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Title: General view of German section - Main Building.
Description: Exhibit titles: Hart, Son, Peard, & Co., London, Exhibit #115;Gebhard & Co., Elberfeld, Exhibit #201; Elkinston [sic] & Co., Birmingham, Exhibt #134; Royal Porcelain Works, Berlin, Exhibit #89. Overview of the German section in Main Building. In the foreground are silks, satins, and ceramics. People seated on benches in aisle, sign for Great Britian section visible.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9089.2]

Title: Horticultural Building - S.W. Forcing Room.
Description: Interior view showing potted plants of various sizes on two long tables with a center walkway. Also shows a man facing the left table, hoses, and water on the floor.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.36a]

Title: Winged Horses.
Description: Winged Horses monument, owned by the Fairmount Park Commission, with people around base, in front of Memorial Hall.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.3e]

Title: Machinery Hall - Pump Annex
Description: Interior view of Machinery Hall depicting the Pump Annex. Shows a large pool of water adjacent to a wall lined with extended pumps and pipes.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21c]

Title: The American Volunteer (Granite Statue).
Description: Statue of American volunteer soldier, exhibited by New England Granite Co., with man standing at its base and windows of Main Building in background.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.3c]

Title: State buildings from Machinery Hall.
Description: View of state buildings and grounds from Machinery Hall featuring the Pennsylvania State Building in foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.12c]

Title: The American Volunteer (granite statue).
Description: Statue of American volunteer soldier, exhibited by New England Granite Co., with man standing at its base and windows of Main Building in background.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - photos [P.9260.641]

Title: Pennsylvania Day - instantaneous view.
Description: View of Centennial grounds full of people on Pennsylvania day. Depicts various buildings including U.S. Government Building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.13b]

Title: An Aspiring Soldier.
Description: The valentine shows three men in uniform carrying guns.The first and last men are the same height, but the middle figure is twice their heights and much thinner., Text: Gaunt and slim and bony baby, / You will be promoted -- maybe; / Than your comrades two foot higher, / For what more can you aspire?, Variant of Valentine 5.9., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Main Building - Western entrance.
Description: Entrance to Main Building with Bartholdi's fountain. Lamp-lined, landscaped walkways, pedestrians are in the foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.1e]

Title: Fountain Avenue.
Description: View down Fountain Avenue of the Horticultural Grounds and Horticultural Hall with trees in the background. People on the walkways and the promenade of the building. In the foreground are flowers, shrubs, planters, and urns. To the right is a gazebo. Image is identical to P.9037.6.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9137.3]

Title: Maryland State Building.
Description: Exterior view of building with a wooden walkway and fire hydrant in foreground. Several men sit on porch and stand in entrance to the building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.9b]

Title: Horticultural Building - S. E. Forcing Room - March.
Description: Interior view of Horticultural Hall showing potted plants of various sizes on two long tables with a center walkway. Also shows a man facing the left table, and water on the floor.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.37c]

Title: Monitor Turret
Description: View of Monitor Turret in front of the U.S. Government Building. The foreground depicts people leisurly sitting on the steps and standing in the patchway. The background also shows a cannon in front of the U.S. Government Building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.16f]

Title: Swedish School House.
Description: Exterior view of side of log building. A man and a woman stand in front along with paths and shrubs.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.5e]

Title: Operti's Tropical Garden
Description: View of Operti's Tropical Garden. Depicts pathways winding through a landscape of bountiful plant life. Statues are shown throughout the garden. In the background, a man stands in front of a small, cascading waterfall.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.23f]

Title: The End of Old Maids.
Description: The valentine shows the Devil holding a pitchfork with a woman on the top over a fire. The devil has hairy legs, cloven feet, and four points on his head. The valentine suggests that the "old maid" is damned for failing to marry and procreate., Text: Oh! what a very sorry sight it is, / To see an aged lady still a Miss, / To know that single she must live and work, / And in the end be toasted on a fork., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Old Maid.
Description: A wrinkled woman holds a parasol and tilts her head up. The sender criticizes the recipient's fear of marriage and threatens that she will be damned., Text: My wrinkled old maid, who to wed is afraid, / And therefore, unmarried will stick; / At the end of your days if you don't mend your ways, / You're sure to be caught by Old Nick., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Waiting for an Offer.
Description: A woman wears many flowers in her hair and a skirt with furbelows. She rests her chin in her hand. The valentine cautions the recipient against holding sentimental beliefs about marriage, suggesting that she will not receive marriage proposals because she is neither sensible nor wealthy., Text: Waiting for an offer, few indeed the chances; / These are not the times we read of in romances; / Men want wives with good sense, or with flowing coffers, / And are very careful to whom they're making offers., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Brandt's Hall! Manager, S.C. Dubois Mr. Dubois, the manager, gives notice that every exertion will be made by him to preserve the strictest order and ensure the comfort of all those who wish to pass a pleasant evening in the hall. The citizens of Harrisburg and vicinity are notified, that Mr. Dubois has taken great pains to present this great American drama of The octoroon! in a style worthy of their patronage. ... On Monday evening, May 16th, 1864, will be presented the great American drama of The octoroon! or, Life in Louisiana! ... Note.--The management wish to impress on the minds of the audience that this play is considered the truest picture ever drawn of Southern life, and in order to appreciate it properly, the strictest attention is necessary. Reserved seats, 50 cents Particular notice.--Those desirous of securing seats, which will be retained during the evening, can do so by applying at the hall during the morning. Seats, not reserved, 25 cents Doors open at half-past seven o'clock. Performance at eight
Description: The cast includes: H.C. Andrews, S.C. Dubois, Mary Dumas, E.A. Eberle, W. Johnson, Howard Keyser, Marie Le Gros, Mrs. Loker, W.H. Mathews, G.W. Mitchell, F. Morland, G.W. Shields, Emma Stanley, Mattie Sutherland, and R.G. Wilson., Printed area, including double-rule border, measures 55.8 x 20.3 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Dramatic Combination
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Dramatic (26)5761.F.26a (McAllister)

