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Title: ASSU Illustration 7184
Description: Block numbered in two places: 7184, also 53 on small adhesive label on back of block., Image of a group of people gathered in or outside a building, under and beside a tall arch beside a column; most of the people appear to be men, but one woman stands before a mule, holding the hand of a small child; one figure on a worse in the back of the group draws a sword; the clothing suggests a historical setting , possibly Medieval or Renaissance., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876., “Sister Rose Pg. 117” – Inscribed on back of block.
Date: [between 1869 and 1876?]
Location: ASSU Woodblocks -- Box 31

Title: Thin Legs.
Description: While ice skating, a woman hikes up her skirt to reveal her thin legs., Text: Like broom-sticks shrunk, or small hat-pegs / One cannot call your's matchless legs; / For as the wind reveals by snatches, / One sees they're quite as thin as matches. / Vile wind that tells the story sad, / That she who skates, must also pad; / Go whisper to this lady fine, / She cannot be my Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: ASSU Illustration 8543
Description: Block numbered in one place: 8543., Image of what appears to be a ragged older man carrying a rifle facing a well-dressed man and women outdoors., Signed: H.O. [?], "[V.] Grot[tenthaler,] Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876., Back of block partially obscured by pasted-down paper.
Date: [between 1867 and 1876?]
Location: ASSU Woodblocks -- Box 29

Title: ASSU Illustration 7238
Description: Block numbered in two places: 7238, also 1105 on small adhesive label on back of block., Image of people in a small boat rowing close to a shore where what appear to be ruins stand.,
Date: [s.a.]
Location: ASSU Woodblocks -- Box 30

Title: Scandal and slander are what you deal in,
Description: Two women and a man sit at a table with tea-cups in front of them, and all three figures hold their hands up and have their mouths open. A cat hisses at the teapot on the floor. The valentine criticizes gossips, particularly those who ruin younger people's reputations., Text: Scandal and slander are what you deal in, / Such ghosts as you are without soul or feeling: / With serpents' tongue youth's hopes you sell, / You'll get your just deserts in h--l., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Long Shanks.
Description: "Long shanks" is slang for "long legs," and the valentine mocks the recipient for his tall stature. "Barnum" refers to P.T. Barnum, the circus founder., Text: Your little bullet head, and legs so very long / Remind me very strongly of a pair of tongs; / Your shape's so very odd, you really make me laugh; / I think if Barnum had you, he would call you the Giraffe., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: An Aspiring Soldier.
Description: The valentine shows three men in uniform carrying guns.The first and last men are the same height, but the middle figure is twice their heights and much thinner., Text: Gaunt and slim and bony baby, / You will be promoted -- maybe; / Than your comrades two foot higher, / For what more can you aspire?, Variant of Valentine 5.9., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Gold $100,000,000
Description: A stout man has an inflated torso with "GOLD $100,000,000" written across it. The border features a woman embracing; the pair resemble Commedia dell'arate characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: The man who is made of money / Need never be pleasant nor funny, / Nor handsome, nor winsome, nor good, / Nor with piety deeply imbued. / He may go through the world as he pleases, / Caring not how he elbows and squeezes; / He may duty despise or forget; / He may bluster and bully; and yet / Folks will say he's as sweet as honey-- / Because he is made of money., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Max Rosenthal Collection of Portraits Scrapbook
Description: Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks.

Title: Woman Chief.
Description: In The life and adventures of James P. Beckwourth (New York, 1856), p. [203]., The Native American woman was taken captive and adopted by the Crows when she was about ten. After excelling as a warrior, she became a chief, and was known as Bíawacheeitchish, or Woman Chief. She married four women in her lodge. In his autobiography, James Pierson Beckwourth, calling her Pine Leaf or Bar-chee-am-pe, claims to have had a romantic relationship with her., Full-length portrait of the woman warrior astride a horse.
Date: [1856?]

