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Title: Fire Association of Philadelphia Insure from loss by fire buildings. Furniture and merchandise generally
Description: Tradecard containing a view of the Fairmount Waterworks. View looking from the west bank of the Schuylkill River showing the waterworks originally built between 1812 and 1822 after the designs of Frederick Graff. Shows the engine house, mill house, mound dam, and Reservoir Hill. Also shows individuals fishing from and on a boat near the Schuylkill Canal lock in the foreground. Also contains the pictorial detail of a running hose entwined around a fire hydrant., Names of Trenton and Plainfield, N.J. agents stamped in blue ink on recto., Not in Wainwright., Philadelphia on Stone, POS 251, Smithsonian Institution: NMAH Archives Center - Warshaw Collection - Fires & Firefighting - Box 2 Folder 23 - Fire Association
Creator: Major & Knapp Engraving, Manufacturing & Lithographic Co.
Date: [ca. 1868]
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection - Fires & Firefighting - Box 2 Folder 23 - Fire Association

Title: Cathedral of St. Peter & St. Paul, Logan Square Philadelphia Pa
Description: Exterior view showing the Roman-Corinthian-style Catholic cathedral built 1846-1864 after the designs of Napoleon Le Brun (interior) and John Notman (exterior) on Eighteenth Street, north of Race Street. Includes the adjacent "Episcopal Residence" and "Seminary of St. Charles Borremes" (i.e., Borremeo). Several pedestrians, including couples on promenade, walk on the sidewalk in front of the buildings. Parishioners ascend the steps of the cathedral, and a woman and child cross and horse-drawn carriages travel in the street. The Borremeo seminary operated from Eighteenth Street from 1839 until 1871 when it move to Overbrook., Philadelphia on Stone, POS 85, Historical Society of Pennsylvania: Bc 131 C 363
Creator: Boell, William
Date: 1864
Location: Historical Society of Pennsylvania HSP Bc 131 C 363

Title: Order of the United Daughters of America [membership certificate] Honesty, virtue & industry
Description: Membership certificate for the patriotic nativist women's society established in New York in 1845 as an auxilliary to the Order of United Americans. Contains a vignette portrait of Martha Washington flanked by the allegorical figures of Liberty and Justice perched in a cluster of clouds. Below on each side, columns entwined with the American flag and adorned with the American eagle and shield rest on pedestals decorated with horns of cornucopia. Between the columns, a "United Daughter" leads a little girl to another "United Daughter" who welcomes them into a temple adorned with garlands of flowers. The society weakened by the collapse of the nativist political movement remained active until circa 1861., Not in Wainwright., Copyrighted by Wm. Patton., Issued October 23, 1847 to Elizabeth Curry for membership in the Lady Taylor Council, No. 10 State of Pennsylvania. Elizabeth Wentz, Governess. Anna Clewell, Recd. Secretary., Philadelphia on Stone, POSP 160, Historical Society of Pennsylvania: Bc 052 U 58, LCP exhibit catalogue: Women 1500 to 1900, entry #192., See "Order of the United American Mechanics." AAS Graphic Arts Lithf Patt Hone.
Date: c1848
Location: Historical Society of Pennsylvania HSP Bc 052 U 58

Title: Independence Hall in 1876
Description: Busy street view showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut) and Congress Hall built 1787-1789 (540-558 Chestnut). Pedestrians and horse-drawn vehicles, including a woman pushing a baby carriage, wagons, carriages, and street cars, congest the sidewalks and roadway. Trees line the sidewalk and a large American flag adorns Independence Hall., Title from item., Date inferred from title., Philadelphia on Stone, POS 880, Gift of David Doret.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department BW - Government Buildings [P.2010.6.30]

