate depicts section of the 600 block of Chestnut Street (154-213 pre-consolidation). South side includes Swaim’s Building (160-164) tenanted by Barnum’s Museum and Edward L. Walker, Music Store and Piano Dealer (160); Lee & Walker, Successors to G. Willig, music store (162); and C. G. Henderson & Co., Booksellers and Publishers (164). North side includes Ambrose Smith, Druggist (213); F. Mahan, Publisher of Philadelphia Fashions (211); Leonard Benkert, Boot Store (209); Columbia House operated by Ferguson & Brothers and tenanted by E. G. Dorsey, Tailor (207). Swaim’s Building adorned with a flag, circus billboard illustrated with a seal, and a sign directing individuals to Swaim’s Laboratory. Plate also includes an unidentified residence with walled courtyard adjacent to Swaim’s. Swaim’s Building and Swaim’s Laboratory signage (160-164) included on plate as pasted-on details., Advertisements promote eight of the businesses depicted and Swaim’s Celebrated Panacea (New York agents Schieffelin Brothers & Co., later W.H. Schieffelin & Co.). Swaim’s full-page advertisement contains endorsements, several lines of promotional text, including "Beware of Imposition," and a description of the bottle label composed by Philadelphia bank note engravers Draper & Co. Smaller advertisements contain promotional text and ornamented type. Barnum’s text includes a description of the exhibits and performances at the Lecture Room and Mahan’s provides prices for his fashion plates., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 11., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.4].
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 11 [*Am 1851 Rae, 2975.Q]

Title: [Plate 10 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate depicts section of the 600 block of Chestnut Street (154-213 pre-consolidation). South side includes Swaim’s Building (160-164) tenanted by Barnum’s Museum and Edward L. Walker, Music Store and Piano Dealer (160); Lee & Walker, Successors to G. Willig, music store (162); and C. G. Henderson & Co., Booksellers and Publishers (164). North side includes Ambrose Smith, Druggist (213); F. Mahan, Publisher of Philadelphia Fashions (211); Leonard Benkert, Boot Store (209); Columbia House operated by Ferguson & Brothers and tenanted by E. G. Dorsey, Tailor (207). Swaim’s Building adorned with a flag, circus billboard illustrated with a seal, and a sign directing individuals to Swaim’s Laboratory. Plate also includes an unidentified residence with walled courtyard adjacent to Swaim’s. Swaim’s Building and Swaim’s Laboratory signage (160-164) included on plate as pasted-on details., Advertisements promote eight of the businesses depicted and Swaim’s Celebrated Panacea (New York agents Schieffelin Brothers & Co., later W.H. Schieffelin & Co.). Swaim’s full-page advertisement contains endorsements, several lines of promotional text, including "Beware of Imposition," and a description of the bottle label composed by Philadelphia bank note engravers Draper & Co. Smaller advertisements contain promotional text and ornamented type. Barnum’s text includes a description of the exhibits and performances at the Lecture Room and Mahan’s provides prices for his fashion plates., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 11., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.4].
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 11 [*Am 1851 Rae, 2975.Q]

Title: Memorial chart centennial jubilee Liberty, equality, fraternity to all nations
Description: Print commemorating the Centennial Exhibition of 1876 containing allegorical vignettes bordered by portraits of the eighteen presidents and views of Philadelphia landmarks and Centennial buildings. Allegorical vignettes show the female figures of Justice, Liberty, and Prosperity seated next to each other on a pedestal in front of a mountain valley, and a large assembly of men of international origin attired in native costumes. Depicted Philadelphia landmarks include Independence Hall, Masonic Temple, Girard College, Carpenters Hall, the Academy of Fine Arts, and the Academy of Music. Centennial building exteriors include the Main Building, Machinery Hall, and Memorial Hall. Additional portraits depict prominent figures in the administration of the Centennial and Pennsylvania Governor John F. Hartranft and Philadelphia Mayor William S. Stokley. Portraits include Joseph R. Hawley, President of the U.S. Centennial Commission; Alfred T. Goshorn, Director-General of the Centennial Exhibition; Thomas Cochran, Vice-President of the U.S. Centennial Commission and chairman of the commission on grounds, plans, and buildings; John L. Campbell, Ohio professor who originated the idea of a Centennial exhibition; John Welsh, President of the Centennial Board of Finance; Frederick Fraley, secretary and treasurer of the Centennial Board of Finance; and building engineers H.J. Schwartzmann and Henry Pettit. Also contains a panoramic view from Fairmount Park looking east toward the city; lists of "The Original States of the Union" and "States Admitted into the Union," the text of the Declaration of Independence and President Grant's proclamation in support of the Centennial, and allegorical seals for the Declaration and the Centennial. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 467, Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views.
Creator: Stauch, Charles J., artist
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department **BW - Centennial [5758.F.9]

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