Title: Pawson & Nicholson Photograph Album
Description: Photograph album compiled by James B. Nicholson containing predominantly portrait photographs of prominent local and national members of the Independent Order of Odd Fellows and their families, including men, women, and children. Photographs depict full-length, bust-length, and vignette portraits; group portraiture; and collages. Several male sitters wear the regalia of the Odd Fellows and most sitters are fashionably attired. Group portraiture depicts employees of Pawson and Nicholson in front of the bookbinding shop (139 S. Seventh), and rosters and meetings and excursions of members of the fraternal organization (1870s-1880s), including Warrior Lodge, no. 873. Collages include portraits of the Rulafson family of San Francisco and examples of work from the respected photographic firm Bradley & Rulafson. Also includes images of the photography department and sculpture at the Centennial Exhibition (1876); photographic reproductions of a Sir Walter Scott manuscript donated to the Sanitary Fair (1864), and an Odd Fellow membership certificate and medal; and a John Sartain engraved portrait of "E. Grand Captain General of Pennsylvania" Varhan Smith.

Title: John J. Smith and Rachel Collins Pearsall Smith Family Photograph Album
Description: Photograph album containing predominantly posed portraits of the family, extended family, and friends of prominent Philadelphia Quakers John Jay and Rachel Collins Pearsall Smith.

Title: [La Roche & Stahl florist shop, 1237 Chestnut Street, Philadelphia]
Description: Group portrait showing a line of eight men, including an African American employee and possibly co-owner Balthazar Stahl (third from right), standing in front of the flower store with large display windows marked "LaRoche & Stahl." Bouquets of flowers, floral wreathes, and other floral arrangements are displayed. A retracted awning with the name if the business adorns the building. A large garland of flowers is weaved across the awning frame. Potted plants line the base of the building and entryway near where the men stand. In the far left, the back of a horse traveling in the street near men patronizing a vendor's stand at the side of the flower store is visible. In the far right, signage for the adjacent business is partially visible. Florist Maximilian F. La Roche partnered with his brother-in-law Batlhazar Stahl in 1878. The partnership also managed several large greenhouses in Collingdale, Pa., which specialized in chrysanthemums and roses. Previously, La Roche had operated his own floral business in Philadelphia beginning circa 1876 when he purchased Brooker & Co. at 1319 Chestnut Street. La Roche removed his store to 1237 Chestnut in 1881. Stahl, who was in charge of the retail business, left the partnership circa 1898 when he started his own business at 27 South Eleventh Street., Title supplied by cataloguer., Date inferred from the attire of the men included in image.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Business - L [P.2008.11.6]

Title: Bridgman, Laura Dewey, 1829-1889.
Description: In Hale, S.J. Woman's record (Philadelphia, 1855), p. 592. "Illustrated by two hundred and thirty portraits engraved on wood by Lossing and Barritt.", Laura Bridgman, who lost all sense of hearing, sight, and smell after contracting smallpox in her early childhood, went on to become the first educated deaf-blind person. Aided by the patience and dedication of her teacher, Samuel Gridley Howe, she was able to learn to read, write, sign, and perform many other tasks., Other portraits appear in: The prisoner's friend, no. 3 (Nov., 1848), frontispiece; Phrenological and physiological almanac, for 1849 (New York, 1848), p. 40; Jones, A.D. The American portrait gallery (New York, 1855), p. [707]., Waist-length portrait of Bridgman, wearing an eye covering.
Date: [1855?]

Title: You’re a gentleman true.
Description: A man wearing a top hat, frock coat and gloves carries a cane. The valentine suggests that his attention to dress does not succeed in making him attractive., Text: You’re a gentleman true, but you never will do. / Such a long and lean foundry old poker as you; / By the impudent stare, I can vow and declare, / You look like a Smike, and VAGABOND TOO., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Wearing the Breeches.
Description: A woman wears plaid breeches, smokes a cigarette, and looks in the mirror., Text: Wearing the breeches, wearing the breeches! / Know that all our experience teaches, / A woman, forgetting what's due her sex, is / Ready for vice and all it annexes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Would-Be Woman.
Description: A man smokes and wears both men's and women's clothing, including a skirt, a top hat, breeches, and a coat and jacket. His has mutton chops. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches." "Guv," or govenor is slang for "boss.", Text: Some chaps are seen / For crinoline / By Nature's hand adapted; / No woman's love / To such is "guv," / Their hearts are never tapped at., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: A Jolly Old Maid.
Description: The old maid wears a yellow and red ball gown with lace gloves. She holds up her skirt to dance. She has numerous wrinkles., Text: Of all the olds maids that ever I knew, / There never was one half so jolly as you; / A mistake there has been, I am much afraid, / You ne'er were intended to be an old maid., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: M’Dougald, Elizabeth, b. 1796.
Description: Full-length portrait of Mrs. Elizabeth M’Dougald in a natural setting. She is depicted “in the guise of a Scottish Highlander,” wearing a highland dress and a Scottish bonnet with feathers, and holding two shotguns. --P. 18., In M’Dougald, Elizabeth. The Life, travels, and extraordinary adventures of Elizabeth M’Dougald (Providence, 1834), [1]., "Thus attired I commenced my pursuit after the destroyer of my happiness, -- once the idol that I worshiped”., Elizabeth M’Dougald was a Scottish woman who was abandoned by her husband for another woman. With murderous intentions she pursued him by crossing the Atlantic, traveling throughout Canada and the United States, and enlisting in the Army.
Date: [1834?]
Location: http://www.librarycompany.org/extraordinarywoman/uniform.htm

