Search results

Title: [Nineteenth-century view of a group of people attired in fancy dress]
Description: Shows individuals of all ages in fancy dress in a parlor. All stand except a lady seated in a chair. Costumes include a shepherdess, a fop, and a lady of the Republican Court. Also shows a boy with a beak mask peering into the room from behind a curtain in the left of the image., Title supplied by cataloger., Inscribed upper right corner: 47., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.53b]

Title: [Nineteenth-century view of a group of people attired in fancy dress]
Description: Shows individuals of all ages in fancy dress in a parlor. All stand except a lady seated in a chair. Costumes include a shepherdess, a fop, and a lady of the Republican Court. Also shows a boy with a beak mask peering into the room from behind a curtain in the left of the image., Title supplied by cataloger., Inscribed upper right corner: 47., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.53b]

Title: A little too thin
Description: Comic genre scene set in a parlor depicting a young man courting a young woman as he shows her a bolt of fabric. An older woman, possibly the man's mother, sits at a table to the side of them and inspects the cloth and the young woman. Bolts of cloth surround them., Distributor's imprint printed on mount: Sold by Underwood & Underwoood, Baltimore, Md. - Ottawa, Kas., Buff mount with rounded corners., Negative number printed on mount: 541., Copyrighted by F. G. Weller., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Littleton View Co.
Date: c1875
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Genre [P.2005.19.9]

Title: Sewing Machine Polka
Description: Sheet music cover showing four well-dressed women in a finely-decorated parlor with a sewing machine. Two women, with a cat and sheet of paper at their feet, work at the machine in the center of the room. Near them another woman stands and observes as another woman across the room sews by hand while seated on a chair. In the background, skyline at dusk is visible through a large window with drawn-back drapery., Printed on recto: 5., Inscribed lower left corner: 51., See also proof before letters and color [P.9349.56b]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1860
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.36a]

Title: Sewing Machine Polka
Description: Sheet music cover showing four well-dressed women in a finely-decorated parlor with a sewing machine. Two women, with a cat and sheet of paper at their feet, work at the machine in the center of the room. Near them another woman stands and observes as another woman across the room sews by hand while seated on a chair. In the background, skyline at dusk is visible through a large window with drawn-back drapery., Printed on recto: 5., Inscribed lower left corner: 51., See also proof before letters and color [P.9349.56b]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: c1860
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.36a]

Title: Globe billiard parlors, and palace luxury, 321 Federal St., Camden, N.J. Albert Crump
Description: Trade card depicting decorative design made of palm leaves and geometric shapes., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Globe [1975.F.175]

Title: "You brazen huzzy! You shall leave at this hour! And the least of your fault is the wasted flour."
Description: Genre scene from a comic stereograph series satirizing the exploits of an adulterous husband. Shows the lady of the house confronting the servant in the kitchen. The cook rolls pie dough on a table under which boxes of flour have fallen and spilled. The husband peers from around the corner. Scene also includes a calendar on the wall illustrated with the portrait of a bare-shouldered woman., Copyrighted by B. L. Singley., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped pink mount with rounded corners., Title printed on mount., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Keystone View Company
Date: c1903
Location: Library Company of Philadelphia | Print Department stereos - Keystone View Company - Genre [P.2005.19.6]

Title: [Scenes 6, 7, and 10 from the stereograph comic set "Mr. and Mrs. Newlywed's new French cook"]
Description: Three genre scenes set in a well-decorated parlor from a comic stereograph series satirizing the exploits of an adulterous husband. Scene 6 shows the wife exclaiming "Hands! Hands" What does she mean!" as she discovers floured hand prints on the back of her husband's coat. Scene 7 shows the wife pointing to the shocked cook in the corner as her husband looks in dismay at the back of his stained coat that he has removed and exlaims "Good Heavens!" Scene 10 shows "And they lived happily ever after" as the husband embraces his wife from behind as she sits on a loveseat., Negative numbers: 7258; 7259; and 7262., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped grey mount with rounded corners., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Titles printed on mount., Titles printed on verso in six different languages, including French, German, and Spanish., Gift of Jesse Randall., Complete set reproduced in William C. Darrah's The world of stereographs (Gettysburg: William C. Darrah, 1977), p. 66-68., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: c1900
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2005.19.12-14]

Title: [Interior of parlor, Redfield residence, 211 Upland Way, Wayne, Pennsylvania.]
Description: Depict the interior of the Redfield residence in Wayne, probably the parlor, showing a table with two chairs, a chandelier, a bookcase and framed pictures on the papered walls. The fireplace is visible in one of the images, the mantle of which is covered in porcelain., Forms part of the Robert S. Redfield collection., Gift of Alfred G. Redfield.
Creator: Redfield, Robert S., 1849-1923, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department photo - Redfield [P.8983.19 & 20]

