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Title: Civil War Paper Soldiers Collection
Description: Collection containing cut-outs of and uncut sheets of Civil War era paper soldiers. Soldiers depicted with guns, knapsacks, drums, on horseback, carrying flags, during charges, and on the march. Majority contain the name of the regiment, including Advance Guard, N.Y. St. Vol., Col. Ab. Duryee (5th N.Y. Infantry); De Kalb Zouaves, N.Y. St. Vol. Capt. Duysing (41st N.Y. Infantry); Firemen Zouaves, N.Y. St. Vol., Col. Ellsworth (11th N.Y. Infantry); Green Mountain Boys of Vermont (Vermont National Guard); Highland Guard 79th Regt. L, Col. Elliott; Irish Zouaves, Capt. Francis (69th N.Y. Infantry); National Zouaves N.Y. St. Vol., Col. McChesney (10th N.Y. Infantry); New York Zouaves, N.Y. St. Vol., Col. Hawkins (9th N.Y. Infantry); Polnish Legion, Col. Pratt (31st N.Y. Infantry); Ninth Regiment, N.Y. St. Mil., Col. Stiles (83rd N.Y. Infantry); Steuben Girard N.Y. St. Vol., Col. Bendix (7th N.Y. Infantry); United Turner Rifles, N.Y. St. Vol., Col. M. Weber (20th N.Y. Infantry); 1st German Rifle Regt. NY. St. Vol. and 8th N.Y. German Rifles, Col. Blenker; 3d Reg. Missouri Voli, Col. F. Sigel; 6th Reg. of Massachusetts, Mass. St. Mil., Col. Jones; 6th Reg. Wilson's Zouaves, N.Y. St. Vol., Col. Wilson; 7th Regiment N.Y. St. Mil., Col. Lefferts; 55th Regiment, N.Y. St. Mil and French Zouaves, Col. Le Gal; 69th Regt. N.Y. St. Mil., Col. Corcoran; and 79th Regiment of N.Y. Also includes three uncut sheets of unidentified paper soldiers and a Revolutionary War paper soldier. Largest uncut sheet inscribed "N.Y. Zouaves" and published by New York firm Heerbrandt & Co. Three paper soldier wrappers published by New York firms McLoughlin Brother and G. Heerbrandt also included as part of the collection. Wrappers contain illustrations of soldiers, assembly instructions, and list of available series. Copies of soldiers illustrated on wrappers included in collection., Originally part of a McAllister scrapbook of Civil War miscellanies.
Date: [ca. 1861-ca. 1865]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Soldiers [5785.F; 5786.F.134a&c; (2)5786.F.5c; 83a; 183b-f; 184a, c, d; 186a-i; 187a-e; 188a-k; 189a, c-g; P.2005.2.10-11]

Title: "All on board for the South Pacific!" Capt. Williams takes great pleasure in announcing to the citizens of Poughkeepsie, that his unique and thrilling entertainment of a South Sea whaling voyage! will open at Pine's Hall, on Monday evening, Sept'r 7th, 1863, and continue every evening for one week, and on Wednesday and Saturday, in the afternoon, For the past three years, since Capt. Williams first began to entertain the citizens of New York, Philadelphia, Boston & Baltimore ... 8000 feet of painted canvas! ... The paintings were executed by that exceedingly popular scenic artist, Samuel L. Culbert, ... Admission, 15 cents. Package of 5 tickets, 50 cents Evening entertainment commences quarter-before 8 o'clock. Afternoon, at 3 o'clock
Description: Edward C. Williams's Life in the South Seas was first published in 1860, and reprinted in 1862., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Williams, E. C., Capt
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Williams (25)5761.F.96b (McAllister)

Title: [Stereograph showing the office of the Grand Union Hotel advertising Maine druggists J.H. Irish & Co. on verso]
Description: Interior view of the office of the Grand Union Hotel in Saratoga Springs, N.Y. showing two employees at the front desk. An African American man, attired in a suit, stands and leans his left elbow on the desk. A white man, attired in a suit, stands behind the desk with a large book opened in front of him. Architectural details of the large space include columns draped in flower garlands, a tiled floor, and a large clock hanging above the desk. Built originally as Gideon Putnam's tavern and boarding house in 1802, the hotel formed through many expansions and additions. The name of the hotel as it appears on the stereograph was adopted in 1869. Demolished 1852-1853., Title supplied by cataloger., Yellow mount with rounded corners., Advertisement printed on verso printed by Wm. Miller Co., 57 Cedar, N.Y.: J.H. Irish & Co., druggists and apothecaries, dealers in drugs, medicines, chemicals, fancy and toilet articles, school books, stationery, periodicals, etc., Gorham, Maine. Physicians' prescriptions carefully compounded., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *Helfand Patent Medicine Trade Card Collection - Pharmacists - I [P.9828.6186]

Title: Adams Tampico Chewing gum. Each wrapper has a different Picture and joke, from "The Judge."
Description: Gum wrapper for Adams & Co. depicting a cartoon originally published in the satiric magazine "The Judge" and showing two African American men (Mister Johnson and Brother Snow) portrayed in racist caricature conversing in the vernacular on a dirt path after church services. The man in the left has a beard and is attired in a long overcoat, pants, and a top hat. He holds a "prayer" book and umbrella under his left arm and gestures to the other gentleman with his right arm. The gentleman in the right has a beard, wears glasses, and is attired in an over coat, striped pants, and top hat. He holds an umbrella as a walking stick in his left hand and carries a book under his right arm. He looks toward the gesturing man. Part of a wooden fence and skyscape are also visible. The Brooklyn gum manufacturer Adams & Co. operated circa 1871-1899. In 1899 Adams merged with six other chewing gum companies to form American Chicle Company., Title from item., Date inferred from content reproduced from The Judge., Caption: A Miracle. "What wuz de tex' dis mornin', Mister Johnson? I wuz too late."/"It wuz about de meracles, Brother Snow. Whar de Lor' fed seven people on five t'ousand baskets of fish."/ "I don't see any meracle about dat."/"Oh, de meracle am, dey all didn't bust.", Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department *ephemera - Packaging - A [113538.D]