Title: The End of Old Maids.
Description: The valentine shows the Devil holding a pitchfork with a woman on the top over a fire. The devil has hairy legs, cloven feet, and four points on his head. The valentine suggests that the "old maid" is damned for failing to marry and procreate., Text: Oh! what a very sorry sight it is, / To see an aged lady still a Miss, / To know that single she must live and work, / And in the end be toasted on a fork., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Old Maid.
Description: A woman with the face of an ape hunches forward to use snuff. She has a monkey on her back. The text references the adage that a woman who does not marry leads apes into hell., Text: Snuffy, soiled, a slouchy slattern, / You've become a complete pattern; / Old and ugly, but with care, / And taking apes to ---- you know where., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Sighing for a Wife.
Description: A man with disheveled hair sits at a table with his chin resting on one hand. In the other hand, he holds a handkerchief., Text: O! you sigh for a wife-- how funny / No a girl must be flat indeed, / Unless you had mints of money, / To take up such a broken reed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: To a Bachelor.
Description: A seated man sews a sock by candelight., Text: This picture I send, to show you your end, / The end of not only a few-- / Old Nick I intend as your intimate friend, / For the devil serves thus such fellows as you. / Alas, you poor fool! 'tis plain to be seen / That one thus to live, indeed, 'tis a sin: / There's plenty to have you, if you only knew it, / 'Tis certain, indeed, you never would rue it., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Old Bachelor.
Description: The bachelor walks holding a large umbrella under his arm. His nose and chin point towards a statue of a naked woman., Text: Your buttonless shirt, and ragged coat sleeves, / Proclaim you to be an old Bach; / Pray hunt up some young maid, I really believe / If you tried, you would soon make a match., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Old Maid.
Description: A wrinkled woman holds a parasol and tilts her head up. The sender criticizes the recipient's fear of marriage and threatens that she will be damned., Text: My wrinkled old maid, who to wed is afraid, / And therefore, unmarried will stick; / At the end of your days if you don't mend your ways, / You're sure to be caught by Old Nick., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Waiting for an Offer.
Description: A woman wears many flowers in her hair and a skirt with furbelows. She rests her chin in her hand. The valentine cautions the recipient against holding sentimental beliefs about marriage, suggesting that she will not receive marriage proposals because she is neither sensible nor wealthy., Text: Waiting for an offer, few indeed the chances; / These are not the times we read of in romances; / Men want wives with good sense, or with flowing coffers, / And are very careful to whom they're making offers., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Never Had a Beau.
Description: A woman sits with her eyes closed and head down. The shape of her clothing resembles a religious cassock, perhaps suggesting celibacy., Text: That you can't get a lover, well I know / To you must be a bitter pill; / That at your feet you never had a Beau, / And what is more, I fear you never will., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Oh! For a Husband.
Description: A woman stands with her eyes half open. The sender mocks the recipient's desire for marriage., Text: It is not good for a man to be alone, / Nor woman either-- so you're always sighing; / So you will strive to be the rib of one / Good man, if you should even die in trying., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Old Bachelor.
Description: The "Old Bachelor" sits on a stool in front of a fireplace. He holds a toasting fork, and a kettle sits near the fire. His appearance is generally ragged, with an overgrown beard, disheveled hair, and holes in his socks., Text: O! poor old Bach; you must be lonely, / Your stake in life is small; / I look at you, and wonder only / How you exist at all., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: To a Vain Old Maid.
Description: A woman in a low-cut gown looks in the mirror. Her cheeks have rouge on them, and she holds a pot. Another woman stands behind her., Text: THE glass grows hateful to your sight, / For it tells you truly you're a perfect fright; / All the arts that ever you can make or try, / Will fail to add lustre to your eye. / In vain you may try with pastes and cream, / To smooth your skin or hide its seams; / Old maid, with all the art of borrowed charms, / You cannot catch a young man in your arms., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: St. Clair, Sally.
Description: In Chapin, J.R. The historical picture gallery (Boston, 1856), p. 407., Full-length recumbent portrait of the American woman from South Carolina who disguised herself as a man and joined the Continental Army; her sex was not discovered until after she died in battle (either in 1782 or 1778).
Date: [1856?]