Title: [Interior view of a sitting room]
Description: Floor plan of a sitting room or parlor. Shows an interior view depicting the room's architectural features, including beams on the ceiling, arches, and chair rails. Also shows two wooden chairs, a bench chair with back, and a table., Title supplied by cataloger., Date inferred from active dates of the artist., Signed by the artist in lower right corner., Gift of David Doret and Linda G. Mitchell, 2022., Harry Leith-Ross (1886–1973) was a British-American landscape painter and draftsman. He taught at the art colonies in Woodstock, New York and Rockport, Maine, and later was part of the art colony in New Hope, Pennsylvania.
Creator: Leith-Ross, Harry, 1886-1973, artist
Date: [ca. 1940]
Location: Library Company of Philadelphia | Print Department *Doret and Mitchell Collection – Drawings & Watercolors [P.2022.62.3.13]

Title: [Avocado] Parlor at Sea Girt, [NJ], from S.E. corner of room
Description: Glass negative showing a parlor with rich furnishings at the Morris family home Avocado. There is a fireplace with a mirror on the mantle, three chairs, a side table, and a round table covered with an embroidered cloth and multiple books. A staircase is visible through the doorway on the left. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Photographer remarks: Very nice neg., Time: 11, Light: Fair light, no sun, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 6, 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1010]

Title: Corner of Aunt Annie's [Canby] parlor, [Wilmington, DE]
Description: Glass negative showing a parlor in Marriott C. Morris' aunt Anna Canby's house decorated with various cushions, throws, lamps, pictures, and other objects. There is a setee against the wall on the left and a chair in the foreground., Photographer remarks: undertimed., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: November 26, 1885
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.812]

Title: Pavillion [sic] & flood gates
Description: View looking south from the forebay of the Fairmount Water Works on the Schuylkill River. Shows the floodgates also known as the race bridge; the peristyle temple (i.e. pavilion) on the altered old mill house; and the old engine house converted to an ice cream saloon. Signage advertising "Ice Cream and Refreshments" adorns the saloon. Also shows women and children standing by the balustrades above the flood gates. The Fairmount Water Works, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded by Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Distributor's imprint printed on mount: L. Carty, Jr., Sole Agent, 921 Spring Garden St., Phila., Gift of Francis Dallett., Lewis Carty operated a stationery business in Philadelphia at 921 Spring Garden Street., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Hemple, Alfred H., fl. 1860-1879, photographer
Date: ca. 1875
Location: Library Company of Philadelphia | Print Department stereo - Hemple - Public Utilities [P.9148.3]

Title: [G. Byron Morse trade cards]
Description: Series of illustrated trade cards depicting various flowers; bread shaped into kipful, pinafore, twist, keyser semmel, Vienna ring, long Vienna, and short Vienna shapes; platters of fish and lobster on serving carts; a man driving a horse-drawn carriage made entirely of bread; and nets and oars partially obscured by a small landscape vignette depicting a tall rock formation., Title supplied by cataloger., Printers and engravers include Graf Brothers (Philadelphia), L. Prang & Co. (Boston), and McCalla & Stavely (Philadelphia)., Advertising text printed on versos promotes G. Byron Morse as a "baker of genuine Vienna bread, rolls, &c." and his "dining and ice cream parlors, fine and fancy cake depot" for weddings and private and social parties at 1312 Chestnut Street and 912 Arch Street in Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [1876-ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Morse [1975.F.582; 1975.F.585 & 586; 1975.F.619; 1975.F.624; P.9777.1 & 2]

Title: Little Parlor from entry door, [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a view of a small parlor in the Deshler-Morris House at 5442 Germantown Avenue. There is a fireplace on the left with various objects on the mantle and a screen standing in front. Two chairs sit against the wall on either side of a built-in hutch containing serving dishes. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Time: 12:30, Light: Faint sun shining outside., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 7, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1092]

Title: Corner of Little Parlor from parlor door, [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a view of a richly decorated parlor in the Deshler-Morris House at 5442 Germantown Avenue. There are floral motifs on both the carpet and wallpaper. A clock hangs on the right wall above a standing wooden loom. A small table holding a mirror and other objects stands against the adjacent wall next to a chair. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Time: 1:15, Light: No sun shining., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 7, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1093]

Title: Little Parlor from entry door, [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a view of a parlor in the Deshler-Morris House at 5442 Germantown Avenue. There is a fireplace on the left with various objects on the mantle and a screen standing in front. Two chairs sit against the wall on either side of a built-in hutch containing serving dishes. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Photographer remarks: Blinds up for 10 sec., Time: 2, Light: Faint sun shining., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 24, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1087]

