Distinguished Americans, at a meeting of the New York Historical Society [graphic] : To whom this plate is by permission respectfully dedicated by Doney & Gollmann Designed and drawn from life by J. Gollmann; Engraved by T. Doney.
Title
Distinguished Americans, at a meeting of the New York Historical Society To whom this plate is by permission respectfully dedicated by Doney & Gollmann
Description
Group portrait of forty nine Americans gathered together at a meeting of the New York Historical Society in the University Chapel. Seen in the foreground, from left to right, are: George W. Bethune, Zadock Pratt, Francis L. Hawks, John E. Wool, Horatio Seymour, John W. Francis, Hamilton Fish, Winfield Scott, Jonathan M Wainwright, Daniel Webster, Samuel Jones, Franklin Pierce, William C. Bryant, Henry Clay, Edward Everett, Fred de Peyster, Luther Bradish, Martin Van Buren, George Bancroft, John Van Buren, William L. Marcy, and Lewis Cass. Another twenty seven men are seen in the background, including: Millard Fillmore, William H. Seward, John C. Calhoun and Valentine Mott. Each man wears a dark suit with a light shirt and tie. The men face in all directions; some look out toward the viewer and others turn to the side with no interaction among each other. Sitters portraits after painted portraits provided to the artist., Entered according to Act of Congress in the Year 1854 by Doney & Gollmann in the Clerk’s Office of the District Court for the Southern District of New York., Gift of David Doret., LCP copy variant from copies at Library of Congress and American Antiquarian Society. Imprint varies and image does not include sitter Archbishop John Hughes., See David McNeely Stauffer, American engravers upon copper and steel, Vol. 1 (New York, 1907), 66., A key and description of the plate is included in the New York Historical Society Quarterly 38, 1954 , 458-459. Copy included with print. Description references Hughes missing from key, but not the image., Thomas Doney came to Canada from France, worked in Illinois and Ohio, and finally established himself in New York in 1845.
Creator
Doney, Thomas, fl. 1844-1852, engraver
Date
1854
Location
Library Company of Philadelphia | Print Department **Portrait Prints/Photos - Group [P.2011.45.3]
Colossal hand and torch "Liberty".
Title
Colossal hand and torch "Liberty".
Description
Free-standing hand and torch from the Statue of Liberty mounted on subscription kiosk. A small crowd at the base of structure and two men at the hilt of the torch. In background is New York 'Tribune' Building, Women's Pavilion, and Drinking Fountain. The 'Liberty' hand and torch was designed by Fridiric Bartholdi; the Drinking Fountain was erected by the Sons of Temperance of Pennsylvania.
Creator
Centennial Photographic Co., photographer., creator
Date
1876
Location
Centennial - stereos [P.9260.45]
Clarkson, Matthew, 1733-1800
Title
Clarkson, Matthew, 1733-1800
Creator
Library Company of Philadelphia, creator
Date
February 19, 1763
Bradford, William, 1719-1791
Title
Bradford, William, 1719-1791
Creator
Library Company of Philadelphia, creator
Date
April 6, 1769
The neglected picture. : From the Home journal. The following lines were suggested on seeing the painting styled the "Neglected picture," by W.M. Davis, of Port Jefferson, now on exhibition at Messrs. Ball, Black and Co.'s. ...
Title
The neglected picture From the Home journal. The following lines were suggested on seeing the painting styled the "Neglected picture," by W.M. Davis, of Port Jefferson, now on exhibition at Messrs. Ball, Black and Co.'s
Description
Caption title, with first lines of text., First line of the seven-verse poem: What ails you Jeff.? hast had a "smash?", On verso: Done gone. From the New York herald. The fine arts. Mr. William M. Davis, of Port Jefferson, Long Island, whose painting, styled the "Neglected picture," has attracted so much notice of late, has just produced another picture, ... The title "Done gone," selected by the artist, will be readily recognized by all who have travelled in the South ..., At foot of each side: Photographic copies, carte de visite size, 25 cts. each., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Davis, William M., 1829-1920
Date
[1865?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Davis 5795.F.69 (McAllister)
"Creme" oat meal toilet soap.
Title
"Creme" oat meal toilet soap
Description
Trade card promoting soap manufacturer J.D. Larkin & Co. and depicting a racist caricature of an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a rifle under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from item., Date from copyright statement: Copyright, Clay & Richmond, Buffalo, N.Y., 1881., Printed in upper right corner on recto: J, D, L, & C. monogram (ie. J.D. Larkin & Co.) surmounting "Buffalo, N.Y.", Series no. printed on recto: II., Advertising text printed on verso promotes "Creme" toilet soap sold by A.E. Snow, dealer in drugs, medicines, etc. in Plainfield, Vt. Also promotes "six different designs" of cards by the People's Mfg. Co., Buffalo, N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1881
Location
Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - S [P.9828.6852]
[Business correspondence of New York chemist Charles Rice]
Title
[Business correspondence of New York chemist Charles Rice]
Description
Includes illustrated letterhead of "D. DeGraff, Prop'r of Orange Blossom Tooth Powder, Apothecary." Letterhead contains an ornament comprised of a banner and art nouveau pictorial elements. Firms and organizations represented in the other letterheads include McKesson & Robbins, New York Department of Charities and Correction, and Pharmaceutical Record Company., Title supplied by cataloger., Correspondence dated June 7, 1887, October 14, 1887, March 1, 1888, and April 27, 1888.l, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - R [P.2011.46.210-213]
New York Shipbuilding Corporation, Camden, New Jersey.
Title
New York Shipbuilding Corporation, Camden, New Jersey
Description
Aerial views of the New York Shipbuilding Corporation on the Camden, New Jersey waterfront along the Delaware River. The shipbuilding facilities can be seen from several angles in both close-up and distant views. Adjacent railroad tracks and neighborhoods are also visible and other parts of Camden can be seen in the distance. The company launched its first ship in 1901 and its last in 1967., Negative numbers: 1683, 1685, 2516, 7204, 7206, 7207.
Creator
Aero Service Corporation, photographer
Date
ca. 1915-1926
Location
Library Company of Philadelphia | Print Department Aero Service [P.8990.1683; P.8990.1685; P.8990.2516; P.8990.7204; P.8990.7206; P.8990.7207]
Beauty on the street--front view.