Title: Bailey, Anne Hennis, 1742-1825
Description: In Chapin, J.R. The historical picture gallery (Boston, 1856), p. 155., Full-length portrait of the wilderness woman astride a galloping horse; she looks over her left shoulder, with a whip held high in her right hand; her clothing does not identify her as male or female.
Date: [1856?]

Title: Johnson, Sophia, b. 1798.
Description: Waist-length portrait of the writer, an amputee, holding a book in her left hand., In Johnson, Sophia. The friendless orphan, an affecting narrative of the trials and afflictions of Sophia Johnson, the early victim of a cruel step-mother (Pittsburgh, 1842), title vignette., Sophia Johnson dressed as a man to serve with her brother in the War of 1812., Portrait re-engraved after the original engravings by Huestis in the 1841 New York printing of The friendless orphan.
Date: [1842?]
Location: http://www.librarycompany.org/extraordinarywoman/uniform.htm

Title: Gannett, Deborah Sampson, 1760-1827
Description: In The female review: or, memoirs of an American young lady; whose life and character are peculiarly distinguished-- being a Continental soldier, for nearly three years, in the late American war (Dedham, 1797), frontispiece., Gannett dressed as a man in order to serve in the Continental Army during the Revolutionary War., "I shall here notice a heroic deed of this gallantress; which, while it deserves the applause of every patriot and veteran, must chill the blood of the tender and sensible female. Two bastion redoubts of the enemy having advanced two hundred yards on the left, which checked the progress of the combined forces, it was proposed to reduce them by storm. To inspire emulation in the troops, the reduction of one was committed to the Americans, and the other to the French. A select corps was chosen. The commander of the infantry was given to Fayette, with permission to manage as he pleased. He therefore ordered them to remember Cherry-Valley and New London Quarters, and to retaliate accordingly, by putting them to the sword, after having carried the redoubts. Our Heroine was one of these! At dark, they marched to the assault with unloaded arms, but with fixed bayonets; and with unexampled bravery, attacking on all sides at once, after some time of violent resistance, were complete victors of the redoubts."--P. 151-152., Bust-length portrait of Gannett, encircled by ornamental oval frame with decorative elements including eagle, flags, and foliage., Another portrait appears in Chapin, J.R. The historical picture gallery (Boston, 1856), p. 27., Another copy of portrait held in Graphic Arts [Portrait Prints - S [5750.F.29a]]. Copy reproduced in "In Disguise" online exhibition.
Date: 1797.
Location: http://librarycompany.org/crossdressing/section1.htm

Title: Stephens, Ellen.
Description: In The afflicted and deserted wife, or, Singular and surprising adventures of Mrs. Ellen Stephens (New York, 1842), frontispiece., Mrs. Ellen Stephens is probably a fictitious character., Three-quarter length portrait of the woman wearing a dress with leg-of-mutton sleeves, with her head down-turned, in tears.
Date: [1842?]
Location: http://librarycompany.org/crossdressing/section2.htm

Title: Emma, as a sailor, captured on the high seas
Description: In The life and sufferings of Miss Emma Cole (Boston, 1844), p. [19]., Emma Cole [later Mrs. Hanson] is probably a fictitious character., Full-length of the woman wearing a sailor suit, lying on her back on the deck of a ship, while a man binds her hands. Four other armed men stand nearby.
Date: [1844?]
Location: http://librarycompany.org/crossdressing/section2.htm