Title: Fairmount waterworks
Description: View looking south from the forebay at the Fairmount Water Works on the Schuylkill River. Shows the old engine house converted to a refreshment saloon adorned with signage advertising,"Ladies Ice Cream Saloon" and "Ice Cream & Refreshments." Also shows the ascending main connected to the old mill house during the replacement of the house's water wheels by turbines between 1867-1872 after the designs of Frederick Graff, Jr. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Attributed to Robert Newell., Title from manuscript note on mount., Publisher's imprint printed on verso., Printed on mount: No. 4., Pink mount with rounded corners., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1870], c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Public Utilities [P.9299.68]

Title: Arch St. Theatre, above 6th St., Phila
Description: Shows the theater built 1826-28 after the designs of Philadelphia architect William Strickland at 609-615 Arch Street. Also shows two women and a man posed in front of the building; a playbill on display; street lamps; and adjacent businesses, including Christian Bird's Billiard Hall., Title from manuscript note on mount of (8)1322.F.5d., Orange and yellow paper mounts with square corners., Retrospective conversion record: original entry, edited., One of images originally part of a McAllister scrapbook of views of Philadelphia., Manuscript note on mount of 7992.F.1: Arch St. Theatre, Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Theaters [(8)1322.F.5d-2; 7992.F.1]

Title: Views of Louden & Stenton Album
Description: Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown.

Title: [Partridge's cafe and dining rooms trade cards]
Description: Series of illustrated trade cards for Edward Patridge's dining rooms, established in 1862, at 15 North Eighth Street and 19 South Eighth Street in Philadelphia. Illustrations depict sprays of flowers, leaves, and acorns; two children attempting to capture a butterfly; a man in a clown suit carrying a bouquet of flowers walking by the light of the moon with a female companion; pottery adorned with cranes and Japanese imagery; and a woman selling produce to a man attired in Turkish clothing in a village near an establishment labeled "Partridge's cafe and dining rooms"., Title supplied by cataloger., Printers and engravers include E. Ketterlinus & Co. (Philadelphia)., Advertising text printed on versos promotes the cafe and dining rooms and lists specific products served including Christmas cakes, ice creams, water-ices, frozen fruits, oysters, roast turkey, chicken, beef, lamb, veal, coffee, tea, chocolate, strawberries and strawberry cream., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Partridge's [1975.F.687; 1975.F.690; 1975.F.692 & 693; 1975.F.699 & 700; 1975.F.706; 1975.F.711; 1975.F.720a; P.9708.1; P.9798.4; P.9802.11; P.9810.4]

Title: [William Penn Parlor, Great Central Fair, Philadelphia, 1864]
Description: Unmounted stereograph shows a parlor south of Union Avenue filled with William Penn's relics. Includes paintings, antique chairs and furniture, a clock, a mirror, and other curiosities arranged on the mantlepiece formerly installed in Carpenter's Hall in 1774 when the First Continental Congress met there. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Watson, A., photographer
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department stereo - Watson - Fairs [5781.F.172b]

Title: The Penn Parlor
Description: Shows a parlor south of Union Avenue filled with William Penn's relics, including paintings, antique chairs and furniture, a clock, a mirror, and other curiosities arranged on the mantlepiece formerly installed in Carpenter's Hall in 1774 when the First Continental Congress met there. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title, photographer, and publisher from printed series label pasted on verso., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Watson, A., photographer
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department stereo - Watson - Fairs [P.9276.56]