Title: Grover's Theatre Pennsylvania Avenue, near Willard's Hotel Leonard Grover, director also, of Grover's Chestnut St. Theatre, Philadelphia. Wednesday evening, April 20, 1864, Boucicault's great American drama The octoroon! The entire press speak of this great drama of Louisiana life in the most generous terms. ... Koppitz and the grand orchestra will render the beautiful music of the drama. To-morrow, Thursday, April 21, most positively the last time of Colleen Bawn Prices of admission: Dress circle or parquet 50 cents Family circle 25 cents Orchestra seats 75 cents
Description: Members of the cast: George H. Andrews, Mrs. M.A. Chapman, W.A. Chapman, W.A. Donaldson, L.H. Everett, J.B. Evers, H. Forrest, Jane Andrews Germon, Sophy Gimber, Walter Lennox, J. Matthews, Miss Miller, G.W. Mitchell, Frank Mordaunt, Mrs. Mordaunt, Harry Pearson, Miss Porter, Miss S. Schenck, Annie Ward, James T. Ward, Joseph Whiting, and Mr. Wilson., The printed area, including double-rule border, measures 54.9 x 19.7 cm., Illustration signed: Adrian-Probasco Phila., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Grover's Theatre (Washington, D.C.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Grover 1864 (26)5761.F.19a (McAllister)

Title: Grover's Theatre Pennsylvania Avenue, near Willard's Hotel Leonard Grover, director also, of Grover's Chestnut St. Theatre, Philadelphia. This Friday evening, April 22, 1864 last time, most positively, of Grover's great Philadelphia company This great company will appear again this evening in Boucicault's great American drama The octoroon The entire press speak of this great drama of Louisiana life in the most generous terms. ... Koppitz and the grand orchestra will render the beautiful music of the drama. Saturday, April 23d, grand festival in commemoration of Shakspere 300dth anniversary of his birth. 3d anniversary of the opening of Grover's Theatre. Third annual benefit of Leonard Grover! ... Seats may be secured immediately, no extra charge. Monday, April 25th, the great tragic alliance--Davenport, Wallack & Mrs. Farren Othello. Prices of admission: Dress circle or parquet 50 cents Family circle 25 cents Orchestra seats 75 cents
Description: Members of the cast: George H. Andrews, Mrs. M.A. Chapman, W.A. Chapman, W.A. Donaldson, L.H. Everett, J.B. Evers, H. Forrest, Jane Andrews Germon, Sophy Gimber, Walter Lennox, J. Matthews, Miss Miller, G.W. Mitchell, Frank Mordaunt, Mrs. Mordaunt, Harry Pearson, Miss Porter, Miss S. Schenck, Annie Ward, James T. Ward, Joseph Whiting, and Mr. Wilson., The printed area, including double-rule border, measures 55.1 x 19.8 cm., Illustration signed: Adrian-Probasco Phila., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Grover's Theatre (Washington, D.C.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Grover 1864 (26)5761.F.21a (McAllister)

