General view of state buildings.
Title
General view of state buildings.
Description
Connecticut Building architect: D.R. Brown, from a design by Donald G. Mitchell. Five state buildings, Saint George's House (British) and a comfort station in a row with man standing on railroad tracks. American flag flies in front of the New York Building and benches are on the path. Obscured views of Delaware and Maryland Buildings.
Creator
Centennial Photographic Co., photographer., creator
Date
1876
Location
Centennial album [P.8965.12b]
Corliss Engine.
Title
Corliss Engine.
Description
Exhibit titles: Corliss, Geo. H., Providence, R.I., Exhibit #n/a; McNab & Harlin Manufacturing Co., New York, N.Y., Exhibit #688; Boynton, Eben B., New York, N.Y., Exhibit #78c; McCaffrey & Bro., Philadelphia, Pa., Exhibit #250; Gutta-Percha & Rubber Manufactury Co., New York, N.Y., Exhibit #784b; Disston, Henry, & Sons, Philadelphia, Pa., Exhibit #68, Machinery Hall, Bldg. #2. Steam engine on a raised platform inside Machinery Hall. In background are exhibits for valves, saws, files, and rubber belting. Also visible are people seated on chairs.
Creator
Centennial Photographic Co., photographer., creator
Date
1876
Location
*Centennial - photos [P.9037.11]
Pierre Eugène du Simitière collection finding aid
Title
Pierre Eugène du Simitière collection
Description
The Library Company of Philadelphia purchased this collection of Pierre Eugene Du Simitière's manuscripts at the auction of Du Simitière's American Museum after his death on March 10, 1785. The books and pamphlets bought at the same auction have been dispersed through the Library Company's collections. Du Simitière gathered or copied these manuscripts during his travels in the West Indies, Boston, New York, and while he lived in Philadelphia, where he was a member of and one of the curators of the American Philosophical Society. After the Library Company of Philadelphia purchased the manuscripts, they were bound together. The Historical Records Survey of the Works Progress Administration described the manuscripts in "Descriptive Catalogue of the Du Simitière Papers in the Library Company of Philadelphia" (1940), from which many of the following series and records descriptions have been abstracted. Since the Historical Records survey, many of the bound volumes have been unbound and foldered by the Library Company of Philadelphia. The unbound volumes in the series descriptions contain folder level description; however, the bound volumes are described only as an overall work. For more detail on the bound volumes, see the "Descriptive Catalogue of the Du Simitière Papers in the Library Company of Philadelphia" (1940). Researchers should be aware that the series titles are drawn from the title of the bound volume. It is important to read the entire scope note for each series, because the volumes often contained additional topics than are listed in the title.
Creator
Du Simitière, Pierre Eugène, ca. 1736-1784
Date
1492
Read family papers finding aid
Title
Read family papers
Description
This collection contains the papers of four generations of the Read family of Philadelphia, consisting of John Read, Judge John Meredith Read, General John Meredith Read, and Harmon Pumpelly Read. The materials date from 1736 to 1896, with the bulk dating from 1792 to 1896, and include extensive correspondence, bills and receipts, genealogical notes, legal documents, newspaper clippings, photographs, scrapbooks and ephemera. The majority of the collection consists of General John Meredith Read's papers relating to his family history and genealogy, correspondence, and political materials. The collection is particularly valuable in illustrating Philadelphia social life, global and local politics, as well as Civil War experiences, as it includes extensive correspondence describing first-hand accounts of war activities as well as with several key political figures during the Civil War era.
Creator
Read, John Meredith, 1797-1874
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1845-1879]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1845-1879]
Description
Collection of billheads, dated between 1845 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts (some adorned in signage) and an allegorical scene showing Hermes seated among crates, barrels, and bundles, near a brick oven in front of a docked ship at which a horse-drawn dray stands. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details depict frames and filigree. Firms represented include Dr. S. Dickinson & Son (Erie, Pa.); Sisson, Butler & Co. (Hartford, Conn.); Smith & Atkinson (Baltimore); Theo. Ricksecker (N.Y.); Stretch, Bennet & Co. (Philadelphia); Underhill & Kittredge (Concord, N.H.); W. J. Whitehouse (Fort Edward, N.Y.). Billed patrons include Reed House Drug Store; C. S. Clark; Danl. Fahoney, Boonboro, Md.; Athey & Hill, Holly Spring, Miss.; Ebun Somers; Horace Chaser; and R. Williamson, Putnam., Many of the items contains manuscript notes about receipt of payment., P.2011.46.406 contains extensive manuscript note: Dr. D. Fahoney, We have above [?] of your acct. We gave Mr. Shaw a duplicate receipt for the money paid us & sent the box of rhubarb to his store to be sent by some of the waggons [sic] from your neighborhood, as they come to him with flour. Please accept our thanks for your attention in making us the remittance - We will be sending some orders to Germany & other parts of Europe about the 10th of May & of these are any articles that you have found it difficult to get good heretofore, if you will let us know before that time me can probably get them. Yours Very Truly, Smith & Atkinson., Printers and engravers include E. Brown; Ashby & Vincent, Printers, Erie, Pa.; E. Weber, Baltimore; and Frank H. Harris, Printer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1845-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (S-Z) [P.2011.46.403-409]
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1852-1878]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1852-1878]
Description
Collection of billheads, dated between 1852 and 1878, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts (some adorned in signage) and an allegorical scene showing crates and barrels on the coast in front of a ship sailing in the distance representing imported "English, French & India drugs." Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details depict frames, including a medal engraving, and flourishes, and filigree. Firms represented include N. S. Harlow (Bangor, Me.); O.B. Curran & Son (Ithaca, N.Y.); Peckham & Glading (Providence, R.I.); Penfold, Clay & Co. (N.Y.); R. A. Robinson & Co.; Robinson & Church (Troy, N.Y.); Robinson & Hassard (Providence, R.I.); Russell & Landis (Philadelphia); and Charles H. Rutherford (N.Y.). Billed patrons include Mills & Kimball; Gauntlett & Brooks; J.S. Frayne; C.P. Severich; Athey & Hill, Holly Springs, Miss.; M.B. Callaghan; Mr. Warren; F. P. Magraw; and Glover, Warner & Clark., Printers and engraver include Reilly, Lou. NY and Longacre & Co. Lith, Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1852-1878]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (N-R) [P.2011.46.382-390]
[Collection of illustrated blank letterheads and a billhead of pharmaceutical firms in the United States]
Title
[Collection of illustrated blank letterheads and a billhead of pharmaceutical firms in the United States]
Description
Collection of letterheads and a billhead from the late 19th century containing decorative and ornate lettering, ornamented type, pictorial details, and a vignette illustration. Details depict art nouveau, bird, and floral imagery, heraldry, banners, and filigree and flourishes. Illustration depicts a mortar and pestle. Firms represented include Davis, the Pure Drug Druggist, established 1894 (Concord, N. H.); B.E. Voelcker & Co. (Dayton, Ia.); J.T. Brown & Co., established 1831 (Boston, Ma.); and Charles E. Lloyd (Albany, N.Y.). Voelcker print, a specimen, also contains the text "No. 2137-Statement-1000 $2.75. 500 $1.75. When the cash accompanies the order I will pay the transportation charges of the goods to their destination. J. F. Lawrence, Label Printer, 83 & 85 Fifth Avenue, Chicago.", Printers and engravers include Wm. H. Brett & Co. and J. F. Lawrence., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1870-ca. 1894]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Illustrated Blank Letterheads [P.2011.46.480-483]
The celebrated Sohmer Pianos are at present the most popular and preferred by the leading artists.