Title: Views of Loudoun and Stenton, residences of Maria Dickinson Logan and her brother, Albanus C. Logan, Germantown, Philadelphia
Description: Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown. Contains interior views of Loudoun depicting the parlor and a bedroom. Also includes views of the Stenton grounds showing a wood pile, a hay stack, and rafts of lumber floating down a creek, possibly Wingohocking and portraiture, including an image of the photographer at her camera outside of the Stenton residence. Furniture and interior decoration includes arm chairs, settes, tables, framed paintings, chandeliers, fireplaces, sculpted busts, desks, mantlepieces, lamps, framed photographs, and plates. Also contains a portrait of her brother Albanus Charles; a group portrait, including the photographer, Albanus, and a woman identified as C. Dallett in front of George Logan's barn at Stenton; and an exterior view of a large stone residence captioned "Sammy [Gilles?]," possibly a tenant house on the Stenton property., Title supplied by cataloger., Leather binding, front cover stamped: Photographs., Photographer's imprint stamped on verso of tipped in photographs., Some tipped in photographs contain manuscript notes on verso. One photograph contains manuscript note on recto and verso. Recto: Room in L[oudoun] Return. Verso: The table 100 years old here is by this bed & a antique desk by fireplace., Insert: Folded fabric bookmark., Label for "Ward's Dark Leaf Albums" pasted on back cover advertising the size, style, and price for their "two styles of binding": Art Cloth and Seal Grain. Prices range from 25 cents to $2.50 for 3 1/4 x 4 1/2 to 10 x 12 inches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also loose prints of Loudoun and Stenton by Logan (photo - 5x7 - [P.9276.82-93])., Maria Dickinson Logan, daughter of Anna Armat (1820-1895) and great great granddaughter of James Logan Gustavus Logan (1674-1751), resided, photographed, and worked to preserve the Logan family Germantown estates Loudoun and Stenton. At her death in 1939, Logan, a Colonial Dame, bequeathed several pieces of family furniture to Stenton (under the stewardship of the National Society of Colonial Dames since the early 20th century) as well as her residence, Loudoun, to the city of Philadelphia for use as a historic house.
Creator: Logan, Maria Dickinson, 1857-1939, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department albums [P.9276.81]

Title: Arch Street Theatre
Description: View of the north side of the 600 block of Arch Street, showing the Arch Street Theater built 1826-28 after the designs of Philadelphia architect William Strickland at 609-615 Arch Street. Also shows Bird's Billiard Hall operated by Christian Bird at 605-607 Arch Street. Includes two playbills on display in front of the theater, street lamps with large fixtures, an unhitched carriage on the sidewalk, and several horse-drawn carriages traveling along Arch Street., Title from photographer's label on verso. Also includes list of forty-one other titles in the series (No. 140-180)., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett, George O., photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Bartlett - Streets [P.2002.21.2]

Title: Our party in parlor of Robert [Mickle]'s House, [Mount Desert Island, ME]
Description: Glass negative showing a group of people posed in an interior at Robert Mickle's House on Mount Desert Island. Some of the men and women sit on the floor or chairs while others stand. Many of the women hold flowers in their hands. The men wear three-piece suits while the women wear high-necked dresses. Mount Desert Island, the largest island off the coast of Maine, was popularized in the mid-19th century by Hudson River School painters as a nature retreat. From the late 19th century to around the 1930s the Island was a tourist destination for the social elite., Photographer remarks: Intensified 10/88, Time: 10:30 P.M., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: July 20, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1326]

Title: In parlor of Robert [Mickle]'s House. N.E. Harbor, [Mount Desert Island, ME]
Description: Glass negative showing a group of people posed in an interior of Robert Mickle's house on Mount Desert Island. Some of the men and women sit on the floor or chairs while others stand. Many of the women hold flowers in their hands. The men wear three-piece suits while the women wear high-necked dresses. The woman on the left has a cat in her lap. Mount Desert Island, the largest island off the coast of Maine, was popularized in the mid-19th century by Hudson River School painters as a nature retreat. From the late 19th century to around the 1930s the Island was a tourist destination for the social elite., Same group as last., Photographer remarks: Intens. 10/88, Time: 10:35 P.M., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: July 20, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1327]

Title: [View of Victorian decorated parlor at Avocado, Sea Girt, NJ]
Description: Glass negative showing a view of a richly decorated parlor at the Morris family house, Avocado, at Sea Girt, N.J. A fireplace with a circular screen covering the hearth stands on the far wall. Various ceramics, photographs, and a large mirror decorate the mantle. A table covered with a cloth, piles of books, and a lamp sits in the center of the room next to a rocking chair. Two other chairs flank a small end table against the wall adjacent to the fireplace. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: ca. 1880-ca. 1900
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.9895.11.17]

Title: [View of Victorian decorated parlor at Avocado, Sea Girt, NJ]
Description: Glass negative showing a view of a richly decorated parlor at the Morris family home, Avocado, at Sea Girt, N.J. A fireplace with a circular screen covering the hearth stands on the far wall. Various ceramics, photographs, and a large mirror decorate the mantle. A table covered with a cloth, piles of books, and a lamp sits in the center of the room next to a rocking chair. Two other chairs flank a small end table against the wall adjacent to the fireplace. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: ca. 1880-ca. 1900
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.9895.11.11]