Title: Robinson's sura cura for rheumatism, &c., &c. Dr. Prior's cough balsam
Description: Racist trade card illustration depicting a white man opening the door of his home to find an African American baby in a basket on the doorstep. The white man is attired in pajamas and a sleeping cap. He holds a candelabrum in his left hand and looks at the baby with a surprised expression. The baby kicks their right leg up and raises their right hand in a fist while holding the handle of the basket with their left hand. Superimposed over the scene is a painter's palette with splotches of paint and text advertising Robinson's Sura Cura and Dr. Prior's Cough Balsam. R.W. Robinson & Son manufactured Robinson's Sura Cura and also operated a wholesale drugstore located on Greenwich Street in New York. The business was founded in 1835 and was known as Bush & Gale until 1857 when R.W. Robinson joined the firm. The partnership dissolved in 1870 and Robinson's son, F.M. Robinson, joined the firm. Prior Medicine Co. was based in Middletown, New York in the late 19th century., Title from item., Text printed on recto: A Male Package., Advertising text printed on verso: The household remedies. Robinson's Sura Cura, the sure cure for rheumatism, neuralgia, malaria, and a specific for all diseases arising from an impure state of the blood. Price, 50 cents and $1.00 per bottle. Dr. Prior's Cough Balsam, the best botanical remedy known for the prevention and cure of consumption, and all lung and throat complaints, cures sore throat, diptheria, whooping cough, croup, asthma. Read testimonials on circulars., Distributor's imprint on verso: Dr. AS Gibbs, Hope NJ., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Robinson [P.2017.95.150]

Title: [William and Catharine Rupp Doering bicycling, Long Island, N.Y.]
Description: Depicts William Doering, photographer, and wife, Catharine Rupp Doering, bicycling along a path near tall pointed hedges., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.206]

Title: [William and Catharine Rupp Doering bicycling, Long Island, N.Y.]
Description: Depicts William Doering, photographer, and wife, Catharine Rupp Doering, bicycling along a tree-lined path. An unidentified man rides beside them. Two large homes are visible in the background., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.208]

Title: A remarkable book. Now ready: Journal of Alfred Ely, a prisoner of war in Richmond Edited by Charles Lanman. 1 vol., 12mo, illustrated with a steel plate portrait of Alfred Ely, and a wood engraving of the prision at Richmond. Price, $1.00. This work gives a minute account of the adventures in Virginia of the Hon. Alfred Ely, member of Congress from New York, who was captured at the Battle of Bull Run, and confined at Richmond for more than five months as a prisoner of war
Description: The Journal of Alfred Ely was published in New York in 1862., The illustration, signed A.H. Jocelyn N.Y., bears the caption: The prison at Richmond., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: D. Appleton and Company
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 D Apple (2)5786.F.51d (McAllister)

Title: A new and elegant national gift book! Ready December 10th, The fallen brave: a biographical memorial of officers killed in defense of the Union! With eight elegant portraits on steel, engraved by J.A. O'Neill, edited by John Gilmary Shea. This work will form a beautiful quarto volume of about 200 pages, printed by Alvord, on tinted paper. The memoirs, nearly thirty in number, are from the pens of George W. Curtis, Bishop Chase, of Rhode Island, Rev. James Freeman Clarke, George Wilkes, and others, and are compiled from the most authentic materials. The portraits taken from likenesses approved by the families, are accurately and artistically engraved. ... The work may be ordered through any of the leading booksellers in Boston, Philadelphia, or New York. Appealing, as it does, to the patriotic feelings of all, and being the most elegant work to be offered this season to the trade, a large sale is anticipated and early orders are necessary
Description: The fallen brave was published in New York in 1861., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: C.B. Richardson & Co.
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 C B Rich (2)5786.F.46b (McAllister)

Title: Fashions for spring and summer 1853 by S.A. & A.F. Ward, No. 62 Walnut Street Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and a fair setting. Upper panel shows the parlor scene. Eight of the nine men are attired in jackets, vests, cravats, top hats and canes. Some wear plaid and striped pants. One man, seated with sheet music in his lap and a stringed instrument by his side, is attired in an elaborate silk robe. The remaining men, most standing, converse in groups and study framed images hanging on the wall. The left image is a landscape, and the right depicts a portrait of an older man. Lower panel shows the New York Crystal Palace, an exhibition building designed by Georg Carstensen and German architect Charles Gildemeister and constructed for the Exhibition of the Industry of All Nations in New York City in 1853. View includes foot, carriage, and omnibus traffic. Couples, children and dogs stroll the grounds. In the foreground, flanking the view of the exhibition building, are six figures, including a gentleman standing with his back shown, looking at a woman on a horse and a boy holding a watering can. The man is attired in a jacket, top hat and cane, and the boy wears a ruffled cape-like jacket, knickers and a cap. The woman, sitting sidesaddle, wears a dress, jacket, gloves and a plumed hat. On the right side, two men stand with a boy. All of them wear jackets, vests, cravats, patterned pants, boots and hats. One man holds a rifle in his left hand. Many of the depicted men have mustaches and or sideburns. New York's 1853 exhibition was held on the site now home to Bryant Park. A fire destroyed the exhibition building in 1858., Not in Wainwright., Philadelphia on Stone, POSP 76, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3068]
Date: 1853
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3068]

