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Title: Imperméables, Au Roi du Caoutchouc
Description: Racist trade card promoting Roi du Caoutchouc's trench coats and depicting a bust-length portrait caricature of a fashionable black man. The man is depicted with exaggerated facial features, including a broad smile and long eye lashes. He is attired in a gold, bejeweled crown; gold hoop earrings; a trench coat with the collar raised; and gray turtleneck. Roi du Caoutchouc was a Belgium manufacturer of raincoats and trenchcoats in business originally in the 1920s. Leopold Trepper, a Polish Soviet intelligence agent, acquired the company in 1938 and launched a Brussels operation that expanded into an import-export business called the Foreign Excellent Trenchcoat Company. Trepper used the firm as a front for espionage. In 1940, during World War II, the Germans assumed control of the company., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business., Text printed on recto: Imperméables, Au Roi du Caoutchouc., Advertising text printed on verso: Trouver mieux? Impossible! Les imperméables et gabardines au roi du caoutchouc sont reconnus les meilleurs, les plus élégants, les moins chers. Apercu de quelques prix: Imperméables très solides depuis 45 frs. Trench-coats entièrement doublés et huilés depuis 75 frs. Gabardines entièrement doublées 1/2 soie depuis 95 frs. 55 succursales en Belgique. Bruxelles 103, Boulevard Ad. Max. 161, Chaussée de Waterloo. 141, Rue haute. 51, Rue de Flandre. 15, Chaussée de Louvain. Translation of advertising text: Find better? Impossible! The rubber king's raincoats and garbardines are recognized as the best, the most elegant, the cheapest. Preview of some prices: Very solid waterproofs for 45 frs. Trench-coats fully lined and oiled for 75 frs. Gabardines fully lined 1/2 silk for 95 frs. 55 branches in Belgium. Brussels 103, Boulevard Ad. Max. 161, Waterloo Causeway. 141 High Street. 51 Flanders Street. 15, Leuven Causeway., Gift of David Doret.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Au Roi du Caoutchouc [P.2017.95.9]

Title: Immediate emancipation illustrated
Description: Critical satire of the American Anti-Slavery Society, which was founded on the principle of immediate abolition by Arthur Tappan and William Lloyd Garrison, who are depicted discussing the society's principles with an unnamed abolitionist, possibly Lewis Tappan. Above their heads is the banner "Anti Slavery Society Founded Anno Domini MDCCCXXXIII." The seated Garrison comments on the origin of the bundle of Italian linen at his feet, which is to be used for his newspaper "the Emancipator." In the right, the figure of a leopard rests upon a pedestal marked "Fanaticism. Brought the Inquisition upon Spain. Beggary upon Italy. And may drench America in blood!!" (an allusion to the idiom a leopard cannot change its spots and to the Spain and the Iberian War, 1807-1814). In the left, a Black man, labeled "Emancipated Slave," is portrayed in racist caricature and is naked except for a leaves wrapped around his waist. He chases an insect calling, "Food," while carrying a knife. In the background, a scene labeled "Insurection (sic) in St. Domingo! Cruelty, Lust, and blood!" depicts Black people using swords and axes to kill white people, including a white woman on the ground. A building burns behind them., Title from item., Date supplied by Weitenkampf., Probably the "A Caricature" cited in the Emancipator (New York, N.Y.), October 19, 1833 and Liberator (Boston, Mass.), November 2, 1833., The "Emancipated Slave" figure is similar to the figure depicted in the lithograph by Alfred Ducôte, "An Emancipated Negro" ([London]: Thomas McLean, 1833). Copies in the collections of National Maritime Museum, Greenwich, London and the Victoria & Albert Museum, London., Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1833 - 27W [P.9140]

Title: "I'm a farder"
Description: Set of four collecting cards depicting racist caricatures of African Americans to satirize fatherhood and the question of paternity. Titles are in the vernacular. Includes "I'm a Farder" showing a dapperly-dressed African American man, attired in a white collared shirt, a red tie, a gray waistcoat, a blue jacket, and blue-and-white striped pants. He talks to his "Aunty," an African American woman, attired in a red and yellow head kerchief, hoop earrings, a green and red shawl, a red dress, and a white apron, and holding her hands to her chest; "Aunty Says Der Am Two" showing the man with a sheepish look and his hands in his pockets while "Aunty" smiles; "And Dat One Am kinder White" showing the man aghast and standing straight up as "Aunty" holds out her hands in a near gesture of comfort; and "If Dat Chile Dont Change Color Der'l Be Trouble in Dis Yer Fam'ly" showing the man forlorn, hands in pockets, and looking down at this two infants being held by "Aunty" in her lap, while she sits in a chair under a placard reading "Bless Our Home." The baby in the left has a dark skin tone, and the baby in the right has a light skin tone., Copyrighted., Title from item., Date inferred from content., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.23.1-4]

Title: Illinois State Building.
Description: Several men and women sit and stand on porch and in front of building with shrubs in foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.10e]

Title: Ice Yacht - Machinery Hall
Description: Interior view of Machinery Hall. Depicts a very large boat, known as the Ice Yacht, with white sails extending to the rafters of the Hall. People are seen walking at the base of the boat.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21e]

Title: The Hunters three and O.N.T
Description: Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]