Title
Beauty on the street--front view E. B. Hall, druggist. Established 1852. Wellsville, N.Y
Description
Racist trade card promoting druggist E.B. Hall and depicting an African American woman, portrayed in racist caricature and attired in a brimmed hat with decorative feathers, an elegant, long-sleeved dress with ruffles, gloves, who carries a tiny purse. She walks down the street carrying a parasol in her right hand and her small dog's leash in the other. Edwin B. Hall opened his drug in Wellsville, N.Y. in 1852., Title from item., Date inferred from content., Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Hall [P.9984.3]
Landsdown [sic] entrance looking south
Title
Landsdown [sic] entrance looking south
Description
View showing Lansdowne Avenue in West Fairmount Park under the old Girard Avenue Bridge. The bridge, completed at the Schuylkill River in 1855, was razed circa 1871 and replaced by the new Girard Avenue Bridge. Shows a horse-drawn carriage traveling on Lansdowne under an arch of the bridge. Also shows the New York Connecting Railway Bridge, completed in 1867, in the background., Title from manuscript note on verso., Grey mount with rounded corners., Inscribed in negative: 136., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1870
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.9260.96]
[Promontory Rock Tunnel and New York Connecting Railway Bridge, Fairmount Park, Philadelphia] [graphic].
Title
[Promontory Rock Tunnel and New York Connecting Railway Bridge, Fairmount Park, Philadelphia]
Description
View showing the Promontory Rock Tunnel, bored in 1871, on East River Drive (Kelly Drive) between the New York Connecting Railway Bridge and the Girard Avenue Bridge in East Fairmount Park. Includes views of segments of the two Pennsylvania Railroad bridges spanning the Schuylkill River. The Connecting Railway bridge was completed in 1867 after the designs of John A. Wilson. The Girard Avenue Bridge was completed in 1875 after the designs of Henry A. and James P. Sims., Buff mount with rounded corners., Title supplied by cataloguer., Manuscript note on mount: Tunnel & NY bridge Park., Inscribed in negative: 129., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1875
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Bridges [P.9299.45]
Office of the daily terror. The Davis Sewing Machine Co. [graphic].
Title
Office of the daily terror. The Davis Sewing Machine Co
Description
Racist circular promoting Davis Sewing Machine Co. and depicting a caricature of an African American boy “spying” into an office after having played a practical joke. In the satiric scene, the boy stands on the front steps of a building that has a sign that reads, "Office of the Daily Terror." He leans towards the door and looks through the keyhole with his right eye and his mouth open in a mischievous smile. In his right hand he carries a box labelled "tacks." In his left hand he holds the leather strap of a container marked "C.H.E." and with the handle of a brush sticking out of it. He is attired in a cap; a collared, long-sleeved shirt; and plaid pants with suspenders. The image inside the circular shows the interior of the newspaper office. A balding white man, attired in dress shoes; pants; a waistcoat; and a collared shirt with a bowtie, jolts into the air out of a wooden chair. A tack sticks into his behind. He clutches a newspaper labeled, "Enterprise," in his hand, while a quill and a pair of scissors labeled, "Warranted Can't Steal" fly into the air. In the left is a wastebasket with crumbled papers, one of which reads, "Poets." In the background is a desk. Rows of sheets of paper and a "Daily Terror" sign are pinned to the wall above it. Brothers John and Joseph Sheldon founded the Davis Sewing Machine Company in Watertown, N.Y. in 1868. The firm manufactured the sewing machines invented by Job Davis. In circa 1892, the company began to manufacture bicycles, and soon thereafter phased out the production of sewing machines. The company ceased in 1924., Title from item., Publication information from copyright statement: Copyrighted 1882., Advertising text printed on verso: Office & Manufactory Watertown, N.Y. Principal Branches. Chicago...46, 48 & 50 Jackson St. Cleveland...82 & 84 Bank St, and 93 St. Clair St. Boston... 194 Tremont St. Philadelphia...1223 Chestnut St. San Francisco, Cal...130 Post St. C. Carranza & Co. Agents for South America...60 Wall St., New York. Zurich, Switzerland...Gessner Allee 15. St Petersburgh, Russia...Krasney Bridge. Sydney, New South Wales... 42 Pitt St. Melbourne,Victoria...79 Bourke St. East. Adelaide... 90 Hinkley St. Brisbane...Queen St. Christs Church N. Zealand...Columbo St. London, E.C...Queen Victoria St., Gift of David Doret.
Date
1882
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Davis [P.2017.95.41]
Lustre starch [graphic].
Title
Lustre starch
Description
Trimmed trade card promoting Gilbert S. Graves’s Lustre Starch. Depicts a racist caricature of an African American man portrayed with exaggerated features tipping his hat. Shows an African American man attired in a black top hat, a white collared shirt, a red bowtie, a yellow waistcoat, a blue jacket with tails, and white striped pants. He is attired with numerous accessories, including a red flower boutonniere on his lapel, a gold pendant pinned to the center of his white shirt, a gold pocket-watch chain, gold cufflinks, and a gold ring on the pinky of his right hand. The man stands with his right arm behind his back while he raises his top hat off his head with his left hand. Gilbert S. Graves (1849-1935) founded a corn starch manufactory in Buffalo in 1877. It was acquired by United Starch Company in 1899., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Distributor's imprint printed on verso: H.H. Sayles & Co., wholesale grocers, Elmira, N.Y., Card is trimmed at the top and bottom., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - H.H. Sayles [P.2017.95.78]
"Sweet home soap." J.D. Larkin & Co. [graphic].
Title
"Sweet home soap." J.D. Larkin & Co
Description
Racist trade card promoting J.D. Larkin & Co.’s soap and depicting caricatures of four African American boys standing in a line blowing brass horns. Shows the boys attired in straw hats, white shirts with the sleeves rolled to the elbows, and yellow shoes. The boy in the left is attired in a pink waistcoat and blue striped pants; the second boy in a purple waistcoat and blue pants; the third boy in a pink waistcoat and blue pants with a floral print; and the fourth boy in a purple waistcoat, blue pants, and gold hoop earrings. They all carry in their right hand a long, brass horn. In the background is a house with a chimney surrounded by a stone wall with a gate. John D. Larkin (1845-1926) began a soap manufactory in Buffalo, N.Y. in 1875. He created a yellow bar of laundry soap called, “Sweet Home Soap.” In 1878, Larkin admitted his brother-in-law Elbert G. Hubbard (1856-1915) and established the firm, J.D. Larkin & Co. The firm grew into a mail-order business. The Company was sold in 1941, liquidated in 1942, and the new owners continued the mail-order business until 1962., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from the history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - J.D. Larkin [P.2017.95.90]
William Trent Papers, 1763-1789 (inclusive).