Title: Oh let the nations be glad and sing for joy: for thou shall judge the people righteously and govern the nations upon earth. PS. 67-4
Description: Illustrated trade card depicting a bird perched on a branch of a flowering tree., Copyrighted 1878 by Wemple & Kronheim, N.Y., Contains the Central News Company's (Phila.) net price list of Wemple & Kronheim's day and Sunday School reward cards (Series No. 1-36) printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Miriam Levy., Digitized.
Date: c1878
Location: Library Company of Philadelphia | Print Department trade card - Central [P.8666.3a]

Title: Rolling cigarette
Description: Illustrated trade card for W. Duke Sons & Co., a manufacturing branch of the American Tobacco Co., depicting a female bicycle and trick rider performing in costume. She rolls a cigarette and sits on a penny-farthing or high wheeled bicycle. Also includes a small vignette of a bicycle on verso., Advertising text printed on verso promotes "Honest long cut, the best smoking and chewing tobacco.", One of twenty-five cards included with tobacco packages and issued as one of a series by the American Tobacco Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - American Tobacco [P.2002.9.2]

Title: Iron tank [Platterkill Road] from N. [Catskills, NY]
Description: Glass negative showing a path winding through the woods at Plattekill Mountain. A steep hillside rises on the left. A man, possibly Marriott C. Morris' father Elliston P. morris, stands on the path next to a box, barrel, and other debris., Photographer remarks: Under, Time: 4:50, Light: Faint sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 13, 1884
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.428]

Title: Turtle Rock with E[lliston] P. M[orris], Overlook Mountain, Catskills
Description: Glass negative showing Marriott C. Morris' father Elliston P. Morris standing to the left of Turtle Rock, a large boulder on Overlook Mountain. Morris rests his left hand on the rock, which stands higher than his head. Trees grow on the slope behind the boulder., No. 3., Photographer remarks: good., Time: 5:45 PM, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: August 1882
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.91.5]

Title: Turtle rock. Father at side, [Catskills, NY]
Description: Glass negative showing Marriott C. Morris' father Elliston Morris standing next to Turtle Rock, a large boulder on the Catskill Mountains. Morris wears a three-piece suit and hat, and stands nearly as high as the boulder., Photographer remarks: A little underdeveloped. Intens. 1,10,'85, Time: 1:30, Light: Bright sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 11, 1884
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.423]

Title: Kosciuscko's Garden, West Point, [NY]
Description: Glass negative showing stairs leading down to a small path in Kosciuszko's garden at West Point. There is a stone block to the right and the entire hillside is filled with foliage. The United States Military Academy, also known as West Point, was originally a fort first occupied by American forces in 1778. The school was established by President Thomas Jefferson in 1802. Tadeusz Kosciuszko was a Polish general who spent two years from 1778 to 1780 at West Point strengthening the fortifications. A monument was dedicated to him in 1828, and a statue added in 1913., Time: 10:30, Light: Medium., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 5, 1884
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.400]

Title: William H. Seward Likeness from an approved photograph from life
Description: Three-quarter length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, and pants, sits near a table covered with stacked papers, books, and an inkwell with pens. In the background is a column and drapery., Title from printed signature of sitter below image., Entered according to act of Congress AD 1873 by Johnson, Wilson & Co. in the office of the Librarian of Congress at Washington., Appears in Evert Duyckinck’s Portrait gallery of eminent men and women of Europe and America (New York, 1873), vol. 2, opp. p. 461., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1873
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [(1)5750.F.234a]

Title: W.H. Seward
Description: Photographic reproduction of a bust-length portrait drawing of the abolitionist politician, Secretary of State under Lincoln, and New York Senator and Governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, is depicted in right profile., Title from manuscript note on mount., Date based on presented age of sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Seward [(3)5750.F.38b]

Title: William H. Seward
Description: Bust-length portrait of the abolitionist politician, Secretary of State under Lincoln, and New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, and a black jacket, is in left profile., Title from printed signature below image., Dated based on presented age of the sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.873]

Title: William H. Seward Senator of the United States
Description: Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, New York senator and governor. He faces slightly left and is attired in a white collared shirt, a black bowtie, and a black jacket. Seward served as a senator from 1849 until 1861., Title from printed signature of sitter below image., Date inferred from the years of the Senate terms and attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Bannister, James, 1821-1901, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [P.8911.872]

Title: William H. Seward Likeness from the latest photograph from life
Description: Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Date from copyright statement., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department portrait prints-S [P.8911.874]

Title: William H. Seward Likeness from the latest photograph from life
Description: Full-length, right profile portrait of the abolitionist politician, Secretary of State under Lincoln, New York senator and governor. Seward, attired in a white collared shirt, a black bowtie, waistcoat, jacket, pants, and shoes, sits on a wooden chair near a table covered with stacked papers and books. An ottoman is beside his feet, papers are strewn on the floor, and a draped column is visible in the background., Title from printed signature of sitter below image., Published in Evert Duyckinck's National portrait gallery of eminent Americans:...(New York: Johnson, Fry & Co., 1861-1864), vol. II, p. 280., Publication information from duplicate print., Chappel painted a majority of the portraits published as engravings in biographer Evert Duyckick's, "Portrait Galleries," of the 1860s and 1870s. He often copied the subjects' faces from photographic portraits and placed them on generic bodies in more decorative surroundings than the original photograph., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department Portrait Prints-S [5657.F.39a]

Title: William H. Seward
Description: Portrait of the abolitionist politician, Secretary of State under Lincoln, and New York senator and governor. Seward, attired in a white collared shirt, a plaid bowtie, a dark-colored waistcoat and jacket, is in left profile., Title from printed signature of sitter below image., Published in Appleton's Cyclopedia of American biography (New York: D. Appleton & Co.,1887-1888), vol. 5, p. 470. The Cyclopedia was reissued in 1901. (LCP Reference Uz 1t,4163.Q), Accessioned 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: [1887]
Location: Library Company of Philadelphia | Print Department portrait prints - S [P.8911.870]