Title: The Hottentots butcher ; The Hottentot mat-maker, potter & c
Description: Engravings accompany Chapter XIX, "Of certain Handy-Crafts the Hottentots exercise among themselves." In the foreground of the top image, two pairs of Hottentot [i.e. Khoikhoin] men work separately to butcher two oxen. In the left background, two other men butcher a sheep. A fourth pair boils water in cauldrons; and two others (right) hold the entrails of another animal. The bottom image shows several Hottentot mat-makers and a potter, all of whom appear to be women. (As Kolb wrote, the mat-makers "are, for the most Part, women: And they are very expert in their Business." [p. 236]) In the engraving, the mat-makers are involved in various stages of production: one background figure cuts the reeds out of which the mats will be woven; another woman carries the reeds, and yet another (slightly left of center) lays them on the ground to dry. The woman sitting on the partially finished mat is most likely weaving. In the foreground, a mat-maker strips reeds, while a potter makes a bowl. Several small pots are shown on the ground., Page from Peter Kolb's The Present State of the Cape of Good Hope (London: Printed for W. Innys and R. Manby, at the west end of St. Paul's, MDCCXXXVIII [1738]), vol. 1, p. 226., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1738]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Kolb 532.O v 1 p 226, https://digital.librarycompany.org/islandora/object/Islandora%3A2920

Title: Hottentote
Description: Image of a young Hottentot (i.e., Khoikhoi) woman whom Le Vaillant met during his travels. The woman wears typical Khoikhoi dress: namely, a cape made from sheep or badger's skin. She does not, however, wear the customary fur loin-cloth -- an oversight allowing the illustrator to show her genitalia. Like many Khoikhoi women (including Saarti Baartman, the so-called "Hottentot Venus," who was crudely "exhibited" to European audiences in the early nineteenth century), the woman shown here has a "vagina dentata," which Le Vaillant described as a "natural apron." (See the English translation of Le Vaillant, Travels into the Interior Parts of Africa [London: Printed for G.G. and J. Robinson, Paternoster-Row, 1796], vol. 2, p. 353), Plate in François Le Vaillant's Voyage de Monsieur Le Vaillant dans l'intérieur de l'Afrique par le Cap de Bonne-Espérance: dans les Années 1780, 81, 82, 83, 84 & 85 (A Paris: Chez Leroy, Libraire, rue Saint-Jacques; vis-à-vis celle de la Parcheminerie, no. 15, M.DCC.LXXXX [1790]), vol. 2, p. 346., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1790]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Leva 1790 9861.O v 2 p 346, https://digital.librarycompany.org/islandora/object/Islandora%3A2924

Title: Le Hottentot
Description: Portrait image of Klaas, a young Hottentot (i.e., Khoikhoi), who accompanied Le Vaillant during parts of his voyage. According to the text, the engraving was done after a sketch by Vaillant. Klass is dressed in the typical Khoikhoi fashion: he wears a fur loin-cloth, a cape made from sheep or badger's skin (with the woolly side inward), and a lamb-skin cap. It appears that he also wears animal innards around his neck and legs, as was customary among the Khoikhoin. A good description of their dress can be found in John Ogilby's Africa: Being an Accurate Description of the Regions of Aegypt, Barbary, Lybia, and Billedulgerid (London: 1670), p. 590-591., Plate in François Le Vaillant's Voyage de Monsieur Le Vaillant dans l'intérieur de l'Afrique par le Cap de Bonne-Espérance: dans les Années 1780, 81, 82, 83, 84 & 85 (A Paris: Chez Leroy, Libraire, rue Saint-Jacques; vis-à-vis celle de la Parcheminerie, no. 15, M.DCC.LXXXX [1790]), vol. 1, p. 212., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1790]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri Leva 1790 9861.O v 1 p 212, https://digital.librarycompany.org/islandora/object/Islandora%3A2923

Title: Horticultural Hall, Interior.
Description: Interior view along side of the hall showing plants, trees, urns, statues, and benches on the walkway. Also shows a seated man.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.34b]

Title: Horticultural Hall from Municipal Building
Description: Exterior view looking south west of building and grounds. Shows flower beds, paths, trees, and a man standing on a pathway.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.29f]

Title: Horticultural Hall, East front.
Description: Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.9037.13.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.8700.7]

Title: Horticultural Hall, East front.
Description: Artist: The Mott Fountain -- J.L. Mott Iron Works, New York. Exterior of Horticultural Hall with the Mott fountain and a horse and carriage in front. Sculptures of children, angels, and women decorate the fountain. Item is identical to P.8700.7.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9037.13]

Title: Horticultural Hall.
Description: Exterior frontal view of building and grounds. Shows flower beds, paths, trees, and a man posing next to a potted plant.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.29a]

Title: Horticultural Building West Front.
Description: Exterior view along western side showing the entrances on first and second levels, windows, and ornate details of the facade. Three men stand near the entrance.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.31d]

Title: Horticultural Building - S.W. Forcing Room.
Description: Interior view showing potted plants of various sizes on two long tables with a center walkway. Also shows a man facing the left table, hoses, and water on the floor.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.36a]

Title: Horticultural Building - S. E. Forcing Room - March.
Description: Interior view of Horticultural Hall showing potted plants of various sizes on two long tables with a center walkway. Also shows a man facing the left table, and water on the floor.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.37c]