Title
William Trent Papers, 1763-1789 (inclusive)
Description
The William Trent Papers describe some of Trent's land holdings and business dealings in Pennsylvania, upstate New York, Maryland, and the Ohio Valley, with several investors including John Swift, Joseph Morris, George Campbell, George Croghan, Joseph Simon, David Franks, and Thomas Smallman, among others. Among the documents is an undated “List of Books, Papers, &c being the contents of a Black Trunk, belonging to the estate of William Trent deceased” describing fifteen items and bundles of papers (none of which are contained in the McAllister Collection). Another undated document is Trent's copy of a list of twenty-eight parcels sold to Campbell, Mitchell, and Davis, which includes six tracts along Jennings Run in Maryland., On deposit at the Historical Society of Pennsylvania, 1300 Locust Street, Philadelphia, PA 19107. For service, please contact the Historical Society at 215-732-6200 or http://www.hsp.org., William Trent (1715-1787), soldier, Indian trader, and land speculator, was a prominent figure in the development of Western Pennsylvania during the second half of the eighteenth century.
Creator
Trent, William, 1715-1787?
Date
1763
Location
Library Company of Philadelphia | MSS McA MSS 016, https://digital.librarycompany.org/islandora/object/Islandora%3A64400#page/1/mode/1up
Hotel receipts collection
Title
Hotel receipts collection, 1847-1867
Description
Receipts for hotel stays in New Orleans; Brandywine Springs, Del.; New York; Boston, Baltimore; Charleston and Columbia, S.C.; White Sulphur Springs, Cape May, and Niagara Falls, dated 1833-1867. Many have pictorial letterheads. Three receipts (Mills House, Charleston Hotel and and St. Charles Hotel) are made out to Gov. John L. Manning, governor of South Carolina from 1852-1854., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., This collection gathers 19th century hotel receipts from several sources, and is open to new additions.
Creator
Library Company of Philadelphia, collector
Date
1833
Location
Library Company of Philadelphia | Books & Other Texts | Rare Coll LCP Ephemera Hotel Receipts 3321.F
The celebrated Sohmer Pianos are at present the most popular and preferred by the leading artists.
Title
The celebrated Sohmer Pianos are at present the most popular and preferred by the leading artists
Description
Illustrated trade card depicting eight labeled bust portraits of famous opera singers encircling a laurel wreath that surrounds a Sohmer piano. Includes Adelina Patti, Christine Nilsson, Antonio F. Galassi, Clara Louise Kellogg, Albert Niemann, Emma Cecilia Thursby, Italo Campanini, and Etelka Gerster. Sohmer & Co. was founded by Hugo Sohmer and Joseph Kuder in New York City in 1872., Distributor's imprint printed on verso: Sold only by Samuel Nittinger, pianos & organs, 1204 North 5th Street, Philadelphia, Pa., Manuscript note on verso: Chester., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department trade card - Sohmer [P.9651.22]
[Domestic Sewing Machine Co. trade cards]
Title
[Domestic Sewing Machine Co. trade cards]
Description
Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Domestic [1975.F.229 & 230; P.9983.5]
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck, : illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Al
Title
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Alonzo Chappel. ... Conditions of publication. The work will be issued in semi-monthly parts, printed on superfine paper, each part containing one elegant engraving on steel, price 25 cts. each. No subscriber's name will taken for less than the entire work. The parts a payable on delivery, the carrier not being permitted to give credit or receive money in advance. The plates will be printed on India tinted paper prepared expressly for this work. Subscribers removing, or not being regularly supplied, will please address the publishers by mail, or otherwise
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images fo the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Johnson (2)5786.F.108d (McAllister)
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck, : illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Al
Title
History of the war for the Union: civil, military and naval. By Evert A. Duyckinck illustrated with highly-finished steel engravings of battle scenes by sea and land, and full-length portraits of naval and military heroes, from original paintings by Alonzo Chappel. ... Conditions of publication. The work will be issued in semi-monthly parts, printed on superfine paper, each part containing one elegant engraving on steel, price 25 cts. each. No subscriber's name will taken for less than the entire work. The parts a payable on delivery, the carrier not being permitted to give credit or receive money in advance. The plates will be printed on India tinted paper prepared expressly for this work. Subscribers removing, or not being regularly supplied, will please address the publishers by mail, or otherwise
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images fo the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1861]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Johnson (2)5786.F.108d (McAllister)
Centennial pocket album.
Title
Centennial pocket album
Description
Souvenir viewbook containing 14 prints connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Includes title page "Centennial Album" illustrated with an allegorical, patriotic scene; Declaration of Independence, July 4th 1776; Carpenter's Hall/Old Liberty 1776 (i.e., Liberty Bell)/Washington's Retreat near Philadelphia; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Faneuil Hall, Boston; Old State House, Boston; Washington's Headquarter, Newburgh, N.Y.; Old City Hall, Wall St. N.Y.; The U.S. Capitol at Washington; Main Building; Agricultural Hall; Machinery Hall; Horticultural Hall; and Art Gallery. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., P.2010.21.13 contains white paper binding, printed in color with ornate border design., P.2010.21.13 inscribed on verso of last fold: Rowland C. Trask, Otego, Ostego Co. N.Y., P.2010.21.14 contains red cloth binding stamped with ornate border design., Includes "The Hymn Sung at the Opening of Our Centennial" pasted on the inside covers., Centennial album registered at the patent office July 20th 1875., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[1876]
Location
Library Company of Philadelphia | Print Department Doret Collection Centennial Ephemera [P.2010.21.13 & 14]
Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap [graphic].
Title
Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap
Description
Racist trade card promoting Higgins' soap and depicting a caricature of an African American family getting ready for church. The family is portrayed with exaggerated features and speak in the vernacular. In the center, the husband/father stands smiling attired in a white ruffled shirt, a red and white bow tie, a yellow waistcoat, a long black jacket, red and white checked pants, black shoes, and white gloves. The wife/mother, attired in a bonnet decorated with a blue bow and flowers, a red shawl, a blue dress with black stripes, a yellow bow tie, and black shoes, smiles as she adjusts the bowtie on her husband and says, “yer looks lubly Ephraim, and it all comes using dat Higgins soap.” Their son, attired in a yellow hat with a black band, a red shirt with a white lace collar, green pants, red socks, and black shoes, looks up at the couple carrying a red book in his left hand. In the left, behind the couple, are two more children. The girl in the left is attired in a white head kerchief, a yellow shirt with orange stripes, a white skirt, red stockings, and black shoes. The boy in the right is attired in a blue cap, a blue shirt with a white collar, blue pants, red and white striped socks, and black shoes. A print depicting a red building and two people is pasted on the wall in the right background. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.81]
Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out [graphic].