Title: Emmons, Elizabeth, 1817-1841.
Description: In A Sketch of the life of Elizabeth Emmons, or, The female sailor. 2nd ed. (Boston, 1841), frontispiece., Elizabeth Emmons is probably a fictitious character., Waist-length portrait of the partially-sighted woman on board ship, wearing a sailor uniform.
Date: [1841?]
Location: http://librarycompany.org/crossdressing/section2.htm, http://librarycompany.org/gayatlcp/section6.html

Title: [Rising Sun Stove Polish by Morse Bros. trade cards]
Description: Series of illustrated trade cards depicting two cause and effect scenarios entitled "The story of a foolish man" and "The story of a wise man". In the four panels of "The story of a foolish man," a businessman buys an imitation stove polish from an "unprincipaled dealer" and as a result, suffers a cranky maid, dirty stove and late meals, which forces him to lose money and business. In the four panels of "The story of a wise man," a businessman purchases Rising Sun Stove Polish from a "respectable store" and as a result, enjoys a happy home, which allows him to tend to his business and eventually become a wealthy and well-respected Congressman. One print [1975.F.722] also depicts a package of Rising Sun Stove Polish on the verso and the other [1975.F.725] includes a bird's eye view of Morse Bros. manufactory in Canton, Massachusetts., Title supplied by cataloger., Advertising text printed on versos promotes Rising Sun Stove Polish created by Morse Bros. of Canton, Massachusetts. Cautions viewer to avoid imitations., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Rising [1975.F.722 & 1975.F.725]

Title: Infancy to old age
Description: Complementary testimonial trade cards containing portraits of older consumers of Eskay's Food. One card shows "Ebenezer F. Andrews," rosy-cheeked, wearing a beard, and attired in a suit and tie. Testimonial text below the image reads "I am an invalid troubled with indigestion for over 40 years (am now 67). Over a year ago I commenced using Eskay's Food, and can truly say it is the best Food for invalids I have ever tried." Second cards shows "Mrs. Amelia O'Keefe," rosy-cheeked, and attired in a neckerchief adorned with a pin, spectacles, and her white hair pinned under her ears. Promotional text below the image reads "Now over 98 years old, was nourished and sustained through a very critical illness by the use of Eskay's food. She was unable to retain any nourishment on her stomach until she resorted to this Food.", Printed on versos: vignettes showing children playing and individuals near a river, testimonials from parents of babies fed Eskay's, and a description for preparing the modified milk product., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: 1898
Location: Library Company of Philadelphia | Print Department Helfand Misc. Popular Medicine Collection [P.2010.36.18 & 19]

Title: Foxy Granduncle's first mistake. How is that? Hello! Hello! Hello! Well, well, well! What's this?
Description: Metamorphic foldout trade card promoting "Imperial Metal Polish." Card composed to portray the perceived and actual scene viewed by an old man "Granduncle" looking through a peephole in a fence (completely folded). The perceived scene shows a bare bottom and a woman's feet (partially-folded). The actual scene shows a racily-attired young woman, smoking cigars, drinking, and seated on a hammock near a pig with his rear to the viewer (unfolded). Also contains the "Imperial" trademark label depicting an image of the world. Label captioned "Reg. U.S. Pat. Office.", Distributor's stamp on verso: Hainsworth Supply Co., 2247 N. 8th St., Phila., Registration Applied For., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.27]