Title: Here is a picture of some slaves at work Reward of merit. This may certify that [Mr. George Snow] by diligence and attention to study, merits the approbation of [his] friends and teacher
Description: School token illustrated with a scene showing enslaved men and women working in a tobacco field near a shack. In the right, three younger enslaved men hoe and gather a bundle of tobacco. In the left, an enslaved man stands and converses with an enslaved woman, seated on a bale. They each hold the handles of farming implements. A large sack and crate rest to the left of the bale. In the left background, an enslaved woman stands in the doorway of the shack. Wooden buildings and harvested fields are visible in the right background. The young men wear short sleeves and shorts. The women wear dresses and the man wears short sleeves and pants. Rewards of merit were popular with teachers during the 19th century and were given to reward students who had excelled in their school work. The addition of pictures made a reward of merit card a more special acknowledgement of a pupil’s success., Title from illustration caption and text printed on verso., Date inferred from content of image and graphic medium., Verso contains decorative border surrounding the text., Purchased with the Davida T. Deutsch African American History Fund., Illustrated in Patricia Fenn and Alfred Malpa, Rewards of merit (Charlottesville, Va.: Ephemera Society of America, 1994), 118., Description revised 2021., Access points revised 2021., RVCDC
Date: [ca. 1830- ca. 1850]
Location: Library Company of Philadelphia | Print Department Rewards of Merit - Slaves [118555.D]

Title: An heir to the throne, or the next Republican candidate
Description: Racist cartoon using African American side-show performer William Henry Johnson to lampoon the extent to which the Republican party supported the rights of African Americans as a part of their Election Platform of 1860. In the left, depicts editor of the Tribune, Horace Greeley, who says, "Gentlemen, allow me to introduce to you, this illustrious individual in whom you will find combined, all the graces, and virtues of Black Republicanism, and whom we propose to run as our next Candidate for the Presidency." In the center, Johnson, depicted with a bald and tapered head and attired in a long-sleeved shirt, shorts, and black shoes, leans on the spear that he holds in both hands and asks in the vernacular, "What, can dey be?" In the right, candidate Abraham Lincoln leans on a rail and says, "How fortunate! that this intellectual and noble creature should have been discovered just at this time, to prove to the world the superiority of the Colored over the Anglo Saxon race, he will be a worthy successor to carry out the policy which I shall inaugurate." In the background is a poster that reads, "Barnum’s What is it. Now exhibiting." William Henry Johnson was born in Liberty Corners, New Jersey to William and Mahalia Johnson, who were formerly enslaved. As Johnson’s head was smaller and sloped, agents from van Emburgh's Circus in New Jersey exhibited him with a story that he was caught in Africa and was a "missing link." P.T. Barnum then exhibited him with the names "Zip the Pinhead" and "What is it.", Probably drawn by Louis Maurer., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1860, by Currier & Ives, in the Clerk's office of the District Court for the Southn Distt of N.Y., Accessioned 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1860
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1860-33R [7922.F]

Title: [Haverford College] Class of '88
Description: Glass negative showing the Haverford College class of 1888, a large group of young men posed in rows on a set of steps at the residential hall, Barclay Hall. Some hold cricket bats and racquets. The back row stands while the front two rows sit on the steps. Some of the men hold racquets and cricket bats. They wear three-piece suits and hats. Barclay Hall was built in 1877 to expand the living quarters of Haverford College, originally founded in 1833., Time: 2:45, Light: Same light as 612. Good light, sun out on other side of the house., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: June 2, 1885
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.613]

Title: [Haverford] Class of '88 on front steps of Barclay Hall
Description: Glass negative showing the Haverford College class of 1888, a large group of young men posed in rows on a set of steps at the residential hall, Barclay Hall. Some hold cricket bats and racquets. The back row stands while the front two rows sit on the steps. Some of the men hold racquets and cricket bats. They wear three-piece suits and hats. Barclay Hall was built in 1877 to expand the living quarters of Haverford College, originally founded in 1833., Time: 2:40, Light: Good light, sun out on other side of the house., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: June 2, 1885
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.612]

Title: The happy negro
Description: Satiric print depicting a "happy" enslaved family in a tropical setting, probably the West Indies. Shows an enslaved man strumming his banjo seated next to his wife and child near palm trees and a flower bush. A dog sleeps near its bowl at their feet and grass-roofed huts are visible in the background. Also contains prose below the image comparing and contrasting the white man's and enslaved person's joys and cares. The white man "full of care, has heart no light, he great deal want, he little get, he sorry, so he fret" whereas the negro 'hub no care, heart is light, me tink not what tomorrow bring, me happy so me sing.", Holland published a series of cartoons critical of the decadence of the West Indies plantation society of the early 19th century., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2005, p. 62-65., Purchase 2005., Description revised 2021., Access points revised 2021., RVCDC
Date: [August] 1 1810
Location: Library Company of Philadelphia | Print Department political cartoons - 1808-Hap [P.2005.28.3]

Title: Guns in Front of [U.S.] Government Building
Description: View of guns, cannons, and various artillery in front of the Government Building. The weapons are depicted on the right side of the photograph, next to a long stretch of road leading to the Government Building. On the left side of the road is a park with people walk along the paths.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.16a]

