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Title: City Hall, Bordentown For one night only, positively This Saturday evening, Feb. 27, 1864 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign, ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 54.7 x 20.0 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.131a (McAllister)

Title: City Hall, Burlington For two nights only, positively Thursday and Friday evenings, Feb. 25 and 26 Having just concluded a season of fifteen nights at the Concert Hall, Philadelphia, (acknowledged by all the most successful engagement ever played in that city) are now en route for the West, and will perform in this city on the above nights. This company give an entire change of performance every night. The far-famed, world-renowned, original and only Morris' Minstrels! brass band and burlesque old folks' concert troupe! 19 established artists, from their opera house, Tremont Street, Boston. ... Five comedians, four balladists, seven musicians and three dancers. The only complete company organized--organized with great care for this season, 1864. ... Scenes from my boyhood ... Giving the sign ... The veteran, ... The whole to conclude with the roaring farce, Black assurance: ... Cards of admission, 25 cts. Reserved seats, 25 cts. extra Doors open at a quarter-before 7. To commence at a quarter to 8 o'clock precisely. ... A free serenade in front of hall, previous to performance by Morris' Brass Band
Description: The company includes: W.A. Abbott, W. Blackeney, O.H. Carter, C. Curtis, Charles Gassett, W.H. Granger, M. Kanane, E. Kerwin, M.C. Miller, C.A. Morris, Frank Newall, C.H. Pease, Harry Pell, Jules Seidel, Lew Simmons, J.H. Surridge, J.R. Taylor, Calvin Wagner, and Frank Wells., "Rules of the hall.--Persons are requested not to beat time with their feet, as it is unpleasant to the audience and interrupts the performance. Front and centre seats reserved for ladies and gentlemen accompanying them. Colored people admitted only to seats assigned them. Gentlemen are requested to take off their hats during the performance hours. Whistling is positively forbidden in the hall. Owing to the extreme length of the programme, no repetition of the pieces can be given. Boys not admitted to the gallery.", Printed area, including double-rule border, measures 55.1 x 19.9 cm., Illustration signed: J.W. Morse N.Y., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Morris' Minstrels
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Morris (25)5761.F.129 (McAllister)

Title: [John Serz scrapbook]
Description: Scrapbook of print specimens, proofs, and original drawings primarily delineated and compiled by German-born Philadelphia engraver John Serz. Contents include book and periodical illustrations; separately-issued views; portrait prints; certificates; and job printing specimens. Majority of graphics depict religious, landscape, historical, genre, and fashion views, including plates from "Lives of the Fathers, Martyrs, and Other Principal Saints" (New York, 1864); Auerbach’s "Tales of the Black Forest"; Sartain’s Magazine; Graham’s Illustrated Magazine; W. Alvin Lloyd’s Railroad Guide; and Demorest’s Monthly Magazine. Religious and historical themes include the Last Supper, the Crucifixion, and other Biblical scenes, Mary and Jesus, scenes of prayer, William Penn's Treaty, the defeat of Napoleon at Waterloo, and the Civil War. Other well-represented material is separately-issued city, bird's eye, landscape, and collegiate views showing European and American sites, including Albany; Baltimore; Boston; Dresden; Hildburghausen; Humboldt (Ca.), New York; Washington, D.C.; Fort Putnam; Philadelphia; Georgetown College; Notre Dame University; Lake of Four Cantons (i.e., Lake Lucerne) and Rutli, Switzerland; West Point; Suspension Bridge over Niagara; and Tivoli. Scrapbook also contains numerous portrait prints (often frontispieces); advertisements; European prints, as well as watercolors and drawings, which show the Centennial Exhibition (1876); landscapes, village scenes, and tree and flower arrangement studies., Portrait print sitters include John Stainbach Wilson, M.D.; Mary A. Niemeyer; Daniel Webster; Hannah Rose Hoffman; and E. R. Beadle. Advertisements depict primarily Philadelphia storefronts and factories and often also show street and pedestrian traffic. Businesses include X. Bazin Perfumery Laboratory (917 Cherry St); Joseph J. Canavan Morocco Factory (1225 N. Fifth St.); Allen’s Furniture Warehouse (1209 Chestnut Street); Joseph Beckhaus Carriage Factory (1204 Frankford Ave.); Gumpert Bros. cigars (1341 Chestnut St.); Oxford Carpets Mills (Wm. Hogg, Jr.)(140 Oxford St.); Baugh & Sons, Manufacturers of Raw Bone Super Phosphate Lime (120 S. Delaware Ave.); Theo. Wilson & Co., Steam Ship, Bread, Cracker & Cake Bakery (212 & 214 N. Front St.); White, Hentz & Co., Rectifiers of Spirits & Importers of Wines & Liquors (222 N. Second St.). European prints include plates from Bernard-Romain Julien "Cours Elementaire" and from Wilhem Hermes's figure drawing books "Berliner Zeichenleher," i.e. United States Systematic Drawing Schools (New York edition); engravings by Serz, several published by German publishers Schneider U Wegel, and primarily showing views of German villages Unterberg (Bavaria) and Nuremberg, and bridges, castles, and churches; and chromolithographs, including the title page, from the Korn'schen series of views of Nuremberg "Ansichten von Nurnberg". Other content includes job printing specimen vignettes and labels depicting allegorical, patriotic and industrial imagery; proofs of the "Rose of Philadelphia, "Rose of Washington, D.C.," and labels for patent medicine manufacturer David Jayne illustrated with Jayne's Building, Chinese characters, and a dramatic scene; and images of wild and domestic animals, including a condor, lemming, sheep, dogs, horses, hippo, boar, camel, and elephant., Contents also include certificate specimens for a temperance society, Sunday School, and the fraternal organization Alpha Omega; the relgious-themed prints "A Curious Piece of Antiquity on the Crucifixion of Our Lord and Savior Jesus Christ," "Jesus Healing the Sick," and "The Two Thieves: The Holy Land Exhibiting the Places & Cities Mentioned in the Old & New Testament"; the Serz color engraving Kriegs =Neurigkeiten (i.e. War News) showing men gathered at a table in a village tavern; an advertisement for Philadelphia calico printer Wm. Simpson & Sons depicting a sepulchral monument; and a post mortem portrait engraved by Serz showing Napoelon II, i.e., Duke of Reichstadt., Various American and European artists, engravers, lithographers, and printers, including W. H. Bartlett; J.C. Garrigues & Co.; H. B. Hall & Sons; Heliographic Co. of NY; Langlumé; G. Lury; A. H. Payne; J. C. MacRae; J. Poppel; John Sartain; F. Silber; Joshua Shaw; and F. W. Topham., Various American and European publishers, including D. & J. Sadlier & Co.; John Dainty; Francois Delarue; Friedrich Kornschen; F. W. Thomas & Sons; Parmelee & Co.; Henry Tuessli & Co.; and Max Jacoby & Zeller., Some prints annotated with lines of perspective., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Loose items retained in album., Gift of Madelyn Wolke, Lucianne Reichert, and Clifford A. Mohwinkel Jr., John Serz (1808-1881), born in Nuremberg, Bavaria, worked as an engraver in Germany before immigrating to Philadelphia circa 1851. Naturalized in 1856, Serz earned enough income from his trade to be taxed by the I.R.S. during the Civil War. During the 1870s, his bird's-eye print "Philadelphia and Environs" was advertised in the "Public Ledger" and he served as professor of drawing at the Philadelphia Conservatory of Music. Serz was also a president and secretary of the old Artists Club and member of several German societies, including the German Society of Pennsylvania. He died of a skull fracture in 1881.
Creator: Serz, John, ca. 1810-ca. 1878
Date: [ca. 1842-ca. 1893]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9773]

