A washerwoman stands next to a bucket of "bleeding hearts" and pins hearts onto a clothes-line. Her dress billows up in the back. Behind her is a tub labeled "cold water" and a container labeled "soft soap." The valentine references the water cure movement. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: Ho! all ye lovers pale and wan, / Who of your bleeding hearts complain, / For you my trade I carry on / And from soiled hearts remove each stain. / Come one, come all!-- hearts smoothed and pressed / And safely folded in the Chest., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A maid polishes a pair of boots. The valentine plays on the words work and play to suggest that the maid is promiscuous., Text: Dirty, ugly, vulgar, pert, / So begrimed with grease and dirt, / I vow that I should be afraid of, / Seeing what that maid is made of, / Tho’ call’d maid of all work! They / Say you’re often made of play, / And when with sweethearts you’ve your swing / The maid is quite a different thing!, Provenance: Helfand, William H..
A smirking woman holding a small purse waves a handkerchief over her shoulder. The valentine suggests that a woman who flirts with many men will be a bad wife., Text: You're like a fair young rose bush, / Where each beau plucks a rose, / 'Till nought but thorns are left behind, / To prove the husband's woes., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A women in a revealing dress is sitting on the lap of a uniformed soldier. The texts implies she is promiscuous., Text: I know my girl you’d like to be / Thus seated on a soldier’s knee, / Void of sense and void of shame, / Playing at many a wanton game; / When his knee you sit upon, / Perhaps like this you try it on ; / Trying how his things will fit, / And sure to PUT YOUR FOOT IN IT., "85", Provenance: Helfand, William H..
Two cats are on a tiled roof. One has a woman's head. Behind the roof is a man with a face. "To go upon the tiles" means to embark on a drinking or sexual adventure. The valentine accuses the woman of indulging her passions in excess., Text: You love to go upon the Tiles, / To exercise your wanton wiles; / Nowhere will you find your match / In coming up unto the SCRATCH., "No. 141", Provenance: Helfand, Wiliam H..
The valentine depicts a man in a sailor's uniform holding a glass in one hand and a "greenback," or a paper dollar bill, in the other. The sender rejects the recipient because of his promiscuity and drinking, which it connects with his love of money, specifically paper currency., Text: Loves nothing as well as a good greenback / Except it be his grog: / And the first he'll waste on the sauciest back, / On the second get drunk as a hog / Alack, Jolly Jack! / Why can't you leave off both women and wine? / Then I'd give you a kiss full of true love's bliss, / And ever call you my own Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A tall woman is kissing a short, moustached man. Behind her on a table are a bokk markeds "Hymns" and another marked "Bible". The valentine asserts that this is not the first time the woman has kissed a minister and that when his wife heard about it before, she tore out the woman's hair, which is why she wears a wig. The valentine cautions that if she repeats this behavior, she can expect to lose this wig as well., Text: Don’t look so pious, madam, / We’ve heard of you before, / You kissed the little minister / Behind his study door; / And when his wife heard of it, / The row ensued was big, / And that is how you came to wear / That little curled-up wig. Now pray be careful what you do, / Or you will lose your nice wig too., Provenance: Helfand, William H..
The valentine shows the fashionably dressed ladies man with a woman on each arm. He is able to attract women's attention, but the valentine suggest that this attention effeminizes him, as actions like holding shawls and flirting fans are feminine., Text: At church or concert, ball or rout, / You're always sure to be about / To hold a shawl or flirt a fan; / My pretty little "ladies man.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The wide-eyed woman grins and wears a bonnet, gown, and coat. The valentine criticizes young women who show affection for too many men too frequently. The valentine possibly connects her enthusiasm with promiscuity., Text: I never like to see a pretty miss / Love everything she meets with breeches on; / And thinks herself possessed of every bliss, / To sport with each new beau she pitches on., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
The valentine shows a woman walking. The text suggests that the sender will "read" the recipient now that he has read all the books in libraries and bookstores., Text: I have read every Library / And book-store through; / And, since fate decrees it, / I'll read only you., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman holds a hat and stands in front of a display of fabric. The valentine suggests that the recipient is promiscuous with her customers., Text: Read this, my good woman and don’t think it hard, / When you let out your ribbons and love by the yard; / I’m fond of a roller, sometimes it is true, / But I don’t care a pin for a roller from you. / And in temper and passion we plainly may tell, / If we grant you a yard, you’ll be taking an ell. / So adieu, Mrs. Huckaback, here I must stop, / For I love not a beauty who smells of the shop., Provenance: Helfand, William H..
A Union soldier perched on a picket fence appears to be in pain. He has dropped a piglet. Behind him is a chicken. In addition to a type of fence, "picket" also means dangerous military guard duty. The reference to the hen-house in the text suggests that the soldier has previously been promiscuous., Text: Through many a hen-house you have roved, / And many a pig-stye searched, / At last you've got your just deserts, / Upon a Pick-et perched., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman has two faces, both with pox marks. One side smiles and extends a hand, and one frowns and extends a fist. The valentine possibly refers to promiscuity and sexually transmitted diseases., Text: Avaunt! foul tempress! though you show'd a face / As fair as heart of man had ever charmed, / I see another on the other side, / Deceit has wrinkled, passion has deformed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man in his night clothes carries a musket and a candle. He holds the candle up to shed light on a man who is hiding in the fireplace. In the background, his wife looks out from behind the door. The text suggests that if the lover continues his behavior, another husband will shoot him., Text: You are an ill conditioned sneak, / U[pon] every amourous freak, / For you have spent your wretched life / In seeking some one else's wife; / Behold what perhap may be your fate, / Carrying on at this sad rate; / Some angry husband may discover, / And blow out your brains my general lover., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A woman bends forward towards a crowd of women, in the "Grecian Bend" created by wearing fashionable restrictive gowns and bustles. Behind her are signs that read " The Original Grecian Bend for State Millener" and "The Pink of Fashion, Mme. Lecreme." The Grecian Bend style of bustle became popular after 1869. New York city directories for 1867-72 list Fisher and Denison at the same address, noting that Denison lived in Maryland., Text: You're all aflame with woman's right, / And hope thereby to see strange sights; / No place too bold for such a trump-- / You'd even go so far as mount the stump. / If you thus cast all social laws aside, / You'll never be a happy bride., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