Title
The celebrated Sohmer Pianos are at present the most popular and preferred by the leading artists
Description
Illustrated trade card depicting eight labeled bust portraits of famous opera singers encircling a laurel wreath that surrounds a Sohmer piano. Includes Adelina Patti, Christine Nilsson, Antonio F. Galassi, Clara Louise Kellogg, Albert Niemann, Emma Cecilia Thursby, Italo Campanini, and Etelka Gerster. Sohmer & Co. was founded by Hugo Sohmer and Joseph Kuder in New York City in 1872., Distributor's imprint printed on verso: Sold only by Samuel Nittinger, pianos & organs, 1204 North 5th Street, Philadelphia, Pa., Manuscript note on verso: Chester., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department trade card - Sohmer [P.9651.22]
[Domestic Sewing Machine Co. trade cards]
Title
[Domestic Sewing Machine Co. trade cards]
Description
Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Domestic [1975.F.229 & 230; P.9983.5]
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck, : illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Al
Title
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Alonzo Chappel. ... Conditions of publication. The work will be issued in semi-monthly parts, printed on superfine paper, each part containing one elegant engraving on steel, price 25 cts. each. No subscriber's name will taken for less than the entire work. The parts a payable on delivery, the carrier not being permitted to give credit or receive money in advance. The plates will be printed on India tinted paper prepared expressly for this work. Subscribers removing, or not being regularly supplied, will please address the publishers by mail, or otherwise
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images fo the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Johnson (2)5786.F.108d (McAllister)
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck, : illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Al
Title
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Alonzo Chappel. ... Conditions of publication. The work will be issued in semi-monthly parts, printed on superfine paper, each part containing one elegant engraving on steel, price 25 cts. each. No subscriber's name will taken for less than the entire work. The parts a payable on delivery, the carrier not being permitted to give credit or receive money in advance. The plates will be printed on India tinted paper prepared expressly for this work. Subscribers removing, or not being regularly supplied, will please address the publishers by mail, or otherwise
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images fo the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Johnson (2)5786.F.108d (McAllister)
Centennial pocket album.
Title
Centennial pocket album
Description
Souvenir viewbook containing 14 prints connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Includes title page "Centennial Album" illustrated with an allegorical, patriotic scene; Declaration of Independence, July 4th 1776; Carpenter's Hall/Old Liberty 1776 (i.e., Liberty Bell)/Washington's Retreat near Philadelphia; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Faneuil Hall, Boston; Old State House, Boston; Washington's Headquarter, Newburgh, N.Y.; Old City Hall, Wall St. N.Y.; The U.S. Capitol at Washington; Main Building; Agricultural Hall; Machinery Hall; Horticultural Hall; and Art Gallery. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., P.2010.21.13 contains white paper binding, printed in color with ornate border design., P.2010.21.13 inscribed on verso of last fold: Rowland C. Trask, Otego, Ostego Co. N.Y., P.2010.21.14 contains red cloth binding stamped with ornate border design., Includes "The Hymn Sung at the Opening of Our Centennial" pasted on the inside covers., Centennial album registered at the patent office July 20th 1875., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1876]
Location
Library Company of Philadelphia | Print Department Doret Collection Centennial Ephemera [P.2010.21.13 & 14]
Photograph album
Title
Photograph album
Description
Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Creator
Hatch, Albert, 1844-1910
Date
ca. 1866-ca. 1888
Location
Library Company of Philadelphia | Print Department albums [P.9250]
Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?" [graphic] / C[lay], fec.
Title
Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?"
Description
Racist caricature depicting two African American masons in regalia, shaking hands, and discussing the abduction of William Morgan, a white New York mason who threatened to expose the organization's secrets. In the right, the one mason, a short, rotund man is attired in a long, blue waistcoat, black pants, a masonic apron, a red sash, yellow gloves and black slip on shoes. He holds a top hat in his left hand and shakes with his right. In the left, the other mason, a tall, thin man is attired in a long, brown waistcoat, a red cravat, brown stirrup pants over black shoes, and a masonic apron. He holds a top hat in his left hand and shakes with his right. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. The men are shown standing on a patch of ground with greenery delineated by brown and green hand-coloring., Title from item., Date inferred from content., Plate 6 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert., Contains four lines of dialogue in the vernacular and dialect below the image: “Well brudder what ‘fect you tink Morgan’s deduction gwang to hab on our siety of free masons?” “Pon honour I tink he look radder black, fraid we lose de ‘lection in New York!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Date
[ca. 1830]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (New York Set) [7770.F.4]
Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?" [graphic] / C[lay], fec.
Title
Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?"
