Block numbered in two places: 7184, also 53 on small adhesive label on back of block., Image of a group of people gathered in or outside a building, under and beside a tall arch beside a column; most of the people appear to be men, but one woman stands before a mule, holding the hand of a small child; one figure on a worse in the back of the group draws a sword; the clothing suggests a historical setting , possibly Medieval or Renaissance., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “Sister Rose Pg. 117” – Inscribed on back of block.
Block numbered in one place: 8543., Image of what appears to be a ragged older man carrying a rifle facing a well-dressed man and women outdoors., Signed: H.O. [?], "[V.] Grot[tenthaler,] Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., Back of block partially obscured by pasted-down paper.
Block numbered in two places: 7238, also 1105 on small adhesive label on back of block., Image of people in a small boat rowing close to a shore where what appear to be ruins stand.,
Half-length portrait depicting an older man, balding, and with long white hair tucked behind his ears. His right eye is shut and his left eye is clouded over. He is seated and holds a walking stick in his right hand. He wears a medium-colored overcoat, button-down vest, white shirt, and black cravat., Pad: None., Mat: Nonpareil., Case: Leather. Lacking front cover. Octagonal shape within concentric circular patterns surrounded by scrolls., Purchased partially with funds for the Visual Culture Program.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Cased photos - unid. photo - unid. sitter - daguerreotypes [P.2019.7.1]
Dreamlike scene of Black and white pixies creating mayhem around a white man's execution by hanging. Pixies hold the hangman's noose and break blocks upon a dismembered man's head. In the background, stands a large majestic building with an American flag and other architecture including a pyramid, monument, steeple, and dome., Title supplied by cataloguer., Date inferred from possible artist., Manuscript note on verso: Woodside?, Possibly by John Archibald Woodside, Sr., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessoined 1893.
Date
[ca. 1835]
Location
Library Company of Philadelphia | Print Department drawings & watercolors - unid. - A [5656.F.30]
Three-quarter length portrait of an African American man seated in a wooden Windsor chair in front of the doorway of a house with walls that are cracked with exposed wood. Sitter, wearing white hair and sideburns and attired in a white shirt, a dark-colored jacket and pants, and a dark-colored coat with paint splatters on the elbow and sleeves, holds a hat in his hand as he looks directly at the viewer., Title supplied by cataloger., Originally part of a S.W. Dwayne scrapbook., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department portrait photographs - unidentified male [8836.Q.1]
Allegorical print depicting the Americas as a Black woman and boy. The woman dressed in a bejeweled feather head piece, pearls, and shawl has a black parrot perched on her hand and overlooks the shoulder of a reclining boy. The boy, draped in a blue cloth and holding a bow, his cache of arrows beneath him, wears a feather armband and gold collar. He returns the glance of the woman. A palm tree stands behind them., Title from item., Date inferred from content., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1971., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Haid was a Bavarian engraver, portraitist, and book illustrator.