Title: Guns in Front of Government Building
Description: View of guns, cannons, and various artillery along road in front of U.S. Government Building. Depicted in the scene are people partaking in tasks and a horse tied to a fence. Also shown are many trees in the background.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.16c]

Title: Grover's Theatre Pennsylvania Avenue, near Willard's Hotel Leonard Grover, director also, of Grover's Chestnut St. Theatre, Philadelphia. Wednesday evening, April 20, 1864, Boucicault's great American drama The octoroon! The entire press speak of this great drama of Louisiana life in the most generous terms. ... Koppitz and the grand orchestra will render the beautiful music of the drama. To-morrow, Thursday, April 21, most positively the last time of Colleen Bawn Prices of admission: Dress circle or parquet 50 cents Family circle 25 cents Orchestra seats 75 cents
Description: Members of the cast: George H. Andrews, Mrs. M.A. Chapman, W.A. Chapman, W.A. Donaldson, L.H. Everett, J.B. Evers, H. Forrest, Jane Andrews Germon, Sophy Gimber, Walter Lennox, J. Matthews, Miss Miller, G.W. Mitchell, Frank Mordaunt, Mrs. Mordaunt, Harry Pearson, Miss Porter, Miss S. Schenck, Annie Ward, James T. Ward, Joseph Whiting, and Mr. Wilson., The printed area, including double-rule border, measures 54.9 x 19.7 cm., Illustration signed: Adrian-Probasco Phila., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Grover's Theatre (Washington, D.C.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Grover 1864 (26)5761.F.19a (McAllister)

Title: Grover's Theatre Pennsylvania Avenue, near Willard's Hotel Leonard Grover, director also, of Grover's Chestnut St. Theatre, Philadelphia. This Friday evening, April 22, 1864 last time, most positively, of Grover's great Philadelphia company This great company will appear again this evening in Boucicault's great American drama The octoroon The entire press speak of this great drama of Louisiana life in the most generous terms. ... Koppitz and the grand orchestra will render the beautiful music of the drama. Saturday, April 23d, grand festival in commemoration of Shakspere 300dth anniversary of his birth. 3d anniversary of the opening of Grover's Theatre. Third annual benefit of Leonard Grover! ... Seats may be secured immediately, no extra charge. Monday, April 25th, the great tragic alliance--Davenport, Wallack & Mrs. Farren Othello. Prices of admission: Dress circle or parquet 50 cents Family circle 25 cents Orchestra seats 75 cents
Description: Members of the cast: George H. Andrews, Mrs. M.A. Chapman, W.A. Chapman, W.A. Donaldson, L.H. Everett, J.B. Evers, H. Forrest, Jane Andrews Germon, Sophy Gimber, Walter Lennox, J. Matthews, Miss Miller, G.W. Mitchell, Frank Mordaunt, Mrs. Mordaunt, Harry Pearson, Miss Porter, Miss S. Schenck, Annie Ward, James T. Ward, Joseph Whiting, and Mr. Wilson., The printed area, including double-rule border, measures 55.1 x 19.8 cm., Illustration signed: Adrian-Probasco Phila., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Grover's Theatre (Washington, D.C.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Grover 1864 (26)5761.F.21a (McAllister)

Title: [Group on riverbank, Browns Mills, NJ with Photographic Society]
Description: Photograph from a series of photographs taken by Morris during his excursion to Brown Mills, N.J. with the Photographic Society of Philadelphia. Shows a group of people gathered on an unidentified riverbank next to a narrow dirt path. Trees and other foliage grow on small islands in the middle of the river. The Photographic Society of Philadelphia was founded in 1860 to promote the techniques and art of photography. Morris was a member of the Society by 1885., Photograph from negative number P.2013.13.458., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: May 21, 1927
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.655]

Title: [Group on riverbank], Browns Mills, [NJ] with Photo[graphic] Society
Description: Film negative from a series of photographs taken by Morris during his excursion to Brown Mills, N.J. with the Photographic Society of Philadelphia. Shows a group of people gathered on an unidentified riverbank next to a narrow dirt path. Trees and other foliage grow on small islands in the middle of the river. The Photographic Society of Philadelphia was founded in 1860 to promote the techniques and art of photography. Morris was a member of the Society by 1885., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: May 21, 1927
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.458]

Title: [Group near the water], G[erman]t[ow]n Boys' Club, Stone Harbor Camp, [NJ]
Description: Film negative showing a group of men, women, and boys from the Germantown Boys' Club gathered near the water at Stone Harbor. Three flags fly among the group. The opposite shore stretches across the horizon. Founded in 1887, the Boys’ Parlors Association of Germantown served as a safe space for neighborhood children whose parents worked longer hours in an industrializing city. The name changed in 1907 to the Germantown Boys’ Club after joining ranks with the Boys and Girls Clubs of America. Marriott Canby Morris served as the president of the club in the first decade of the 1900s., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: July 26, 1911
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2013.13.420]