Title: Library Company of Philadelphia scrapbook
Description: Scrapbook predominantly containing photographs of the interiors and exteriors of the buildings of the Library Company of Philadelphia at Fifth and Library streets (1792-1878) and Juniper and Locust streets (1880-1940). Interior views show the main reading room, the women's reading room, and the Henry C. Lea Annex (member's reading room) at the Juniper Street building. The images include shelves of books; reading tables and chairs; magazine racks; card catalogs; and paintings, photographs, manuscripts and busts and object d'arts on display. Also contains photographs and photomechanical reproductions of portraiture of early noted figures and donors to the Library Company and art and artifacts held by or associated with the repository. Additional content includes reference correspondence (1920 and 1924) between librarian George Abbot and overseas researchers studying Peter Collinson and an April 8, 1834 newspaper clipping reporting the Library Company's receipt of the book collection of the late James Cox "Artist and Bibliomaniac" accompanied by his autograph (John McAllister label pasted on verso)., Portraits depict Rev. Samuel Preston (1756-1834); optician Joseph Fisher (d. 1864); library director Dr. Thomas Parke (1749-1835); "library director 1825-1840" Benjamin R. Morgan (1765-1840); and Library Company purchasing agent Peter Collinson (1694-1768). Artifacts include the "Lion's Mouth" tin suggestion box (ca. 1850); the candle lantern from the entrance of the original library building (pre-1791); "old playing cards used as washers for Franklin's electrical machine" (1740s); William Penn's secretary desk (ca. 1680); John Penn's air pump case for electrical instruments (1738-1739); and the anti-slavery painting "Liberty Displaying the Arts and Sciences" given to the library by its artist Samuel Jennings in 1792., Title supplied by cataloger., Bookplate of the Library Company dated October 9, 1934 pasted on inside front cover., Some contents identified from manuscript notes on rectos and versos of scrapbook pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Select link above to access the website "Art & Artifacts. Discover the Library Company’s Art and Artifact Collection.", The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: 1818-ca. 1934, bulk 1920-1930
Location: Library Company of Philadelphia | Print Department albums - Library [Uy8 7065.Q], http://www.librarycompany.org/artifacts/

Title: Olaudah Equiano or Gustavus Vassa the African
Description: Bust portrait of the British, Black free man and abolitionist, Olaudah Equiano, who authored one of the earliest and most influential autobiographies by a formerly enslaved person. He is attired in a dark-colored jacket with a collar and buttons and a white collared shirt, cravat, and waistcoat. He holds the Bible in his right hand, which is open to “Acts Chap. IV. V. 12.”, Title from item., Publication information and date inferred from source in which the portrait was originally included., Published as the frontispiece in Olaudah Equiano's The interesting narrative of the life of Olaudah Equiano...(New York: W. Durrell, 1791). (LCP Am 1791 Equ, Log 3936.D)., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Tiebout, Cornelius, 1777-1832, engraver
Date: [1791]
Location: Library Company of Philadelphia | Print Department Portrait Prints - E [1885.F.145]

Title: Plan of the isle of Trinidad from actual surveys made in the year 1797
Description: Depicts the British island conquered from Spain in 1797, settled in the 1780s by French Caribbean plantation owners, St. Domingo refugees, and enslaved people. Shows the sites of the sugar, coffee, cotton, and cocoa plantations in the southwest and southeast regions of the island., Title from item., Reissued by Laurie & Whittle in 1809., Relief shown by hachures, landform drawings, and form lines., Depth shown by soundings., Prime Meridian: Port of Spain., Includes index "The Island of Trinidad is Divided into the following Quarters.", Table printed on recto: The Population of the I. of Trinidad 1797: Whites. Colour. Slaves. Indians. Men. Women. Boys. Girls., Text printed on recto: Note. This Species of Cocoa Trees are not natural to the Island, a Vessel from Oronoko laden with the Fruit was wreck’d on that Coast some years since, from whence the present Trees sprang which thrive exceedingly well., Acquired before 1950., Description revised 2021., Access points revised 2021.
Creator: Allen, George, active 1790-1821, engraver
Date: 12th Decr. 1800
Location: Library Company of Philadelphia | Print Department **maps [135 M]

Title: A bran new coon in town
Description: Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]

Title: Pennsylvania Colonization Society A view of Bassa Cove in Liberia
Description: Honorary life membership certificate containing a view of Liberia, the African American colony established by the American Colonization Society in 1822. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 to promote Black American emigration to resolve the problem of race inequality and to end slavery., Title from item., Issued to [Tho]mas Sully, Esquire of Philadelphia on October 24, 1848 for his donation of "valuable original portraits." Signed by [Robert B.] Davidson, rec. secretary; Elliot Cresson, corresponding secretary; J.R. Ingersoll, president., Description revised 2021., Access points revised 2021., Gift of Hirschl and Adler Galleries, 1989., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department *Philadelphia Certificates [P.9261]

Title: Imperméables, Au Roi du Caoutchouc
Description: Racist trade card promoting Roi du Caoutchouc's trench coats and depicting a bust-length portrait caricature of a fashionable black man. The man is depicted with exaggerated facial features, including a broad smile and long eye lashes. He is attired in a gold, bejeweled crown; gold hoop earrings; a trench coat with the collar raised; and gray turtleneck. Roi du Caoutchouc was a Belgium manufacturer of raincoats and trenchcoats in business originally in the 1920s. Leopold Trepper, a Polish Soviet intelligence agent, acquired the company in 1938 and launched a Brussels operation that expanded into an import-export business called the Foreign Excellent Trenchcoat Company. Trepper used the firm as a front for espionage. In 1940, during World War II, the Germans assumed control of the company., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business., Text printed on recto: Imperméables, Au Roi du Caoutchouc., Advertising text printed on verso: Trouver mieux? Impossible! Les imperméables et gabardines au roi du caoutchouc sont reconnus les meilleurs, les plus élégants, les moins chers. Apercu de quelques prix: Imperméables très solides depuis 45 frs. Trench-coats entièrement doublés et huilés depuis 75 frs. Gabardines entièrement doublées 1/2 soie depuis 95 frs. 55 succursales en Belgique. Bruxelles 103, Boulevard Ad. Max. 161, Chaussée de Waterloo. 141, Rue haute. 51, Rue de Flandre. 15, Chaussée de Louvain. Translation of advertising text: Find better? Impossible! The rubber king's raincoats and garbardines are recognized as the best, the most elegant, the cheapest. Preview of some prices: Very solid waterproofs for 45 frs. Trench-coats fully lined and oiled for 75 frs. Gabardines fully lined 1/2 silk for 95 frs. 55 branches in Belgium. Brussels 103, Boulevard Ad. Max. 161, Waterloo Causeway. 141 High Street. 51 Flanders Street. 15, Leuven Causeway., Gift of David Doret.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Au Roi du Caoutchouc [P.2017.95.9]