Title: Chestnut Street - east from Continental Hotel
Description: Rooftop view looking east from the Continental Hotel at the southeast corner of Ninth and Chestnut streets. Shows the 800-700 blocks of Chestnut Street, predominately storefronts on the north side, including Sharpless Brothers, wholesale wools & dry goods (801-803 Chestnut); a billiard saloon (N.E. cor. Eighth & Chestnut); the Masonic Temple (built 1855, 713-721 Chestnut); Marxsen & Witte, china and glass (713 Chestnut); and signage attached to a dry goods business advertising a "Grand Closing Sale.", Photographer's imprint printed on mount., Title printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Simons, M. P. (Montgomery P.), photographer
Date: ca. 1874
Location: Library Company of Philadelphia | Print Department stereo - Simons - Streets [P.8497.3]

Title: Chestnut Street - east from Continental Hotel
Description: Rooftop view looking east from the Continental Hotel at the southeast corner of Ninth and Chestnut streets. Shows the 800-700 blocks of Chestnut Street, predominately storefronts on the north side, including Sharpless Brothers, wholesale wools & dry goods (801-803 Chestnut); a billiard saloon (N.E. cor. Eighth & Chestnut); the Masonic Temple (built 1855, 713-721 Chestnut); Marxsen & Witte, china and glass (713 Chestnut); and signage attached to a dry goods business advertising a "Grand Closing Sale.", Photographer's imprint printed on mount., Title printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Simons, M. P. (Montgomery P.), photographer
Date: ca. 1874
Location: Library Company of Philadelphia | Print Department stereo - Simons - Streets [P.8497.3]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]

Title: Sitting Room at Sea Girt, [NJ], 9 mo. 1900, Avocado
Description: Glass negative showing a view of a sitting room in the Morris family home Avocado. On the left is a fireplace with a mantle decorated with vases, photographs, and a clock. Various chairs and a table covered in cloth, books, and a lamp stand to the right. Paintings hang on the walls. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Originally housed in negative box inscribed “Bought 12/27, 1899.”, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 1900
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.2013.13.554]

Title: Sitting Room at Sea Girt, [NJ], 9 mo. 1900, Avocado
Description: Glass negative showing a view of a sitting room in the Morris family home Avocado. On the left is a fireplace with a mantle decorated with vases, photographs, and a clock. Various chairs and a table covered in cloth, books, and a lamp stand to the right. Paintings hang on the walls. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Originally housed in negative box inscribed “Bought 12/27, 1899.”, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 1900
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [*P.2013.13.554]

Title: Arnold mansion postcards
Description: Depicts the front facade from the garden and a detailed view of the pediment over the front doorway. Includes interior views of the right and left sides of the entrance hall, the great chamber, the parlor, and a bedroom., Contains 1 postcard printed in color and 9 printed in black and white., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Purchase 1984. Accessioned 2005., Accession numbers: P.2005.3.26 - 32, P.9048.5, P.9048.217 and P.9048.303., Description revised 2022., Access points revised 2022.
Date: 1905-1926
Location: Library Company of Philadelphia | Print Department LCP postcards - Residences A - M - [various]

Title: Parlor of Grumblethorp, showing chair given to Wister family by Count Zinzendorf, founder of Moravian church in Penna
Description: View of parlor, looking toward a corner mantel, in front of which sits an ornately carved round table, a heavily carved side chair and a slatted arm chair with a beat-up fabric seat. Includes three large wooden chairs, showing the chair given to Wister family by Count Zinzendorf, the founder of the Moravian church in Pennsylvania. A large lamp, a wooden cannister and many books sit on the table. In the background is a large, five shelf curio stand full of items. The mantel supports urns, a figurine and a pair of crystal pieces. Paintings, a portrait and a photograph are visible on the walls. Charles Jones Wister performed various alterations to the interior of the house in 1806., Inscribed in negative: 3850 & 3851., Title from negative sleeve., Grumblethorpe built in 1744 by Philadelphia wine merchant John Wister. His house was the first in Germantown built solely for summer residency and greatly exceeded the dimensions of the homes around it, giving it the nickname "Wister's Big House."
Creator: Hand, Alfred, photographer
Date: October 24, 1921
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.156 & 157]

Title: Parlor of Grumblethorp, showing chair given to Wister family by Count Zinzendorf, founder of Moravian church in Penna
Description: View of parlor, looking toward a corner mantel, in front of which sits an ornately carved round table, a heavily carved side chair and a slatted arm chair with a beat-up fabric seat. Includes three large wooden chairs, showing the chair given to Wister family by Count Zinzendorf, the founder of the Moravian church in Pennsylvania. A large lamp, a wooden cannister and many books sit on the table. In the background is a large, five shelf curio stand full of items. The mantel supports urns, a figurine and a pair of crystal pieces. Paintings, a portrait and a photograph are visible on the walls. Charles Jones Wister performed various alterations to the interior of the house in 1806., Inscribed in negative: 3850 & 3851., Title from negative sleeve., Grumblethorpe built in 1744 by Philadelphia wine merchant John Wister. His house was the first in Germantown built solely for summer residency and greatly exceeded the dimensions of the homes around it, giving it the nickname "Wister's Big House."
Creator: Hand, Alfred, photographer
Date: October 24, 1921
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.156 & 157]