Title: Group at back door of Founder's. Prof[essor] Sharpless' 3 children, [Helen, Amy and Fredric], & Eddie Thomas, [Haverford College]
Description: Glass negative showing Professor Isaac Sharpless' three children, Helen, Amy Cope, and Fredric Sharpless, and Professor Allen Clapp Thomas' son Eddie Thomas (Haverford College class of 1897), posed in a doorway at Founder's Hall. Thomas stands in the back and while the Sharpless children sit on the step. Isaac Sharpless was a Quaker mathematician and astronomer at Haverford College (founded 1833). He served as Dean of Haverford College from 1884 to 1887, and then president from 1887 to 1917. Allen Thomas graduated from Haverford College in 1865 and returned as an instructor in 1878. After getting his masters in history in 1882, he continued as a professor of rhetoric and history until 1909. He also worked extensively with the library until 1912. Founders Hall, built in 1833, was the first building of the Haverford School, later College. It served as the only living and learning quarters of the College until 1877 when Barclay Hall was built., Time: 11:15, Light: Fair sun out., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 6, 1885
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.513]

Title: A grand slave hunt, or trial of speed for the presidency, between celebrated nags Black Dan, Lewis Cass, and Haynau
Description: Cartoon criticizing presidential candidates Daniel Webster (i.e., Black Dan) and Lewis Cass's avid support for the enforcement of the Fugitive Slave Law during the election of 1852. Shows Webster, carrying a copy of the Fugitive Slave Law and a flag, leading a group of white men, including the lagging Michigan Senator Lewis Cass; the infamously cruel Hungarian General Baron Haynau with a pitcher of "Barclay Best" on his head (a symbolic reference to the brewery workers who attacked him in England); and President Millard Fillmore holding a Fugitive Slave Bill. They pursue an enslaved African American woman who runs clutching a baby in her arms and holding the hand of her young son. Additional figures in the background include Horace Mann, Massachusetts Congressman and opponent of the Compromise of 1850; an orator resembling Webster bombasting Mann before a group of kneeling white men admirers; a preaching white man minister with Bible in hand; and an African American woman freedom seeker with her child being tugged between a yelling man and a white man mercenary carrying handcuffs., Title from item., Date of publication supplied by Weitenkampf., Purchase 1967., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1852]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1852-7W [P.9676]

Title: Gold $100,000,000
Description: A stout man has an inflated torso with "GOLD $100,000,000" written across it. The border features a woman embracing; the pair resemble Commedia dell'arate characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: The man who is made of money / Need never be pleasant nor funny, / Nor handsome, nor winsome, nor good, / Nor with piety deeply imbued. / He may go through the world as he pleases, / Caring not how he elbows and squeezes; / He may duty despise or forget; / He may bluster and bully; and yet / Folks will say he's as sweet as honey-- / Because he is made of money., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Go to Edelman's for your kid gloves, zephyrs, ribbons and hosiery, 335 Northampton St., Easton, PA
Description: Trade card promoting Edelman's store and depicting a satiric, racist caricature of an older African American man misunderstanding an operator to whom he speaks on a wall-mounted telephone. He faces the viewer, leans against the wall, and remarks in vernacular speech "dis chile's rich...dis man... gib me de city hall." The man is balding and has tufts of hair on the sides of his head. He has a white beard and is attired in a beige coat, an undersized, green vest with buttons, and blue plaid pants rolled up at the bottom exposing his socks and black shoes. On the ground beside his feet is a banjo and brimmed hat. M.A. Edelman had a shoe store on 146 Northampton Street, Easton, PA circa 1871. Circa 1880s, he opened a store selling women's accessories on 335 Northampton Street., Title from item., Publication information from copyright statement: Copyright 1883 by J H. Bufford's Sons., Text printed on recto: Golly! I guess dis chile's rich- dis man him say wait a minute and him gib me de city hall., Gift of David Doret.
Date: 1883
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Edelman [P.2017.95.54]

Title: Girard slave pens
Description: Exterior view of the entranceway to stone pens for the purpose of incarcerating enslaved persons of Philadelphia banker, financier, and Louisiana plantation owner, Stephen Girard. Shows a wooden ladder leading to an open door. In the right are two windows covered in bars. Below are two covered basements windows with a wooden crate leaning against the one in the left. The dilapidated walls show exposed brick., Title from negative sleeve., Photographer's imprint inscribed on negative., Negative cracked., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: [1894]
Location: Library Company of Philadelphia | Print Department Jennings - glass negatives [P.9480.50]