Title: " Ariosa" Coffee. One gleam of consolation. From "Judge" by permission
Description: Trade card promoting Arbuckle's Ariosa Coffee. Depicts a racist caricature originally published in the satirical periodical “Judge” of an older African American woman and older, African American Deacon in conversation. The figures are portrayed with exaggerated facial features and speaking in the vernacular. They stand across from each other in a home setting. "Mrs. Johnson" is attired in a attired in a yellow apron over a black dress, a red vest, and an orange, head kerchief. She has a pipe in her mouth. "Deacon Smith" is attired in a top hat, blue coat over a white collared shirt with red bow tie, brown pants, black shoes, spectacles, and leans on a cane. Depicts Deacon Smith providing comforting words to Mrs. Johnson after she "loose de bigges' chile." The Deacon consoles "Providence am allus mercies in disguise" to which Mrs. Johnston agrees the child was "allus a mon-st'ous eatah." In the background is a steaming kettle on a small stove with a chimney pipe. On the verso is an illustration showing the exterior of the Arbuckle Ariosa Coffee's Brooklyn factory near a dock. View includes men loading train cars, horse-drawn wagons, and ships with cargo. Brothers John and Charlie Arbuckle, Arbuckle Bros., established their factory and warehouse in Brooklyn in 1881 after they invented a machine that roasted, ground, and packaged coffee into bags. Their first national brand was patented under the name Arbuckle’s Ariosa. The company succeeded into the 20th century. Following John’s death in 1912 the company declined and was broken up by the Arbuckle family in the late 1930s., Title from item., Place of publication deduced from place of operation of advertised business., Text printed on recto: Mrs. Johnson (mournfully)--"Ah deacon! It am very hard to loose de bigges' chile I's got." Deacon Smith (consolingly)-- "Dat am true, Mrs. Johnsing; but dese cha'tisements of Providence am allus mercies in disguise." Mrs. Johnson (meditatively)-- "Y-e-e-s; Jeems was allus a mon-st'ous eatah.", Advertising text printed on verso: "Ariosa" Coffee. No. 96. 839,972 pounds roasted daily. The enormous consumption of the popular brand gives proof that for strength, purity and deliciousness it has no equal., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection -Arbuckle [P.2017.95.7]

Title: Dis yer misery makes dis chile done gone mournin orful! orful! No. 18 cured this gempleman thanks to massa Hartshorn
Description: Racist, fold-out circular advertisement for Dr. Hartshorn's No. 18 Liniment depicting a before and after caricature of an older African American man in two separate panels. In the first panel, shows the balding man with white hair, hunched over, standing in profile, and using a cane. He is attired in a blue tailcoat, a white shirt with upturned collar, a red necktie, a yellow vest, red and white plaid pants, and red and black shoes. In the background, a log cabin and wooden fence is visible. In the second panel, shows the man facing the viewer, standing upright without the cane, and holding a red package labelled "No. 18." He kicks his left leg up and reveals the bottom of his shoe, which is also labelled "No. 18." The man is depicted with exaggerated features. Dr. Edward Hartshorn was a Massachusetts physician who began selling medicines in the 1850s in the town of Berlin, and later Boston. Hartshorn passed the business on to his sons Edward Howe and William Henry before his death in 1887., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed in circular fashion around company logo on inside: Wonderful! Wonderful Liniment!!! What has been the most popular [?] Family Liniment for 30 Years? Dr. Hartshorn. 2,000,000 Bottles have been [?] one is always warrented, yet not one was ever returned, or the [?] The Rapid Healer of Injuries. What Heals Bruises, Cuts, Stings, Bites, Poisons, Chilblains, Sore Skin, Croup, Ague, Numbness &c. immediately? Dr. Hartshorn's No. 18. The Instantaneous [?] Sudden Illness. What has relieved the worst case [?] Diptheria, Colic, Chills, Colds, Headaches, and numberless [?] Hartshorn's No. 18. It is a general panacea for man, [?] wonderful relief externally or internally for Horse and Cattle. E. Hartshorn, Boston, Mass. The Balm for Every Pain. What is the quickest relief for Rheumatic, Neuralgia or Nervous Pain of the Face, Teeth, Ears, Side, Back, Chest, Limbs, &c.? Dr. Hartshorn's No. 18. Company logo illustrated on verso. Logo composed of a geometrically-shaped ornament marked "N 8." Logo surrounded by captions reading "Sold Every Warranted. Large Sizes Cheapest. Three Sizes [?] Cts. And $1.00. Ask Any One About It.", Gift of David Doret., The front and back of the card are separated.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Hartshorn [P.2017.95.115]