Title
Saturday. Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out
Description
Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman bathing her child in a wash tub. Shows the African American woman portrayed with exaggerated features with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; and a blue, short-sleeved dress. The mother kneels on the floor as she bathes her young son in a washtub. She smiles, rubbing a wash cloth on the boy with her right hand. The naked boy stands in the tub with his left leg raised. She says in the vernacular, “Whoa! Dar Sambo! What do yer mean, what makes yer jump and shout? I will wash yer clean with Higgins' soap, and then yer may jump out.” Behind the tub, in the left, a girl, attired in a black-striped, red nightgown, and a boy, attired in an orange nightgown, watch the scene. In the right, another boy in an orange nightgown looks on. A white towel with two red stripes and decorative fringe is draped over the side of the wash tub. In the right background, a white sheet hangs on a clothesline. Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.85]
Turning the tables on the overseer
Title
Turning the tables on the overseer
Description
Abolitionist print depicting a group of enslaved African American people about to whip their white plantation overseer, who has been bound to a tree on the plantation grounds. Before the plantation overseer, the African American man holds the whip and pulls up his sleeve as the enslaved man next to him takes of his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Title from item., First published in New York Illustrated news, November 28, 1863 (LCP **Per D 8.5, 1863). Later published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first Black press to publish separate prints., LCP exhibition catalogue: African American Miscellany p. 38., Originally part of a McAllister scrapbook of Civil War caricatures and photographs. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1863]
Location
Library Company of Philadelphia | Print Department *GC-Slavery [5780.F]
These children
Title
These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description
Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, the rebuffed children were accepted at the Continental Hotel. Revenue from the sale of the portrait was to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date based on content., Name of photographer from duplicate photograph., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
M'Clees, Jas. E. (James E.), photographer
Date
[1863]
Location
Library Company of Philadelphia | Print Department cdv portraits- group- Emancipated enslaved children [5775.F.68]
Photographing the Baby
Title
Photographing the baby
Description
Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator
National Bank Note Co.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]
Lloyd O. Woodruff, druggist. Cor. Broadway & Point St., Cape Vincent, N.Y. Don’t read the other side. [graphic].
Title
Lloyd O. Woodruff, druggist. Cor. Broadway & Point St., Cape Vincent, N.Y. Don’t read the other side
Description
Racist trade card promoting pharmacist Lloyd O. Woodruff and depicting actress Kate Forster dressed in character as Pitti-Sing from the opera, The Mikado or, The town of Titipu, by W. S. Gilbert and Arthur Sullivan. Shows Forster wearing her hair up and attired in a blue kimono with gold decorations and a gold, flower-patterned obi. She holds a fan in both hands behind her head. Kate Forster, whose real name was Kate Jancowski, worked for the D'Oyly Carte Opera Company and performed as Pitti-Sing and Katisha in the Mikado in 1885-1886, 1889-1902. Lloyd O. Woodruff opened a drugstore in Cape Vincent, New York circa 1870., Title stamped on recto., Date deduced from dates of the performance., Text printed on verso: Lloyd O. Woodruff, druggist, keeps a full line of drugs, patent medicines, paints, oils, window glass, dry goods, boots, shoes and rubbers, fine stationery, school books, fancy groceries, watches, chains, plated ware, crockery, and will not be undersold, if you do not see what you want at his store, ask for it. Don’t forget the place, Cor. Broadway & Point St., Gift of William H. Helfand., RVCDC, See related: P.9828.2769-2771; P.9828.2823.
Date
[ca. 1886]
Location
Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists -Woodruff [P.9828.7139]
W.T. Hanson & Co., prescription druggists, 195 State Street, Schenectady, N.Y. [graphic].
Title
W.T. Hanson & Co., prescription druggists, 195 State Street, Schenectady, N.Y
Description
Trade card promoting druggist W.T. Hanson & Co. and depicting a caricaturized Japanese boy playing with puppets. In the center, the boy, attired in a multi-colored, patterned kimono, geta shoes, and a cap with a red ribbon, holds a puppet in each hand. The puppet in the left is a Japanese woman, wearing her hair tied up and attired in a multi-colored, patterned kimono. The puppet in the right is a Japanese man attired in a conical hat and a multi-colored, patterned kimono. Willis Tracy Hanson, Sr. (1858-1933) founded W.T. Hanson & Co. in 1879., Title from item., Date inferred from active dates of the advertised business., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., See related: Helfand Patent Medicine Trade Card Collection [P.9828.4586].
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - H [P.9828.6079]
[William H. Helfand graphic popular medicine stationery collection]
Title
[William H. Helfand graphic popular medicine stationery collection]
Description
Collection of stationery, primarily illustrated and typographical letterheads, billheads, and form letters, of pharmaceutical firms and related businesses and institutions in the United States (predominantly New York City, New York, Philadelphia, and Pennsylvania) issued between circa 1840 and 1935. Subjects include invoices and receipts, shipping arrangements and fees, product orders, payments and payment disputes. Firms, businesses, and institutions well represented include James S. Aspinwall; William P. Blanding; L. N. Brunswig; Caswell, Massey & Co.; C.J. Lincoln Co.; College of Pharmacy of the City of New York; Geo. C. Goodwin & Co.; Hall & Ruckel; Dr. William A. Hammond's Sanitarium; Hopkins-Weller Drug Co.; James Baily & Son; J. D. Marshall & Bros. (D. Marshall & Bro.); J. L. Lyons & Co.; A. M. Knowlson; Lanman & Kemp; McKesson & Robbins; Nichols & Harris; P. D. Orvis; S. R. Van Duzer; Wells, Richardson & Co. (Wells & Richardson Co.); Wilson Drug Co.; and W. J. Gilmore & Co. Philadelphia firms represented include A.W. Wright & Co.; Barker, Moore, Mein; Bean & Stevenson; Browning & Brothers; C.H. Butterworth & Co.; Robert Shoemaker & Co.; W.H. Schieffelin & Co.; and Strother Drug Co. Collection also contains several pieces of stationery of firms in New England, including Massachussetts (particularly Boston), Maine, Connecticut, Vermont, and Rhode Island; the Mid-West, including Ohio, Michigan, and Minnesota; and the South, including Louisiana (particularly New Orleans), Virginia, and Tennessee. A small number of items also represent businesses in the Western United States, United Kingdom, and Canada. A song sheet, envelope, and stereograph also form the collection., Illustrations depict various subjects. The most numerous are views of pharmaceutical factories and storefronts, often including street and pedestrian traffic. Imagery also depicts pharmaceutical apparatus and trademarks, including mortars and pestles; medical supplies, including trusses; allegorical scenes; heraldry; and art nouveau pictorial details and designs. Other illustrations show medieval apothecaries; the interiors of a pharmacy and dental office; and the mythical creature phoenix., Title supplied by cataloger., Various engravers, printers, and publishers, including Smith Bros.; Gast; A. Hoen & Co.; Collier & Cleveland; Craig, Butt, & Finley; Calvert Lithographing Co.; Snyder & Black; Detroit Litho. Co.; American Bank Note Company; Gies & Co.; Strobridge & Co.; E. Weber; Craig, Finley & Co.; G. H. Dunston; and Wm. H. Brett & Co., Majority of the billheads, letterheads, and form letters completed in manuscript or type and contain manuscript and typewritten notes on recto and verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Digitized for AMD: Popular Medicine. Series I.