Title: Panorama of Philadelphia from the State House steeple. East
Description: Panoramic view looking toward the Delaware River predominately showing the area east of Fifth Street between Arch and South streets. Includes the Court House, i.e. City Hall, 500 Chestnut Street (1); Philadelphia Library, i.e., Library Company of Philadelphia, 105 S. 5th Street (2); U.S. Bank, i.e., Second Bank of the U.S., 420 Chestnut Street (3); Philadelphia Bank, 400-408 Chestnut Street (4); Girard Bank, 120 S. 3rd Street (5); Pennsylvania Bank, 134-136 S. 2nd Street (6); [Merchants'] Exchange, 143 S. 3rd Street (7) Christ Church, 22-34 N. 2nd Street (8); Smith's Island, Delaware River (9); and Camden (10) and Kaighn's Point (11) in New Jersey. Also shows part of the State House garden; the north side of the 400 block of Chestnut Street; the adjoined storefronts at 426-434 Chestnut Street; the "Our House" hotel, 408 Library Street; Military Hall, 412 Library Street; rooftop views of several of the surrounding city blocks; and a few pedestrians and a horse-drawn carriage on the 400 block of Chestnut Street and the grounds of the State House., Plate one of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838.) Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 11 landmarks printed below the image., Philadelphia on Stone, POS 542.a.1, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: P.2153 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:, Described in Martin Snyder’s "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department *W264.1[P.2153]

Title: Reliques of William Penn in Philadelphia in 1864 The carriers of The Press to their patrons. January 1st. 1864
Description: Carriers' address containing six titled vignettes showing residences, scenes, and objects associated with William Penn. Vignettes surrounded by a decorative border. Border includes a male and female Native American, smoking and holding a peace pipe, respectively, and the seal of Philadelphia designed by Penn. Central vignette shows William Penn's Treaty with the Indians, 1682. Other vignettes show contemporary depictions of "William Penn's House in Letitia St."; William Penn House in Second St.; the dilapidated "Brew House at Penn's Manor [i.e., Pennsbury Manor] Built by William Penn"; "Monument at Treaty Ground"; and "Penn's Manor with Cherry Tree Planted by William Penn." Many of the views include pedestrian traffic and site visitors. Treaty Ground view includes a shed adorned with signage marked "Painter.", Philadelphia on Stone, POS 637, Library Company of Philadelphia: *W307 [1883.F.183], Historical Society of Pennsylvania: Bb 18 R 815, Historical Society of Pennsylvania: Bb 18 B 786
Creator: Rosenthal, Max, 1833-1918, artist
Date: [1864]
Location: Historical Society of Pennsylvania HSP Bb 18 R 815

Title: Henry Simons. Wagon & U.S. national coach works. Philadelphia
Description: Advertisement with ornate border containing a series of vignettes displaying several types of wagons, coaches, and carts produced by the manufactory. Vignettes are captioned with details of the products uses and surround a central view of the exterior of the busy "Simons, Coleman & Co. National Wagon Works" factory and office at No. 1109 North Front Street. Vignettes depict: African American plantation workers transporting sugar cane to a barge by a "cane cart"; laborers and settlers hauling materials out West by "road wagon" and "catamaran"; an ambush of U.S. Army soldiers, baggage wagon, and ambulance by Native Americans; and a busy Philadelphia port scene with a disinterested constable overseeing the wharf congested with carts and wagons as docked Henry Simons's factory ships ready for departure. Also contains an allegorical scene with a Northern factory worker and his Southern patron extending each other their hands before the shadowy figure of a factory agent; a large American eagle clutching the American flag; promotional text; and a listing of the factory's several business locations and names of agents. The city's high quality blacksmithship and large local lumber supply made Philadelphia the primary national and international manufacturer of wagons immediately following the Civil War., Title from item., Date of publication supplied by Wainwright., Accessioned 1982., Description revised 2021., Access points revised 2021., Philadelphia on Stone, POS 351, Lower left corner missing., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis Schell in the 1850s, and eventually owned his own press until around 1872.
Creator: Rease, W. H., artist
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department **W174 [P.2143]

Title: [Philadelphia] P.S. Duval & Co. lith, Phila.]
Description: Proof print containing a montage of 14 vignettes (12 captioned) separated by borders of branches and garlands. Vignettes depict the "Custom House," West Philadelphia stand pipe (Twenty-Fourth Ward Water Works), "Independence Hall," Spark's shot tower, Merchants' "Exchange," "Insane Asylum," "Naval Asylum," "Pennsylvania "Hospital," "Philadelphia" near the Naval yard on the Delaware River, "Alms House," "Fair Mount" at the water works, "Girard College," and Eastern State "Penitentiary." Vignettes also include street, maritime, and pedestrian traffic, including horse-drawn carriages, wagons, and omnibuses; sail boats, skiffs, and steam boats; and laborers with hand carts and individuals on horseback. Also contains pictorial details showing an American eagle and shield, William Penn, and a Native American., Title and publication information from published duplicate., Not in Wainwright., Philadelphia on Stone, POS 569, Library of Congress: DLC-PP-1997: 105 Queen prints 23 (AA size) Philadelphia, See published copy DLC-PP-1997: 105 Queen - 93 prints (AA size) Philadelphia
Creator: Queen, James Fuller, 1820 or 21-1886
Date: [ca. 1855]
Location: Library of Congress | Prints and Photographs Division LOC DLC-PP-1997: 105 Queen prints 23 (AA size) Philadelphia