Title: [Georgine E. Upshur Willis collection]
Description: Collection of primarily 20th-century photographs, ephemera, manuscript and textual materials related to trained undertaker Georgine Upshur Willis and her extended family, including descendants of the African American middle-class Stevens-Cogdell and Sanders-Venning families. Majority of collection is photographs, studio and professional portraits, as well as snapshots of Georgine E. Upshur Willis and her parents Agnes S. Upshur, a teacher, and William A. Upshur, an undertaker and Pennsylvania State representative, at various ages and dating between the 1920s and early 1970s. Includes images of Georgine as a baby, with her parents and grandparents (Charles Sanders Chew and Georgine Saunders Chew), at her coming out party, in her University of Pennsylvania college yearbook and graduation photograph, and several group portrait photographs, predominately dating to the late 1940s and early 1950s. Group portrait photographs include views of Georgine in costume in a 1934 Book Week Play, at her 1949 engagement party and wedding to anthropologist and ethnohistorian William Willis, Jr., recreating in Atlantic City, at holiday events, and at other friends and family gatherings. William A. Upshur portraits include a photograph of his meeting with Richard Nixon at the 1960 GOP Convention. Several of the professional photographs were taken by African American photographers, including John Gaston Devigne, Frank W. Harris, Jr., and John W. Mosley. Photographs also depict an 1890 group portrait, including Rennie and Sallie Venning (Holden) (P.2022.16.41), at an outside location; a modern reproduction of a portrait of Charles S. Chew (Georgine Upshur’s grandfather); a circa 1920s portrait of an unidentified woman and her baby; and two circa 1950 color photographs of landscape views of Fisher’s Island, N.Y., Ephemera materials are comprised of postcards, invitations and announcements, certificates, programs, and scraps dated predominately between the 1920s and 1950. The materials include a circa 1930 Gorges Du Loup postcard booklet; postcards addressed to Mrs. Julia Venning or Mr. and Mrs. George Venning containing views of Philadelphia, San Francisco, and Wildwood, N.J.; invitations/announcements to the 1921 Henpeck’s Annual Ball (William B. Holden, Committee President), Georgine E. Upshurs high school and college graduations, and the 1921 wedding of Cordelia Sanders and Dr. Dehaven Hinkson; University of Pennsylvania Bachelor of Arts diploma issued to Georgine Elizabeth Upshur, 1943; ca. 1939 program for Georgine E. Upshur’s induction into the Sophrosyne Chapter of The National Honor Society; and the 1950 program for Dr. Eric Reiss presents for The Blockley Medical Society Philadelphia General Hospital “Osler Slept Here.”, Manuscript and related materials primarily contain correspondence and newspaper clippings dated between the 1920s and 1950s. Correspondence includes a 1928 letter to William B. Holden about the “charges of the moral character of your Rector” of the Church of the Crucifixion; a 1938 and 1942 letter about Georgine E. Upshur, respectively, being elected to the honor society and nomination for membership in the University of Pennsylvania Delta Chapter of the National Social Science Honor Society, Pi Gamma Mu; and a 1942 letter from the City of Philadelphia Department of Public Welfare, Bureau of Recreation about swimming training. Newspaper clippings relate to the 1921 engagement and wedding of Cordelia Sanders Chew and Dr. Dehaven Hinkson; Georgine Upshur and a Y.W.C.A. baby contest, her Philadelphia High School for Girls graduation and coming out parties, and passing of the state mortician’s exam circa 1949; the 1930 musical recital of Georgine E. Upshur’s maternal aunt Mary Saunders Patterson; the 1954 death of Charles S. Chew accompanied by mourning cards and a pressed flower; and the death of the Hinkson’s dog Patchy accompanied by a plot receipt and business card for the Cheltenham Pet Cemetery. A 1932 "My Trip Abroad" day journal of Agnes C. Upshur, including an insert of her passport with a passport photograph of her and young daughter Georgine E. Upshur also comprises the manuscript material. The trip to Europe, included visits to Paris, Genoa, Florence, Venice, and Geneva., Collection also includes “Diary of the Women of the Class of 1943, University of Pennsylvania, The 1943 Almanack” containing inserts of correspondence, documents, and programs related to Georgine E. Upshur’s college education at University of Pennsylvania; The Philadelphia Inquirer Sunday Magazine, Civil War Issue, April 9, 1961; and The Saturday Evening Post, November 10, 1962 issue with mailing label for Dr. DeHaven Hinkson., Title supplied by cataloger., Date inferred from content., Photographers include Gaston Devigne, Harper, Frank W. Harris, Jr., John W. Mosley, Dan E. Paul, and Albert Sexton., RVCDC, See Lib. Company. Annual Report, 1991, p. 26-31., Gift of descendant Cordelia H. Brown in honor of Phil Lapsansky., See LCP exhibit catalogue: African American Miscellany p. 45., Genealogical charts available at repository., Descriptive inventory, including with names of portrait sitters, available at repository., Reference copies and miscellaneous related materials located with collection., Digital catalog record includes select images from the collection.
Date: [1890-ca. 1990, bulk ca. 1921-ca. 1950]
Location: Library Company of Philadelphia | Print Department Stevens-Cogdell/Sanders Venning Collection - Upshur Willis Collection [P.2022.16]

Title: Geo. W. Taylor, n.w. cor. of Fifth and Cherry Streets, Philadelphia, manufacturer and vendor of free labor dry goods. Wholesale and retail free labor warehouse. Free labor groceries for sale
Description: Business card with printed type for the member of the Philadelphia Free Produce Association of Friends. Taylor, a Quaker, operated a textile mill that used only non-enslaved cotton as part of the Free Labor Movement. The movement active from the 1790s to the end of the Civil War advocated the boycott of goods produced by enslaved labor., Title from item., Date from manuscript note on verso: E.C. Knight & Co. 2 Bags Java Coffee for Geo. W. Taylor 11/21 '64., Originally part of the Library Company of Philadelphia Miscellaneous Ephemera Collection., Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department trade card - T [P.2012.9.7]

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: General view of state buildings.
Description: Connecticut Building architect: D.R. Brown, from a design by Donald G. Mitchell. Five state buildings, Saint George's House (British) and a comfort station in a row with man standing on railroad tracks. American flag flies in front of the New York Building and benches are on the path. Obscured views of Delaware and Maryland Buildings.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.12b]