Title: [Philadelphia Inquirer art supplements]
Description: Series of art supplements depicting genre, historical and allegorical scenes, landscapes, portraiture, and character studies. Includes "Aurora" showing a white female fairy figure smelling a flower; "The Pilot" portrait of an older white man sea captain smoking a pipe; "The Partners" showing a white girl and boy with a broom and shovel; "Tambourine Girl"; "Playmates" depicting a white girl holding a cat; "Deep Sea Fisherman"; "Night of the Ball" depicting an exterior view of a palatial estate in the snow with an inset showing a young white woman in evening attire; "One of the Four Hundred" showing a white boy costumed as a vagabond; "By the Sea" showing an older African American seaman, attired in a grey top hat, a white collared shirt, a blue and gold bowtie, red suspenders, a yellow jacket with a flower boutonniere, brown pants, and boots, smoking a pipe; an older white man reading "Fairy Tales" to a white girl; "Sheik of the Desert" a bust-length portrait of an Arab man; "A Lively Scrimmage" during a football game; a dog inspecting "Five O'Clock Tea"; a white clergyman having "A Disappointing Luncheon"; a view "Off the Belgium Coast near Ostend"; "Spring" and fall landscapes; "Does You Mother Know You're Out" depicting a white girl with a newly hatched chick; "Napoleon and the Old Guard"; "Wellington and His Soldiers"; a white man and woman couple on "A Honeymoon at Niagara"; and a white lady portrayed fancifully "Among the Roses.", Title supplied by cataloger., Various artists, including M. Duboy, C.L. Van Vredenburgh, Charles P. Gruppe, A. I. Keller, and W. Merritt Post., Various printers, including Forbes Lithograph Manufacturing Company; Leopold Gast & Brother; Julius Bien & Co.; Donaldson Bros.; Ketterlinus; and J. Ottmann., Two of prints designed to stand as display cards., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., Description revised 2022., Access points revised 2022., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1894-1898]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Philadelphia Inquirer [P.9349.282, 287, 295, 310, 313, 323-325, 330-331, 413, 424, 432, 434, 440, 457, 463-464, 466, & 469]

Title: [Specimens album loose prints collection]
Description: Collection of loose prints from a specimen album probably compiled by a printer once associated with the Philadelphia lithographic firm Stein and Jones. Contains chromolithographic art supplements and advertising specimens; proof sheets; checks, bank notes billheads, and receipts; trade cards and labels; vignette specimens; proof sheets; and illustrations. Businesses and trades represented include banks, manufacturers, and the textile industry. Collection also includes a proof of a trade catalog for gas pipe fittings; job work, including an 1877 broadside for an "Assessor's Registry of Voters" of a Philadelphia ward; an advertising print for the Walnut Street House (Cincinnati, Oh.); and a sheet music cover containing a landscape view., Title supplied by cataloger., Various printers, including Simeon Boerum; Ehrgott, Fobriger & Co.; Geo. S. Harris & Sons; J. Ottmann; and Wm. F. Murphy Sons., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1898]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9349.275-472]

Title: Geo. W. Taylor, n.w. cor. of Fifth and Cherry Streets, Philadelphia, manufacturer and vendor of free labor dry goods. Wholesale and retail free labor warehouse. Free labor groceries for sale
Description: Business card with printed type for the member of the Philadelphia Free Produce Association of Friends. Taylor, a Quaker, operated a textile mill that used only non-enslaved cotton as part of the Free Labor Movement. The movement active from the 1790s to the end of the Civil War advocated the boycott of goods produced by enslaved labor., Title from item., Date from manuscript note on verso: E.C. Knight & Co. 2 Bags Java Coffee for Geo. W. Taylor 11/21 '64., Originally part of the Library Company of Philadelphia Miscellaneous Ephemera Collection., Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department trade card - T [P.2012.9.7]

Title: [The Siamese twins, Chang and Eng, aged eighteen]
Description: Full-length portrait of the conjoined twins Chang and Eng Bunker standing outdoors on grass. Shows the young men barefooted and attired in matching Thai clothing consisting of brown caps, brown tunics, and blue, striped pants. The tunics are open in the front revealing the band of skin and flesh that joined them at the chest. Chang has his right arm around Eng's shoulder, and Eng holds his hand. Eng has his left hand on Chang's waist, and Chang holds his hand. Chang and Eng Bunker were born as conjoined twins in Thailand (formerly known as Siam) to parents of Chinese descent. Chang was positioned on their left, and Eng was on their right. Merchant Robert Hunter and Sea Captain Abel Coffin brought them to the United States in 1829, where they were exhibited as curiosities. The Bunkers left their managers and later toured independently. They purchased an estate in North Carolina. Eng married Sarah Yates, and Chang married her sister Adelaide Yates and together had twenty-one children., Title from a similiar print in the Wellcome Collection., Date inferred from medium and content., Gift of David Doret., Created postfreeze.
Date: [ca. 1830]
Location: Library Company of Philadephia | Print Department portrait prints - Bunker [P.2005.14.3]