Title: Philadelphia
Description: Print containing a montage of 14 vignettes (12 captioned) separated by borders of branches and garlands. Vignettes depict the "Custom House," West Philadelphia stand pipe (Twenty-Fourth Ward Water Works), "Independence Hall," Spark's shot tower, Merchants' "Exchange," "Insane Asylum," "Naval Asylum," "Pennsylvania "Hospital," "Philadelphia" near the Naval yard on the Delaware River, "Alms House," "Fair Mount" at the water works, "Girard College," and Eastern State "Penitentiary." Vignettes also include street, maritime, and pedestrian traffic, including horse-drawn carriages, wagons, and omnibuses; sail boats, skiffs, and steam boats; and laborers with hand carts and individuals on horseback. Also contains pictorial details showing an American eagle and shield, William Penn, and a Native American., Distributor's imprint printed on recto: For Sale by Drovin & Co., 38 S. 3rd Phila., Not in Wainwright., Philadelphia on Stone, POS 569.1, Drovin & Co. was a Philadelphia stationery business., Library of Congress: DLC-PP-1997: 105 Queen - 93 prints (AA size) Philadelphia, See proof DLC-PP-1997: 105 Queen prints 23 (AA size) Philadelphia
Creator: Queen, James Fuller, 1820 or 21-1886
Date: [ca. 1855]
Location: Library of Congress | Prints and Photographs Division LOC DLC-PP-1997: 105 Queen - 93 prints (AA size) Philadelphia

Title: S.E. view of Philadelphia
Description: Panoramic view looking from Camden, New Jersey showing the Delaware riverfront and harbor. Includes cityscape; docked ships; boathouses; Spark's Shot Tower; Smith and Windmill Island; and several sailing vessels and a steamboat traversing the river. Also shows two men near grazing horses on the riverbank in the foreground., Not in Wainwright., Philadelphia on Stone, POS 667, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department BW - Rivers - Delaware [(7)1322.F.19]

Title: Great Central Fair buildings, Philadelphia
Description: Souvenir card after the chromolithograph of the exhibition grounds at Logan Square printed and for sale daily at the fair. Shows the square from the northwest, including the Cathedral of Saints Peter and Paul in the background. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66 variant, Originally part of McAllister scrapbook on the Sanitary Commission., Housed with chromolithograph 5781.F.1.
Creator: P.S. Duval & Son
Date: [1864]
Location: Library Company of Philadelphia | Print Department **W35 (variant) [(2)5781.F.53c]

Title: Independence Hall in 1876, Philadelphia. = Unabhängigkeits Halle = Edificio de la Independencia en 1776 = Hotel de L'Independance
Description: Busy street view showing Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut); Congress Hall built 1787-1789 (540-558 Chestnut); and the Public Ledger Building built 1866-1867 (600-606 Chestnut). Pedestrians and horse-drawn vehicles, including carriages and street cars, congest the sidewalks and roadway. American flags adorn most of the buildings., Published in Thompson Westcott's Centennial portfolio: a souvenir of the International Exhibition at Philadelphia; comprising lithographic views of fifty of its principal buildings (Philadelphia: T. Hunter, 1876), p. 52., Philadelphia on Stone, POS 377, Gift of David Doret.
Creator: Aubrun, Louis, lithographer
Date: [1876]
Location: Library Company of Philadelphia | Print Department BW - Centennial [P.2006.31.17]

Title: Head quarters of La Fayette at the Battle of Brandywine
Description: Exterior view of the Delaware County residence used as a headquarters by the French general Marquis De La Fayette before the American Revolutionary battle in September 1777. Several trees line the property. The residence owned by Quaker farmer Gideon Gilpin was plundered by the British following the American's loss of the battle., Manuscript note on recto: Dwelling of Gideon Gilpin., Published in George Smith's History of Delaware County (Philadelphia : Printed by Henry B. Ashmead, 1862) opp. p. 381., Philadelphia on Stone, POSP 109, Gift of David Doret.
Creator: Tholey, Charles P., d. 1898, artist
Date: [1862]
Location: Library Company of Philadelphia | Print Department BW - Residences - G [P.2006.31.2]