Title: General view of German section - Main Building.
Description: Exhibit titles: Hart, Son, Peard, & Co., London, Exhibit #115;Gebhard & Co., Elberfeld, Exhibit #201; Elkinston [sic] & Co., Birmingham, Exhibt #134; Royal Porcelain Works, Berlin, Exhibit #89. Overview of the German section in Main Building. In the foreground are silks, satins, and ceramics. People seated on benches in aisle, sign for Great Britian section visible.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9089.2]

Title: Gannett, Deborah Sampson, 1760-1827
Description: In The female review: or, memoirs of an American young lady; whose life and character are peculiarly distinguished-- being a Continental soldier, for nearly three years, in the late American war (Dedham, 1797), frontispiece., Gannett dressed as a man in order to serve in the Continental Army during the Revolutionary War., "I shall here notice a heroic deed of this gallantress; which, while it deserves the applause of every patriot and veteran, must chill the blood of the tender and sensible female. Two bastion redoubts of the enemy having advanced two hundred yards on the left, which checked the progress of the combined forces, it was proposed to reduce them by storm. To inspire emulation in the troops, the reduction of one was committed to the Americans, and the other to the French. A select corps was chosen. The commander of the infantry was given to Fayette, with permission to manage as he pleased. He therefore ordered them to remember Cherry-Valley and New London Quarters, and to retaliate accordingly, by putting them to the sword, after having carried the redoubts. Our Heroine was one of these! At dark, they marched to the assault with unloaded arms, but with fixed bayonets; and with unexampled bravery, attacking on all sides at once, after some time of violent resistance, were complete victors of the redoubts."--P. 151-152., Bust-length portrait of Gannett, encircled by ornamental oval frame with decorative elements including eagle, flags, and foliage., Another portrait appears in Chapin, J.R. The historical picture gallery (Boston, 1856), p. 27., Another copy of portrait held in Graphic Arts [Portrait Prints - S [5750.F.29a]]. Copy reproduced in "In Disguise" online exhibition.
Date: 1797.
Location: http://librarycompany.org/crossdressing/section1.htm

Title: [Full-length portrait of an unidentified older woman seated in a wheelchair]
Description: Full-length, forward facing portrait of an unidentified older white woman, seated in a wheelchair positioned at a slight angle. Sitter has gray hair parted in the center and is attired in a dark-colored lace cap with lappets and a dark-colored, long-sleeved dress with a white collar. Her cheeks are tinted pink. She holds a book, with the spine towards the viewer, in her right hand on her lap. Her left arm is propped on the armrest. A small pouch-like bag hangs from the corner of the back of the wheelchair visible in the left of the image. The chair back is covered with a patterned cloth., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Pad: Red velvet with a leaf in the center and decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and leaf pattern in the center with leaves in the corners. Same design on verso.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo –unid sitter - ambro [P.2021.31]

Title: Franklin W. Kohler bicycling events 1884
Description: Scrapbook of local newspaper and sports periodical clippings compiled by competitive Philadelphia bicyclist Frank W. Kohler, predominantly about his cycling pursuits and achievements, and involvement with the Pennsylvania Bicycle Club. Clippings describe local and regional bicycle tournaments and meets, including the exhibition at Jumbo Park in South Philadelphia and the second annual meet of the Pennsylvania Division League of American Wheelmen (1884); time records broken by Kohler and his peers, including the "Lancaster Pike" (1886); Pennsylvania Bicycle Club cycling tours, including to Baltimore (1884), Niagara (1885), and upstate New York (1888); and the history of the Pennsylvania Bicycle Club. Also contains various bicycle club event and race programs (some annotated with times), including for the West Philadelphia Athletic Association and Buffalo Bicycle Club; prize ribbons; a sign up sheet for a two week tour to Dingman’s Ferry organized by Kohler in August 1888; a pencil sketch titled “The Way the Victors get There Moral. Buy a____?" showing a bicyclist and his bicycle in a horse-drawn wagon; an invitation to the 1888 opening of the new building of the Pennsylvania Bicycle Club (3940-42 Girard Avenue); menus for club banquets; and two inscribed photographs. Photographs show a group portrait of the club in front of the "Penna. Bicycle Club House Philada Pa. 1884 [sic]" at Girard Avenue and racers lined up to start the "2 mile race won by F.W. Kohler" in Fairmount Park on September 14, 1884., Other ephemera includes tickets to the Columbian Exposition (1893); golf score cards for Griffith Park, Los Angeles (1918); and an 1893 "Street Railway Review" article about Kohler and his brother G. A. (possibly the Albert Kohler cited in some clippings) managing the Eddy Electric Manufacturing Company. Articles clipped from the "L.A.W (League of American Wheelman) Bulletin"; "The Philadelphia Press"; and "The American Athlete." Authors include Ninon Neckar., Title from plate on front cover., Brown morocco binding., Front free end paper inscribed: Bicycling., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report], p. 55-56., Binding in poor condition. Album housed in phase box., Frank W. Kohler (b. 1861), son of prominent Philadelphia bookbinder Ignatius Kohler (1817-1901), worked in his father's trade, was a premier amateur bicyclist, and member of the Pennsylvania Bicycle Club. Kohler served as First Lieutenant of the club founded in 1882 in West Philadelphia; held club speed records; and organized cycling tours of its members. By 1893, Kohler had relocated to Chicago and operated the Eddy Electric Manufacturing Company with his brother G. A. Kohler.
Creator: Kohler, Frank W., b. 1861
Date: 1884-1926, bulk 1884-1888
Location: Library Company of Philadelphia | Print Department albums - Kohler [P.9414]