Title: William H. Seward
Description: Bust-length portrait of the antislavery politician, Secretary of State under Lincoln, and New York senator and governor. Seward is attired in a white collared shirt, a black bowtie, waistcoat, and jacket and faces slightly right., Title from printed signature of sitter below image., Date inferred from attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints - S [P.8911.871]

Title: The Rivals embrace
Description: Racist, satiric trade card promoting varnish manufacturer Clarence Brooks and Co. Depicts a genre scene with two African American men suitors courting an African American woman while trying to ice skate on a frozen river. The figures are caricaturized and portrayed with exaggerated features. Two men, their mouths open clutch onto one another, their legs twisted, as they try not to fall on the ice. The man to the left is attired in ice skates; blue pants; a red jacket; white collared shirt; and a top hat that has fallen off. The man to the right is attired in ice skates; yellow suit with red checks; and a top hat. The woman they court watches the scene from the shore. Her mouth is open and her hands are apart in alarm. She is attired in white shoes; red stockings; a blue dress; purple coat; and straw bonnet adorned with a pink feather. In the background are two more ice skaters and a building. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clarence [P.2017.95.26]

Title: Gantz, Jones & Co.'s sea foam
Description: Series of trade cards containing captioned scenes in silhouette and profile, including racist imagery, that promote and portray the use of the New York firm's baking powder in cooking. "The First Lesson in Cooking" shows a matron-like figure (in the right) holding out a can of "Sea Foam" baking powder to three young woman standing in a row (in the left). The older woman is attired in a long-sleeved dress with a tiered skirt and bustle, spectacles, and an adornment in her hair. The young women wear long-sleeved dresses with tiered skirts and bustles and hair ornaments that resemble pointed caps. The woman closest to the matron also holds a parasol in her right hand and the woman in the far left also wears a long braid that runs down her back. The women look at and lean toward the baking powder can with interest. "Mine is the Best" shows a woman home cook and a professional male cook facing off. In the right, the man, holds his right hand in a fist, and points behind himself to a table on which a can of "Sea Foam" and a bowl rest. In the left, the woman points at him with her left hand and with her right hand points behind herself at a table on which a bowl and two canisters rest. The man wears a mustache, baker's hat, long smock, and pants. The woman wears a long-sleeved dress with an apron. "Missus, We'll Nebber Use Any Odder!" shows an African American man, portrayed with exaggerated features, and holding an extra-large "Sea Foam" can, walking toward a stove at which a woman is kneeled and placing something in the oven. A pot and tea kettle rest atop of the stove across from the stove pipe. The woman wears her hair down and is attired in a long-sleeved dress with ruffles at the bodice and a skirt with bustle., Gantz, Jones, & Co. was originally established as a chemical business in 1849 by Thomas Andrews. George W. Gantz joined the firm in 1853. About 1869 Andrews retired and in 1877 Walter H. Gantz and F. B. Jones joined the business as partners. In 1884 the firm's New York warehouse was heavily damaged by fire and in 1890 the partnership dissolved. Following the 1856 patent of the first modern baking powder, several later 19th-century chemical firms, including Gantz, Jones & Co. attempted to capitalize on the new, very profitable baking powder industry. Baking powder significantly lessened leaving times for baking and cooking, and multiple companies began to market either cream of tartar or alum based powders that required no combining at home. The "Baking Powder Wars" mired in propaganda about the pure and safe properties of various firms' products ended in the early 20th century with alum baking powder companies Clabber Girl and Calumet dominating the American industry., Title from items., Date inferred from attire of figures portrayed and format of advertisements., Advertising text printed on verso of P.2018.6.3.1, "The First Lesson in Cooking": It is a first-class article, and will do more than it claims to do, and never fails to do its work well. Good health makes labor of all kinds easier and prolongs life. Sea foam is warranted to make better, lighter, healthier, sweeter, more toothsome and more [in italics] digestive [in italics] and nutritious bread, biscuits, cakes, puddings, etc., than can be made in any other way. Those who use it say: "We prefer it over all others." "It is A No. 1." "Gives universal satisfaction.", Advertising text printed on verso of P.2018.6.3.2,"Mine is the Best": SEA FOAM BAKING POWDER IS PERFECTLY PURE. Those who have used it once will never use any other. The BEST in the WHOLE WIDE WORLD. Without an equal. It is the perfection of science in cookery. Your cookery will be always good. You will always have a good cook. It makes every cook a good one. Your bread will never be sour. Light, well-raised bread, biscuits, and cakes digest easily and conduce to good health., Advertising text printed on verso of P.2018.6.3.3, "Missus, We'll Nebber Use any Odder!": Bread is always good. Cannot be beaten. Champion Yeast Powder of America. Every body likes it. Sells like hot cakes. The best customers ask for it. It is A No. 1. The ladies never get tired of telling each other about it. All first-class stores keep it. Gantz's Sea Foam is perfectly pure. Without an equal [in italics]. It is an entirely new invention. Never fails to make light bread. To avoid dyspepsia, use Sea Foam. One can is worth three of any other., Captions printed in all capitals., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Gantz, Jones & Co. [P.2018.6.3.1-3]