Title: Civil War stationery collection
Description: Collection of stationery containing patriotic designs often used on patriotic envelopes, with a majority including a title, slogan, and/or verse. Designs predominately include views of regiment camps; images of soldiers, including battle and camp life scenes; patriotic symbols including flags, eagles, bells, shields, stars and the figure of liberty; portraiture of historic and military figures; and basic designs including stripes, colored edges, and lined borders. Unique designs with assigned LCP numbers include an untitled regiment view showing the soldiers playing baseball, possibly at Abner Doubleday's camp (RE-LCP 35); a view of Poughkeepsie from 1854 (SC-NW-LCP-3); the New York funeral procession for Abraham Lincoln on April 25, 1865 (SC-NW-LCP-4); two designs published by J.W. Barber of New Haven showing bars of music from "My Country Tis of Thee" (O-M-LCP-8) and an allegorical scene of Liberty fighting treason, rebellion, tyranny, and oppression (F-P-LCP-1). Collection also contains a series of seven Charles Magnus hand-colored designs containing birds-eye views and military maps. Views show Fortress Monroe, Old Point Comfort and Hygeia Hotel, Va. and the Capitol. Military maps shows Maryland and Virginia; Virginia between Washington and Manassas Junction; Richmond and Alexandria; Fortress Monroe and Richmond; and the southern coast between Fortress Monroe and New Orleans. Collection also includes a small number of Confederate stationery. Confederates designs include a view of enslaved African American people driving a wagon of supplies to a battlefield and a satire of Abraham Lincoln as an Native American chief. Portraits include George Washington, George McClellan, and Elmer Ellsworth. Three uncut printed proof sheets of patriotic stationery used as ream wrappers and the first style of U.S. postcard (circa 1872) also included as part of the collection., Some copyrighted., Some contain manuscript notes., Various publishers including Philadelphia publishers James Magee and L. N. Rosenthal as well as New York publisher Charles Magnus., Title supplied by cataloger., See William R. Weiss, Jr.'s The catalog of Union Civil War patriotic covers (Bethleham, Pa.: William R. Weiss, 1995). LCP copy annotated to show collection holdings., See the George Walcott collection of used Civil War patriotic covers (New York: Robert Laurence, 1934)., Originally part of a McAllister scrapbook of materials related to the Civil War. McAlliser Collection, gift, 1886., Reproduced in Erika Piola, "For the millions: Civil War stationery for women and children in the McAllister Collection at The Library Company of Philadelphia," The Ephemera journal 13 (2010), [32]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department Civil War Stationery [various], Library Company of Philadelphia | Print Department *GC - Civil War - Ream Wrappers [P.2006.1.30a-c]

Title: John Jay Smith and Rachel Collins Pearsall Smith Family photograph album
Description: Photograph album containing predominantly posed portraits of the family, extended family, and friends of prominent Philadelphia Quakers John Jay and Rachel Collins Pearsall Smith. Also contains views of family residences, including Ivy Lodge (John Jay Smith, Germantown), Robert P. Smith's residence (below Grumblethorpe, Germantown), The Cedars (Whitall family summer home, Haddonfield, N.J.), and The “Mansion” at Millville, New Jersey ("Lloyd Logan Smith's birthplace"). Other portraiture includes group portraits showing the Haverford and Bryn Mawr Classes of 1885, "The Spices" cooking Club, "The Band of Cousins, a wedding banquet, and the Grange (London, England). Album also contains photographs showing family treks to Wyoming and Yellowstone (1879 and 1881); "H[annah] W. S[mith] at her table in 1315 Filbert St. Phila. Writing Life of John M. Whitall"; and a full-length silhouette of Robert P. Smith's daughter Gulielma who died in childhood., Sitters include John Jay and Rachel Collins Pearsall Smith; their children and their spouses Lloyd P. Smith; Robert Pearsall Smith and his wife feminist evangelical Hannah Whitall; Horace J. Smith and his wife Margaret L.; and Elizabeth P. Smith; their grandchildren Mary Whitall, Alice (Alys) Whitall (wife of philosopher Bertrand Russell), Ray Pearsall, and Lloyd Logan Smith; members of the Whitall and Thomas families (R.P. Smith in-laws and relatives of M. Carey Thomas); and Haverford students and other young Quakers, including William. S. Hilles; Charles Baily; Emma and Patty Mellor; Birdee Shoemaker; Carrie Cope; Katie Stokes; and Annie Bacon., Brown cloth binding., Damaged morocco label on front cover: Por[traits].... &c. Vol., Majority of contents identified by inscriptions on album page., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album housed in phase box with index to sitters., John Jay Smith, Quaker editor and librarian of the Library Company of Philadelphia married Rachel Collins Pearsall Smith, granddaugher of noted Quaker printer Isaac Collins on April 12, 1821. The couple had six children: Lloyd Pearsall Smith, librarian of the Library Company; Albanus Smith (1823-1842); Robert Pearsall Smith, printer, businessman, and evangelical leader; Gulielma Smith (died in childhood); Horace J. Smith, agriculturist and author; and Elizabeth Pearsall Smith, editor of "Recollections of John Jay Smith." Richard P. Smith was a proprietor of Whitall, Tatum & Co. glass manufactory in New Jersey during the 1860s. He and his brother Horace J. relocated to England in the later 19th century.
Date: ca. 1856-ca. 1885
Location: Library Company of Philadelphia | Print Department albums [P.2008.15]