Title: Fashions for spring and summer 1853 by S.A. & A.F. Ward, No. 62 Walnut Street Philadelphia, Pa
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and a fair setting. Upper panel shows the parlor scene. Eight of the nine men are attired in jackets, vests, cravats, top hats and canes. Some wear plaid and striped pants. One man, seated with sheet music in his lap and a stringed instrument by his side, is attired in an elaborate silk robe. The remaining men, most standing, converse in groups and study framed images hanging on the wall. The left image is a landscape, and the right depicts a portrait of an older man. Lower panel shows the New York Crystal Palace, an exhibition building designed by Georg Carstensen and German architect Charles Gildemeister and constructed for the Exhibition of the Industry of All Nations in New York City in 1853. View includes foot, carriage, and omnibus traffic. Couples, children and dogs stroll the grounds. In the foreground, flanking the view of the exhibition building, are six figures, including a gentleman standing with his back shown, looking at a woman on a horse and a boy holding a watering can. The man is attired in a jacket, top hat and cane, and the boy wears a ruffled cape-like jacket, knickers and a cap. The woman, sitting sidesaddle, wears a dress, jacket, gloves and a plumed hat. On the right side, two men stand with a boy. All of them wear jackets, vests, cravats, patterned pants, boots and hats. One man holds a rifle in his left hand. Many of the depicted men have mustaches and or sideburns. New York's 1853 exhibition was held on the site now home to Bryant Park. A fire destroyed the exhibition building in 1858., Not in Wainwright., Philadelphia on Stone, POSP 76, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3068]
Date: 1853
Location: Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3068]

Title: Interior view of Independence Hall, Philadelphia
Description: View showing visitors of all ages in the Assembly Room being used as an exhibit gallery. Men, women, and children promenade, converse, and admire the artifacts that adorn the room with a parquet floor. Framed artwork, predominately from the Charles Wilson Peale portrait collection in addition to Henry Inman’s portrait painting of William Penn, and Thomas Sully’s portrait painting of Lafayette, line the paneled walls. Under a chandelier, in the rear center of the room stands William Rush’s wood statue of George Washington (carved 1815, installed 1824). To the right, a stuffed bald eagle sits atop the Liberty Bell (installed 1852). The bell is displayed on a pedestal adorned with fasces, a banner, and shield and stands near the "Rising Sun" chair, one of a number of chairs lining the room, which was used by George Washington as he presided over the Constitutional Convention. The gallery also includes a writing desk associated by legend with the Declaration of Independence and the framed Thomas Sully painting of the coat of arms of Philadelphia., Philadelphia on Stone, POS 386, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc47 R815., Original watercolor for print in the collections of the Historical Society of Pennsylvania., See also LCP copy in Joe Freedman Collection of Philadelphia Ephemera. Freedman oversize - I [P.2013.87.4]. Copy variant in printed color.
Creator: Rosenthal, Max, 1833-1918, artist
Date: c1856
Location: Library Company of Philadelphia | Print Department **W185 [P.2068], Library Company of Philadelphia | Print Department Freedman oversize - I [P.2013.87.4]

Title: Independence Hall. Philadelphia 1876
Description: Busy street view showing Independence Hall during the year of the Centennial Exhibition, a celebration through an international exhibition of industry, agriculture, and art for the centennial of the United States. Independence Hall was built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Also shows the old City Hall built 1790-1791 after the designs of David Evans (500 Chestnut); Congress Hall built 1787-1789 (540-558 Chestnut); and the Public Ledger Building built 1866-1867 (600-606 Chestnut). Pedestrians and horse-drawn vehicles, including carriages, coaches, and street cars, congest the sidewalks and roadway. Couples and families promenade, a man and women travel on horseback, and a man carries a sack over his shoulder. American flags adorn most of the buildings. Also shows, in the foreground, the building at the northwest corner of Fifth and Chestnut streets (501 Chestnut) tenanted by J. E. Johnson & Co., hatter; Russell & Russell, law & collection office; Baird & Russell; and Miley's Bowling Saloon. in front of the building, a man buys a paper from one of two newsboys as another runs toward him. Another man stands in the doorway next to a display window. Building adorned with an awning advertising underwear and fine shirts. A vignette showing the Liberty Bell is printed above the image., Not in Wainwright, Philadelphia on Stone, POS 379, Historical Society of Pennsylvania: Bc 47 P 765, Thomas Hunter published several variant views, including folio-size prints commissioned in 1874 by the Centennial Board of Finance, of the Centennial Buildings after the official plans of the structures.
Creator: Poleni, T. (Theodore), 1834-1889?, artist
Date: c1876
Location: Historical Society of Pennsylvania HSP Bc 47 P 765

