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Title: A plantation "corn-shucking" -- social meeting of slaves
Description: Illustration is included in Chapter XIX, "The Slave-Trader's Purchase -- A Slave Gang Bound for the South -- Distressing Scenes at Parting -- 'We'll Shuck dis Cawn Befo' We Go!'" Image shows a large, festive, night-time corn-shucking in which slaves from several neighboring plantations were said to have participated. Sitting and standing around an enormous pile of husks, the slaves strip the ears of corn and throw them into buckets. According to the text, the slaves sang while they worked, and some tried to outdo each other in husking contests., Illustration in Mary Ashton Rice Livermore's The Story of my Life, or, The Sunshine and Shadow of Seventy Years (Hartford: A.D. Worthington & Co., 1897), p. 336., Caption underneath the image reads: "Costumed in every variety of nondescript gaments, with faces of every shade of black, as diverse in aspect as were their garments in fashion, they seated themselves in groups around the mounds of unhusked corn.", Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Helmick, Howard, designer
Date: [1897]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1897 Liv 29518.O p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2840

Title: Must have their baskets full
Description: Illustration included in Chapter XXVII, "Compromise of 1850." Set on a plantation, it shows two slaves, a man and a woman, at work in a cotton-field. Woman balances a basket of cotton on her head, while the man carries his on his shoulders. Image relates to the following description of slave life: "From the auction-room they went to the plantation to work in the cotton-fields, beneath the broiling sun, driven by a brutal overseer sitting on a horse, with a whip in his hand, which he delighted to crack over them, or to bring down upon the back of any one that lagged. The weak and feeble must keep up with the strong in wielding the heavy hoe. When the fields were snow-white with the bursting bolls they must perform their allotted tasks in picking; the baskets must be full and running over: the number of pounds specified for a day's work to be tipped by the steel-yards, or in default they would be flogged." (p. 387), Engraving in Charles Coffin's Building the Nation: Events in the History of the United States from the Revolution to the Beginning of the War between the States (New York: Harper & Brothers, Franklin Square, 1883), p. 388., Fels Afro-Americana Image Project, Work Scenes.
Date: [1883]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Cof 23709.O p 388, https://digital.librarycompany.org/islandora/object/Islandora%3A2832

Title: [Outdoor group]
Description: Set on a plantation, this outdoor scene of casual socializing aims to portray everyday slave life. Six slaves and a young white woman are loosely arranged in seated and standing positions, with the white woman occupying a central place in the image. Although one slave (front left) holds a pitchfork and another (front right) is positioned next to a small shovel and an over-turned bucket, the slaves appear to be at rest., Title page vignette in Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D title page vignette, https://digital.librarycompany.org/islandora/object/Islandora%3A2656

Title: The holiday dance
Description: Set on a plantation, this merry scene portrays a harvest dance. A man and a woman dance bare-foot to the music of a fiddler, who is perched high upon a stool. Others look on. A young man kneels in the foreground, his straw hat and hoe lying on the ground. In the background, two stocky, resolute-looking white women observe the festivities. Both wear kerchiefs, the ties of which, in one case, resemble devil's horns., Plate at the front of Charles Peterson's The Cabin and Parlor: or, Slaves and Masters (Philadelphia: T.B. Peterson. Stereotyped by George Charles. Printed by King & Baird, c1852), np., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Beeler, Charles H., engraver
Date: [1878]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2 Wright 1878a 10231.D np, https://digital.librarycompany.org/islandora/object/Islandora%3A2654

Title: Scenes on a cotton plantation
Description: According to the accompanying commentary (p. 69), these scenes show the Buena Vista plantation in Clarke County, Alabama. As the text suggests, "The four sketches in the centre [i.e., sowing, ploughing, hoeing, and picking] show the principal operations of the cotton culture; and around figure other scenes appropriate to a cotton plantation." Moving clockwise from the upper right, the outer scenes are titled: the cotton gin, the planter and his overseer, prayer meeting, Saturday evening dance, plantation graveyard, the call to labor, and the cotton press. The text describes these scenes as follows: "The cotton-gin; the picturesque cotton-press, to whose long lever the mules are harnessed to create the power which compresses the ginned staple into bales; the morning call, performed upon a cow-horn; the owner and his overseer, figure here; as well as the weekly distribution of rations; the dance which closes the week's labor, and the plantation burying-ground. Here the defunct negroes are buried, a rail-fence being raised above the graves to keep off marauding hogs, calves, etc.", Double-page illustration in Harper's Weekly, vol. XI, no. 527 (February 2, 1867), p. 72., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [February 1867]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v XI n 527 February 2 1867 p 72, https://digital.librarycompany.org/islandora/object/Islandora%3A2879