Title: " Ariosa" Coffee. One gleam of consolation. From "Judge" by permission
Description: Trade card promoting Arbuckle's Ariosa Coffee. Depicts a racist caricature originally published in the satirical periodical “Judge” of an older African American woman and older, African American Deacon in conversation. The figures are portrayed with exaggerated facial features and speaking in the vernacular. They stand across from each other in a home setting. "Mrs. Johnson" is attired in a attired in a yellow apron over a black dress, a red vest, and an orange, head kerchief. She has a pipe in her mouth. "Deacon Smith" is attired in a top hat, blue coat over a white collared shirt with red bow tie, brown pants, black shoes, spectacles, and leans on a cane. Depicts Deacon Smith providing comforting words to Mrs. Johnson after she "loose de bigges' chile." The Deacon consoles "Providence am allus mercies in disguise" to which Mrs. Johnston agrees the child was "allus a mon-st'ous eatah." In the background is a steaming kettle on a small stove with a chimney pipe. On the verso is an illustration showing the exterior of the Arbuckle Ariosa Coffee's Brooklyn factory near a dock. View includes men loading train cars, horse-drawn wagons, and ships with cargo. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Place of publication deduced from place of operation of advertised business., Text printed on recto: Mrs. Johnson (mournfully)--"Ah deacon! It am very hard to loose de bigges' chile I's got." Deacon Smith (consolingly)-- "Dat am true, Mrs. Johnsing; but dese cha'tisements of Providence am allus mercies in disguise." Mrs. Johnson (meditatively)-- "Y-e-e-s; Jeems was allus a mon-st'ous eatah.", Advertising text printed on verso: "Ariosa" Coffee. No. 96. 839,972 pounds roasted daily. The enormous consumption of the popular brand gives proof that for strength, purity and deliciousness it has no equal., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -Arbuckle [P.2017.95.7]

Title: James Boyd's fine shoes. Presented by Irving J. Brown
Description: Trade card promoting James Boyd's shoes and depicting a racist caricature of an African American man, possibly a peddler, making a presentation on a stage. The man, portrayed with exaggerated features and manners, stands onstage behind a table leaning forward with his knuckles pressed onto the surface. He is attired in a brown suit jacket with tails; waistcoat; white shirt with a white bow tie; gold cuff links; blue pants; and black boots. In his back pocket are rolled up papers. There is a glass on the table. Beneath it is a top hat. In the foreground, four African American men in the audience listen, interact with each other, and gesture. They are attired in jackets (brown, yellow plaid, or green) and white collared shirts. The far left spectator also wears spectacles. The far right spectator raises his hand as if to ask a question. In the background, some brick is exposed through the painted wall, and a white sign is hung advertising "James Boyd's Fine Shoes." James Boyd started manufacturing shoes as Barrow & Boyd in New York in 1866. Barrow retired in 1877. James Boyd continued the business, and in 1884, he added his sons George and William to the firm becoming James Boyd & Sons. Irving J. Brown began selling shoes in 1877. He had stores at 461 and 944 Congress Street, Portland, Maine until at least 1891., Title from item., Date deduced from the history of the advertised business., Advertising text printed on verso: [I]r[vin]g J. Brown. ([?] of the gold boot.) Dealer [i]n boots and shoes, is the special agent for the sale of my goods in Portland. James Boyd, New York City. Highest medals awarded 1873, 1874, 1876, 1877. (Extract from the judges report.) Forty-second exhibition American Institute. "Case no. 49, made by James Boyd, are perfectly put together. We have seen all the shoes made in New York for the past twenty years, and this is the Best [?] in our judgment. The uppers are beautifully [?], and deserve great credit and reward." Elisha Hanshew, E.W. Eaton, C.J. Murray } Judges. [New Yo]rk, Nov. 1873., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Boyd [P.2017.95.16]

Title: Kerr & Co., 34 Walker St. N.Y
Description: Trade card promoting Kerr & Co.’s thread and depicting a racist caricature of an African American man using Kerr’s thread to move a safe onto a cart. In the right, shows an African American man, attired in a yellow hat, an orange shirt with the sleeves rolled up to the elbows, and green pants, standing on the back of a cart pulled by two white horses. He turns the handle attached to an oversized spool of “Kerr’s Cotton” thread, which is pulling a large, black safe labeled, “Herring’s Champion New York; Kerr & Co., 34 Walker St. N.Y.” onto the cart. A white man, attired in a black hat, an orange shirt with the sleeves rolled to the elbows, and green pants, stands behind the safe to steady it. In the left, a crowd of people look on to the scene, including a white man police officer; a brown haired white girl attired in an orange hat, an orange dress with a white lace collar and a blue sash at the waist, and white stockings and shoes; a white man with a black mustache, attired in a black top hat, a white shirt, a black jacket, a yellow coat, and white pants and shoes; and a white woman attired in an orange hat with a white feather, an orange dress with white checks, and a black shawl. Above them a crane holds an oversized spool of black thread labeled, “Kerr & Co. Warranted 200 yds machine thread. Six cord (40) soft finish.” In the right is a building where people look through the windows at the scene. In the second story window in the left are two white men with mustaches attired in white collared shirts and blue jackets. In the right window are two white women attired in an orange dress and a blue dress respectively and hats. The building reads, “six-cord, soft-finish, new spool cotton.”, Peter Kerr (1818-1869) was a thread manufacturer who moved to the United States in 1866 and opened a factory in New York City. He partnered with his brother-in-law George A. Clark's thread company. Clark & Company later merged with J.&P. Coats in 1896., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on recto: Kerr's cotton never breaks. It is a safe thread., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kerr [P.2017.95.97]

Title: Gold Dust Washing Powder
Description: Racist die cut trade card illustration advertising a cleaning agent. Image depicts a pair of smiling identical twin African American boys sitting in a wooden tub filled with soapy water. The boys each have an arm wrapped around one another and the boy on the right rests his left arm on the edge of the tub. The boys are both depicted with exaggerated features. Gold Dust Washing Powder was created in the late 1880s by the Nathaniel Kellogg Fairbank Soap Company, which was based in New York, and was distributed by the Lever Brothers Company, which was based in Cambridge, Massachusetts. The "Gold Dust Twins," "Goldie" and "Dustie," were introdued in the 1890s and were the faces of the brand until the 1950s., Title from item., Date inferred from dates of operation of business., Advertising text on verso: Best purest Gold Dust Washing Poweder does more work in less time with less labor than any other at less than half the cost. Buy our large package--it means economy to the consumer. See that the trade mark The "Twins" is on every package. Made only by The N.K. Fairbank Company, Chicago. St. Louis. New York. Boston. Philadelphia. Montreal., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.136]