Description
Racist caricature depicting two African American masons in regalia, shaking hands, and discussing the abduction of William Morgan, a white New York mason who threatened to expose the organization's secrets. In the right, the one mason, a short, rotund man is attired in a long, green waistcoat, blue pants, a masonic apron, a red sash, yellow gloves and black slip on shoes. He holds a top hat in his left hand and shakes with his right. In the left, the other mason, a tall, thin man is attired in a long, green waistcoat with a blue collar, a tan cravat, blue stirrup pants over black shoes, and a masonic apron. He holds a top hat in his left hand and shakes with his right. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. The men are shown standing on a patch of ground hand-colored in blue watercolor., Inscribed: Plate 6., Title from item., Date inferred from content and name of publisher., Contains four lines of dialogue in the vernacular and dialect below the image: “Well brudder what ‘fect you tink Morgan’s deduction gwang to hab on our siety of free masons?” “Pon honour I tink he look radder black, fraid we lose de ‘lection in New York!”, Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed publication of the "Life in Philadelphia" series in 1829. She alone reissued the entire series of 14 prints in 1830., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
[1830]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9700]
Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?" [graphic] / C[lay], fec.
Title
Life in Philadelphia. "Well brudder what 'fect you tink Morgan's deduction...?"
Description
Racist caricature depicting two African American masons in regalia, shaking hands, and discussing the abduction of William Morgan, a white New York mason who threatened to expose the organization's secrets. In the right, the one mason, a short, rotund man is attired in a long, blue waistcoat, blue pants, a masonic apron, a red sash, yellow gloves and black slip on shoes. He holds a top hat in his left hand and shakes with his right. In the left, the other mason, a tall, thin man is attired in a long, brown waistcoat, a tan cravat, brown stirrup pants over black shoes, and a masonic apron. He holds a top hat in his left hand and shakes with his right. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. The men are shown standing on a patch of ground and blue sky delineated in blue watercolor is visible behind them., Title from item., Date from item., Inscribed: Plate 6., Contains four lines of dialogue in the vernacular and dialect below the image: “Well brudder what ‘fect you tink Morgan’s deduction gwang to hab on our siety of free masons?” “Pon honour I tink he look radder black, fraid we lose de ‘lection in New York!”, William Simpson was a Philadelphia "fancy store" proprietor who published the first 11 prints of the "Life in Philadelphia" series. He also marketed the series as part of his "Artists' Repository.", Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (Ph.D diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz A423.O)., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
1828
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9691]
Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap [graphic].
Title
Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap
Description
Racist trade card promoting Higgins' soap and depicting a caricature of an African American family getting ready for church. The family is portrayed with exaggerated features and speak in the vernacular. In the center, the husband/father stands smiling attired in a white ruffled shirt, a red and white bow tie, a yellow waistcoat, a long black jacket, red and white checked pants, black shoes, and white gloves. The wife/mother, attired in a bonnet decorated with a blue bow and flowers, a red shawl, a blue dress with black stripes, a yellow bow tie, and black shoes, smiles as she adjusts the bowtie on her husband and says, “yer looks lubly Ephraim, and it all comes using dat Higgins soap.” Their son, attired in a yellow hat with a black band, a red shirt with a white lace collar, green pants, red socks, and black shoes, looks up at the couple carrying a red book in his left hand. In the left, behind the couple, are two more children. The girl in the left is attired in a white head kerchief, a yellow shirt with orange stripes, a white skirt, red stockings, and black shoes. The boy in the right is attired in a blue cap, a blue shirt with a white collar, blue pants, red and white striped socks, and black shoes. A print depicting a red building and two people is pasted on the wall in the right background. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.81]
Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out [graphic].
Title
Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out
Description
Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman bathing her child in a wash tub. Shows the African American woman portrayed with exaggerated features with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; and a blue, short-sleeved dress. The mother kneels on the floor as she bathes her young son in a washtub. She smiles, rubbing a wash cloth on the boy with her right hand. The naked boy stands in the tub with his left leg raised. She says in the vernacular, “Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out.” Behind the tub, in the left, a girl, attired in a black-striped, red nightgown, and a boy, attired in an orange nightgown, watch the scene. In the right, another boy in an orange nightgown looks on. A white towel with two red stripes and decorative fringe is draped over the side of the wash tub. In the right background, a white sheet hangs on a clothesline. Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.85]
Turning the tables on the overseer
Title
Turning the tables on the overseer
Description
Abolitionist print depicting a group of enslaved African American people about to whip their white plantation overseer, who has been bound to a tree on the plantation grounds. Before the plantation overseer, the African American man holds the whip and pulls up his sleeve as the enslaved man next to him takes of his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Title from item., First published in New York Illustrated news, November 28, 1863 (LCP **Per D 8.5, 1863). Later published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first Black press to publish separate prints., LCP exhibition catalogue: African American Miscellany p. 38., Originally part of a McAllister scrapbook of Civil War caricatures and photographs. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1863]
Location
Library Company of Philadelphia | Print Department *GC-Slavery [5780.F]
These children
Title
These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description
Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, the rebuffed children were accepted at the Continental Hotel. Revenue from the sale of the portrait was to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date based on content., Name of photographer from duplicate photograph., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
M'Clees, Jas. E. (James E.), photographer
Date
[1863]
Location
Library Company of Philadelphia | Print Department cdv portraits- group- Emancipated enslaved children [5775.F.68]
Photographing the Baby
Title
Photographing the baby
Description
Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator
National Bank Note Co.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1883-1905]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1883-1905]
Description