Title: Photograph album
Description: Album of photographs compiled and some possibly taken by Albert Hatch showing city and landscape views and family views and portraits. Photographs depict Atlantic City; Fairmount Park, including the water works and the Wissahickon Creek; Schooley family residences, landmarks, and the 1888 reunion in Luzerne County, Pa., including the residence of Joanna Schooley (West Pittston), the "Old Homestead" (Wyoming), the residence of H. N. Schooley before and after renovations in 1888, and the Schooley Breaker (Sturmerville) and Mill (Luzerne); lighthouses at Sandy Hook, N.J. and Neversink, N.Y.; and the White Mountains, N.H. Images also show the 500 block of North Twenty-Fifth Street, including Hatch's residence; the Girard Avenue Bridge and tunnel; the Old Red Bridge and Thorps Lane Bridge (Wissahickon), and "Old Smithy", a view by John Moran of a "smith" in front of his stone cabin shop in the woods. Also contains unidentified landscape views by Moran, and frontispiece photographs removed from late 1880s editions of "The Philadelphia Photographer," including views of South Africa and "The Kiosk of Isis" (Bed of Pharoah) at Philae Island., Calligraphed on cover: Photographs., Insert: Permission card issued to Mr. Albert Hatch, No. 577 N. 25 St. Recto contains stamps: Albert Hatch 190 Lambert St., Phila, Pa.; Albert Hatch 1616 Montgomery Ave. Verso printed: Permission has been granted to you to take Photographic Views in the Park during 1885. Good until revoked by the Committee on superintendance [use?] J. M. Dougherty, Secretary., Contains pasted label on back cover: Howard Album. Interchangeable Cards, Scovill Mf'g Co., N. Y. Patented and Label Registered., Photographers include George Hanmer Croughton; Lulu Farini; John Moran; and E. L. Wilson., Several of the photographs identified from captions below the images., Names of photographers from inscriptions below the images., Brown leather binding stamped: Photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Agnes Kelly., Housed in phase box., Albert Hatch, son of Massachusetts-born, real estate broker Edward Hatch, was an amateur photographer who worked as a clerk at the U.S. Post Office from the late 1880s into the early 20th century. He was married in 1886 to Alice C. Schooley, who was from a family active in the milling and mining industry in and near Wyoming, Pa, including her brother Henry N. and Aunt Joanna. The couple had two children, including Augusta Hatch (b. 1868), who married James Kelly in 1890.
Creator: Hatch, Albert, 1844-1910
Date: ca. 1866-ca. 1888
Location: Library Company of Philadelphia | Print Department albums [P.9250]

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: Marriott at front gate Avocado, Sea Girt, [NJ]
Description: Glass negative showing Marriott C. Morris standing next to the gate in a metal fence at the Morris family home Avocado. Morris wears a hat, plaid pants, and a checkered tie. A flagpole flying an American flag and the ocean are visible in the distance. Elliston Perot Morris bought property in Sea Girt, N.J. in 1875, where he built the summer home Avocado after designs by Quaker architect Hibberd Yarnall. Morris left Avocado, named after a Perot family estate in Bermuda, to his daughter Elizabeth Canby Morris in his will. It was sold in 1947 after her death. By 1958 the house had been demolished., Photographer remarks: Negative spoiled by a scratch. About 1884?, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: August 1886
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.16.5]

Title: Saint Luke's Church, Philadelphia
Description: Interior views of the Protestant Episcopal church built 1839-1840 after the designs of Thomas S. Stewart at 330 South 13th Street. Shows the semi-circular chancel adorned with a stained-glass skylight and inscribed plaques, the baptismal fount, the organ gallery, and pews. Also includes a clergyman, presumably Rev. M.A. DeWolfe Howe, in his clerical robes standing near the pulpit., Four of images originally part of a McAllister scrapbook of views of Philadelphia., Contains stereographic prints mounted on white paper or yellow mounts with square corners, including one with a printed title, two accompanied by publisher's labels describing the church, and two with manuscript titles. Also contains a carte-de-visite., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator: McAllister & Brother
Date: December 1860, c1860
Location: Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [1322.F.87c-1; (4)1322.F.88a & b; P.9047.101], Library Company of Philadelphia | Print Department cdv - McAllister & Bro. - Religion [P.2282.50]