Title: Noix de coco for puddings, pies, and pastry. Manufactured by Warner & Merritt. Philadelphia
Description: Racist trade card promoting Warner & Merritt’s Noix de Coco and depicting a white woman in a hammock being fanned by a caricature of an African man. In the center, shows the blond-haired, white woman attired in a red headband, a blue dress, and yellow shoes, lying in a hammock. In the left, an African woman, attired in a red head kerchief, a necklace, a white shirt, and a red skirt, serves a tray of food to the woman. The white woman leans over and grabs a piece of food from the tray with her right hand and has a butterfly on her left hand. In the right, an African man, attired in hoop earrings and a red and white sarong, fans the woman with a feathered fan on a long pole. In the right foreground, another African man attired in a blue sarong, sits on steps leading to the hammock and fills a basket with coconuts. In the left are a parrot, several stacked boxes with pineapples on top, and two potted plants. In the right, a monkey sits holding a coconut. In the background is a water fountain, a statue of a woman carrying a vase on a pedestal, and palm and coconut trees. Behind the hammock is the roof of a building with a yellow curtain hanging down. The Philadelphia firm Warner & Merritt imported fruit from the West Indies and Central America from 1878 until 1884. They used 20,000 to 25,000 coconuts weekly to manufacture their desiccated coconut product, Noix de Coco., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Distributor's imprint stamped on verso: Levi I. Schreffler, Dealer In Produce, Tobacco, Sugars, Fresh Fish & Truck, New Depot, Tamaqua, PA., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.188]

Title: Ask for the "Wenck" perfumes. (Warranted the best.) And take no other
Description: Racist trade card promoting the Wenck Perfume Manufacturing Company and depicting a caricature of an older African American man reading a notice on a country grocery store. Shows the man with a white beard and attired in a yellow brimmed hat, a long-sleeved red shirt, red and yellow pants with patches and held up by suspenders, and black shoes. He bends forward to read the sign on the boarded up, dilapidated store. It states in the vernacular that the Johnsing & Skinner Grocery is out of business and that, “Dem as owes de firm, will settle wid me--dey de firm owes will settle wid Skinner. G.W. Johnsing." The African American man is labeled as a creditor who says in the vernacular, “I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.” In the right, the man’s donkey is tied to an orange post behind him. In the background, fenced in fields and trees are visible. George J. Wenck founded the Wenck Perfumes Manufacturing Company in 1872. The Firm manufactured perfume into the 20th century., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Text printed on recto: Johnsing & Skinner Grocery. Notis—De firm of Johnsing & Skinner am resolved. Dem as owes de firm, will settle wid me—dey de firm owes will settle wid Skinner. G.W. Johnsing. Creditor of Johnsing & Skinner—“I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.”, Advertising text printed on verso: “Wenck’s” Special Perfumes for the Handkerchief. Opera bouquet. Grand Army Bouquet. Queen Mary Bouquet. “Wenck’s” Toilet Water. Florida Water. Lavender Water. Eau Oraline for the Teeth. Gilt Edge Cologne. The “Wenck” Perfumes M’f’g Co., 36 West 14th Street, N.Y., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wenck [P.2017.95.189]

Title: Use Merrick's thread. "Gully this cotton beats 'em all!"
Description: Racist trade card promoting Merrick thread and depicting a domestic scene of an older African American man sewing. Shows the man, in a cabin setting, seated atop a stool, his feet slightly turned in, and mending the seat of a pair of blue pants. The man holds the pants in his left hand and pulls a needle and thread through a patch on the pants in his right. The thread comes from a large spool beside the man which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Behind the man is a window with a sill, which is lined with potted plants. A candle holder rests on a shelf attached to the wall below the window. The man is attired in a red button-down shirt, blue suspenders, brown pants, and brown shoes. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Buy Merrick Thread Co's best six cord soft finish spool cotton for machine & hand sewing warranted 200 yds. also these threads are made from the finest quality of combed sea island cotton, and for strength, evenness, elasticity and smoothness surpass anything in the market. By the use of the "ready wound bobbins" the annoyance of winding the iron bobbin is done away with, and a more perfect stitch obtained. When in want of more thread, don't fail to ask for Merrick's., See related copy: Goldman Trade Card Collection - Merrick [P.2017.95.122], Gift of George Allen, 2022., RVCDC
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Trade cards - M - Merrick [P.2022.42.10]

Title: [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
Description: Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]