Collection of billheads, dated between 1883 and 1905, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and tools; a sick-bed scene showing a doctor with a thermometer at the side of his female patient; an eagle perched on a cliff; the interior of a drug store; and a horse and groom. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a thermometer, floral imagery, frames, filigree and flourishes. Firms represented include Sagar Drug Co. (Duluth, Minn.); Sandhop, Fritsch & Co. (N.Y.); J. J. Seinsoth (Hartford, Conn.); S. H. Wetmore Company (N.Y.); J. E. Silliman (Erie, Pa.); Smith, Benedict & Company (Boston); Southern Drug Co. (Morristown, Tenn.); Stone, the Druggist (Fitchburg, Ma.); Strong, Cobb and Co. (Cleveland); Tarrant & Company (N.Y.); Thomsen & Muth (Baltimore); Dr. G. Ulrich (Erie, Pa.); Van Natta-Lynds Drug Co. (St. Joseph, Mo.); Van Vleet-Mansfield Drug Co. (Memphis, Tenn.); Vogeler, Winkelmann & Co. (Baltimore); William A. Whittem (Philadelphia); Winkelman & Brown Drug Co. (Baltimore); and Alfred Wright (Rochester, N.Y.). Billed patrons include T. Belhummeur, Lake Linden, Mich.; New York Department of Public Charities; Hartford Street Railway Company; H. A. Kerste, Schnectady, N.Y.; A. A. Beckman; Geo. H. Gilbert Mfg. Co.; A. S. Emmons; Carriger & Roberts; Fitchberg [?] Electric Light Co.; A. E. Phillips, Sinclairville, N.Y.; Dr. H.C. Porter & Son (Towanda, Pa.); W. P. Carriger, Morristown, Tenn.; J. F. Walther; D. W. Marris, Emporia; J. E. Chandler, Malvern; A. W. Holsey; Resinol Chemical Company; and H. F. Belanger, Houma, La. Collection also contains billhead of British chemist and druggist R. C. Walshaw (Huddersfield)., Some items contain manuscript notes and/or stamps acknowledging receipt of payments, terms of sale, and changes of address., Printers include Christie & Collier, Litho. Duluth; Strobridge & Co., Lith Cincinnati; A. Hoen & Co. Baltimore; S. C. Toof & Co., Memphis; and Craig, Finley & Co. Lith. Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1883-1905]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (S-Z) [P.2011.46.410-428]
[William H. Helfand graphic popular medicine stationery collection]
Title
[William H. Helfand graphic popular medicine stationery collection]
Description
Collection of stationery, primarily illustrated and typographical letterheads, billheads, and form letters, of pharmaceutical firms and related businesses and institutions in the United States (predominantly New York City, New York, Philadelphia, and Pennsylvania) issued between circa 1840 and 1935. Subjects include invoices and receipts, shipping arrangements and fees, product orders, payments and payment disputes. Firms, businesses, and institutions well represented include James S. Aspinwall; William P. Blanding; L. N. Brunswig; Caswell, Massey & Co.; C.J. Lincoln Co.; College of Pharmacy of the City of New York; Geo. C. Goodwin & Co.; Hall & Ruckel; Dr. William A. Hammond's Sanitarium; Hopkins-Weller Drug Co.; James Baily & Son; J. D. Marshall & Bros. (D. Marshall & Bro.); J. L. Lyons & Co.; A. M. Knowlson; Lanman & Kemp; McKesson & Robbins; Nichols & Harris; P. D. Orvis; S. R. Van Duzer; Wells, Richardson & Co. (Wells & Richardson Co.); Wilson Drug Co.; and W. J. Gilmore & Co. Philadelphia firms represented include A.W. Wright & Co.; Barker, Moore, Mein; Bean & Stevenson; Browning & Brothers; C.H. Butterworth & Co.; Robert Shoemaker & Co.; W.H. Schieffelin & Co.; and Strother Drug Co. Collection also contains several pieces of stationery of firms in New England, including Massachussetts (particularly Boston), Maine, Connecticut, Vermont, and Rhode Island; the Mid-West, including Ohio, Michigan, and Minnesota; and the South, including Louisiana (particularly New Orleans), Virginia, and Tennessee. A small number of items also represent businesses in the Western United States, United Kingdom, and Canada. A song sheet, envelope, and stereograph also form the collection., Illustrations depict various subjects. The most numerous are views of pharmaceutical factories and storefronts, often including street and pedestrian traffic. Imagery also depicts pharmaceutical apparatus and trademarks, including mortars and pestles; medical supplies, including trusses; allegorical scenes; heraldry; and art nouveau pictorial details and designs. Other illustrations show medieval apothecaries; the interiors of a pharmacy and dental office; and the mythical creature phoenix., Title supplied by cataloger., Various engravers, printers, and publishers, including Smith Bros.; Gast; A. Hoen & Co.; Collier & Cleveland; Craig, Butt, & Finley; Calvert Lithographing Co.; Snyder & Black; Detroit Litho. Co.; American Bank Note Company; Gies & Co.; Strobridge & Co.; E. Weber; Craig, Finley & Co.; G. H. Dunston; and Wm. H. Brett & Co., Majority of the billheads, letterheads, and form letters completed in manuscript or type and contain manuscript and typewritten notes on recto and verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Digitized for AMD: Popular Medicine. Series I.
Date
[ca. 1840-1935, bulk 1870-1890]
Location
Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Stationery Collection [P.2011.46]
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1850-1879]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1850-1879]
Description
Collection of billheads, dated between 1850 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict allegorical figures and scenes, exteriors of storefronts and factories (some adorned in signage), and pharmaceutical apparatus and goods, including mortar and pestles, distillers, and barrels, crates, and cans of medicinals. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include trademarks depicting a white lily (White Lily Catarrh Cure) and a serpent wrapped around an adorned staph. Firms represented include A. B. & D. Lands (N.Y.); Adie & Gray (Richmond, Va.); Frank S. Allen (N.Y.); Almy, Milne & Co. (Fall River, Ma.); Barrick, Roller & Co. (Philadelphia); Beates & Miller (Philadelphia); Bentley & Miller (New Haven, Ct.); B.H. Douglass & Sons (New Haven, CT); Breinig, Fronefield & Co. (Philadelphia); Burdsal & Brother (Cincinnati); H. H. Burrington (Providence, R.I.); Jno. S. Carter (Erie, Pa.); C. & J. L. Van Deusen (Roundout, N.Y.); A. L. Cutler (Boston); C. V. Clickener & Co. (N.Y.); Davis & Tucker (Canton, Oh.); Rutger L. Drake (Troy, N.Y.); and I. C. Dubose & Co. (Mobile, Ala.). Also contains billheads of the Glasgow Dispensing Chemist Thomas Davison and Stony Stratford Retail Chemists and Druggists Cox & Robinson., Billed patrons include Wynard & Sayer, Warwick, N.Y.; Jar. Courier, Blue Sulphur Springs, Greenbrier; H.L. Plumb; A.H. Dailey; J.B.M. Linn & Co.; Jos. Abrams; Warner, Clark & Taylor; J. F. Rambo; L. & N. Cross; Geo. E. Doolittle & Co., Erie, Pa.; Late C.W. Bersford S. Lowndes; J. Burnhamer; D. F. Lamon & Co.; Lorin Schaefer, Sr., Canton ; M. L. Filley; Thos. McMillan; and Wm. Jas. Comper, Holmwood, Cathcart., Some items contain stamps or pasted labels., Printers include J. L. Brooks Bank Check Co. Lith. Boston; Middleton, Strobridge & Co.; Billing Bros. & Whitmore Birmm.; and W. Weatherston & Son., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1850-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (A-D) [P.2011.46.271-289]
[Collection of business correspondence to the College of Pharmacy of the city of New York]
Title
[Collection of business correspondence to the College of Pharmacy of the city of New York]
Description
Collection of correspondence, including illustrated letterheads and letterheads with ornamented type. Imagery includes trademarks designed with animal figures; views of the New York Quinine & Chemical Works, Northern Dispensary (N.Y.), University of Vermont Medical Department, Lazell, Dalley & Co., importers and druggists (N.Y.), and W.H. Halliburton, Wholesale Druggist (Little Rock, Ark.); pharmaceutical apparatus and equipment; the state seal of Colorado; a horseshoe; and the interior of an apothecary. Illustrated letterheads also contain pictorial details, including filigree, vinery, banners, and geometric elements. Firms and businesses represented include August Maine, Drugs and Medicines (Utica, N.Y.); E. S. Balford & Co., Wholesale and Retail Druggists (Davenport, Ia.); L. L. Lyons & Co., Wholesale Druggists, Importers and Manufacturing Chemists (New Orleans); the publishing houses The Druggist Circular, The National Druggist, The Pharmaceutical Era, and the Rocky Mountain Druggist; and The Hornick Drug Co. (Sioux City, Ia.). Correspondence refers to the distribution of diplomas, catalogs, and prospectuses; general information about, and employment opportunities through the college; the reservation of seats in classes; membership certificates; payments for advertising in the college prospectus; and alumni contacts. Collection also includes a small number, some blank, of stationery of the college., Title supplied by cataloger., Printers include Collier & Cleveland, Lith Co., Cleveland; The Gugler Lith. Co., Milwaukee; J. Ottman, Lith., Puck Bldg, N.Y; Stephens Litho. & Engr. Co., St. Louis; and Sioux City Eng. Co., Majority of correspondence addressed to O. J. Griffin or J. N. Hegeman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., John Niven Hegeman served as secretary of the College of Pharmacy from the 1870s until his death in 1895., Gift of William H. Helfand.