Creator
Haid, Johann Jacob, 1704-1767, artist
Date
[ca. 1755]
Location
Library Company of Philadelphia | Print Department *GC-Allegories [7993.F.3]
A stout man has an inflated torso with "GOLD $100,000,000" written across it. The border features a woman embracing; the pair resemble Commedia dell'arate characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: The man who is made of money / Need never be pleasant nor funny, / Nor handsome, nor winsome, nor good, / Nor with piety deeply imbued. / He may go through the world as he pleases, / Caring not how he elbows and squeezes; / He may duty despise or forget; / He may bluster and bully; and yet / Folks will say he's as sweet as honey-- / Because he is made of money., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Metamorphic foldout trade card promoting "Imperial Metal Polish." Card composed to portray the perceived and actual scene viewed by an old man "Granduncle" looking through a peephole in a fence (completely folded). The perceived scene shows a bare bottom and a woman's feet (partially-folded). The actual scene shows a racily-attired young woman, smoking cigars, drinking, and seated on a hammock near a pig with his rear to the viewer (unfolded). Also contains the "Imperial" trademark label depicting an image of the world. Label captioned "Reg. U.S. Pat. Office.", Distributor's stamp on verso: Hainsworth Supply Co., 2247 N. 8th St., Phila., Registration Applied For., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.27]
Glass negative showing a group of young men from the Haverford College Cricket Club posed on a bench next to a field. Some of the men hold cricket bats and many of them wear striped suits. Five men sit on the bench while three stand behind and three sit on the grass at their feet. The man on the far left sitting on the ground wears shin pads. Haverford College was founded in 1833., Time: 5:15, Light: Not very good light., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
June 4, 1885
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.614]
Film negative from a series of photographs taken by Morris during his excursion to Brown Mills, N.J. with the Photographic Society of Philadelphia. Shows a man standing on an unidentified riverbank leaning over to reach something near his feet. Trees grow on either side of the river, their branches extending over the water. The Photographic Society of Philadelphia was founded in 1860 to promote the techniques and art of photography. Morris was a member of the Society by 1885., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
May 21, 1927
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.454]
Photograph from a series of photographs taken by Morris during his excursion to Brown Mills, N.J. with the Photographic Society of Philadelphia. Shows a group of people gathered on an unidentified riverbank next to a narrow dirt path. Trees and other foliage grow on small islands in the middle of the river. The Photographic Society of Philadelphia was founded in 1860 to promote the techniques and art of photography. Morris was a member of the Society by 1885., Photograph from negative number P.2013.13.458., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
May 21, 1927
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.655]
Photograph from a series of photographs taken by Morris during his excursion to Brown Mills, N.J. with the Photographic Society of Philadelphia. Shows a man standing on an unidentified riverbank leaning over to reach something near his feet. Trees grow on either side of the river, their branches extending over the water. The Photographic Society of Philadelphia was founded in 1860 to promote the techniques and art of photography. Morris was a member of the Society by 1885., Photograph from negative number P.2013.13.454., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
May 21, 1927
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.648]
Stereoview depicting a tableau vivant with a racialized tone in a studio setting in which two Black men attired in sarongs, face each other, and are in lunged stances. Behind them, to the left, three Black men, attired in sarongs, stand in front of a hut and palm trees, and watch the "wrestling" men. The kingdom of Dahomey established about 1600 by the Fon people became the independent country Republic of Dahomey, and was renamed Benin in 1975., Title from item., Date inferred from series title printed below title., Distributor's imprint printed on mount: Sold by Underwood & Underwood. New York, Liverpool, Toronto-Canada, Ottowa, Kansas., Title printed on verso in six different languages., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Jarvis, J. F. (John Fillis), 1849-1931
Date
[1894]
Location
Library Company of Philadelphia | Print Department stereos - - misc. photo - Jarvis [P.2016.13.38]
Film negative from a series of photographs taken by Morris during his excursion to Brown Mills, N.J. with the Photographic Society of Philadelphia. Shows a group of people gathered on an unidentified riverbank next to a narrow dirt path. Trees and other foliage grow on small islands in the middle of the river. The Photographic Society of Philadelphia was founded in 1860 to promote the techniques and art of photography. Morris was a member of the Society by 1885., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
May 21, 1927
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.458]
Half-length, hand-tinted portrait depicting a man, with dark hair, cropped short on the top of his head, and longer and curled out near his ears. He misses his right eye and his right eye is slightly descended over the socket. He wears a dark-colored coat, V-neck, button-down vest, white shirt with high stiff collar, and black, horizontally-tied necktie with extended ends., Pad: None., Mat: Nonpareil., Case: Leather. Lacking front cover. Filigree-like ornaments within octagonal shape surrounded by scrolls., Purchased partially with funds for the Visual Culture Program.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Cased photos - unid. photo. - unid. sitter - daguerreotypes [P.2019.7.2]
In Chapin, J.R. The historical picture gallery (Boston, 1856), p. 155., Full-length portrait of the wilderness woman astride a galloping horse; she looks over her left shoulder, with a whip held high in her right hand; her clothing does not identify her as male or female.