Date
[ca. 1840-1935, bulk 1870-1890]
Location
Library Company of Philadelphia | Print Department Helfand Graphic Popular Medicine Stationery Collection [P.2011.46]
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1886-1899]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States, 1886-1899]
Description
Collection of billheads, dated between 1886 and 1899, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); mortars and pestles, including a trademark with an eagle perched on the tool; and an allegorical scene juxtaposing a mule caravan in tropical setting with a "Quinine Chemical Works." Pictorial details include floral and cloud imagery, frames, and flourishes. Firms represented include New York Quinine Chemical Works (N.Y.); Nichols & Harris (New London, Conn.); Noyes Brothers & Cutler (St. Paul, Minn.); Ohio Truss Co. (Cincinnati); Gilbert R. Parker (Johnston, R.I.); Charles H. Pleasants (N.Y.); Plimpton Cowan & Co. (Buffalo, N.Y.); John B. Raser (Reading, Pa.); Raynolds & Churchill (Burlington, Ia.); Robert Baker & Co. (Philadelphia); R. W. Robinson & Son (N.Y.); and Rodgers, Tedford & Co. (Knoxville, Tenn.). Billed patrons include The Resinol Chemical Co., Baltimore, Md.; C. D. Clark; A. Hirschle Smith, Amenia, N.D.; C. H. Case, Jefferson, Ohio; Walter W. Place; [New York] Dept. of Public Charities & Correction; A. E. Phillips, Sinclairville, N.Y.; J. F. Wagonhurst, Mertztown, Pa.; J. S. Banes, Villisca, Ia.; J. F. Wagernhuss (i.e., Wagonhurst?); E. S. Stokes; and Marion Roberts., Some items contain manuscript notes and/or stamps acknowledging receipt of payments and terms of sale., Printers include Falls City Litho. Co. Louisville, KY; Ketterlinus, Phila; Gast, St. LS. N.Y; G.H. Dunston, Buffalo, N.Y.; and Lith. Pioneer Press Co., St. Paul, Minn., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1886-1899]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (N-R) [P.2011.46.391-402]
Photographs [graphic] / John C. Browne.
Title
Photographs
Description
Album of predominantly landscape photographs of the Delaware Valley and upstate New York taken by Philadelphia amateur photographer John C. Browne. Contents include views of Tacony, Cobb’s, Chester, and Pennypack Creeks; Germantown; Fairmount Park and the Wissahickon; Media, Dauphin, and Hamburg, Pa.; and Dutchess County and Newburgh, N.Y. Views also show estates, including S. H. Lloyd Garden on School House Lane and the W.C. Kent residence (Germantown), Mount Pleasant (Fairmount Park), Henry W. Sargent’s estate (Wodenthe) in Fishkill on the Hudson, and Presqu’ile (built 1813, Dutchess County, N.Y.); churches, including St. Timothy’s (built 1862, Roxborough) and St. Luke’s (Matteawan, Beacon, N.Y.); bridges, including the Norristown Railroad Bridge, Ridge Avenue Bridge, and the P.R.R. Bridge over Hamburg; Humphrey Yearsley’s Mill (built 1792, near Media); Delaware Water Gap; Glen Mills; St. Denning’s Point; waterfalls; cascades; wooded paths; woodlands; creek beds; and posed male and female figures in entryways, gardens, and near trees and waterfalls. Album also contains images of the Pennsylvania Hospital, Spring House and Croton Aqueduct near Tarrytown, the Washington Oak at Denning’s Point, and the Old Swedes Church (i.e., Holy Trinity Church), including cemetery, in Wilmington, Delaware. St. Luke's image also shows parishioners entering the church., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title from title page written in ink manuscript: Photographs by John C. Browne., Photographs contain titles in ink manuscript below the images. Signed J.C. Browne Photo. or J.C. Browne., Several photographs removed before acquisition., Includes "Index" of titles numbered 1-73. Titles for 61-69 are blank., Gift of Harvey S. Shipley Miller and Jon Randall Plummer, 2010., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Image "Tacony Creek" (#4) published as frontispiece in Philadelphia Photographer (April 1865)., Image "On the Pennypack" (#36) published as frontispiece in Philadelphia Photographer (October 1866)., One of missing photographs (#13) located and acquired through auction. See "Red Bridge on the Wissahickon" [*photo -Browne (P.2011.57)], LCP holds loose duplicate of photograph of Pennsylvania Hospital (#9). See photo - Browne (P.9260.485)., Housed in phase box.
Creator
Browne, John C. (John Coates), 1838-1918, photographer
Date
ca. 1862-ca. 1866
Location
Library Company of Philadelphia | Print Department albums [P.2010.38.44]
One of the B'hoys.
Title
One of the B'hoys.
Description
A young man wears boots, a red fireman's shirt, and a stove pipe hat, clothing typical of the Bowery B'hoys, or young men from the Five Points neighborhood in New York City. "De machine" refers to the b'hoys involvement in the city politics. "Mussy" means drunk, and "Gone into the lemons" may mean passed out after drinking alcoholic punch., Text: You know that you're one of the bo'hoys, / And bound to run with de machine; / You take up half of the walk, / And think every one must be green: / You always keep blowing 'bout something, / When you're mussy, you make such a noise, / There's no peace in the crib till you're gone, / Into the lemons--- with some of the bo'hoys., Cf. Valentine 8.9., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date
[between 1840 and 1880?]
General view of state buildings.
Title
General view of state buildings.
Description
"General view of state buildings. The state buildings seen here are, from the right, those of Michigan, New Hampshire, Connecticut, Massachusetts and New York. There were 24 separate state buildings in all at the exposition. At the extreme left is one of the three British Government Buildings. The low round building in the center near the Massachusetts Building is a public comfort station. "--Looney. Old Philadelphia. p. 210. Connecticut Building architect: D.R. Brown, from a design by Donald G. Mitchell. Five state buildings, Saint George's House (British) and a comfort station in a row with men standing on railroad tracks in the foreground. American flag flies in front of the New York Building and benches are on the path. Obscured views of Delaware and Maryland Buildings.
Creator
Centennial Photographic Co., photographer., creator
Date
1876
Location
Centennial - photos [P.9047.189]
One of the B'hoys.