Title: Foxy Granduncle's first mistake. How is that? Hello! Hello! Hello! Well, well, well! What's this?
Description: Metamorphic foldout trade card promoting "Imperial Metal Polish." Card composed to portray the perceived and actual scene viewed by an old man "Granduncle" looking through a peephole in a fence (completely folded). The perceived scene shows a bare bottom and a woman's feet (partially-folded). The actual scene shows a racily-attired young woman, smoking cigars, drinking, and seated on a hammock near a pig with his rear to the viewer (unfolded). Also contains the "Imperial" trademark label depicting an image of the world. Label captioned "Reg. U.S. Pat. Office.", Distributor's stamp on verso: Hainsworth Supply Co., 2247 N. 8th St., Phila., Registration Applied For., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.27]

Title: Fountain Avenue.
Description: View down Fountain Avenue of the Horticultural Grounds and Horticultural Hall with trees in the background. People on the walkways and the promenade of the building. In the foreground are flowers, shrubs, planters, and urns. To the right is a gazebo. Image is identical to P.9137.3.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9037.6]

Title: Fountain Avenue.
Description: View down Fountain Avenue of the Horticultural Grounds and Horticultural Hall with trees in the background. People on the walkways and the promenade of the building. In the foreground are flowers, shrubs, planters, and urns. To the right is a gazebo. Image is identical to P.9037.6.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: *Centennial - photos [P.9137.3]

Title: Floral Hall - Horticultural Building.
Description: Interior view showing walkway lined with plant urns. Also shows, trees, various plants, chandeliers, and two men.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.33d]

Title: The first day of the yam custom
Description: Depicts the annual yam festival, a large public ceremony held at the beginning of the yam harvest in September. It includes a vast and diverse array of figures: the King, his warriors, dancers, musicians, officers of the foreign mission, Moors, and various onlookers. Toward the center of the scene, the King sits underneath the state umbrella, which is bright red, topped by a golden elephant, and flanked by the flags of Great Britain, Holland, and Denmark. The children of the nobility sit at the King's feet, waving elephant tails. A procession of dancers approaches the King; those at the front beat skulls decorated with thyme. Farther to the left, a bloody prisoner is being led by two of the King's messengers. In the background, Odumata, an aged aristocrat, is being carried in the state hammock. At the extreme left, a group of captains dance in a circle, firing their guns. At the far right, a group of Moors watch the festivities. Closer to the center, officers of the mission can be seen. Their linguists sit in front of them; their soldiers and servants stand behind them., Fold-out plate in T. Edward Bowdich's Mission from Cape Coast Castle to Ashantee: with a Statistical Account of that Kingdom, and Geographical Notices of Other Parts of the Interior of Africa (London: J. Murray, Albemarle-Street: printed by W. Pulmer and Co., Cleveland-Row, St. James's, 1819), p. 274., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Creator: R. Havell & Son, engraver
Date: Dec. 2, 1818
Location: Library Company of Philadelphia | Books & Other Texts | Rare *U Afri Bowd 12983.Q p 274, https://digital.librarycompany.org/islandora/object/Islandora%3A2894

Title: "Father, I cannot tell a lie: I cut the tree"
Description: Genre scene of the fictitious moment when the young George Washington confesses to his father, Augustine, a plantation owner, that he cut a cherry tree on their Virginia plantation. Depicts Washington's father holding his son's hand and comforting him. George looks up at his father and points his left hand towards the cut tree in the right. On the ground is an ax and an upturned hat. In the background, an enslaved African American man plows the pasture with a team of oxen, and an enslaved African American man and woman couple stands near the gate of a cottage, probably their dwelling., Title from date., Date based on the active dates of engraver., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021.
Creator: McRae, John, engraver
Date: [1860]
Location: Library Company of Philadelphia | Print Department **GC - Washington [8384.F.16]

Title: Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
Description: Full-length portrait of the acclaimed girl emancipated from enslavement. Depicts Lawrence, attired in a lavish off-the-shoulder dress, seated, and holding a hat adorned with a ribbon and feathers in her lap. She is posed next to a basket and in front of a maritime backdrop. An outstretched drape covers her seat., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Purchase 2014., Description revised 2021., Access points revised 2021., See Kathleen Collin, "Portraits of slave children," History of photography 9 (July-September, 1985), p. 187-210.
Creator: Black, James Wallace, 1825-1896, photographer
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2014.13]

Title: Fannie Lawrence
Description: Full-length portrait of the acclaimed girl emancipated from enslavement. Freed in Virginia by military nurse Catherine S. Lawrence, Fannie was publicized as the "redeemed slave child" baptized by Henry Ward Beecher at age five at Plymouth Church in Brooklyn in May 1863. Depicts Lawrence, dressed in a fancy hat and cape, leaning against a balustrade., Probably by Boston photographer James Wallace Black., Title from manuscript note on verso., Dated based on the presented age of the sitter., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September, 1985), p. 187-210., Purchase 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.9194]

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