Advertisement, testimonials, and directions for use of Dr. Laroche's rheumatism pills, available from his agent, Dr. M. Lechleitner, in Lancaster, Pa., Dated from typographic evidence., Printed area measures 20.3 x 18.2 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Laroche, Dr.
Date
[between 1830 and 1850?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare #Am 1830 Laroche 15124.Q(Roughwood)
Advertisement, testimonials, and directions for use of Dr. Laroche's rheumatism pills, available from his agent, Dr. M. Lechleitner, in Lancaster, Pa., Dated from typographic evidence., Printed area measures 20.3 x 18.2 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Laroche, Dr.
Date
[between 1830 and 1850?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare #Am 1830 Laroche 15124.Q(Roughwood)
Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.
Date
[ca. 1855-ca. 1885]
Location
Library Company of Philadelphia | Print Department albums [Uz 3 10536.Q]
Illustrated trade card depicting a vignette of a foot., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Burdict [P.2006.20.21]
Illustrated trade card depicting a doctor checking the pulse of a sick man seated in an armchair and attired in a dressing gown and cap. A large bottle of medicine sits on a table next to the doctor., Advertising text printed on verso promotes Dr. Browning's C. & C. cordial for colds, asthmatic coughs, bronchitis croup, and for the relief of consumptives. Also promotes Dr. Browning's tonic and alternative, which "purifies the blood, enriches the blood, [and] improves the appetite." Also informs patrons of Browning's impending move from 1117 Arch Street to 1321 Arch Street after January 1st, 1881., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
1880
Location
Library Company of Philadelphia | Print Department trade card - Browning's [1975.F.75]
Half-length portrait of the physician and abolitionist, attired in a white shirt, a waistcoat, and a jacket with spectacles perched on his forehead, facing left. Atlee was a prominent Philadelphia physician and author who was active in the abolition movement., Title from printed signature of sitter below image., Dated based on the presented age of the sitter., Manuscript note on recto: When will this be ready for the press on Monday., Detailed manuscript notes, possibly by artist in a conversation with a hearing person, on verso about background and lightness of a print: John Carlin / I can make you another / Background with trees without / sky/ Without any work on it / any [Back?] I may make / will have much work on / account of the great size of / the Picture if you make / all sky much work / all trees / There is less work on [these?] / than any [other ?] Because / the Building is Light / you are all right / if you intend sending the Letter / you should be quick for else / you will lose much time / waiting, Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Albert Newsam (1809-1864) was a respected deaf and non verbal Philadelphia engraver and lithographer who studied under Peter S. Duval. He received early art training at the Pennsylvania Institution for the Deaf and Dumb.
Creator
Newsam, Albert, 1809-1864, lithographer
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Portrait prints - A [(1)5750.F.22a]
Depicts women patients, including two African American women, receiving and awaiting treatment in a clinic with stained floors. In the right, two white men doctors, attired in suits, treat a seated African American woman's arm using nearby basins. In the left, two men attendants attend to the other two seated women patients. In the right foreground, a white woman nurse organizes medical supplies on top of a draped table. In the left foreground, medicinal bottles rest on a desk with an open drawer of bandages., Title supplied by cataloger., Date inferred from attire of the sitters., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Photo Illustrators (Firm), photographer
Date
[ca. 1930]
Location
Library Company of Philadelphia | Print Department Photo-Illustrators-Non-Philadelphia-Afro-Americana
The quack doctor has a skull for his head and holds a large sword labeled "bleeder" and a paper marked "BILL 5,00000." An arm bleeds into a bowl, but it is not attached to a body. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", "I do not like you, Doctor Fell," / Is an old line, as you've heard tell, / And sharply, still, the case it touches / Of the foul quack, who says as much as, / "This is my game, let no one block it, / Blood from arm-- and from the pocket!", Provenance: McAllister, John A. (John Allister), 1822-1896, collector., Provenance: Brown, Tom, 1663-1704, I Do Not Love Thee, Dr Fell.
"Dr. Bleedems Office" appears on a sign behind the doctor, who stands holding a three-pronged knife in one hand and a saw in the other. The valentine mocks doctors who use unnecessary procedures to make money., Text: With probe, and saw, and lancet, / With plasters, purges and pukes, / You cut your way to favor / With duchesses and dukes; / But, you may saw into a fortune, / And probe into a mine, / Before I'd see in your ugly phiz / Anything worth this Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Bust-length portrait of the white Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is depicted seated at a desk, on top of which are a set of books. He holds a sheet of paper in his left hand. He is attired in a shirt with a ruffled collar, vest, and jacket., Gift of David Doret, 2004., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
Creator
Neagle, John B., ca. 1796-1866, engraver
Date
[ca. 1820]
Location
Library Company of Philadelphia | Print Department portrait prints - W [P.2004.44.18]
Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1866?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1866 - 10W [5760.F.115]
Cartoon addressing the defeated South's resistance to the pending post war amendments which would declare equal rights for African Americans. Depicts a doctor's office where the seated "Dr. North" counsels "Patient South," who stands before him with his arm in a sling. He proposes that after the removal of the South's legs the "Constitutional Amendment" peg leg, which rests on his desk, will support him well. The South states that he "Can't See it." In the left, a young African American person crouches on the floor beside the doctor's chair. Behind the desk stands a bookshelf labeled "Congressional Surgery, Legislative Quackery" where a skull and a bottle of "Black Draught" are displayed. Contains three lines of dialogue below the image., Title from item., Date of publication supplied by Weitenkampf., Date of publication suggested by Reilly is 1860 as the content suggests that the cartoon was published following the proposed Crittenden and Douglas Compromises., RVCDC, Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1866?]
Location
Library Company of Philadelphia | Print Department political cartoons - 1866 - 10aW [P.8698]
Bust-length portrait of the white Philadelphia physician, medical school professor, and president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Printed below image: From the original picture in the possession of Mr. Wistar., Variant appears in the Analectic magazine (Philadelphia: 1818) vol. 12, p. 441. (LCP Per A 192, vol. 12)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Charles Goodman and Robert Piggot, Philadelphia engravers, worked as partners from 1817 to 1822.
Creator
C. Goodman & R. Piggot, engraver
Date
[ca. 1818]
Location
Library Company of Philadelphia | Print Department portrait prints - W [1885.F.33]
Bust-length portrait of the white Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Probably by C. Goodman & R. Piggot after painter Bass Otis., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Date
[ca. 1818 - ca. 1850]
Location
Library Company of Philadelphia | Print Department portrait prints - W [5750.F.159c]
Bust-length portrait of the Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is attired in a shirt with a ruffled collar and a double-breasted jacket., Appears in volume three of several editions of James Barton Longacre and James Herring's The National portrait gallery published by various Philadelphia publishers between 1835 and 1868. LCP holds the imprints: 1834-1839; 1856; and 1867, (3)5750.F.160c originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., P.9156.9 gift of Charles Rosenberg, 1986., P.9660.16 gift of William Helfand, 1999., Access points revised 2021., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Longacre, James Barton, 1794-1869, engraver
Date
[ca. 1835 - ca. 1868]
Location
Library Company of Philadelphia | Print Department portrait prints - W [(3)5750.F.160c; P.9156.9; P.9660.16]