Title
One of the B'hoys.
Description
A young man smokes a cigar as he leans against a water pump platform. His attire and posture mark him as one of the Bowery B'hoys from the Five Points area of New York City. "De machine" refers to the b'hoys involvement with city politics. "Mussy" means drunk, and "Gone into the lemons" may mean passed out after drinking alcoholic punch., Text: You know that you're one of the bo'hoys, / And bound to run with de machine; / You take up half of the walk, / And think every one must be green: / You always keep blowing 'bout something, / When you're mussy, you make such a noise, / There's no peace in the crib till you're gone / Into the lemons-- with some of the bo'-hoys., Cf. Valentine 8.10., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date
[between 1840 and 1880?]
Photography under a cloud.
Title
Photography under a cloud Perry is selling the nicest lot of fine combs, dressing combs, barber combs and misses circle combs, made from rubber, horn or celluloid; from 5 cts. to $1. Remember Perry's Drug Store, Canastota
Description
Racist trade card illustration depicting a group of barefooted African American men and boys, portrayed in caricature, looking on as a photographer takes a photograph of them. In the left, a boy, attired in a blue jacket, and a man, attired in an orange collared shirt and yellow pants, stand and look at the camera. In the center, a man, attired in a yellow shirt and pink pants, stands directly in front of the camera and peers into the lens. In the right, a boy, attired in an orange shirt and blue pants, crawls toward the scene on all fours. The photographer is crouched under a cloak. Visible in the background is a woman standing beside a cabin., Title from item., Date inferred from content., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - P [P.9828.6598]
[Group on Overlook Mt. Ann Emlen, Mary Emlen, Elliston P. Morris, Samuel B. Morris, & Martha C. Morris]. [Catskills] [graphic].
Title
[Group on Overlook Mt. Ann Emlen, Mary Emlen, Elliston P. Morris, Samuel B. Morris, & Martha C. Morris]. [Catskills]
Description
Glass negative showing Marrott C. Morris' parents Elliston P. Morris and Martha Canby Morris, and brother Samuel Buckley Morris, with Ann Emlen and Mary Emlen seated on the ground among trees and other foliage on Overlook Mountain. Martha Morris holds a book and Elliston Morris holds a sketchbook and pen. The women wear long dresses and the men wear three-piece suits and hats., Same group as last., Time: 4, Light: Fair, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
September 6, 1884
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.404]
Group on Overlook Mt. A[nn] E[mlen], M[ary] E[mlen], E[lliston] P. M[orris], S[amuel] B. M[orris], & M[artha] C. M[orris], [Catskills] [graphic].
Title
Group on Overlook Mt. A[nn] E[mlen], M[ary] E[mlen], E[lliston] P. M[orris], S[amuel] B. M[orris], & M[artha] C. M[orris], [Catskills]
Description
Glass negative showing Marriott C. Morris' parents Elliston P. Morris and Martha Canby Morris, and brother Samuel Buckley Morris, with Ann Emeln and Mary Emlen seated on the ground among trees and other foliage on Overlook Mountain. The faces of the people are blurred., Photographer remarks: Exposed by mistake; before group was ready., Time: 3:55, Light: Fair, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
September 6, 1884
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.403]
Warner's Safe Yeast. Up with the sun. [graphic].
Title
Warner's Safe Yeast. Up with the sun
Description
Racist trade card promoting Warner’s Safe Yeast and depicting a white mother with a sick infant and an African American woman nanny who suggests using Warner’s yeast. Shows the mother with her brown hair tied up in a bun and attired in a long-sleeved, striped pink dress with yellow pleats at the bottom and white lace at the collar and cuffs of the sleeves. She cradles in her arms an infant wrapped in a white blanket with two yellow stripes. She looks down at her son standing in the right. He is attired in an orange, long-sleeved shirt with a white collar, a yellow skirt and leggings, and black shoes. He asks, “Mamma, what’s the matter with baby?” She replies that, “Baby’s very sick.” The boy holds up a cannister labeled “Safe Yeast” and states, “Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him.” In the right, Dinah stands looking on, attired in a yellow bonnet, red earrings, a yellow, short-sleeved dress with a white collar and red tie, and a white apron. In the bottom right is a large cannister of Warner’s Safe Yeast. Image also includes a blue and green rug, fireplace andirons, and in the background a windowpane with a blue vase with yellow flowers. Outside the window the sun comes up and reads, “up with the sun.” Hulbert Harrington Warner (1842-1923) founded a patent medicine business in Rochester, N.Y. in 1878. He created Warner’s Safe Yeast in 1885. In the Panic of 1893, he was unable to cover the company's debts, and the business failed., Title from item., Date deduced from the history of the advertised business., Text printed on recto: Precocious Youngster: Mamma, what’s the matter with the baby? Mamma: Ah, Darling, Baby’s very sick, I’m afraid we won’t be able to raise him. Precocious Youngster: Try this Mamma, Dinah says Warner’s Safe Yeast is the best thing she knows of, to raise him., Gift of David Doret.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.187]
SS Manhattan on the Delaware
Title
S.S. Manhattan on the Delaware River
Description
Aerial view of the S.S. Manhattan on the Delaware River. The ship was built by the the New York Shipbuilding Corporation, which is visible along the Camden, New Jersey waterfront. In 1941, the Manhattan was requisitioned and leased by the US Navy, and was subsequently commissioned as the troopship USS Wakefield. Image probably taken July 1932., Negative number: 15673., Record created with information supplied by former Aero Service employee Carl H. Winnefeld, Jr.