In The afflicted and deserted wife, or, Singular and surprising adventures of Mrs. Ellen Stephens (New York, 1842), frontispiece., Mrs. Ellen Stephens is probably a fictitious character., Three-quarter length portrait of the woman wearing a dress with leg-of-mutton sleeves, with her head down-turned, in tears.
Full-length, forward facing portrait of an unidentified older white woman, seated in a wheelchair positioned at a slight angle. Sitter has gray hair parted in the center and is attired in a dark-colored lace cap with lappets and a dark-colored, long-sleeved dress with a white collar. Her cheeks are tinted pink. She holds a book, with the spine towards the viewer, in her right hand on her lap. Her left arm is propped on the armrest. A small pouch-like bag hangs from the corner of the back of the wheelchair visible in the left of the image. The chair back is covered with a patterned cloth., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Pad: Red velvet with a leaf in the center and decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and leaf pattern in the center with leaves in the corners. Same design on verso.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Cased photos – unid photo –unid sitter - ambro [P.2021.31]
A woman wears plaid breeches, smokes a cigarette, and looks in the mirror., Text: Wearing the breeches, wearing the breeches! / Know that all our experience teaches, / A woman, forgetting what's due her sex, is / Ready for vice and all it annexes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Full-length portrait of Mrs. Elizabeth M’Dougald in a natural setting. She is depicted “in the guise of a Scottish Highlander,” wearing a highland dress and a Scottish bonnet with feathers, and holding two shotguns. --P. 18., In M’Dougald, Elizabeth. The Life, travels, and extraordinary adventures of Elizabeth M’Dougald (Providence, 1834), [1]., "Thus attired I commenced my pursuit after the destroyer of my happiness, -- once the idol that I worshiped”., Elizabeth M’Dougald was a Scottish woman who was abandoned by her husband for another woman. With murderous intentions she pursued him by crossing the Atlantic, traveling throughout Canada and the United States, and enlisting in the Army.
In Chapin, J.R. The historical picture gallery (Boston, 1856), p. 407., Full-length recumbent portrait of the American woman from South Carolina who disguised herself as a man and joined the Continental Army; her sex was not discovered until after she died in battle (either in 1782 or 1778).
Waist-length portrait of the writer, an amputee, holding a book in her left hand., In Johnson, Sophia. The friendless orphan, an affecting narrative of the trials and afflictions of Sophia Johnson, the early victim of a cruel step-mother (Pittsburgh, 1842), title vignette., Sophia Johnson dressed as a man to serve with her brother in the War of 1812., Portrait re-engraved after the original engravings by Huestis in the 1841 New York printing of The friendless orphan.
In The female review: or, memoirs of an American young lady; whose life and character are peculiarly distinguished-- being a Continental soldier, for nearly three years, in the late American war (Dedham, 1797), frontispiece., Gannett dressed as a man in order to serve in the Continental Army during the Revolutionary War., "I shall here notice a heroic deed of this gallantress; which, while it deserves the applause of every patriot and veteran, must chill the blood of the tender and sensible female. Two bastion redoubts of the enemy having advanced two hundred yards on the left, which checked the progress of the combined forces, it was proposed to reduce them by storm. To inspire emulation in the troops, the reduction of one was committed to the Americans, and the other to the French. A select corps was chosen. The commander of the infantry was given to Fayette, with permission to manage as he pleased. He therefore ordered them to remember Cherry-Valley and New London Quarters, and to retaliate accordingly, by putting them to the sword, after having carried the redoubts. Our Heroine was one of these! At dark, they marched to the assault with unloaded arms, but with fixed bayonets; and with unexampled bravery, attacking on all sides at once, after some time of violent resistance, were complete victors of the redoubts."--P. 151-152., Bust-length portrait of Gannett, encircled by ornamental oval frame with decorative elements including eagle, flags, and foliage., Another portrait appears in Chapin, J.R. The historical picture gallery (Boston, 1856), p. 27., Another copy of portrait held in Graphic Arts [Portrait Prints - S [5750.F.29a]]. Copy reproduced in "In Disguise" online exhibition.