Title: Edwin C. Burt, fine shoes
Description: Trade card promoting shoemaker Edwin C. Burt and depicting a racist caricature of an African American man minstrel. The man is attired in a uniform-like costume of a black top hat with a gold band; a blue jacket with gold buttons and epaulettes and a black belt; white pants; white gloves; and black knee-length boots. He pulls on a red cord for a curtain with his right hand. He carries a white card that reads, "Edwin C. Burt, Fine Shoes" in his left hand. Edwin C. Burt (1818-1884) began his career in boot and shoemaking with his father in Hartford, Connecticut in 1838. He moved his business to New York City in 1848 and founded Edwin C. Burt & Co. in 1860. He patented an improvement to increase his shoes’ durability in 1874., Title from item., Publication information from verso: The Major & Knapp Eng Mfg Litho Co 56 Park Place, N.Y., Advertising text printed on verso: Please notice: Genuine goods of Edwin C. Burt’s make have his Name stamped in full on Lining and Sole of Each Shoe and are warranted. Burt’s calendar for 1878. Edwin C. Burt [illegible]. Over., Text printed on verso: Calendar for 1878., Distributor's imprint printed on verso: Henry H. Tuttle & Co., 435 Washington Street, (cor, Winter,) Boston, have a full line in all widths of my Goods for sale., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Henry [P.2017.95.80]

Title: Corn Picking. Population 1,542,180. Area in sq. miles 59,475
Description: Racist trade card promoting Arbuckle Bros. coffee and depicting African Americans in a field harvesting corn. Shows an African American woman, attired in a straw hat, a green, long-sleeved shirt, a yellow shawl, and a red skirt, smiling as she picks corn off of a stalk in the foreground. In the left, an African American man, attired in a straw hat, a white shirt with the sleeves rolled up to the elbows, brown pants, and brown shoes, looks at the viewer as he carries corn in his arms. In the background, two more farm laborers are visible. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Publication information and date from the copyright statement: Copyright 1889 Arbuckle Bros. N.Y., Print trimmed., Description of Colorado printed on verso. Sections of text missing. "[Colo]rado. east and west of 380 miles, a breadth o[?] square miles, or 66,512,000 acres, divided [?] are still unsurveyed 40,657,679 acres; i[?] mountain range, the foot hills, and the [?] [nor]th and south through the centre of the [?] [ra]nges, with many peaks over 13,000 fee[t] [?] immense mountains, are the “Parks,” [?] natural feature of Colorado. These co[?] [?] tion of 9,000 to 10,000 feet above the se[a]. [T]he principal ones being the North and [?] White and Green rivers, most of which[?] navigable. The South Platte has a fa[?] [?] Denver, and one of the canons of th[e] [?] [?] a rule, severe, with heavy falls of snow [?] plains and in the valleys, the mildness [?] as to render Colorado the paradise [?] and are glad to find that “Arbuckles” [?] 65,196 females, of whom 154,537 were [?] [?]rth, white, 191,126; colored, 3,201.", Gift of David Doret.
Date: 1889
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Corn [P.2017.95.199]

Title: Ask for the "Wenck" perfumes. (Warranted the best.) And take no other
Description: Racist trade card promoting the Wenck Perfume Manufacturing Company and depicting a caricature of an older African American man reading a notice on a country grocery store. Shows the man with a white beard and attired in a yellow brimmed hat, a long-sleeved red shirt, red and yellow pants with patches and held up by suspenders, and black shoes. He bends forward to read the sign on the boarded up, dilapidated store. It states in the vernacular that the Johnsing & Skinner Grocery is out of business and that, “Dem as owes de firm, will settle wid me--dey de firm owes will settle wid Skinner. G.W. Johnsing." The African American man is labeled as a creditor who says in the vernacular, “I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.” In the right, the man’s donkey is tied to an orange post behind him. In the background, fenced in fields and trees are visible. George J. Wenck founded the Wenck Perfumes Manufacturing Company in 1872. The Firm manufactured perfume into the 20th century., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Text printed on recto: Johnsing & Skinner Grocery. Notis—De firm of Johnsing & Skinner am resolved. Dem as owes de firm, will settle wid me—dey de firm owes will settle wid Skinner. G.W. Johnsing. Creditor of Johnsing & Skinner—“I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.”, Advertising text printed on verso: “Wenck’s” Special Perfumes for the Handkerchief. Opera bouquet. Grand Army Bouquet. Queen Mary Bouquet. “Wenck’s” Toilet Water. Florida Water. Lavender Water. Eau Oraline for the Teeth. Gilt Edge Cologne. The “Wenck” Perfumes M’f’g Co., 36 West 14th Street, N.Y., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wenck [P.2017.95.189]