Title: Saint Stephen's Church, Philadelphia
Description: Interior views of the Protestant Episcopal church built 1822-1823 after the designs of William Strickland at 19 South 10th Street. Shows minister, presumably Rev. Henry William Ducachet, in his clerical robes at the ornate church altar, the communion table, stained-glass windows, plaques adorned with scripture, the baptismal fount sculpture, and partial views of galleries and pews. Also includes views of the ornate tomb of Philadelphia lawyer Edward Shippen Burd designed by architect Frank Wills and the Burd Family Monument designed by Carl Steinhauser in memory of Burd's children. Family monument, composed of figures representing the three deceased Burd children and the Angel of Resurrection near a large cross, was erected in 1853 in the chapel on the north side of the church., Seven of the images originally part of a McAllister scrapbook of views of Philadelphia., Contains six stereographic prints mounted on yellow or white paper mounts with square corners, including three with printed titles, one accompanied by a publisher's label describing the church, one [(4)1322.G.96g], hand-colored, and two accompanied by descriptive labels. Also contain a one-half stereographic print mounted on paper and a carte-de-visite., One of the images [P.9047.102] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 39., Arcadia caption text: St. Stephen’s Church represents another magnificent church structure added to the cityscape of Philadelphia during the 19th century. Built 1822-1823 at 19 South Tenth Street after the designs of Philadelphia architect William Strickland, the Gothic-style Episcopal church houses two monuments bequeathed by devout parishioner and lawyer Edward Shippen Burd. The lower view shows one of the monuments, Burd’s tomb, designed by architect Frank Wills and installed after his death in 1848. The exterior view shows the construction site opposite the church for the Franklin Market, begun in 1859., McAllister & Brother, opticians, a partnership between brothers William Y., John A., and Thomas H. McAllister, was active 1853-1865.
Creator: McAllister & Brother
Date: October 1860, c1860
Location: Library Company of Philadelphia | Print Department stereo - McAllister & Bro. - Religion [(4)1322.F.34a; (4)1322.F.96a, d, dx, f & g; (4)1322.F.97a & b; P.9047.102], Library Company of Philadelphia | Print Department cdv - McAllister & Bro. - Religion [(4)1322.F.96c]

Title: [Group portrait including photographer W.L. Germon on the porch of the hotel Long Beach House]
Description: Group portrait of over thirty men, women, and children posed sitting and standing on the veranda and the ground in front of the Long Beach House. Group includes an African American man and a African American woman servant. Germon, a Philadelphia photographer and engraver, stands second from right attired in a hat and collared shirt with white trim. The resort hotel was located opposite Tuckerton, N.J., Title supplied by cataloger., Date from manuscript written on mount, Aug. 14th, 1868., Purchase 1985., Description revised 2021., Access points revised 2021.
Creator: Germon, W. L. (Washington Lafayette), 1822-1877, photographer
Date: August 14, 1868
Location: Library Company of Philadelphia | Print Department *photo - Germon [P.9101.2]

Title: Revd. John Gloucester Late pastor of the First African Presbyterian Church in Philadelphia
Description: Half-length portrait of the first African American man ordained by the Presbyterian Church, seated and facing left, and with his right hand raised. Gloucester is attired in a shirt with a high neck collar, a vest, and a jacket. Contains decorative border with an inset of the Bible inscribed with the verse John I:29. Born and enslaved in Tennessee, Gloucester, initially a missionary, presided over the first African American Presbyterian church in the country., Title from item., See Lib. Company. Annual report, 1973, p. 43., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886. Accessioned 1973., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: B. Tanner & W.R. Jones, engraver
Date: August 1st 1823
Location: Library Company of Philadelphia | Print Department portrait prints - G [P.8911.430]

Title: The shackle broken - by the genius of freedom
Description: Print containing a montage of vignettes and quotes supportive of African American civil rights centered around a scene of "Hon. Robert B. Elliott, of South Carolina, delivering his great speach [sic] on 'civil rights' in the House of Representatives, January 6, 1874" to the packed floor of white and African American Congressmen and balcony of spectators. Contains an American flag inscribed with the quote, "What you give to one class, you must give to all. What you deny to one class, you shall deny to all;" scenes of African American soldiers, officers, and sailors; statues of Lincoln holding his "Emancipation Proclamation" and Senator Charles Sumner holding his "Bill of Civil Rights;" and quotes referring to African American participation in the Civil War. Also contains a scene espousing "free labor is the present, slave labor is the past" with an African American family at their homestead where they "toil for [their] own children and not for those of others.", Title from item., Date from copyright statement: Entered according to act of Congress in the year 1874 by E. Sachse & Co. Baltimore in the office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro History #213., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E. Sachse & Company, a Baltimore lithographic firm active until the 1870s, was operated by Edward Sachse (also a painter), his brother William, and relative Theodore. The company produced numerous folio sized views.
Creator: E. Sachse & Co., lithographer
Date: 1874
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1874-1 [P.9653]

Title: Africa. America
Description: Abolition print juxtaposing two female allegorical figures in chariots representing Africa and America. In front of a backdrop of tropical trees and huts, "Africa," depicted as a Black woman, is attired in a feathered headpiece, an orange shawl covering one breast, and a pink sarong. She holds a flag inscribed "Slave Trade abolish'd in England 1806" and the reins of two lions pulling her chariot. In front of a waterfall, probably Niagara Falls, "America," depicted as a white woman, is dressed in Native American attire, including a feathered headpiece, a breast plate, an orange cape, a pink and blue sari, and an axe strapped to her back. She holds the American flag, decorated with a portrait of George Washington, and the reins of two tigers pulling her chariot. Near the wheels of her chariot, a rattlesnake is coiled., Title from item., Date inferred by content and medium., Name of publisher illegible., Lib. Company. Annual report, 1969, p. 56., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1808]
Location: Library Company of Philadelphia | Print Department *GC-Allegories [7812.F]