Title: Lithography, engraving and printing establishment. Augs. Kollner designer, engraver & lithographer. Henry Camp copperplate & lithographic printer. Phoenix Block corner of Second & Dock streets Philadelphia The Public is respectfully informed this establishment offers inducements for the execution of the finest down to the coarsest work in the different branches of this business, which no other similar establishment can offer. Any order will be thankfully received and promptly executed with neatness, dispatch, and at as moderate a price as will give entire satisfaction._ Original designs, as well as copies of any description, in any manner on paper, steel, copper & stone (lithographed), also printing and transferring from steel, copper, etc. executed in a superior style
Description: Advertisement containing an ornamental border, vignette examples of Kollner's work, and several lines of advertising text for the collaboration between Camp and Kollner at the Phonenix Block circa 1849-1851. Vignettes, marked with variant Kollner imprints, include General Washington, accompanied by two of his officers, and dismounted from a horse that is managed by a black handler (Servant William Lee?); a line drawing of the Phoenix Block building; the back of an old man, possibly Franklin, dressed in colonial attire, and seated at his secretary; and a view showing a grand building, probably a Capitol, along a river on which vessels sail. Border also includes vignettes. Vignettes depict a military scene with an officer on horseback accompanied by another soldier on the shore of an ocean on which a ship sails; and a trade scene between a gentleman and a Native American reviewing a stack of goods of commerce at a pier. Advertisement also contains depictions of female allegorical figures representing probably Spring and Fall flanking two ornamented poles entwined with banners. The banners are marked with the subject matter and types of prints issued by the partners, including "Portraits, Landscapes, Animals, taken from life. Vignettes from books, drafts, music titles etc." and "Showbills, labels, architectures, machine d. maps, plans, business & visiting cards.", Not in Wainwright., pdck00001, Printed on recto: To Publishers, Manufactures, etc. A.K. has taken from nature and is in possession of upwards of 500 views of picturesque scenery from the states of Pennsylvania, New York, Virginia, Maryland, New Jersey, Delaware & Ohio., Philadelphia on Stone, POSA 59, Free Library of Philadelphia: Augustus Kollner Collection - Drawings, Etchings, Lithographs Box - Lithographs-Tradesmen's Cards
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1850]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Augustus Kollner Collection - Drawings, Etchings, Lithographs Box - Lithographs-Tradesmen's Cards

Title: President and faculty of the Female Medical College of Penna To the students of the Female Medical College of Penna, this print is most respectfully dedicated by their most obt. svt. M. P. Simons
Description: Commemorative print containing bust-length portraits, within a decorative border, of the original faculty of the first degree granting U.S. medical college for women that opened in 1850. Faculty includes William S. Mullen, President; N. R. Moseley, Prof. of Anatomy General, Special and Surgical; Jas. F. X. McCloskey, Prof. of the Institutes and Practice of Medicine; Jos. Longshore, Prof. of Obstetrics and Diseases of Women and Children; C. W. Gleason, Prof. of Physiology and Surgery; M. W. Dickeson, Prof. of Materia Medica and Therapeutics; and A. D. Chaloner, Prof. of Chemistry. Border designed as Gothic-style columns and arches decorated with female figures, including Wisdom and Peace. Also contains a vignette below the portraits depicting a classical style building with columns, possibly the building rented by the college at 229 Arch Street or an unexecuted rendering of the future permanent medical college building. Female Medical college was renamed Womens Medical College in 1867., Not in Wainwright., Philadelphia on Stone, POS 625, Historical Society of Pennsylvania: Bc 904 S 57, Simons, a prominent Philadelphia daguerrean, photographed over twenty daguerreotype portraits of members of Philadelphia medical faculties that were published as engravings by Virgil F. Harrison in 1846., Address label pasted on verso for Mrs. Aldona L. Dickeson.
Creator: Newsam, Albert, 1809-1864, artist
Date: [ca. 1850]
Location: Historical Society of Pennsylvania HSP Bc 904 S 57