Title: Arbuckle's ariosa coffee. Arbuckle Bros. Coffee Company, New York
Description: One of a series of "fifty" trade cards, "each one of which shows a correct map (properly bounded) of one State, or Territory" to promote Arbuckle's Ariosa Coffee. Depicts a map of Alabama (left) and a scene with African American men and women picking cotton in a cotton field (right). Scene shows a man in the foreground placing cotton in a basket piled high with it. In the center, right background, a woman stands and holds a large basket piled high with cotton on her head. In the distant background, two men and three women bend over and pick cotton from the plants. A piece of harvesting equipment is visible in the far left background. The men and women wear long sleeve shirts and hats or bonnets. Arbuckle's Coffee was founded by brothers John and Charles Arbuckle following the Civil War. The company was one of the first to sell roasted coffee and to place it in one pound packages. Arbuckle often included trade cards in the packages., Title from item., Image captions: Cotton Picking; Population 1,262,[ ]5; Area in Sq. Miles 52,250., Date inferred from content, dates of activity of lithographer, and reference to Washington which gained statehood in 1889 as a territory., Series number printed on verso: No. 67., Several lines of advertising text printed on verso explicating why Arbuckle's Ariosa Coffee "costs more and is worth more than other brands of coffee," including higher grade green coffee and the "glazing" process. Also includes a "Read This." section describing the series of cards as "interesting, instructive, and artistic," and their purpose as and "object lesson or both young and old." Section ends with the alphabetical list of 50 states and territories depicted. Washington, New Mexico, and Wyoming are listed as territories., RVCDC, Description reviewed 2022., Access points revised 2022., Some degradation to image.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Arbuckle's [P.2017.44]

Title: Who's dar?
Description: Trade card depicting a racist, comic, genre scene to promote the Co-operative Dress Association established by journalist and lecturer Kate Fields in 1881. Shows an older African American boy, portrayed with large eyes, nose, lips, and ears, in a hive eating honey comb as a bear enters from behind him. The boy, attired in a collared red shirt with the sleeves rolled up and blue pants rolled to the knees, sits, left knee up and right leg out, on a mound and to the left of a stack of comb. He smiles and raises a piece of comb toward his mouth. Above him and to the right, the rear end of a bear in a hole in the hive is visible. The Co-operative Dress Association, incorporated in April 1881 with 5000 stockholders, was established to provide clothing "articles of fine quality at fair prices" without the "inducement for illegitimate gain" to women of limited incomes. The cooperative, its necessity criticized by advocates for the New York City retail dry-goods trade, operated until 1882-1883 when placed under receivership., Title from item., Date inferred from active dates of co-operative., Series number printed on recto in lower right corner: 24., Copyright statement printed on recto: Copyrighted., Advertising text printed on verso: Open To Everybody. Everybody Invited. Anybody Can Buy. Co-Operative Dress Association (Limited), 31 and 33 West 23d Street, New York. Dry Goods of All Kinds. House-Keeping Goods. Ready-Made Dresses, Cloaks and Wraps, At All Prices. Ladies', Children's and Boys' Suits. Upholstery, Millinery, Stationery, China, Glass and Plated Ware. Boots, Shoes, and Hair Goods. Visit every floor in the Six-Story Building. Restaurant on 5th Floor. Holiday Goods. Fancy Goods., Housed with the Emily Phillips Trade Card Collection., Anonymous gift., RVCDC, Description and access points reviewed 2022.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade cards - Cooperative [P.2020.23]

Title: Sapolio
Description: Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting the caricature of an African American child’s head emerging out of a watermelon. The child, portrayed with exaggerated features, smiles as their eyes look to the right. The green watermelon is ripped open revealing pink flesh and black seeds. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Publication information from copyright statement: Copyrighted 1882, by Donaldson Brothers., Advertising text printed on verso: One cake will do more work and will do it better than Three Cakes of any other mineral or scouring soap ever made. Enoch Morgan's Sons Sapolio. Better and cheaper than soap. For all house cleaning purposes. It will clean paint, marble, oil cloths, bath tubs, crockery, kitchen utensils, &c. It will polish tin, brass, copper and steel wares of all kinds better than Emery or Rotten Stone. Ask for it. Take no other as a substitute for it. It is the best and cheapest scouring soap. Hand Sapolio, for every day use, is the best and cheapest toilet and bath soap in the market. Removes stains of all kinds, and leaves the skin white and soft. Prevents chapping of hands. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Date: 1882
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Enoch [P.2017.95.60]

Title: Frank Miller's crown dressing Yes missus dat am de Crown of Dressing shua!
Description: Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A bottle of Frank Miller's Crown dressing is also printed on the verso. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Printed in red ink., Distributor's imprint printed on recto: John Cottrill, boots, shoes, trunks, &c, Wallingford, Conn., Advertising text printed on verso: Frank Miller's Crown Dressing in 4-oz. bottles, with wire, sponge, and cork. Gives a rich gloss, with a deep and durable color. While most dressings crack the leather, the Crown does not injure it in the least, and for ladies' and children's boots and shoes is rapidly displacing all others., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.130]

Title: Frank Miller's blacking
Description: Racist trade card illustration depicting an African American man walking down a street past two white male onlookers and with a small white man behind him. The African American man stands tall with his right hand tucked into the breast of his coat and his legs crossed. He carries a cane in his left hand and smokes a cigar. He is attired in a top hat, a collared shirt, a bowtie, a coat, striped slim-fitting pants, and heeled shoes. The two white men stand with their hands in their pockets and are attired in top hats, coats, pants, and dark-colored shoes. The small white man stands in an identical pose to the African American man and carries a box in his left hand. He is attired in a coat, a vest, pants with a patch, and shoes. The African American man is depicted with exaggerated features. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Date inferred from content and genre of print., Text printed on recto: Over., Advertising text printed on verso: Frank Miller's peerless black[in]g. This article will fully meet the requirements [of the] dealer and consumer, as to quality and appearance, [for] the general consumption of the country. It gives a quick [radiant], jet black gloss, without injury to the [?]. Frank Miller's improved French blacking gives a quick, brilliant and durable polish with positive nourishment to the leather. It is different in composition from common blackings, being based upon the French pro-cess, with every vluable feature of the French style retained, while such improvements have been made as to insure a dryer and more durable gloss, with increaed pliability of the leather., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.129]