In The life and sufferings of Miss Emma Cole (Boston, 1844), p. [19]., Emma Cole [later Mrs. Hanson] is probably a fictitious character., Full-length of the woman wearing a sailor suit, lying on her back on the deck of a ship, while a man binds her hands. Four other armed men stand nearby.
In A Sketch of the life of Elizabeth Emmons, or, The female sailor. 2nd ed. (Boston, 1841), frontispiece., Elizabeth Emmons is probably a fictitious character., Waist-length portrait of the partially-sighted woman on board ship, wearing a sailor uniform.
Exterior view looking up at the building with a fence behind and a pile of lumber in the foreground. People stand along balcony and sit on porch in front of building. A stuffed moose stands atop the front porch roof.
Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks.
In The life and adventures of James P. Beckwourth (New York, 1856), p. [203]., The Native American woman was taken captive and adopted by the Crows when she was about ten. After excelling as a warrior, she became a chief, and was known as Bíawacheeitchish, or Woman Chief. She married four women in her lodge. In his autobiography, James Pierson Beckwourth, calling her Pine Leaf or Bar-chee-am-pe, claims to have had a romantic relationship with her., Full-length portrait of the woman warrior astride a horse.
Exterior view showing a vineyard with a mammoth grape vine at the center, and a woman seated beneath. Also shows surrounding grape vines, shrubs, and a partial view of a porch with an empty chair.
The old maid wears a yellow and red ball gown with lace gloves. She holds up her skirt to dance. She has numerous wrinkles., Text: Of all the olds maids that ever I knew, / There never was one half so jolly as you; / A mistake there has been, I am much afraid, / You ne'er were intended to be an old maid., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man with disheveled hair sits at a table with his chin resting on one hand. In the other hand, he holds a handkerchief., Text: O! you sigh for a wife-- how funny / No a girl must be flat indeed, / Unless you had mints of money, / To take up such a broken reed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A seated man sews a sock by candelight., Text: This picture I send, to show you your end, / The end of not only a few-- / Old Nick I intend as your intimate friend, / For the devil serves thus such fellows as you. / Alas, you poor fool! 'tis plain to be seen / That one thus to live, indeed, 'tis a sin: / There's plenty to have you, if you only knew it, / 'Tis certain, indeed, you never would rue it., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The bachelor walks holding a large umbrella under his arm. His nose and chin point towards a statue of a naked woman., Text: Your buttonless shirt, and ragged coat sleeves, / Proclaim you to be an old Bach; / Pray hunt up some young maid, I really believe / If you tried, you would soon make a match., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman stands with her eyes half open. The sender mocks the recipient's desire for marriage., Text: It is not good for a man to be alone, / Nor woman either-- so you're always sighing; / So you will strive to be the rib of one / Good man, if you should even die in trying., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The "Old Bachelor" sits on a stool in front of a fireplace. He holds a toasting fork, and a kettle sits near the fire. His appearance is generally ragged, with an overgrown beard, disheveled hair, and holes in his socks., Text: O! poor old Bach; you must be lonely, / Your stake in life is small; / I look at you, and wonder only / How you exist at all., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Contains images of The Philadelphia Home for Incurables at Belmont and Conshohocken Avenues. Includes views of Inglis House built in 1927 after designs by Ballinger Company, showing elderly women sitting near the circle in front of the building. Also depicts an interior view of Founders Hall., Sheet numbers: 138B15 and 138B16., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Brightbill, George M., collector
Date
ca. 1930
Location
Library Company of Philadelphia | Print Department Brightbill postcards [Organizations (By Name) - 138]