Title: Parlor of Grumblethorp, showing chair given to Wister family by Count Zinzendorf, founder of Moravian church in Penna
Description: View of parlor, looking toward a corner mantel, in front of which sits an ornately carved round table, a heavily carved side chair and a slatted arm chair with a beat-up fabric seat. Includes three large wooden chairs, showing the chair given to Wister family by Count Zinzendorf, the founder of the Moravian church in Pennsylvania. A large lamp, a wooden cannister and many books sit on the table. In the background is a large, five shelf curio stand full of items. The mantel supports urns, a figurine and a pair of crystal pieces. Paintings, a portrait and a photograph are visible on the walls. Charles Jones Wister performed various alterations to the interior of the house in 1806., Inscribed in negative: 3850 & 3851., Title from negative sleeve., Grumblethorpe built in 1744 by Philadelphia wine merchant John Wister. His house was the first in Germantown built solely for summer residency and greatly exceeded the dimensions of the homes around it, giving it the nickname "Wister's Big House."
Creator: Hand, Alfred, photographer
Date: October 24, 1921
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.156 & 157]

Title: Old '76 and young '48 From the original picture in the possession of the American Art-Union
Description: Mexican War-era genre print evoking the memory of the American Revolution depicting a young, white man Mexican War soldier returned home to his family, including his grandfather, a Revolutionary War veteran. In a parlor, the young man, attired in his uniform, sits, turned away from his meal, surrounded by his mother, father, sister, grandfather, and family dog. He raises his hand in the air as he regales his family about his experiences. They all look at him intently, except the grandfather, seated in an arm chair, and leaning on a cane, who stares a little off to the side. In the background, three servants (two African American men and an African American woman) listen from the doorway. A portrait painting of the grandfather as a young man in his military uniform hangs on the wall. In the left, a fireplace with mantle is visible. Above the mantle, a framed print reproduced after Trumbull's painting "Declaration of Independence" is displayed near lamps, a clock, and a bust of Washington on a bookcase. Also shows the soldier's cap and sword lying on the floor in the foreground., Title from item., After an 1849 painting by Robert Caton Woodville in the collections of the Walters Art Museum, Baltimore., One of six prints issued in 1851 for the members of the American Art-Union in New York., Gift of David Doret, 2006., Description revised., Access points revised., Described in the Bulletin of the American Art-Union, June 1850, p. 46., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Pease, Joseph Ives, 1809-1883, engraver
Date: 1851
Location: Library Company of Philadelphia | Print Department *GC - Mexican War [P.2006.28.23]

Title: [Interior views of the McAllister Residence, 14 North Merrick Street, West Penn Square, Philadelphia]
Description: Interior views of John McAllister Jr.'s residence on West Penn Square showing bedrooms, parlors, the main staircase, and the furniture and artwork decorating the rooms and walls, including a fireplace and mantle, piano, paintings, tables, chairs, mirrors, beds, and wash basins. Several views include John McAllister, Jr., with an unidentified man in one view, sitting in chairs in a parlor., Title supplied by cataloger., Yellow mounts with rounded corners., One item [P.9389.2] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 26., Arcadia caption text: ... This house, built around 1835 on North Merrick Street, was one of a growing number of large double townhouses that lined Penn Square by the end of the 1830s. ... The image below provides a partial view of two of the bedrooms., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Residences [P.9389.1-9]

Title: Ches[t]nut Street, [west from 13th Street], Philadelphia
Description: View of the commercial street, above Thirteenth Street, south side. Businesses include: Keystone Bank and F.A. Wenderoth & Co., photographers (1326 Chestnut); Cornelius & Sons, gas fixtures, (1332 Chestnut); Garriston Cornelius's "Arcadian Billiards" saloon (1338 Chestnut); and the Parisian Kid Glove Company (1344 Chestnut). Laborers work in the street in front of the Keystone Bank. Includes partial view of the U.S. Mint. Horse-drawn carriages travel down the street., Photographer's imprint printed on mount., Title printed on mount., Manuscript note on verso: West from 13th St., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.9168.15]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a green coat with tails, red collar, blue bow tie, yellow pants, stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large yellow bonnet adorned with bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date inferred from content and name of publisher., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., First edition of print described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.4]