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 652, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand, 1998., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department *W315 [P.9576]

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department W315 [P.2179]

Title: South east corner of Fifth & Market sts. Phila
Description: Advertisement showing storefronts with pre-consolidation addresses on the 400 block of Market Street. Businesses include Rockhill & Co., clothiers, Levick, Jenkins & Co., shoes, bonnets, hats, & caps/ Levick, Brothers & Co., boots, shoes, & straw goods, and Rhoads Brother & Co., importer of Paris fancy goods (160); Atwood & Co., dry goods (162); Chaffees & Stout, dry goods (164); Haddock Reed & Co./Haddock, Haseltine & Reed, boots, shoes, caps & straw goods (164-166) ; Field & Langstroth, hardware (166); and T. E. Chapman, stationer & blank book manufacturer, E. Morris & Co., silk hat manufactory, Henry C. Baird, publisher & bookseller, G. W. & L. B. Taylor, boots & shoes (168). Signage adorns the storefronts. Trunks and barrels line the sidewalk on which a laborer creates a pile of crates. Two gentlemen stand in the doorway of Haddock Reed & Co. and a woman holding a parasol strolls past the Taylor storefront. Also shows E. Morris, hat manufactory on North Fifth Street. Two men converse under an awning adorning the building., Philadelphia on Stone, POS 700, Historical Society of Pennsylvania: Bc 87 M 345
Creator: Jones, Paul, artist
Date: [ca. 1851]
Location: Historical Society of Pennsylvania HSP Bc 87 M 345

Title: Memorial chart centennial jubilee Liberty, equality, fraternity to all nations
Description: Print commemorating the Centennial Exhibition of 1876 containing allegorical vignettes bordered by portraits of the eighteen presidents and views of Philadelphia landmarks and Centennial buildings. Allegorical vignettes show the female figures of Justice, Liberty, and Prosperity seated next to each other on a pedestal in front of a mountain valley, and a large assembly of men of international origin attired in native costumes. Depicted Philadelphia landmarks include Independence Hall, Masonic Temple, Girard College, Carpenters Hall, the Academy of Fine Arts, and the Academy of Music. Centennial building exteriors include the Main Building, Machinery Hall, and Memorial Hall. Additional portraits depict prominent figures in the administration of the Centennial and Pennsylvania Governor John F. Hartranft and Philadelphia Mayor William S. Stokley. Portraits include Joseph R. Hawley, President of the U.S. Centennial Commission; Alfred T. Goshorn, Director-General of the Centennial Exhibition; Thomas Cochran, Vice-President of the U.S. Centennial Commission and chairman of the commission on grounds, plans, and buildings; John L. Campbell, Ohio professor who originated the idea of a Centennial exhibition; John Welsh, President of the Centennial Board of Finance; Frederick Fraley, secretary and treasurer of the Centennial Board of Finance; and building engineers H.J. Schwartzmann and Henry Pettit. Also contains a panoramic view from Fairmount Park looking east toward the city; lists of "The Original States of the Union" and "States Admitted into the Union," the text of the Declaration of Independence and President Grant's proclamation in support of the Centennial, and allegorical seals for the Declaration and the Centennial. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 467, Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views.
Creator: Stauch, Charles J., artist
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department **BW - Centennial [5758.F.9]

Title: A view of Point Airy opposite South Street, Phila Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for enjoyment & recreation. Visitors have also an opportunity of enjoying as delightful a bath as can be had at any point on the Delaware. The boat leaves the first wharf above South Street every few minutes. D. Warren, Proprietor
Description: Advertisement showing the "Point Airy Hotel" and dock operated by David Warren at the resort located on the southern end of Windmill Island, a summer resort area popular in the 19th century before the removal of the island in 1897. Trees surround the resort. In the foreground, a wide variety of river traffic including ferries, sailboats, and rowboats traverse the river. A man attired in a suit and top hat helps row one of the vessels. In the background, sailing ships and a ferry are visible in front of the New Jersey waterfront., Date supplied by Wainwright., Philadelphia on Stone, POS 789, Retrospective conversion record: original entry, edited., Haugg worked in Philadelphia 1856-1894.
Creator: Haugg, Louis, 1827-1903, artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W7 [P.2003]

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