Title: Frank Miller's crown dressing Well dis chile am 'stonished at his own genius- dat Frank Miller must be a conjuror-shua!
Description: Racist trade card depicting an African American man cobbler in a shop setting. Shoes the boy-faced man shining a boot from a counter lined with shoes and boots. He looks out toward the viewer, and holds a dabber in his right hand and the boot in his left. To his left is the counter of footwear along the wall. A chest, boxes, and a bag are visible in the right foreground. In the left are several pairs of shoes and boots strewn in a pile on the ground in front of a counter on top of which a bottle of Frank Miller's Crown Dressing rests. The cobbler is attired in a collared shirt, striped pants, an apron, and leather shoes. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Frank Miller's Improved French Blacking. Gives a quick, brilliant, and durable polish, with positive nourishment to the leather. It is different in composition from common blackings, being based upon the French process, with every valuable feature of the French style retained, while such improvements have been made to insure a dryer and more durable gloss, with increased pliability of the leather. Frank Miller's Crown Dressing. An invaluable preparation for restoring ladies' and children's boots, shoes, rubbers, travelling bags, and all black leather goods that are soiled or worn by age or use, to their original beauty of finish and softness. Frank Miller's Leather Preservative and Water-proof Blacking. This blacking is not designed to produce a polish, but to render the leather soft, pliable, water-proof, and much more durable. For more than forty years it has been the reliance of farmers, miners, sportsmen, lumbermen, soldiers, and outdoor laboring men. It does away with the necessity of using rubbers, which are expensive, uncomfortable, and destructive to health and leather. This is the only article designed for this purpose which has met with universal approval. Frank Miller's Peerless Blacking. This article will fully meet the requirements of the consumer, as to quality. It gives a quick, brilliant, jet black gloss, without injury to the leather., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.126]

Title: Frank Miller's crown dressing Yes missus dat am de Crown of Dressing shua!
Description: Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Several lines of advertising text printed on verso; text is not visible., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.128]

Title: Frank Miller's crown dressing Yes missus dat am de Crown of Dressing shua!
Description: Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A bottle of Frank Miller's Crown dressing is also printed on the verso. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Printed in red ink., Advertising text printed on verso: Frank Miller's Crown Dressing in 4-oz. bottles, with wire, sponge, and cork. Gives a rich gloss, with a deep and durable color. While most dressings crack the leather, the Crown does not injure it in the least, and for ladies' and children's boots and shoes is rapidly displacing all others., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Miller [P.2017.95.127]

Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising celluloid collars and cuffs and depicting a caricature of a Japanese woman. Shows the Japanese woman wearing her hair up and adorned with kanzashi hair ornaments and attired in a multi-colored kimono with a celluloid collar and cuffs and geta shoes with celluloid on the bottom. She walks with her right hand holding her kimono up and carries a parasol made of celluloid. She walks through grass with pink flowers in the background., Title from item., Date inferred from content., Text printed on verso: Celluloid (Waterproof linen.) Collars, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button. To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2025.35.2]

Title: Butcher Boy.
Description: The butcher boy has cow's head and wears an apron covered in blood. He holds a large knife and a sharpener. Behind him is a tub labeled "Blood Tub.". The border shows cupids and hearts; one cupid shoots a heart out of a thimble cannon labeled "Love"; another cupid travels with a heart in a hot-air balloon; and another cupid hammers at a cracked heart below a heart on a fishhook labeled "Caught." "Bowery butcher boy" may refer to the Bowery Bh'oys, and "pluck" can mean animal innards. The valentine suggests that violence will not bother the recipient., Text: How are you? Bowery butcher boy, / I wish you every luck : / Our calf's head scarce will you annoy, / While you possess the Pluck!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: ASSU Illustration 4794
Description: Block numbered in two places: 4794., Image of three men in front of a sign that says “Beer”; one stands and appears to hold a cigarette in his hand, and looks over his shoulder at a seated man; the seated man has his legs crossed and arms folded, and appears to have a cigarette in his mouth; another kneels and writes “Bhoys” [i.e., Bowery boys, working class men from the Five Points neighborhood in New York] on the ground with a stick or piece of chalk.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 22

Title: New York State Building.
Description: Exterior view of building with people standing along walkways and railroad tracks in foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.8a]

Title: Camp Morris, 138th Regt. N.Y. Vols, Col. [graphic] : Col. Joseph Welling, commdg.
Description: Contains a printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp in Maryland. Includes soldiers gathered around a campfire. Rows of tents are visible in the background.
Creator: Rosenthal, L. N. (Louis N.), creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Miltary Camps- M [5779.F.21]

Title: Camp near Ft. Lyon, Va., 26th N.Y.V., Colonel Wm. H. Christian. [graphic].
Description: Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp. Shows soldiers on the campgrounds near rows of tents.
Creator: Rosenthal, L. N. (Louis N.), creator
Date: c1862.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - F [5779.F.22]

Title: Camp Pomroy, 111th Regiment, New York [graphic] : Col. J. Segoine commdg.
Description: Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp in Virginia. Shows soldiers milling about rows of tents and log dwellings.
Creator: Rosenthal, L. N. (Louis N.), creator
Date: c1863.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - P [5779.F.27]

Title: Camp Chase, 147th Regt. N.Y.S.V. [graphic] : Col. A.P. Warner, commdg.
Description: Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp in Ohio. Shows soldiers standing among rows of tents. Also shows soldiers attending pots over campfires.
Creator: Rosenthal, L. N. (Louis N.), creator
Date: c1862.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - C [5779.F.10]

Title: Camp Seward, 25th Regt. Me. Vol. 3rd Brigade, Casey's Div. [graphic] : Col. Francis Fessendon, commdg.
Description: Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp at Westfield, N.Y. Shows soldiers milling among rows of tents on the grounds.
Creator: Rosenthal, L. N. (Louis N.), creator
Date: c1862.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - S [5779.F.28]

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