Title: Chestnut Street from the State House Philadelphia
Description: View looking west on Chestnut Street from the State House (520 Chestnut). Includes Kelly's Hotel; Joseph Steppacher's Orleans Hotel; Charles Laing & Co., shirt manufacturer; T. & J.W. Johnson, publishers and importers of law books; the Public Ledger building; and a billiard saloon. The Masonic Hall (713-721 Chestnut) is visible in the distance. American flags and signage adorn many of the buildings. Pedestrians, including an African American boy, line the street traveled by several horse-drawn carriages., Title from accompanying photographer's label., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: April 1865
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(8)1322.F.23c]

Title: No. 2 The introduction
Description: Second scene based on a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows the “twins,” side-by-side, curtseying to their two male suitors (one tall and one squat) who stand across the parlor. The tall one bows with his hat in hand. The suitors’ mother, portrayed with a face with many wrinkles and attired in a polka dot dress, stands between the pairs. The room is adorned with a table that holds a vase of flowers, an album, and a glass. Framed pictures, including a portrait, as well as a cuckoo clock adorn the walls near a window with a partially rolled-up window shade. The twins are attired in polka dot dresses and the men in suits., Title from item., Inscribed on original drawing: Remodeled from sketch in Harpers Weekly., Date from copyright statement in other photographs in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist stamped on verso: McGreer Chicago., Name of publisher from other photographs in series., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.2]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with red ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with red and green bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, red ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: No. 19., Charles Hunt was a respected London engraver who is most well known for his aquatints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.15]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a blue coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with pink bows and with ribbons tied into a bow under her chin. She is also attired in a yellow dress with long puff sleeves, blue trim, and a laced bodice, blue ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 2., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9705.1]

Title: Views of Ocean Grove, New Jersey
Description: Series of titled views depict Ocean Grove, New Jersey. One image depicts a crowd of men, women and children standing and sitting with parasols on the beach. Swimmers are visible in the ocean in the background. Another view shows Wesley Lake from the southwest at Whitefield Avenue. Includes boats docked and on the lake, nearby buildings, and pedestrians strolling on the narrow boardwalk in the foreground. Another image depicts the town of Ocean Grove from the tower of the Ocean Grove Camp Meeting Association Building. The Arlington Hotel (i.e., Arlington House), Day's Ice Cream Garden, and Pilgrim Pathway are visible in the foreground. A flag flies from the top of Sheldon House in the distance background., Title supplied by cataloger., Photographer's imprint printed on mount., Manuscript note on verso of item P.9022.19: Muschamp, 33., Manuscript note on verso of item P.9022.20: Wesley Lake, Ocean Grove., Orange mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gustavus Pach operated a photographic studio at 841 Broadway in New York City from 1877 to 1881. His brothers Gotthelf & Oscar joined the firm in 1881 and the style changed to G.W. Pach & Brothers.
Creator: Pach, Gustavus, 1848-1904
Date: [ca. 1877]
Location: Library Company of Philadelphia | Print Department stereo - Pach - Views [P.9022.19-21]

Title: Group in our parlor. Father, Cos. H[annah] P[erot] Morris, Auntie Beulah & Uncle Chas. Rhoads, Bess, Geo. S. Morris, Mother & Aunt Lydia Morris, also dog "Jet," [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a group posed in a decorated interior of the Deshler-Morris House at 5442 Germantown Avenue, including Marriott Morris' parents Elliston P. Morris and Martha Canby Morris, sister Elizabeth Canby Morris, cousin George Spencer, aunts Lydia Morris and Beulah Rhoads, uncle Charles Rhoads, and secon cousin once removed Hannah Perot Morris. Charles Rhoads and Hannah Morris stand in the back while the others sit. Elizabeth Morris, in the center of the group, holds a small black dog, Jet, in her lap. The men wear three-piece suits and the women wear dark-colored dresses. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Time: 9 P.M., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: May 17, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1294]