Title: [Group portrait photograph of Dr. Mudgett and four African American physicians outside of Dr. J. H. Mudgett’s Private Hospital and Training School for Nurses, 2030 N. 13th Street, Philadelphia]
Description: Group portrait depicts Dr. John Herbert Mudgett and four African American physicians, posed, standing and seated, on the steps outside the entryway to the hospital and training school. In the right, two physicians, attired in dark-colored suits and ties, stand next to Mudgett and the other men seated on the stairs. One of the physicians also wears a mustache. They look past the photographer. In the center, Mudgett, grey-haired, wearing glasses, and attired in a white suit with bow tie, sits on the outer edge of the middle stair. He looks past the photographer and his hands are clasped and rest in his lap. To his right, another two physicians sit next to him on the stairs. They are attired in dark-colored suits with either a tie or bow tie. One physician wears glasses. They rest their hands and/or arms on the upper part of their bent legs. They look at the photographer. The visible shoes of the men are shined, except Mudgett’s which are scuffed. View also shows a boot scraper near the foot of Mudgett, at the base of the steps, and in the right, the sign reading "Dr. Mudgett’s Private Hospital" adorning the wall of the building., Dr. J. H. Mudgett’s Private Hospital and Training School for Nurses was established by New Hampshire-born white (per census records) physician John H. Mudgett and chartered in 1919. Mudgett served as the medical director of surgery. In 1921, the school was one of a number of nursing schools advertised in the "Evening Public Ledger" as offering "Free Tuition, Board, Lodging, and a Nominal Fee" to be trained as a nurse. Mudgett, graduated Dartmouth Medical School in 1896 and resided in Philadelphia as a physician by circa 1905. By 1925, he was listed as only a physician with no listing for the training school. Mudgett, a member of the First African Baptist Church, died in 1945. At the time of his death he was in a multiracial marriage with Adeline Mudgett (1889-1958), a former dressmaker. His race on his death certificate had been altered from white to “colored.”, Title supplied by cataloger., Date inferred from photograph with complementary content and article about “Mudgett’s Hospital Has Its First Commencement,” Philadelphia Tribune, July 19, 1919., Name of photographer from photographer's stamp on verso., Manuscript note on verso: Helen Waller. Helen Waller (1897-1925) was one of the first nurse graduates of Mudgett’s Hospital in 1919. By 1924, she worked as a child hygiene nurse before her death in 1925 from tuberculosis., See also complementary group portrait photographs - Education - M [P.2022.5.2 & 3].
Creator: Paul, Dan E., photographer
Date: [1919]
Location: Library Company of Philadelphia | Print Department *group portrait photographs - education - Mudgett's Hospital [P.2022.5.2]

Title: [Abraham Lincoln miscellany]
Description: Collection of miscellaneous Lincoln prints and ephemera, including a circa 1880 right-profile, photo mechanical portrait print of the president; 1909 souvenirs from the Military Order of the Loyal Legion of the United States (MOLUS) and the Philadelphia Electric Company in honor of the 100th Anniversary of the birth of Lincoln; and a series of ca. 1890 illustrations of medals commemorating and memorializing him. Imagery on souvenirs includes a portrait of Lincoln bordered by an American and MOLUS flag and the reproduced Jean Leon Gerome Ferris painting "Lincoln and the Contrabands" depicting Lincoln greeting an African American woman freedom seeker with her two children. Scene also shows African American men and women freedom seekers near a Union soldier, including a woman sitting with her head in her hands and an older man who takes his hat off., Title supplied by cataloger., Artists, printers, and publishers include Jean Leon Gerome Ferris and Wolf & Co., 5792.F.94c contains copyright statement: painting only copyrighted, Wolf & Co, Philada, 1908., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", RVCDC, Description revised 2021., Access points 2021., Originally part of a McAllister scrapbook of materials related to Abraham Lincoln. McAllister Collection, gift, 1886.
Date: 1880
Location: Library Company of Philadelphia | Print Department GC - Lincoln [5792.F.88d; 5792.F.92a-d&93a&c; 5792.F.93d; and 5792.F.94c]

Title: Proclamation of Emancipation. By the President of the United States of America
Description: Print commemorating the Emancipation Proclamation containing a bust-length portrait of Abraham Lincoln and two abolitionist vignettes above text from the Proclamation. In the center, Lincoln, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly right and is bordered by an American eagle clutching an olive branch and arrows in front of a backdrop of American flags. To the left and right of the portrait are scenes of an auction of enslaved people, with an African American woman, and free African American men working in a carpentry shop. Below the scenes, two African American cherubs hold a banner inscribed, "By the President of the United States of America." Below the text, an allegorical vignette contrasts the productive North with the destitute South depicting a white woman crying, surrounded by her children, sitting underneath a tree., Title from item., Date from copyright statement., Purchase 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., J. Mayer & Company, the Boston lithography firm established by John Julius Mayer in 1862, specialized in practical lithography. Despite the official firm name, John Mayer had no partners.
Creator: J. Mayer & Co., lithographer
Date: 1865
Location: Library Company of Philadelphia | Print Department **GC - Emancipation [8025.F.4]