Title: J.C. Hand & Co. Fine furniture, no. 1205 Market Street, Philadelphia
Description: Racist trade card promoting the J.C. Hand & Co. and depicting a caricature of an older African American man reading a notice on a country grocery store. Shows the man with a white beard and attired in a yellow brimmed hat, a long-sleeved red shirt, red and yellow pants with patches and held up by suspenders, and black shoes. He bends forward to read the sign on the boarded up, dilapidated store. It states in the vernacular that the Johnsing & Skinner Grocery is out of business and that, “Dem as owes de firm, will settle wid me--dey de firm owes will settle wid Skinner. G.W. Johnsing." The African American man is labeled as a creditor who says in the vernacular, “I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.” In the right, the man’s donkey is tied to an orange post behind him. In the background, fenced in fields and trees are visible. J. C. Hand & Co. operated circa 1882-circa 1884 and the failure of the business., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the dates of operation of the advertised business., Text printed on recto: Johnsing & Skinner Grocery. Notis—De firm of Johnsing & Skinner am resolved. Dem as owes de firm, will settle wid me—dey de firm owes will settle wid Skinner. G.W. Johnsing. Creditor of Johnsing & Skinner—“I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.”, Text and illustrations printed on verso. Illustrations depict a closed sofa bed that looks like a chair with the caption "closed," and the open sofa bed resembling a cot, captioned, "open." Text reads: J.C. Hand & Co. 1205 Market Street. Manufacturers of Patent Sofa Beds. These beds can be made up as low as $25. In Raw Silk. We have a large stock of well made Furniture at moderate Low Prices. Size of Bed, 4ft. 6x6 ft. 2. Can be made any length or width. Estimates Given. J. C. Hand & Co., 1205 Market Street., Gift of Dr. Milton and Joan Wohl., RVCDC
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade cards - Hand [P.2011.64.34]

Title: Library Company of Philadelphia scrapbook
Description: Scrapbook containing newspaper clippings, photographs, ephemera and prints predominantly issued between the 1930s and 1970s documenting exhibitions, loans, collections, events and the history of the Library Company. Clippings include newspaper articles about a loan of American political cartoons to the Toledo Museum (1936); exhibitions commemorating the centenary of librettist W.S. Gilbert (1936); the tercentenary of Swedish Settlement (1938); and the library's African American history collection (1971). Columns also describe the presentation of the Christopher Sower library (1909); the return in 1876 of a book 99 years overdue since the American Revolution (1938); the demolition of the Library's Juniper and Locust streets building for a parking lot (1939); and the vandalism of the former Ridgway Building at 901-933 Broad Street (1969). Photographs predominantly depict the exteriors and reading rooms of the library buildings at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building). Other photographs include a series of views from the 1939 unveiling ceremony of the James Logan memorial (to be erected in Fairmount Park) on the steps of the Ridgway Branch. Ephemera includes invitations (several from The Women's Committee), brochures, catalogs, announcements and placards related to library events; bulletins and pamphlets describing collections; dues notices and book plates; the variant 1884 and 1906 "Rules of the Library Company"; an off-print of the 1882 Louise Stockton entry in "A Sylvan City..." about "The Old Philadelphia Library"; and a 1961 citation from the city recognizing the library as a "Philadelphia first.", Title supplied by cataloger., Cut outs of the seal and motto of Library Company from bookplate pasted on title page., Some contents annotated with dates and typewritten descriptions., Several loose photographs removed and rehoused as "Library Company of Philadelphia Scrapbook Photographs Collection" [P.2010.17]. Contains a ca. 1865 portrait of library donor John A. McAllister misidentified as librarian Lloyd P. Smith, a ca. 1935 portrait of librarian George Abbot, and interior and exterior views of the library buildings, including artifacts, at Fifth and Library Streets, Juniper and Locust Streets, and Broad Street (Ridgway Building)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2022., Access points revised 2022., Typewritten index inserted in volume., The Library Company of Philadelphia, America’s first successful lending library and oldest cultural institution, was founded in 1731 by Benjamin Franklin as a subscription library supported by its shareholders. Until the 1850s it was the largest public library in America. It was transformed into a research library in the 1950s.
Creator: Library Company of Philadelphia
Date: [ca. 1865-ca. 1971, bulk ca. 1936-ca. 1945]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2010.17], Library Company of Philadelphia | Print Department Library Company of Philadelphia Scrapbook Photographs Collection [P.2010.17]

Title: [Arabic fragment, a West African gris-gris]
Description: Contains a line of text from the Koran written in a courtly hand by an enslaved, educated, black Islamic priest. Translated text reads: In the name of God, Most Gracious, Most Merciful Say: He is Allah, the One and Only! Allah, the Eternal, Absolut; He begetteth not nor is He begotten. And there is none like unto Him., Title from LCP exhibition catalogue: Pierre Eugene Du Simitière. His American Museum 200 years after, entry #5:21., Date from manuscript note on recto: the above was written in my presence by a negro m[a]nding[o] at Leoganne in January 1773 DuSimitiere., Du Simitière, a Swiss-born historian, antiquarian, and artist, traveled and documented North America and the West Indies from the 1750s to 1770s. He settled in Philadelphia in 1774, and in 1782 opened the American Museum, which contained his collected antiquities., Purchase at auction, Du Simitière's American Museum, March 10, 1785., Explanation of translation in Du Simitière research file, Graphic Arts Department., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [Léogâne, Haiti]
Location: Library Company of Philadelphia | Print Department Du Simitière Collection [961.F.5d]

Title: John J. Smith and Rachel Collins Pearsall Smith Family Photograph Album
Description: Photograph album containing predominantly posed portraits of the family, extended family, and friends of prominent Philadelphia Quakers John Jay and Rachel Collins Pearsall Smith.