Date
[ca. 1870-ca.1888]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - C [P.2011.46.36-141]
Geschichte des Krieges für die Union. Von Evert A. Duychinck. : Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nac
Title
Geschichte des Krieges für die Union. Von Evert A. Duychinck Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nach Originalgemälden von Alonzo Chappel. ... Subscriptions-Bedingungen
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866, and in German beginning in 1863., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Johnson (2)5786.F.110d (McAllister)
Geschichte des Krieges für die Union. Von Evert A. Duychinck. : Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nac
Title
Geschichte des Krieges für die Union. Von Evert A. Duychinck Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nach Originalgemälden von Alonzo Chappel. ... Subscriptions-Bedingungen
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866, and in German beginning in 1863., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Johnson (2)5786.F.110d (McAllister)
The battle of Bull's Run [graphic].
Title
The battle of Bull's Run
Description
Pro-Confederate cartoon containing eighteen numbered figures and scenes to satirize the mayhem at the Battle of Bull Run in July 1861. Figures include: (1) Beauregard's (2) Jefferson Davis's and (3) Johnston's Confederate Headquarters; (4) Maryland Elzy's Battiry [sic]; (5) Union General Irvin McDowell; (6) Union General Daniel Tyler; (7) the Bull's Run; (8) New York Fire Zouaves; (9) New York 12th Regiment; (10) Union Sherman's Battiry [sic]; (11) Congressman Alfred Ely; (12) barricade for Members of Congress; (13) civilian spectators Lovejoy & Co. and (14) ladies as sputatiers; (15) Biddle, Brown & Co., members of Congress; (16) Union Blenker's Brigade; (17) Senator Wilson; (18) and the U.S. Dragoon. Depicts in the foreground: the Zouaves driving a bull that holds the American flag in its tail and is labeled, "Expenses for 100 Mill., Bad Business, Property, but no Security" in front of the retreating General Tyler and the New York regiment. The troops flee on the road to Washington past Union soldiers who lay dying and lamenting their foolishness near a "fat left-tenant" stating "God Save the Union" and Senator Wilson. Wilson refuses the pleas of a wounded soldier as he has "a wife and children to care for." In the background, Confederate troops march over a hill and mock the Union's abolitionist stance and lack of ammunition; Sherman's Battiry [sic] loads a cannon; Congressmen seek shelter behind a barricade of "U.S." wagons; civilian spectators Brown & Company flee by carriage as they deny aid to a white man who hollers, "you are more unmerciful then the overseer"; Congressman Ely, captured by the Confederates, offers a monetary bribe in exchange for his "liberty"; and the Union's Blenker's Brigade march into the battle in front of their retreating fellow soldiers General Irvin McDowell and the "U.S. Dragoon" who gallop "Home, Sweet, Home." Contains a key to depicted figures below the image., Title from item., Date inferred from content., Retrospective conversion record: original entry, edited., Accessioned 1979., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1861]
Location
Library Company of Philadelphia | Print Department political cartoons - 1861-42W [P.2275.11a]
Distinguished Americans, at a meeting of the New York Historical Society [graphic] : To whom this plate is by permission respectfully dedicated by Doney & Gollmann Designed and drawn from life by J. Gollmann; Engraved by T. Doney.
Title
Distinguished Americans, at a meeting of the New York Historical Society To whom this plate is by permission respectfully dedicated by Doney & Gollmann
Description
Group portrait of forty nine Americans gathered together at a meeting of the New York Historical Society in the University Chapel. Seen in the foreground, from left to right, are: George W. Bethune, Zadock Pratt, Francis L. Hawks, John E. Wool, Horatio Seymour, John W. Francis, Hamilton Fish, Winfield Scott, Jonathan M Wainwright, Daniel Webster, Samuel Jones, Franklin Pierce, William C. Bryant, Henry Clay, Edward Everett, Fred de Peyster, Luther Bradish, Martin Van Buren, George Bancroft, John Van Buren, William L. Marcy, and Lewis Cass. Another twenty seven men are seen in the background, including: Millard Fillmore, William H. Seward, John C. Calhoun and Valentine Mott. Each man wears a dark suit with a light shirt and tie. The men face in all directions; some look out toward the viewer and others turn to the side with no interaction among each other. Sitters portraits after painted portraits provided to the artist., Entered according to Act of Congress in the Year 1854 by Doney & Gollmann in the Clerk’s Office of the District Court for the Southern District of New York., Gift of David Doret., LCP copy variant from copies at Library of Congress and American Antiquarian Society. Imprint varies and image does not include sitter Archbishop John Hughes., See David McNeely Stauffer, American engravers upon copper and steel, Vol. 1 (New York, 1907), 66., A key and description of the plate is included in the New York Historical Society Quarterly 38, 1954 , 458-459. Copy included with print. Description references Hughes missing from key, but not the image., Thomas Doney came to Canada from France, worked in Illinois and Ohio, and finally established himself in New York in 1845.