Creator
Aero Service Corporation, photographer
Date
1932
Location
Library Company of Philadelphia | Print Department Aero Service [P.8990.15673]
"Creme" oat meal toilet soap. [graphic]
Title
" Creme" oat meal toilet soap
Description
Incomplete series of trade cards, including duplicate and variant imagery with the same series number, to promote "Crème" toilet soap manufactured by J.D. Larkin & Co. Depicts racist, anthropomorphic chimpanzee figures in social situations and leisure and cultural activities., Series no. I (variant 1) depicts a man and woman as well-dressed anthropomorphized chimpanzees greeting each other. In the left, the man attired in a black top hat, blue jacket, and checkered yellow pants, nods his head to the left and holds up his walking stick. In the right, the woman, her back to the viewer, is attired in a yellow bonnet adorned with flowers and a ribbon, and a long-sleeved green dress with a pink belt at the waist and a bow at the bustle. She lifts up her skirt and exposes her slip. Series no. I (variant 2) depicts an anthropomorphized chimpanzee as a man artist. He rests back on his chair, and holds a palette in one hand, and a paint brush in the other. He sits in front of an easel and canvas. He is attired in a green-colored smock shirt with collar and buttons, yellow pants, and brown laced shoes. His eyelids droop down and his mouth is slightly ajar., Series no. II depicts an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a shot gun under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. Series no. III depicts an anthropomorphized chimpanzee as a man fishing at a dock. The man hangs his legs over a pier and holds a pole into the water. A basket of fish lays beside him. He wears a wide-brimmed hat, a brown jacket with the collar turned up, and blue checkered pants. The backs of two other anglers are visible in the left background. Series no. IV (2 copies) depicts anthropomorphized chimpanzees as a man and woman couple on promenade. The woman, in the left, is attired in a yellow bonnet, a yellow, three-quarter length sleeved dress with ruffling down the front and ruching on the skirt, and white gloves. She holds a fan by her left cheek, looks to her left, and lifts up the skirt of her dress and shows the edge of her slip. To the right, the man smiles and looks over her shoulder. He is attired in a bowler, red jacket, and grey-striped pants and holds a walking stick up under his arm., Series no. VI depicts anthropomorphized chimpanzees as a man and woman couple getting married by a clergyman. The couple, their backs to the viewer, stand to the left of the clergyman attired in his ceremonial robes. The man wears a suit with a long jacket. The woman wears a white wedding dress with a veil adorned with floral ornaments. The dress is composed with ruched sleeves, and adorned with pink bows and ribbons. The figures all have solemn expressions. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from items., Date, publisher, and manufacturer (printer) from copyright statements on prints: Copyright J.D. Larkin & Co., Buffalo, N.Y. 1881 and Copyright Clay & Richmond, Buffalo, N.Y. 1881., Majority of prints (P.2020.3.1-4&7) distributed by J.D. Larkin & Co., P.2020.3.5&6 distributed by the People’s Manufacturing Co., Prints include the company logo “J.D. L. & Co., Buffalo, N.Y.” in two designs; one in cursive and the other as a monogram with a central block letter., Includes series numbers: I. (2 variant images); II.; III.; V. (2 copies, same image); and VI., Five of the prints contain variant advertising text on verso. All texts include statement: To Card Collectors.- There are six different designs in this set. We will mail the complete set to any address, on receipt of 3 c./three cent stamp., RVCDC, Description reviewed 2022., Access points revised 2022.
Date
1881
Location
Library Company of Philadelphia | Print Department trade cards - Larkin [P.2020.3.1-7]
The First lesson [graphic] : An exceptional offer to the users of Knox gelatine.
Title
The First lesson An exceptional offer to the users of Knox gelatine
Description
Racist trade card promoting Knox Gelatine and depicting an African American woman domestic making a gelatin molded dessert with a white girl. Shows an African American woman domestic attired in a head kerchief, spectacles, a patterned shawl, and a white, long-sleeved shirt, sitting in a kitchen behind a table. She teaches the white girl, attired in a hair bow and a striped dress with a ruffled collar, how to decorate a molded gelatin dessert and places a berry on top it. The girl has a bowl of berries in front of her and holds a spoon with a berry on it. On the table there is a mold, a glass, a lid, a knife, a pitcher, and a box labeled, “Knox’s Gelatine.” In the background is a brick hearth with pots and an oven in the right. Charles B. Knox (1855-1908) of Johnstown, New York discovered a method of granulating gelatine in 1889, which made it practical and easy to use. Charles died in 1908, and his wife Rose Knox ran the company for the next forty years. The Company continues to operate into the 21st century., Title from item., Place of publication from place of operation of advertised business., Publication information and date from the copyright statment: Copyright 1905 By Chas. B. Knox., Advertising text on verso: We have had reproduced in its original colors Harry Roseland’s famous painting, “The First Lesson.” The other side of this card gives only a faint idea of what the picture really is. The large reproduction has twelve (12) distinct colors in it, is reproduced on heavy plate paper having all the appearance of canvas, and it would take an expert to tell it from the original. The original hangs in Mr. Knox’s home, and there are no reproductions of it except those referred to on this card, and if these were on sale in the art stores they would cost at the very least $5 each. The size of the picture is 20 x 27, and it is ready for framing. We want the users of Knox Gelatin to have a copy of this painting and we will send you one upon receipt of ONE empty Knox Gelatine box and 10c in coin or stamps to cover cost of packing and mailing. The supply of these pictures is limited, so if you want one you must act quickly. After receiving the picture, if you are not entirely satisfied with it, return it, and your 10c will be refunded by next mail. Address, Art Department, Knox Gelatine, Johnstown, N.Y., U.S.A. Knox Gelatine is the best Gelatine in the world. It is made from absolutely pure stock; is granulated and can be measured with a spoon like sugar; dissolves in two minutes and mold in half an hour. Each package makes a half gallon of jelly; is clear and sparkling and needs no clarifying. Pink coloring for fancy desserts in every package. It is guaranteed to comply with the National Pure Food Law, and it is always sold under the broad guarantee of “Your Money Back If For Any Reason You Are Dissatisfied.”, Gift of David Doret.
Date
1905
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Knox [P.2017.95.100]
Geschichte des Krieges für die Union. Von Evert A. Duychinck. : Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nac
Title
Geschichte des Krieges für die Union. Von Evert A. Duychinck Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nach Originalgemälden von Alonzo Chappel. ... Subscriptions-Bedingungen
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866, and in German beginning in 1863., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Johnson (2)5786.F.110d (McAllister)
Geschichte des Krieges für die Union. Von Evert A. Duychinck. : Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nac
Title
Geschichte des Krieges für die Union. Von Evert A. Duychinck Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nach Originalgemälden von Alonzo Chappel. ... Subscriptions-Bedingungen
Description
Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866, and in German beginning in 1863., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Johnson, Fry & Co.