Title: John Jay Smith and Rachel Collins Pearsall Smith Family photograph album
Description: Photograph album containing predominantly posed portraits of the family, extended family, and friends of prominent Philadelphia Quakers John Jay and Rachel Collins Pearsall Smith. Also contains views of family residences, including Ivy Lodge (John Jay Smith, Germantown), Robert P. Smith's residence (below Grumblethorpe, Germantown), The Cedars (Whitall family summer home, Haddonfield, N.J.), and The “Mansion” at Millville, New Jersey ("Lloyd Logan Smith's birthplace"). Other portraiture includes group portraits showing the Haverford and Bryn Mawr Classes of 1885, "The Spices" cooking Club, "The Band of Cousins, a wedding banquet, and the Grange (London, England). Album also contains photographs showing family treks to Wyoming and Yellowstone (1879 and 1881); "H[annah] W. S[mith] at her table in 1315 Filbert St. Phila. Writing Life of John M. Whitall"; and a full-length silhouette of Robert P. Smith's daughter Gulielma who died in childhood., Sitters include John Jay and Rachel Collins Pearsall Smith; their children and their spouses Lloyd P. Smith; Robert Pearsall Smith and his wife feminist evangelical Hannah Whitall; Horace J. Smith and his wife Margaret L.; and Elizabeth P. Smith; their grandchildren Mary Whitall, Alice (Alys) Whitall (wife of philosopher Bertrand Russell), Ray Pearsall, and Lloyd Logan Smith; members of the Whitall and Thomas families (R.P. Smith in-laws and relatives of M. Carey Thomas); and Haverford students and other young Quakers, including William. S. Hilles; Charles Baily; Emma and Patty Mellor; Birdee Shoemaker; Carrie Cope; Katie Stokes; and Annie Bacon., Brown cloth binding., Damaged morocco label on front cover: Por[traits].... &c. Vol., Majority of contents identified by inscriptions on album page., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album housed in phase box with index to sitters., John Jay Smith, Quaker editor and librarian of the Library Company of Philadelphia married Rachel Collins Pearsall Smith, granddaugher of noted Quaker printer Isaac Collins on April 12, 1821. The couple had six children: Lloyd Pearsall Smith, librarian of the Library Company; Albanus Smith (1823-1842); Robert Pearsall Smith, printer, businessman, and evangelical leader; Gulielma Smith (died in childhood); Horace J. Smith, agriculturist and author; and Elizabeth Pearsall Smith, editor of "Recollections of John Jay Smith." Richard P. Smith was a proprietor of Whitall, Tatum & Co. glass manufactory in New Jersey during the 1860s. He and his brother Horace J. relocated to England in the later 19th century.
Date: ca. 1856-ca. 1885
Location: Library Company of Philadelphia | Print Department albums [P.2008.15]

Title: The nigger emperor of Nicuragua [sic] on his throne Attended by Chatfield & his Black guards witnessing the detention of the steamer Prometheus, by the English brig of war Express, at San Juan
Description: Racist political cartoon satirizing the fictitious "Nigger Emperor" of Nicaragua during the "Prometheus-Express" incident of November 1851, which threatened the Clayton-Bulwer Treaty of 1850 between the United States and Britain to abstain from attempting dominion of Central America. Depicts the Emperor as a Black man, partially undressed, attired in a military uniform with epaulettes, a black plumed hat, a sword on his waistband, and black boots. He sits atop a barrel labeled “Jamaica Rum.” He has one boot off that exposes his sock. His trousers are off and draped over his right arm. He smiles with a cigar in his mouth and carries a bottle labeled “Brandy” in his left hand. He looks towards Frederick Chatfield, the United Kingdom’s consul in Central America from 1834 to 1852, standing in the right. Chatfield holds his hands up and says, “They shall pay the money or be blow to attoms for their temerity, let me again entreat your Majesty to condesend (sic) to draw your breeches over your imperial shins.” The Emperor gestures with his right hand to the two ships in the harbor and replies in the vernacular, “Nebber mine, Massa Chatfield, wedder to warm for wear beechum, Yankee hab to cum back and pay money to dis nigger, ya, ya, ya.” Behind the Emperor, several Black guards, attired in tall hats, smile and stand in formation. Also in the print is a small black dog sniffing the Emperor’s sock., The Clayton-Bulwer Treaty of 1850 made Greytown, Nicaragua a free port, denying the British revenue. To circumvent this, the British charged harbor fees. On November 21, 1851, Cornelius Vanderbilt’s ship Prometheus refused to pay the British harbor fees. The British brig o’war Express fired three shots across the bow of the Prometheus. Vanderbilt then paid. However, when the ship arrived in New York he took his case to the U.S. government with the U.S. wanting Britain to withdraw from Central America. In early 1852, the Nicaraguan government sought to assert its authority over the Miskito kingdom. On April 30, 1852, Secretary of State Daniel Webster and British minister John Crampton negotiated a settlement that made Greytown a free city, protected the rights of the Miskito Indians, and established the border between Costa Rica and Nicaragua along the San Juan River., Title from item., Erroneously dated 1839 by Weitenkampf., Appears in The old soldier, New York, February, 1852., Likely drawn by John L. Magee, who worked at 69 Nassau Street at this time., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Magee, John L., artist
Date: [1852]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1851-28 [5760.F.107]