Creator
Doney, Thomas, fl. 1844-1852, engraver
Date
1854
Location
Library Company of Philadelphia | Print Department **Portrait Prints/Photos - Group [P.2011.45.3]
Fire company ephemera collection
Title
Fire company ephemera collection, 1847-1867
Description
Invitations, tickets, and trade cards relating to volunteer fire companies in Philadelphia, Baltimore, and Buffalo, 1847-1867., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., This collection gathers fire company related items from several sources, and is open to new additions.
Creator
Library Company of Philadelphia, collector
Date
1847
Location
Library Company of Philadelphia | Books & Other Texts | Rare Coll LCP Ephemera Fire Companies 3321.F.115-.121
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1886-1899]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1886-1899]
Description
Collection of billheads, dated between 1886 and 1899, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); mortars and pestles, including a trademark with an eagle perched on the tool; and an allegorical scene juxtaposing a mule caravan in tropical setting with a "Quinine Chemical Works." Pictorial details include floral and cloud imagery, frames, and flourishes. Firms represented include New York Quinine Chemical Works (N.Y.); Nichols & Harris (New London, Conn.); Noyes Brothers & Cutler (St. Paul, Minn.); Ohio Truss Co. (Cincinnati); Gilbert R. Parker (Johnston, R.I.); Charles H. Pleasants (N.Y.); Plimpton Cowan & Co. (Buffalo, N.Y.); John B. Raser (Reading, Pa.); Raynolds & Churchill (Burlington, Ia.); Robert Baker & Co. (Philadelphia); R. W. Robinson & Son (N.Y.); and Rodgers, Tedford & Co. (Knoxville, Tenn.). Billed patrons include The Resinol Chemical Co., Baltimore, Md.; C. D. Clark; A. Hirschle Smith, Amenia, N.D.; C. H. Case, Jefferson, Ohio; Walter W. Place; [New York] Dept. of Public Charities & Correction; A. E. Phillips, Sinclairville, N.Y.; J. F. Wagonhurst, Mertztown, Pa.; J. S. Banes, Villisca, Ia.; J. F. Wagernhuss (i.e., Wagonhurst?); E. S. Stokes; and Marion Roberts., Some items contain manuscript notes and/or stamps acknowledging receipt of payments and terms of sale., Printers include Falls City Litho. Co. Louisville, KY; Ketterlinus, Phila; Gast, St. LS. N.Y; G.H. Dunston, Buffalo, N.Y.; and Lith. Pioneer Press Co., St. Paul, Minn., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1886-1899]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (N-R) [P.2011.46.391-402]
Photographs [graphic] / John C. Browne.
Title
Photographs
Description
Album of predominantly landscape photographs of the Delaware Valley and upstate New York taken by Philadelphia amateur photographer John C. Browne. Contents include views of Tacony, Cobb’s, Chester, and Pennypack Creeks; Germantown; Fairmount Park and the Wissahickon; Media, Dauphin, and Hamburg, Pa.; and Dutchess County and Newburgh, N.Y. Views also show estates, including S. H. Lloyd Garden on School House Lane and the W.C. Kent residence (Germantown), Mount Pleasant (Fairmount Park), Henry W. Sargent’s estate (Wodenthe) in Fishkill on the Hudson, and Presqu’ile (built 1813, Dutchess County, N.Y.); churches, including St. Timothy’s (built 1862, Roxborough) and St. Luke’s (Matteawan, Beacon, N.Y.); bridges, including the Norristown Railroad Bridge, Ridge Avenue Bridge, and the P.R.R. Bridge over Hamburg; Humphrey Yearsley’s Mill (built 1792, near Media); Delaware Water Gap; Glen Mills; St. Denning’s Point; waterfalls; cascades; wooded paths; woodlands; creek beds; and posed male and female figures in entryways, gardens, and near trees and waterfalls. Album also contains images of the Pennsylvania Hospital, Spring House and Croton Aqueduct near Tarrytown, the Washington Oak at Denning’s Point, and the Old Swedes Church (i.e., Holy Trinity Church), including cemetery, in Wilmington, Delaware. St. Luke's image also shows parishioners entering the church., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title from title page written in ink manuscript: Photographs by John C. Browne., Photographs contain titles in ink manuscript below the images. Signed J.C. Browne Photo. or J.C. Browne., Several photographs removed before acquisition., Includes "Index" of titles numbered 1-73. Titles for 61-69 are blank., Gift of Harvey S. Shipley Miller and Jon Randall Plummer, 2010., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Image "Tacony Creek" (#4) published as frontispiece in Philadelphia Photographer (April 1865)., Image "On the Pennypack" (#36) published as frontispiece in Philadelphia Photographer (October 1866)., One of missing photographs (#13) located and acquired through auction. See "Red Bridge on the Wissahickon" [*photo -Browne (P.2011.57)], LCP holds loose duplicate of photograph of Pennsylvania Hospital (#9). See photo - Browne (P.9260.485)., Housed in phase box.
Creator
Browne, John C. (John Coates), 1838-1918, photographer
Date
ca. 1862-ca. 1866
Location
Library Company of Philadelphia | Print Department albums [P.2010.38.44]
[Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series] [graphic].