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: [George Washington crossing the Delaware]
Description: Commemorative print after the 1851 painting by Emanuel Gottlieb Leutze depicting General Washington's famous campaign across the icy Delaware River above Trenton on Christmas Eve 1776. A stoic Washington stands at the head of the lead rowboat surrounded by several of his dedicated men, including a white man soldier holding the American flag and the African American oarsman Prince Whipple, enslaved man and bodyguard to Washington Aide, General William Whipple. In the background, boats with the remaining troops and horses are visible., Copyrighted by M. Knoedler., Proof copy., Title from original painting in the collection of the Metropolitan Museum of Art, New York, New York., Gift of Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Giradet, Paul, engraver
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.1]

Title: Proclamation of Emancipation. By the President of the United States of America
Description: Print commemorating the Emancipation Proclamation. Contains a portrait of Lincoln surrounded by American flags and a bald eagle with the text of the proclamation below. In the left are three vignettes within an ornamental border that depict the horror of Southern slavery, including enslaved African Americans working at a cotton plantation, a scene of an African American man being auctioned, and African American men being attacked by dogs. In the right are three vignettes within an ornamental border that depict the industriousness of the free North, including a scene with a large house and estate, African American children in school, and a dock with a steamboat. In the bottom is an allegorical scene contrasting the war savaged Confederacy with the prosperous Union., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1864 by R.A. Dimmick in the Clerk's Office of the District Court of the United States for the Southern District of New York., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Roberts, William, approximately 1829-, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC - Emancipation [5792.F.27]

Title: John Brown - the martyr. Meeting a slave mother and her child on the steps of Charlestown jail on his way to execution. Regarding them with a look of compassion Captain Brown stooped and kissed the child then met his fate
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother on the radical abolitionist's walk to the gallows in December 1859. Shows Brown, his hands tied behind his back, standing at the door of the Charles Town, Virginia jail gazing compassionately upon the barefooted mother and her child seated to the side of him on a stair railing. In front of them stands a stern-faced, white man soldier waiting impatiently for Brown's descent down the steps., Title from item., Date from copyright statement., Access points revised 2021., Purchase 1969., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1870
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7811.F]

Title: The military and historical portrait group of the officers of the Third North Carolina U. S. V. Infantry in the war with Spain, commanded by Colonel James H. Young. The first negro regiment ever organized and entirely officered by colored men
Description: Commemorative print containing a collage of portraits (after photographs) of members from the North Carolina regiment, one of the only African American commanded regiments, which was mustered into service July 23 1898. Sitters attired in uniforms. Portraits depict Maj. Andrew J. Walker; Maj. A. J. Haywood; Maj. J. E. Dellinger; Dr. David A. Lane; Lieut. Col. C. S. L. A. Taylor; Col. James H. Young; Chaplain Henry Durham; Adjutant E. E. Smith; 1st Lieut. Marcus W. Alston; Capt. James E. Hamlin; Capt. J. T. York; Capt. Joseph J. Hood; 1st Lieut. M. T. Pope; Capt. David J. Gilmer; Capt. William A. Carpenter; Capt. R. H. Alexander; Capt. P. H. Smith; Capt. S. O. Mason; Capt. Thos. Leatherwood; 1st Lieut. J. C. Graham; 1st Lieut. P. H. Haywood; 1st Lieut. H. S. Christmas; 1st Lieut. W. T. Powell; 1st Lieut. E. L. Watkins; 1st Lieut. H. T. Scott; 1st Lieut. H. L. Joyner; 1st. Lieut. J. W. B. Murphy; 1st Lieut. Harrison B. Brown; 2nd Lieut. H. H. Taylor; 2nd Lieut. Jacob J. Jones; 2nd Lieut. Gray J. Tool; 2nd Lieut. William E. Mitchell; 2nd Lieut. I. F. Moore; 2nd Lieut. T. L. Taylor; 2nd Lieut. J. I. Allen; and 2nd Lieut. Samuel F. Taylor. Also contains battle and camp scenes; an American eagle with a shield; biographies of the depicted officers, predominately businessmen and professional; and a brief history of the regiment captioned "A New Epoch In Our History.", Title from item., Date from copyright statement: Published and copyrighted, 1899. By Thomas L. Leatherwood, Asheville, N.C., Printed lower right corner: Agents Wanted in every Town, State or Country, to handle this Beautiful Souvenir Portrait Group., Accompanied by inscribed office stationery "From the Desk Of" Leon Candeub., Lib. Company. Annual report, 2005, p. 67-69., Gift of Helene Candeub, 2005., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kurz and Allison Art Studio
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - Spanish American War [P.2005.23]