Title: Turning the tables on the overseer
Description: Bitter anti-slavery print depicting a group of slaves about to whip their white overseer, who has been bound to a tree on the plantation grounds. Before the overseer, the male slave holding the whipping lash boldly pulls up his sleeve as the slave next to him takes off his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Illustration in New York Illustrated News, November 28, 1863, p. 73., Also published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first black press to publish separate prints., Fels Afro-Americana Image Project, Resistance.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per D 8.5 1571.F Nov 28 1863 p 73, https://digital.librarycompany.org/islandora/object/Islandora%3A2863

Title: A Negro funeral
Description: Engraving accompanies T. Addison Richard's narrative, "The Rice Lands of the South," which, among other topics, describes slave life on southern rice plantations. It shows a slave funeral, set in a heavily wooded grove, in which numerous mourners take part. A preacher with raised, out-streched arms leads the service; mourners kneel, pray, and weep. Engraving corresponds with the following passage: "The state of excitement and exaltation to which their [i.e, the plantation slaves'] impressionable natures are so easily wrought, especially in religious matters, is manifest in their singing even more strangely than in their preaching and praying. These performances though, are, with all their grotesqueness and absurdity, often very effective and beautiful. Not seldom has it been our pleasure to listen to impromptu music, wondrously sweet and wild and weird, which, well counterfeited on the lyric stage, would bring fame and fortune. Perhaps the most remarkable of these exhibtions are those which are wont to occur on occasions of funeral solemnities, celebrated, as they generally are, in the deep night-darkness of some dense old wood, made doubly dismal by the ghostly light of the pine torches and the phantom-like figures of the scarcely visible mourners." (p. 735), Illustration in Harper's New Monthly Magazine, vol. 19, no. 114 (November 1859), p. 731., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [November 1859]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 19 n 114 November 1859 p 731, https://digital.librarycompany.org/islandora/object/Islandora%3A2876

Title: Intérieur de salle à manger à Ste. Marthe
Description: Dining room on the plantation of Ste. Marthe. As a planter dines with his family, a female slave serves them, while a male slave fans the family (?) with a contraption that swings from the ceiling., Plate in Voyage pittoresque dans le deux Ameriques (A Paris : Chez L. Tenr'e, libraire-éditeur, rue de Paon, 1; et chez Henri Dupuy, rue de la Monnaie, 11., M DCCC XXXVI. [1836]), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Orbi 6335.F p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2748

Title: A Spanish planter of Porto Rico
Description: Set in a lush grove, the image depicts a Spanish planter in Puerto Rico, who "luxuriates" in a hammock suspended from a citrus tree. The well-dressed planter wears a large top hat and holds a pipe in his mouth; his legs hang over either side of the hammock and his arms are folded in a contented manner. He is waited on by a partially clothed male slave, whose facial features correspond to racist stereotypes. Smiling at the planter, the slave holds a tray upon which a drink rests., Illustration in John Augustine Waller's Voyage in the West Indies (London: Printed for Sir Richard Phillips, and Co. Bride Court, Bridge Street, 1820), p. 34., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Neele & Son, engraver
Date: [1820]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Egyp Forb (b.w.) 5258.O.2.9 p 34, https://digital.librarycompany.org/islandora/object/Islandora%3A2939

Title: A Surinam planter in his morning dress
Description: Engraving was done after one of John Gabriel Stedman's own drawings, which record his impressions of Surinam. It offers a detailed frontal view of a Surniman planter, who stands in the extreme foregroud of the image; the planter's turned head also provides a profile view of his face. Behind him and to the right, a female slave, wearing only a skirt and a headress, pours him a glass of wine. Stedman described the scene as follows: "His worship now saunters out in his morning dress, which consists of a pair of the finest Holland trowsers, white silk stockings, and red or yellow Morocco slippers; the neck of his shirt open, and nothing over it, a loose flowing night-gown of the finest India chintz excepted. On his head is a cotton night-cap, as thin as a cobweb, and over that an enormous beaver hat, that protects his meagre visage from the sun, which is already the color of mahogany, while his whole carcase seldom weighs above eight or ten stone, being generally exhausted by the climate and dissipation. To give a more complete idea of this fine gentleman, I in the annexed plate present him to the reader with a pipe in his mouth, which almost everywhere accompanies him, and receiving a glass of Madeira wine and water, from a female quaderoon slave, to refresh him during his walk." (vol. 2, p. 56), Plate XLIX in John Gabriel Stedman's Narrative, of a five year's expedition, against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America; from the year 1772 to 1777 (London: Printed for J. Johnson, St. Paul's Church Yard, & J. Edwards, Pall Mall, 1796), vol. II, facing p. 56., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Blake, William, 1757-1827, engraver
Date: Dec. 2, 1793
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1796 Sted 755.Q v 2 p 56, https://digital.librarycompany.org/islandora/object/Islandora%3A2698

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