Title
[Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description
Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date
[1879]
Location
Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]
[Collection of letterheads, stationery, and form letters of pharmaceutical firms and related businesses, United States and Canada]
Title
[Collection of letterheads, stationery, and form letters of pharmaceutical firms and related businesses, United States and Canada]
Description
Collection of letterheads and stationery from the late 19th century containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict trademarks, including the Alpine Products Co. eagle; the bloodhound "Grip"; and interiors and exteriors of storefronts, laboratories, and medical dispensaries (some adorned in signage), including H.E. Bucklen & Co.'s Bottling Dept., Composing Room, Engine & Press Room, Shipping Room, Main Office, and Mailing Dept. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a ladies truss, a profile portrait of a woman captioned "The crowning glory of Woman is Her Hair," mortar & pestle, floral imagery, frames, filigree and flourishes., Firms represented include A.C. Meyer & Co. (Baltimore); Alpine Products Co. (N.Y.); The Altenheim Medical Dispensary (Cincinnati); T.P. Bailey, M.D. (Georgetown, S.C.); Bellows Falls Drug Store (Bellows Falls, Vt.); Benton, Myers & Company (Cleveland); S. Biggs (Rockingham, N.C.); D. Wood Brant (Newark, N.J.); Canadian Kennel Club (Toronto); Horace Bush (Lowville, N.Y.); Carriger & Speck (Morristown, Tenn.); C.E. Grafton Drug Company (Brookhaven, Miss.); Chicago Medical Society (Chicago); Collegiate and Polytechnic Institute, i.e., Polytechnic Institute of Brooklyn (Brooklyn, N.Y.); Wm. Connolly, M.D. (Cresco, Ia.); Edward H. Currier (Manchester, N.H.); E.S. Leadbeater & Sons (Alexandria, Va.); Dr. E. Greenmayer (East Palestine, Oh.); Dr. Robert Hamilton's Medical Institute (Saratoga Springs, N.Y.); Bunting Hankins (Bordentown, N.J.); H.E. Bucklen & Co. (Chicago, Ill.); Heintzelman's Pharmacy (Philadelphia); D. E. Hoagland (Cobleskill, N.Y.); J. Henderson & Bros. (Pittsburgh); John Carle & Sons (N.Y.); John F. Henry & Co. (Waterbury, Vt.); Johnston, Holloway & Cowden (Philadelphia); Joseph Hahn & Co. (Sacramento, Ca.); J. S. Merrell Drug Co. (St. Louis, Mo.); Aug. Korndoerfer, M.D. (Philadelphia); Lyman, Sons & Co. (Montreal); Max Wocher & Son (Cincinnati); and Muth Brothers & Co. (Baltimore)., Correspondence relates to shipping arrangements and fees, product orders, payments, letters of certification and retention of employees, diagnoses and treatments, as well as a purchase of a storefront and feedback on a supply of samples. Collection also includes a personal letter completed July 8, 1884 by J.F. Madden describing his medical treatment and his day in Sacramento, Ca. Correspondents include Parchen D'Archeu Drug Company; The Polk Miller Drug Co.; G.W. Aimar & Co.; A. C. Mitchell; Jacob Estey; S. Biggs; Wm. R. Scudder; Geo. B. Sweetnam; Lyman, Sons & Co.; Chapman, White, Lyons & Co.; W. W. Newsam; E. C. Seymour; John C. Legel; Burt H. Brooks; B. Hankins; H. C. Parter & Son; McKinney Bros.; J. D. Aug. Hartz; C. A. Williams; Henry B. Semple; J. F. Madden; C. P. Walbridge; and C. K. Gardner., Printers include A. Hoen & Co., Balto.; G. H. Dunston, Lith., Buffalo; A. Gast & Co., St. Louis & N.Y.; and Buston & Skinner, Lith. St. Louis., One print [P.2011.46.456 ] contains two-cent stamp., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1860-ca. 1900]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Letterheads & Stationery (A-M) [P.2011.46.429-463]
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1882-1902]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1882-1902]
Description
Collection of billheads, dated between 1882 and 1902, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict allegorical figures and scenes, including a griffin; exteriors of storefronts and factories (some adorned in signage); and pharmaceutical apparatus and goods, including mortar and pestles, scales, and trusses. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include tropical imagery, banners, filigree and flourishes. Firms represented include Clarence S. Abrams, Ph. G. (Middleton, N.Y.); Henry Adams, Phar. D (Amherst, Ma.); Allan Pfeiffer Chemical Co. (St. Louis, Mo.); American Silver Truss (Buffalo, N.Y.); Apothecaries Hall Co. (Waterbury, Conn.); A. M. Foster & Co. (Chicago); Arthur Peter & Co. (Louisville, Ky.); M. F. Benjamin (Riverhead, L.I.); Benton, Myers & Co. (Cleveland); Andrew Blair (Philadelphia); Boykin, Carmer & Co. (Baltimore); Blumauer-Frank Drug Co. (Portland, Ore.); J. H. Boher (Harrisburg, Pa.); Stephen Bowen (Blossburg, Pa.); W[illiam] E. Brown (Providence, R.I.); W. E. Brown (Calverton, Md.; Bush & Co. (Worcester, Ma.); Bruen Bros. & Ritchey (N.Y.); Carr Brothers & Co. (Baltimore); Carter, Carter & Meigs (Boston); Joe/J.E. Chamberlain (Malvern, Ark.); Charles Hubbard Son & Co. (Syracuse, N.Y.); Charles Leich & Co. (Evansville, Ind.); Chas. W. Snow & Co. (Syracuse, N.Y.); C. W. Coulter & Co. (Slippery Rock, Pa.); Demoville & Co. (Nashville, Tenn.); and Davis & Lawrence Co. (Schnectady, N.Y.), Billed patrons include C. A. Stanton, Wurtsboro, N.Y.; G. C. Lee; Joseph Schnell, Binghamton, N.Y.; O.H. Case, Jefferson, Ohio; Duscher & Kiel; J. E. Chamberlain's Drug Store, Malvern, Ark.; Carreger Roberts & Co., Morristown, Tenn.; Goldsmith & [Fairhill?]; A. E. Phillips; Mrs. W. Hinckle Smith; The Clifton Mfg. Co., Clifton, S.C.; Benjamin Foster; Mrs. J. Boyle; W. H. Place; Resinol Chemical Co.; C. W. Phillips; Gilbert Bigelow; A. & G. Hewitt; J.W. Garrien & Co; L. D. Cooper; Rhoden & Miller; A. B. Brooks; Schultz Thurman; A. McKinney; McClellan Bros., Red Boiling Springs; and H. A. Kerste, Schnectady, N.Y., Some items contain manuscript notes and/or stamps acknowledging shipment or receipt of payments., P.2011.46.315 title annotated from Bought of C. W. Coulter & Co. to C. W. Coulter, "& Co." is crossed out., Printers include Shober & Carqueville Litho. Co.; Equitable Litho. Eng. Co. Balto. MD; J. L. Brooks Bank Check Co. Springfield, Mass.; Moser, Lyon & Co., Syracuse, N.Y.; Heincke-Fiegel Litho. Co. St. L.; Thomas & Miller Printers, New Castle; Foster & Webb Print, Nashville; G. H. Dunston Lith. Buffalo, N.Y.; and Gilmour & Kearns Lith. Montreal., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1882-1902]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (A-D)[P.2011.46.290-317]