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: Panorama of Washington. [graphic] : First in war. First in peace and first in the hearts of his countrymen.
Description: Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies., Described in Georges Malpass's "A Check List 'Rose' and 'Panorama' Envelopes of the Civil War" in American Philatelist (March 1953), p. 430-442., Civil War envelope insert containing a portrait of George Washington above 25 vignette views of federal buildings and prominent sites in Washington, D.C., a bird's-eye view of the city, and patriotic vignettes. Prominent sites depicted include the Capitol, interiors of the House of Representatives and Senate; U.S. Post Office; U.S. Treasury; Observatory; White House; Military Asylum; Columbia Armory; War Department; Jackson Monument; Willard Hotel; U.S. Navy Yard; U.S. Arsenal; Matthew Church; City Hall; Trinity Church; Georgetown College; view of Georgetown; National Hotel; Lunatic Asylum; U.S. Patent Office; Smithsonian Institute; Mills statue of Washington; and the building dedicated to the Fine Arts. Patriotic vignettes show Washington as a general during the American Revolution; the Washington monument; and the figure of Liberty. Also includes vignettes of Mount Vernon and the Tomb of Washington.
Creator: Magnus, Charles., creator
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept **GC - Views - U.S. - Washington, D.C. [(2)5786.F.182b]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings, prints, drawings and manuscript notes, predominantly dated to the 1850s, pertaining to the history, the built environment, and social climate of Philadelphia. Subject matter includes clippings about Federalists, Leiper Railroad, beer brewing, historic private houses, and Patrick Lyon from the newspaper column series "Reminiscences of Philadelphia" (Christian Observer, 1856), "Philadelphia Peculiarities" (Philadelphia Sunday Mercury, 1856), and "Recollections from the Past" (authored by Poulson) and "To Readers and Anxious Inquirers" (Sunday Dispatch, 1856); articles about the early history of Germantown and Independence Hall, the origin of April Fools, a “Venerable document,” i.e., a 1747 indenture between the Library Company and librarian Robert Greenway, and the 1859 cholera epidemic at the Arch Street Prison; and newspaper advertisements for the Zoological Institute (48 S. Fifth St.), Page's Patent Safety Cab, and Colonel Chaffin, “The Celebrated Dwarf, at the Masonic Hall" (1845). Also contains an editorial about the poor quality of the Philadelphia Directory for 1865; a song sheet "Social Quoit Club" by Charles Alexander inscribed with a note about its provenance by Poulson on the verso; Poulson manuscripts about notable houses, including the Butler Mansion (Chestnut & Eighth Sts.), William Waln House (Chestnut & Seventh Sts.), and James Fisher mansion (Chestnut & Ninth Sts.); and prints, watercolors, and sketches, several created and signed by Poulson, predominantly showing Philadelphia residences, landmarks, and city and landscapes., Graphic materials include a Charles Magnus print after the Trumbull painting, "Declaration of Independence, July 4, 1776"; the captioned George Gilbert illustration "A View of the Grand Civic Arch... in Honor of Lafayette" (1824); a Le Met miniature portrait of Timothy Palmer; a James McClees photograph of the engraving "The Hour of Sunset, on the Fourth of July 1776" and Poulson watercolor and sketches (often with extensive manuscript captions) showing "Episcopal Academy," "A House on the North side of Chestnut Street, next to that on the N.E. corner of Eighth Street, lately occupied by Danl. W. Coxe, Esq. who deceased there June 3, 1852" (1857), "Sketch of the river Schuylkill at Fairmount. The wooden floating bridge and tavern &c by C. A. P. under the tuition of Jemmy Cox, the drawing master," "Jonathan Leedom’s Iron Store, no. 211 S. Front St. or now no. 343," "Sketch of the Emlen or [Benendye?] house Chestnut St. opposite the State house and next to Jacob Ridgway’s house on the east" (1858); and advertising vignettes and cameo stamps for businesses, including a segar store (Mulberry St.), G. S. Appleton, bookseller, publisher & importer of foreign books (148, i.e, 600 block Chestnut St.), W. C. Allen, broom & variety store, and a multi-manned press of “The Saturday Evening Post.” Other images include satiric women's fashion vignettes and a cut out caricature of an African American man advertising Sanford's Opera House., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured.", Back free end paper contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut.", "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: ca. 1824-1864
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 2 [(2)2526.F]

Title: Slavery as it exists in America : Slavery as it exists in England
Description: Racist, anti-abolition print challenging Northern abolitionists' view of slavery by favorably contrasting the living conditions of enslaved African American people in America with that of British industrial workers. First image depicts enslaved men, women, and children playing music, singing, and dancing during a hoe-down while Southerners and Northerners observe and comment about how the false reports to the North about the hardships of slavery will now be rectified. Second image portrays a British cloth factory where several emaciated white factory workers, attired in torn and worn clothes, have gathered, including a woman and her children referring to themselves as slaves; two workers discussing running away to an easier life in the coal mines; and workers commenting on their premature aging. A rotund priest and tax collector observe. Soldiers march in the background. Below the image is a small portrait of the "English Anti-slavery Agitator" George Thompson., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1850 by J. Haven in the clerk's office of the District Court of Mass., Manuscript note on verso: Deposited April 9, 1851, Recorded vol 26. pag, 145., Lib. Company. Annual report, 1967, p. 55., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1850
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1850-6 [P.9675]

Title: On the march to the sea
Description: Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1868
Location: Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]

Title: [Entry of Washington into New York, after the city was evacuated by the British in 1783, Nov. 20th]
Description: Print after the painting displayed at the National Academy of Design in New York by native Philadelphian and prolific 19th-century book illustrator, Felix Octavius Carr Daley. Depicts the historic scene at the close of the American Revolution showing General Washington, his hand on his hip and his face turned to the left, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Exuberant spectators, some running and some held back by uniformed guards, line both sides of the thoroughfare and cheer from balconies, roofs, and windows. Spectators include many parents with children. In the left foreground, an African American man servant or waiter, attired in hoop earrings, a white collared shirt, a bow tie, a jacket, breeches with white stockings, and buckled shoes, carries a serving tray under his arm and stands and peers into the street to watch Washington. Three dogs run in the foreground., Title from: Illustrated by Darley: an exhibition of original drawings..., May 4- June 18, 1978 (Delaware Art Museum. Wilmington: The Museum, 1978). (LCP Print Room Yb A2696.O)., Alternate title from 1863 artist's proof at the Museum of the City of New York., Manuscript signature of engraver in lower right corner., Gift of Dr. Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced at least three engravings after the works of F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1858
Location: Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.3]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Martyrdom of John Brown
Description: Print depicting the fictitious blessing of an enslaved African American baby by the radical abolitionist on his walk to the gallows in December 1859. Shows Brown in front of his Charles Town, Virginia cell, flanked by guards carrying rifles and swords. An African American woman kneels before him and holds her baby up while Brown lays his hand on the baby’s head. Spectators surround them, including white women and veterans, one with his arm in a sling. In the right, an African American woman nanny wraps her arms around her two well-dressed white boy charges., Title from original painting "John Brown's Blessing" completed in 1867 by Southern historical and genre painter Thomas Satterwhite Noble in the collections of the New York Historical Society., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department **Portrait Prints-B [7777.F]