Date
[1863]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Johnson (2)5786.F.110d (McAllister)
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1883-1905]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1883-1905]
Description
Collection of billheads, dated between 1883 and 1905, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict exteriors of storefronts and factories (some adorned in signage); pharmaceutical apparatus and tools; a sick-bed scene showing a doctor with a thermometer at the side of his female patient; an eagle perched on a cliff; the interior of a drug store; and a horse and groom. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include a thermometer, floral imagery, frames, filigree and flourishes. Firms represented include Sagar Drug Co. (Duluth, Minn.); Sandhop, Fritsch & Co. (N.Y.); J. J. Seinsoth (Hartford, Conn.); S. H. Wetmore Company (N.Y.); J. E. Silliman (Erie, Pa.); Smith, Benedict & Company (Boston); Southern Drug Co. (Morristown, Tenn.); Stone, the Druggist (Fitchburg, Ma.); Strong, Cobb and Co. (Cleveland); Tarrant & Company (N.Y.); Thomsen & Muth (Baltimore); Dr. G. Ulrich (Erie, Pa.); Van Natta-Lynds Drug Co. (St. Joseph, Mo.); Van Vleet-Mansfield Drug Co. (Memphis, Tenn.); Vogeler, Winkelmann & Co. (Baltimore); William A. Whittem (Philadelphia); Winkelman & Brown Drug Co. (Baltimore); and Alfred Wright (Rochester, N.Y.). Billed patrons include T. Belhummeur, Lake Linden, Mich.; New York Department of Public Charities; Hartford Street Railway Company; H. A. Kerste, Schnectady, N.Y.; A. A. Beckman; Geo. H. Gilbert Mfg. Co.; A. S. Emmons; Carriger & Roberts; Fitchberg [?] Electric Light Co.; A. E. Phillips, Sinclairville, N.Y.; Dr. H.C. Porter & Son (Towanda, Pa.); W. P. Carriger, Morristown, Tenn.; J. F. Walther; D. W. Marris, Emporia; J. E. Chandler, Malvern; A. W. Holsey; Resinol Chemical Company; and H. F. Belanger, Houma, La. Collection also contains billhead of British chemist and druggist R. C. Walshaw (Huddersfield)., Some items contain manuscript notes and/or stamps acknowledging receipt of payments, terms of sale, and changes of address., Printers include Christie & Collier, Litho. Duluth; Strobridge & Co., Lith Cincinnati; A. Hoen & Co. Baltimore; S. C. Toof & Co., Memphis; and Craig, Finley & Co. Lith. Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1883-1905]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, 1880- (S-Z) [P.2011.46.410-428]
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1850-1879]
Title
[Collection of billheads of pharmaceutical firms and related businesses, United States and United Kingdom, 1850-1879]
Description
Collection of billheads, dated between 1850 and 1879, containing decorative and ornate lettering, ornamented type, vignette illustrations, and pictorial details. Illustrations depict allegorical figures and scenes, exteriors of storefronts and factories (some adorned in signage), and pharmaceutical apparatus and goods, including mortar and pestles, distillers, and barrels, crates, and cans of medicinals. Some of the exterior views include patrons entering buildings, street and pedestrian traffic, as well as laborers at work. Pictorial details include trademarks depicting a white lily (White Lily Catarrh Cure) and a serpent wrapped around an adorned staph. Firms represented include A. B. & D. Lands (N.Y.); Adie & Gray (Richmond, Va.); Frank S. Allen (N.Y.); Almy, Milne & Co. (Fall River, Ma.); Barrick, Roller & Co. (Philadelphia); Beates & Miller (Philadelphia); Bentley & Miller (New Haven, Ct.); B.H. Douglass & Sons (New Haven, CT); Breinig, Fronefield & Co. (Philadelphia); Burdsal & Brother (Cincinnati); H. H. Burrington (Providence, R.I.); Jno. S. Carter (Erie, Pa.); C. & J. L. Van Deusen (Roundout, N.Y.); A. L. Cutler (Boston); C. V. Clickener & Co. (N.Y.); Davis & Tucker (Canton, Oh.); Rutger L. Drake (Troy, N.Y.); and I. C. Dubose & Co. (Mobile, Ala.). Also contains billheads of the Glasgow Dispensing Chemist Thomas Davison and Stony Stratford Retail Chemists and Druggists Cox & Robinson., Billed patrons include Wynard & Sayer, Warwick, N.Y.; Jar. Courier, Blue Sulphur Springs, Greenbrier; H.L. Plumb; A.H. Dailey; J.B.M. Linn & Co.; Jos. Abrams; Warner, Clark & Taylor; J. F. Rambo; L. & N. Cross; Geo. E. Doolittle & Co., Erie, Pa.; Late C.W. Bersford S. Lowndes; J. Burnhamer; D. F. Lamon & Co.; Lorin Schaefer, Sr., Canton ; M. L. Filley; Thos. McMillan; and Wm. Jas. Comper, Holmwood, Cathcart., Some items contain stamps or pasted labels., Printers include J. L. Brooks Bank Check Co. Lith. Boston; Middleton, Strobridge & Co.; Billing Bros. & Whitmore Birmm.; and W. Weatherston & Son., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[1850-1879]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - Billheads, -1879 (A-D) [P.2011.46.271-289]
[Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series] [graphic].
Title
[Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description
Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date
[1879]
Location
Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]
General Grant's farewell address to the Union Army in the field 1865. [graphic].
Title
General Grant's farewell address to the Union Army in the field 1865. [graphic].
Description
Originally part of a McAllister scrapbook or envelopes and portraits., Commemorative print containing vignettes surrounding a transcription of Grant's June 2, 1865 address. Vignettes depict Grant as a "Cadet at West Point" and a "General Commanding"; "General Grant Cottage, Mt. McGregor, N.Y."; and "The Grant Monument, Riverside Park, N.Y." Also contains a portrait of Grant; an eagle holding a banner inscribed "E. Pluribus"; a scene showing Grant overseeing his advancing troops; and symbols of military life.
Date
c1893.
Location
Library Company of Philadelphia Print Dept. *GC - Grant [5785.F.66a]
Albert Hatch Photograph Album
Title
Albert Hatch Photograph Album
Description
Photographs compiled and possibly taken by Albert Hatch showing city and landscape views as well as family views and portraits, ca. 1866-ca. 1888.
General view of state buildings.
Title
General view of state buildings.
Description
Connecticut Building architect: D.R. Brown, from a design by Donald G. Mitchell. Five state buildings, Saint George's House (British) and a comfort station in a row with man standing on railroad tracks. American flag flies in front of the New York Building and benches are on the path. Obscured views of Delaware and Maryland Buildings.
Creator
Centennial Photographic Co., photographer., creator
Date
1876
Location
Centennial album [P.8965.12b]
Corliss Engine.
Title
Corliss Engine.
Description
Exhibit titles: Corliss, Geo. H., Providence, R.I., Exhibit #n/a; McNab & Harlin Manufacturing Co., New York, N.Y., Exhibit #688; Boynton, Eben B., New York, N.Y., Exhibit #78c; McCaffrey & Bro., Philadelphia, Pa., Exhibit #250; Gutta-Percha & Rubber Manufactury Co., New York, N.Y., Exhibit #784b; Disston, Henry, & Sons, Philadelphia, Pa., Exhibit #68, Machinery Hall, Bldg. #2. Steam engine on a raised platform inside Machinery Hall. In background are exhibits for valves, saws, files, and rubber belting. Also visible are people seated on chairs.
Creator
Centennial Photographic Co., photographer., creator
Date
1876
Location
*Centennial - photos [P.9037.11]

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