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1852-1879]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1852-1879]
Description
Collection of billheads, dated between 1852 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and goods, including "patent shaving mug," mortar and pestles, scales, and rates, barrels, and jugs of medicinals; and a medieval scene of an apothecary in his laboratory. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a key; a druggist and also a lion using a mortar and pestle; banners; flourishes; and frames. Firms represented include Earl P. Mason & Co. (Providence, R.I.); E. Hartshorn & Sons (Boston); F. M. Keeler & Co. (Boston); D. H. Fonda (Albany, N.Y.); Frambes & Wright (Absecon, N.J.); Frederick Klett & Co. (Philadelphia); Gauntlett & Brooks (Ithaca, N.Y.); Geo. E. Greene (Brattleboro, Vt.); G. & S. Crawford & Co. (N.Y.); Geo. W. Norton & Fitch (Lexington, Ky.); Jos. B. Gorrell (Culpeper, Va.); H. H. Hay (Portland, Me.); Henry C. Willard & Co. (Brattleboro, Vt.); H. O. D. Banks & Co. (Philadelphia); William Hadde (New York); J. S. Ingraham (Bangor, Me.); I. N. Thorn & Co., partnership between Thorn and George E. Greene (Brattleboro, Vt.); J. M. & W. W. Cubbison (New Castle, PA); John F. Henry, Curran & Co. (N.Y.); Klein & Fleet (N.Y.); Kenyon, Potter & Co. (Syracuse, N.Y.); Lanman & Sevin (Norwich, Conn.); A. J. McKean (Mercer, Pa.); McMonagle & Rogers (Middletown, N.Y.); and Martin Kalbfleisch's Sons (N.Y.)., Billed patrons include H. Warner; F. A. Richards; A. H. Dailey, Fall River; W. H. Barnes, Chartam Village; Ebenezar Somer; C. Schrack; Gauntlett & Brooks, Ithaca; Julius J. Estey; C. S. Clark, Center Brook, Conn.; D. J. Ayers; D. W. A. Hill; T. A. Pewdexter; Frederick Ehrhardt; Mr. Leverich; J. M. Daniels; A. McKinney; F. L. Norton; McKiney Bros; C. W. Philips; and New York Eyelet Co., P.2011.46.324 title annotated: Gauntlett & Brooks, crossed out., Engravers include Redman-Kenny, N.Y.; J. Spittall; Richardson; and Gibson & Co., Cincinnatti., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1852-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (E-M) [P.2011.46.318-342]
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1880-1898]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1880-1898]
Description
Collection of billheads, dated between 1880 and 1898, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and goods, including "patent shaving mug," mortar and pestles, scales, and rates, barrels, and jugs of medicinals; and scenes of a harbor view, a druggist in his pharmacy, and a blacksmith at work on his anvil. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include trademarks, art nouveau imagery, an incense burner, truss, sun bursts, scrolls, medallions and shields, flowers, frames, flourishes, and filigree., Firms represented include Edward C. Jones & Co. (Philadelphia); E. J. Hart & Co. (New Orleans); E. L. Stanwood & Co. (Portland, Me.); F. B. & Thos. Tomlinson (Tate Spring, Tenn.); Finlay, Dicks & Co. (New Orleans); E. B. Fletcher (Erie, Pa.); Forney & Knouse (Harrisburg, Pa.); Fox, Fultz & Co. (N.Y.); Fritzche Brothers (N.Y.); Fuller & Fuller (Chicago); George A. Kelly & Co. (Pittsburgh); F. Hagerman (Birmingham, Ala.); The Hastings and McIntosh Truss Co. (Philadelphia); Henry, Johnson & Lord (Burlington, Vt); Hub Drug Co. (Boston); Orlando H. Jadwin (N.Y.); J. E. Goold & Co. (Portland, Me.); J. K. McKee Company (Pittsburgh); John Reynders & Co (N.Y.); Edward L. Johnson (N.Y.); John W. Perkins & Co. (Portland, Me.); Kalish Pharmacy (N.Y.); Lamar, Rankin & Lamar (Atlanta, Ga.); Lee & Osgood (Norwich, Conn.); Lord, Owen & Co. (Chicago); Lord, Smith & Co. (Chicago); J. R. McCampbell (Knoxville, Tenn.); J. A. McDonald (Reedsville, Pa.); McClure, Walker & Gibson (Albany, N.Y.); John M. Maris & Co. (Philadelphia); John W. Perkins & Co. (Portland, Me.); Jordan & Scott (Charlotte, N.C.); Lewis W. Booth & Co. (Bridgeport, Conn.); William E. Mann (Bangor, Me.); Meyer Brothers Drug Company (St. Louis, Mo.); J. E. Moore (Albany, N.Y.); and Moyer Bro.'s (Bloomsburg, Pa.). Collection also includes billhead of Great Britain dispensing chemists Fletcher & Pater (Retford) and R. K. Kermode (Castletown)., Billed patrons include Jos. P. Remington; H. F. Belanger; A. & B. Young; Burdett Organ Co.; E. H. Light; H. A. [Kerste]; Resinol Chemical Co.; D. W. Morris; McKinney Bros.; E. K. Thompson & Son; D.J. Saunders; E.C. Mathews; S.M. Bixley & Co.; L.M. & G.W. Putney; Wm. H. Hays; Hinkley, Cragin & Field; Clifton Mfg. Co.; John A. Rockwell; Quincy Mining Corporation; Marian Roberts; Samuel Hegarty; C. H. Case; Herrick, Smith & Co.; Warner & Clark; D. S. Sanders; J. E. Chamberlain; and William Davenport., Some items contain manuscript notes and/or stamps acknowledging receipt of payments., P.2011.46.367 title annotated with stamp: Jno M. Scott & Co., Successors To., Printers include H. B. Church; Kentucky Litho Co., Louisville; Henry Siebert & Bro. Co. N.Y.; C. Otto [Triel?]; J.H. Warner, N.Y.; Budden & Son Lith, Atlanta, Ga.; J. Reynders Co.; Golder Co., Pitt.; Lakeside Press, Portland, Me.; and Shober & Carqueville Lith. Co., Chicago., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1880-1898]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (E-M) [P.2011.46.343-381]

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