Title: Reading the Emancipation Proclamation
Description: Print depicting a white Union soldier reading the Emancipation Proclamation to families of enslaved African Americans in a cabin. The families are depicted with anxious and solemn mannerisms. Family members surround the officer near a dining table and hearth. An older boy holds a torch providing the officer with light. The father watches over the soldier's shoulder. Other figures, including a "young woman with two children, the house servant of her [enslaver], not belonging to the cabin but happened to be in on the occasion" pray, cheer, and cling to their mothers. Interior also includes a side of bacon hanging next to a ladder, a drying line with cotton balls handing from it above the hearth, and a cradle. Contains portrait of Abraham Lincoln below the image. The Emancipation Proclamation, effective January 1, 1863, granted African Americans not only their right to freedom but the right to join the Union Army., Title from item., Date from copyright statement., After painting by Henry Walker Herrick exhibited at the National Academy of Design in New York in 1865. Exhibited by "possessor" Lucius Stebbins., Publisher and copyright holder Stebbins published complementary pamphlet "Emancipation Proclamation of January 1st, 1864 [sic]" that included "Description of the Engraving." Description: Old man at the right with folded hands, Grand-father; Old lady at the left with cane in hand, Grand-mother; man leaning on ladder, the father; woman with child in her arms, the mother; lad swinging his hat, oldest son; one holding torch, second son; little girl, oldest daughter; infant in the arms of its mother. Young woman with two children, the house servant of her master, not belonging to the cabin but happened to be in on the occasion. Party reading, Union Soldier. The internal view of the Cabin is true to nature. The stone chimney, garret, ladder, side of bacon, rough cradle, piece of sugar cane and cotton balls, &c, all combine to give a correct idea of the slaves' home. Lincoln Financial Foundation copy of pamphlet accessible at Internet Archive., Lib. Company. Annual report, 1993, p. 44., LCP exhibition catalogue: An African American Miscellany p. 22., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lucius Stebbins (1810-1901), born in Massachussets, worked in Hartford, Connecticut, in the businesses of map coloring and subscription book publishing (American Publishing Company).
Creator: Watts, James W., -1895, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC-Emancipation [P.9429]

Title: Emancipation Freedom for all, both black and white!
Description: Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]

Title: Scrapbook
Description: Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) containing primarily place, greeting, holiday and calling cards predominantly issued in the United Kingdom and the Northeast United States. Majority of the cards are printed and or chromolithographs, with a small number illustrated with drawings by hand. Many cards also contain ornate border details, embossing, and adornments, including ribbons, fringe, lace, a wishbone, and overlays. Contents also include die-cuts of fans, horse shoes, a spoon, a flamingo, one-quarter moon, a woman’s leg, and a bird as a cover for a H. O. Neill & Co. illustrated hat catalog. Cards often depict sentimental and genre imagery including cupids, butterflies, flowers, vases and baskets; religious, historical and Asian-themed scenes, figures and/or decor; seasonal landscape views; women, children, and costumed figures; animals, including birds, chicks, dogs, and cats; and fruit. Other imagery includes two witches flying on brooms holding a "Merry Christmas and Happy New Year" banner; London printer William Dickes series of women in native costume from Switzerland, Russia, and Norway; a holiday card that opens to a sledding scene of children holding letters spelling "Merry Christmas"; and a Valentine Day card showing a letter slot filled with valentines. Scrapbook also contains watercolors and drawings, trade cards, programs, menus, invitations, ribbons, photographs, etchings, newspaper clippings, including an announcement of the wedding of Adelaide Watson, and a post card from "cousin Will." Trade cards advertise businesses, including J. E. Caldwell & Co., Stephen F. Whitman & Son, P. Fleischner & Co., Sharpless & Sons, F. T. Howell & Co., A. Ripka & Bro., J. H. Way & Bro., and Automatic Signal Telegraph Co. containing four scenes showing a robbery and fire and police and fire department., Scrapbook contains a number of items depicting Asian people or decorative themes, including a greeting card that reads, "A Happy New Year to You," and showing a Japanese woman, attired in a kimono, sitting and watering a potted plant [p. 9]; a card that reads, "Miss Harris," and depicting a Japanese woman, attired in a kimono made of fabric, standing and facing left [p. 18]; a card titled, "Bric a brac," and showing a blue and white porcelain bowl, vase, and pitcher bordered by hand fans and three flying cranes [p. 29]; and Asian men attired in kimonos having their noses pulled or pulling noses [p. 47]., Watercolors and drawings depict a woman attired in early 19th-century garb in a pumpkin patch, marinescapes, and an anthropomorphic frog. Photographs include a half stereograph showing a croquet match in front of a resort hotel and a photograph of Fifth and Walnut streets (Philadelphia) “taken by Chris in "88." Etchings include a portrait of an elderly man and one signed F. A. Stokes showing a man at a table. Other ephemera includes a hand-made tablet with a cover containing a watercolor depicting birds; a cloth padded bird figurine; a metamorphic playbill for the play "French Flats" at Union Square Theatre; a typewritten engagement announcement composed as a poem; a Christmas Hymnal booklet; handwritten word games, including 'Progressive Conversation"; a Pennsylvania Railroad "Old Point Comfort" tour schedule; and a train schedule scrap annotated with a doodle and inscribed text., Black binding, stamped on cover: Scrapbook., Label pasted on verso of cover: Patent Back Scrap Book. Pat. March 28, 1876., Inscribed on front free end paper: Minnie Campbell Harris Philadelphia. January 12, 1887., Provenance and date of majority of contents identified by brief inscriptions. Provenances include Nannie (i.e., Mary Jaudon) Harris, Lucy and Susan Jaudon, Mai Philler, Carrie (i.e., Caroline) Biddle, and Helen Morton., Printers include Philadelphia firms Craig, Finley & Co., Dreka, Rowley & Chew, and Sunshine Pub. Co.; Boston firm L. Prang & Co.; and British and Irish firms William Dickes, Marcus Ward & Co., and Eyre & Spottiswoode., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McLean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.
Creator: Wilson, Mary Campbell Harris, 1862-approximately 1948
Date: [ca. 1877-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums - Harris [P.9682.1]