Title: [Collection of portraits]
Description: Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.
Date: [ca. 1855-ca. 1885]
Location: Library Company of Philadelphia | Print Department albums [Uz 3 10536.Q]

Title: [J. & P. Coat's thread trade cards]
Description: Series of trade cards promoting J.&. P. Coats thread and depicting men, women and children performing a variety of activities with the thread, including a white girl swinging on a tree swing; a white man fishing in a stream while a white woman watches; and several white children pretending to be a horse team. Includes a large frog on a riverbank. "So do my sisters and my cousins and my aunts!" depicts an older white woman carrying packages. "Gulliver and the Lilliputians" based on Jonathan Swift's "Gulliver's Travels" shows an oversized Gulliver being tied down with thread by the Lilliputians. "That's the kind! Bring me some more" depicts an older white woman inspecting different colored spools of thread in a box held up by a white boy. "Ef dis don't fetch you nothing will" depicts an African American man and woman, portrayed in racist caricature, trying to tame a donkey. In the left, the woman, attired in a white bonnet with a red ribbon, a red shirt, a blue scarf, a yellow shirt, a white apron, and gray shoes, uses thread from an enormous J. & P. Coats spool to pull on the bridle on the donkey, who pulls back with its mouth open. Behind the donkey, the man stands, attired in a brown, brimmed hat, a red shirt, blue plaid pants, and blue shoes, who holds a rope in his left hand and scratches his head with his left hand. "We never fade!" depicts an African American boy, portrayed in racist caricature, sitting on an oversized spool of thread in a field. Shows the boy seated and with his legs straddling a giant spool of black thread. He says “we never fade!!” and points his finger at the sun, which has a face and a concerned expression with a downward turned mouth. The boy is barefoot and attired in a white collared shirt with the sleeves rolled up to the elbows; a multi-colored tie and belt; and red pants rolled up to the knees. In the foreground, two black crows look at the thread. A house is visible in the right background., Brothers James Coats, Jr. (1803-1845) and Peter Coats (1808-1890) established the firm J.&P. Coats, a thread manufactory. Their brother Thomas Coats (1809-1883) joined the firm soon after. By 1840, three quarters of the British company’s business was with the United States. In 1896, the firm merged with thread manufacturer Clark & Co. and formed J. & P. Coats, Ltd. In 2015, the firm was renamed, “Coats Group.”, Title supplied by cataloger., Five prints printed by E. Ketterlinus & Co., Ten prints contain advertising text printed on versos, including promotions for J. & P. Coat's best six cord, soft finish spool cotton; a table of needle and thread numbers; a calendar for 1880; and a description of "Gulliver and the Lilliputians" illustration (on recto of print 1975.F.220)., Gift of Emily Phillips, 1883. Purchase 1999. Purchase 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Coats [1975.F.123; 1975.F.126; 1975.F.133; 1975.F.150; 1975.F.157; 1975.F.193; 1975.F.195; 1975.F.220; 69211.D; P.9743; P.9984.4]

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

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