Title: The happy negro
Description: Satiric print depicting a "happy" enslaved family in a tropical setting, probably the West Indies. Shows an enslaved man strumming his banjo seated next to his wife and child near palm trees and a flower bush. A dog sleeps near its bowl at their feet and grass-roofed huts are visible in the background. Also contains prose below the image comparing and contrasting the white man's and enslaved person's joys and cares. The white man "full of care, has heart no light, he great deal want, he little get, he sorry, so he fret" whereas the negro 'hub no care, heart is light, me tink not what tomorrow bring, me happy so me sing.", Holland published a series of cartoons critical of the decadence of the West Indies plantation society of the early 19th century., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2005, p. 62-65., Purchase 2005., Description revised 2021., Access points revised 2021., RVCDC
Date: [August] 1 1810
Location: Library Company of Philadelphia | Print Department political cartoons - 1808-Hap [P.2005.28.3]

Title: West India fashionables On a visit in style. Taking a ride
Description: Satiric print mocking the decadent state of West Indian plantation society containing two views depicting enslaved people performing gratuitous tasks for traveling white enslavers. "On a Visit in Style" shows an enslaver, his wife, and her white lady's maid seated in the cab and rear of a horse-drawn gig. The gig displays a crest comprised of a goblet and whips. One enslaved man guides and another steers the horse that is adorned in netting to protect it from flies. An enslaved man and woman follow the carriage. They carry the enslaver's trunks on their heads. Also shows a windmill and sugar refinery in the background. "Taking a Ride" shows a white couple riding on horses, which are adorned with protective netting, past a sugar refinery and enslaved men and women working in a field. The white woman wears a huge bonnet obscuring her face. An enslaved man guides her horse while another holds its tail and uses a branch to fend off flies. The white man who wears an extremely wide-brimmed hat also has an enslaved man fending away flies from his horse's tail. George suggests that the enslaved people are to be assumed as the progeny of the enslaver as they all have the same unusually shaped nose., Publisher's advertisement printed below image: Of Mr. Holland may be had the following West India Prints, Johnny Newcome in the Island of Jamaica_ A Grand Jamaica Ball_ Martial Law in Jamaica_The Blessings of Jamaica_and a Segar Smoking Society in Jamaica. 5s each_A large portrait of Rachel Pringle of Barbadoes 7s. 6_Likewise Gillray's sale of English Beauties in the East Indies 7s 6d., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Purchase 2005., RVCDC., Description revised 2021., Access points revised 2021., Lib. Company. Annual report, 2005, p. 62-65.
Date: November 1, 1807
Location: Library Company of Philadelphia | Print Department political cartoons - 1807-Wes [P.2005.28.2]

Title: Horticultural Hall, East front.
Description: Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.9037.13.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.7]

Title: State buildings, "New Hampshire Day."
Description: Architects: Connecticut Building -- D.R. Brown, from a design by Donald G. Mitchell. Four state buildings, Massachusetts, Connecticut, New Hampshire, and Michigan, in the background. In the foreground are roads filled with people, and railroad tracks.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.12a]

Title: Machinery Hall.
Description: View of Machinery hall with flags on top and landscaped trees and shrubs in front. Foreground depicts locomotive and full passenger car with West End Passenger Railway Company next to a platform.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.1f]

Title: Main Building, north entrance.
Description: View of the Main Building with two statues, railway cars, horse cart and two men in the foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.9]

Title: Pacific Guano Company's Pavilion
Description: View of Pacific Guano Company's Pavilion. Depicts multi-level, open-aired structure in the center with people gathered on the upper and lower terraces. Also shows an environment rich with plants, shrubs, and trees.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.15f]

Title: Guns in Front of [U.S.] Government Building
Description: View of guns, cannons, and various artillery in front of the Government Building. The weapons are depicted on the right side of the photograph, next to a long stretch of road leading to the Government Building. On the left side of the road is a park with people walk along the paths.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.16a]

Title: Horticultural Hall, East front.
Description: Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.8700.7.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9037.13]

Title: Old Maid.
Description: A woman with the face of an ape hunches forward to use snuff. She has a monkey on her back. The text references the adage that a woman who does not marry leads apes into hell., Text: Snuffy, soiled, a slouchy slattern, / You've become a complete pattern; / Old and ugly, but with care, / And taking apes to ---- you know where., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

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