Title: Specimen sheet Union, patriotic and humorous designs upon envelopes
Description: Advertisement containing twenty-five examples of Civil War envelope vignettes published by King & Baird. Majority of the vignettes include titles and slogans. Designs depict the American flag; liberty, the American eagle; soldiers (including the martyred Colonel Ellsworth); caricatures of Brigadier General Henry A. Wise (former governor of Virginia), Jefferson Davis, and the Southern gentry; a portrait of Washington; an abolitionist scene showing the whipping of an African American man entitled "The persuasive eloquence of the Sunny South"; and a racist caricature of an African American man on all fours carrying a whip and asking in the vernacular, "Whar's Jeff Davis?" Also contains a description of the envelopes and shipping information, as well as the scale of prices ranging from "25 Assorted Envelopes, (25 kinds)" at 25 cents to 1000 at 5 dollars., Title from item., Text printed on recto: Single copies of this sheet will be mailed free of postage, upon receipt of six cents, by King & Baird, Book and Job Printers, 607 Sansom St., Philadelphia., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886 [5786.F.161a]. Accessioned 2002 [P.2002.45]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: King & Baird
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Civil War [5786.F.161a; P.2002.45]

Title: John Brown meeting the slave mother and her child on the steps of Charlestown jail on his way to execution
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother during the radical abolitionist's walk to the gallows in December 1859. Shows Brown at the top of the steps of the Charles Town, Virginia jail being led by several white men past the mother holding and looking down at her baby. The men include a prison guard in militia-uniform attempting to push the mother aside as Brown gazes compassionately upon her; the jailor, an old bearded man in cape and hat with his hand raised in front of his chin; the jailor's friend, a balding, bearded man pointing the way to the execution; and another militia man in an old Continental" uniform with a tricorne hat labeled "76." Also includes the Virginia state flag, waving above the head of Brown in the shape of a halo inscribed, "Sic Semper Tyrannis," i.e.; "Who is the tyrant, who the conqueror?" and a stern-faced, enslaver, attired in a Virginia militia uniform, waiting impatiently at the bottom of the stairs opposite a dismembered statue of justice in a pile of rubbish., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by Currier and Ives in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Text printed below the title: The artist has represented Capt. Brown regarding with a look of compassion a Slave-mother and Child who obstructed the passage on his way to the scaffold. Capt. Brown stooped and kissed the child- then met his fate., Original painting described in "A Rare Picture," an 1886 broadside probably by Ransom, in the collections of the library of Oberlin College, Oberlin, Ohio. Transcription available at repository., Purchase 1969., Reaccessioned as P.2003.18., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1863
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7817.F]

Title: Pictorial views of houses & places in Germantown yr 1859
Description: Photograph album commissioned by antiquarian Ferdinand Dreer containing twenty salted paper prints depicting nineteenth century Germantown landmarks. Views include prominent and historic residences, businesses, a school, and a church, predominately on Germantown Avenue. Images accompanied by numbered annotations of brief notes about the history of, significance of, and persons associated with the buildings., Photographs depict the Germantown Mennonite Church (6121 Germantown Avenue) and Samuel Keyser residence (6133 Germantown Avenue); Germantown Academy (110 School House Lane); Cliveden (6401 Germantown Avenue); Congress Hall boarding house (6100 block Germantown Avenue); Leonard Nutz residence (5329 West Penn Street); John Fanning Watson residence (Price Street); Thomas Godfrey Farm (Limekiln Pike at Church Lane); Samuel Morris residence (5442 Germantown Avenue); Roberts Mill (Church Lane at Wingohocking Street); John Smith residence, i.e., Daniel Keyser residence, near the old turnpike toll gate (5800 block Germantown Avenue); Michael Keyser, i.e., John Knorr residence (6100-6106 Germantown Avenue); John Johnson residence used as an Underground Railroad station (6306 Germantown Avenue); Parson Rodney House, i.e., Macknett's Tavern (5900 block Germantown Avenue); Benjamin Engle residence (5938 Germantown Avenue); Christopher Sower residence (5300 Germantown Avenue); Pugh residence, i.e., James De La Plaine residence (5521-5523 Germantown Avenue); Bank of Germantown (5275-5277 Germantown Avenue); Rock House (East Penn Street) ; Michael Billmeyer residence (6505-6507 Germantown Avenue); and Washington Tavern (6200 block Germantown Avenue). Also contains a lithograph portrait of John Kelpius, a founder of Germantown, printed by P.S. Duval & Sons., Paper binding., Title page inscribed: Pictorial views of house & places in Germantown in 1850. Taken for F.J. Dreer., The Johnson House was built 1765-1768 by master builder Jacob Knor at 6306 Germantown Avenue, Philadelphia, PA. John Johnson resided in the house during the Battle of Germantown. The dwelling sustained damage including a hole in the parlor door caused by a cannon ball and a chipped corner. It served as a station on the Underground Railroad. The Johnson family owned the house until 1908. The Woman's Club of Germantown purchased the house in 1917, and in 1980, gifted the house and its contents to the Germantown Mennonite Historic Trust to operate as a house museum. In 2002, the deed of ownership was transferred to the Johnson House Historic Site, Inc., Cliveden is the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. It was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Fifteen of images duplicated in F. De B. Richards Photograph Collection., Duplicate album with variant annotations entitled "Houses & Places in Germantown in 1859 illustrated by John F. Watson" in the collections of the Germantown Historical Society, Gift of Mrs. Charles Willing, 1972., Description revised 2022., Access points revised 2022.
Creator: Richards, F. De B. (Frederick De Bourg), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department Richards album [66037.D]

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