Title: [Life in Philadelphia scraps]
Description: Series of trimmed, captioned scraps containing racist African American imagery based on the “Life in Philadelphia” series after the designs of Edward W. Clay first published 1828-1830. The series of primarily racist social caricatures lampooned the etiquette and conventions of early 19th-century, middle-class Philadelphians, particularly the growing community of free African American persons. Caricatures depict scenes of courtship, society balls, fashion, freemasonry, and the election of Andrew Jackson, as well as sexism, sexual harassment, and sexual innuendo. The figures are portrayed with oversized and exaggerated features and often in the fashion of dandies and belles. Scenes include an African American man leaving his card for “Clotilda” at her basement apartment door within the dishcloth of her African American woman house servant before him (P.2021.28.1a); an African American man-woman couple stopped during their walk in a park to watch a man watching them (P.2021.28.1b); an African American ball at which an African American man attendee asks an African American woman attendee for a dance in front of other African American attendees in the background (P.2021.28.2a); an African American man sexually harassing an African American woman on a city street (P.2021.28.2b); an African American woman and man in conversation on a Sunday (“day of our lord”)(P.2021.28.3a);, African American couple “Mr. Lorenzo” and “Miss Chloe,” seated on a couch, by a window, in a parlor in conversation (P.2021.28.3b); an African American ball at which an African American woman attendee asks an African American man attendee if he likes the waltz in front of other African American attendees in the background (P.2021.28.4a); an African American woman in a dry goods store asking a white man sales clerk, who speaks with a French dialect, about stockings (P.2021.28.4b); an African American military volunteer chastising an African American boy drummer at a military encampment (P.2021.28.5a); an African American man-woman musical couple where she plays the guitar and he sings “Coal Black Rose”(P.2021.28.5b); two African American masons in conversation about “Gen’l Jackson” in front of an altar at a masonic hall (P.2021.28.6a); an African American woman, “Dinah,” being asked by an African American man, “Mr. Durang,” about his new checkered “fashion trousers” (P.2021.28.6b). Women figures are attired in wide-brimmed, and/or ornately adorned, wide-brimmed hats or headpieces, puff-sleeved dresses or a hooded cape in ornate patterns, as well as gloves, slipper shoes, jewelry, and monocles. Men figures are attired in top or wide-brimmed hats, waistcoats, vests, large bowties, trousers or pantaloons, military uniform, masonic regalia, gloves, and slipper shoes or boots. Accessories held by the figures include purses, umbrellas, fans, walking sticks., Scenes also include detailed backgrounds and interior and exterior settings including residential facades; dogs; a white man seated on a bench in a park; ballrooms with attendees and a band playing in a balcony; a section of a city street with a guardhouse; parlors; a counter at a dry goods store; a volunteer military encampment; a masonic hall; as well as pieces of furniture, such as chairs, mantles, and side tables., Title supplied by cataloguer., Date inferred from content., P.2021.28.1a contains three lines of dialogue in the vernacular and dialect below the image: Is Miss Clotilda at home? No sir she’s particularly ingaged in washing de dishes – Ah! give her my card!, P.2021.28.1b contains two lines of dialogue in the vernacular and dialect below the image: Vol is you looking at my dear? Vy I’m looking at dat imperent fellow vat’s laughing at us?, P.2021.28.2a contains three lines of dialogue in the vernacular and dialect below the image: Will you hona me wid your hand for de next codrille Miss Manda? Tank you sa’ but I’m ingaged for de nest ten set!, P.2021.28.2b contains two lines of dialogue in the vernacular and dialect below the image: What do you take me for? you black nigger? Why I take you for myself to be sure., P.2021.28.3a contains two lines of dialogue in the vernacular and dialect below the image: Bery hot dis day of our lord Mr. Cesa! Berry hot indeed Miss Juliet – de terometa is 96 degree above joho., P.2021.28.3b contains two lines of dialogue in the vernacular and dialect below the image: Mr. Lorenzo dat’s a nice dog you’ve got” Lord! Miss Chloe., P.2021.28.4a contains two lines of dialogue in the vernacular and dialect below the image: do you walse Mr. Wellington? No, my dear creta_ It’s to common. I go nothin but de Manourkey!, P.2021.28.4b contains two lines of dialogue in the vernacular and French dialect below the image: Have you any flesh coloured silk stockings, Sir? Oui Mamselle here is von pair of de last Parisian touch-, P.2021.28.5a contains two lines of dialogue in the vernacular and dialect below the image: You say I belong to de milishy you black varmont. I’ll let you know I’m a wolunteer., P.2021.28.5b contains two lines of dialogue in the vernacular and dialect below the image: How will your voice harmonize wid de sentiment. Mr. Cato you quite equal to Horn!, P.2021.28.6a contains three lines of dialogue in the vernacular and dialect below the image: Well brudder Jones what you tink of Genl Jackson now? Day say he’s gwang to be Anti Masonic! I don’t know, I tink dat depend on de new cabinet., P.2021.28.6b contains three lines of dialogue in the vernacular and dialect below the image: How you like de new fashion trousers Dinah. Oh quite lubly! You look like Mr. Durang when he play harlequin in de masqarade., Printed in upper left corner of P.2021.28.1a: [E?]dition., Printed in upper right corner of P.2021.28.2a and trimmed: 2nd E?[dition?], RVCDC
Date: [ca. 1838-ca. 1855]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Miscellaneous) [P.2021.28.1a-6b]

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