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- Title
- A mulatto woman of the Gold Coast
- Description
- Portrait of a mulatto woman walking with a parasol on the coast. Hutton's general description of "superior black women and mulattoes" on the Gold Coast also applies to this subject. As he wrote, "They wear a cloth either of silk or cotton, which they fasten round their waist with a handkerchief, from which is suspended a large bunch of silver keys, about thirty-two in number. Under their cloth they wear a girdle that goest several times round their loins, and forms into a large pad behind, just at the small of their backs, which is called a cankey, and on which they carry their children. This cankey, which has a very unseemly appearance, possesses the advantage of keeping the cloth loose, and thus prevents their shape from being exposed. The young girls in general are proud of showing their bosoms, but the mulatto women conceal theirs by wearing a linen shirt." (p. 93-94), Plate in William Hutton's A Voyage to Africa: Including a Narrative of an Embassy to One of the Interior Kingdoms, in the year 1820 . . . (London: Printed for Longman, Hurst, Rees, Orme, and Brown, Paternoster-Row, 1821), p. 92., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
- Creator
- Clark, J., 1789-1830, engraver
- Date
- 1821
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare U Afri Hutton 5536.O p 92, https://digital.librarycompany.org/islandora/object/Islandora%3A2915
- Title
- Andries Africander, a mulatto Hottentot
- Description
- Portrait image of Andries Africander, a mulatto Hottentot (i.e. Khoikhoi), who served as Harris's driver during part of his travels. A pensioned private in the Cape Rifle Corps, Africander is shown here with his rifle. As Harris noted, and as the engraving suggests, he was missing both his right eye and his index finger. When Harris first made Africander's acquaintance, the latter had already made numerous trips into Moselekaste's country. He was also acquainted with the chief, and spoke a bit of English and Sichuana. He proved, however, to be an unfortunate addition to Harris's party. "A coward, a mutineer, and an inveterate liar," Harris wrote, " . . . Andries caused more mischief and trouble to us by his pernicious example and rebellious conduct when beyond the reach of the law, than can be well conceived by those who have never had the misfortunes to be exposed to the machinations of so dangerous a ruffian." (p. 10), Plate in Sir William Harris's The wild sports of Southern Africa: Being a narrative of a hunting expedition from the Cape of Good Hope, through the territories of the Chief Moselekatse, to the Tropic of Capricorn (London: Henry G. Bohn, York Street, Covent Garden, 1852), p. 8., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
- Date
- [1852]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare U Afri Harris 14048.O p 8, https://digital.librarycompany.org/islandora/object/Islandora%3A2912
- Title
- Ellen Craft, the fugitive slave
- Description
- Half-length portrait taken circa 1849-50 of Craft attired in the persona of Mr. William Johnson, a young, infirm enslaver. Shows the light-complexioned, multiracial Craft with one arm in a sling and wearing short hair, spectacles, a top hat, a jacket, a shirt, and a cravat. Craft and her husband William escaped slavery in Macon, GA in December 1848 by posing as a planter and his dedicated man servant. The couple arrived in Philadelphia on Christmas Day, relocating to Boston, and later London. Craft wore a sling to conceal her inability to write, as well as a poultice tied to her chin and around her head to further disguise her gender. The chin poultice was "left off in the engraving, because the likeness could not have been taken well with it on" (Craft, 35). Before publication as the frontispiece to the Craft's memoir, the portrait was separately issued and advertised by English abolitionists., Title from item., Published in Running a thousand miles for freedom; or the escape of William and Ellen Craft from slavery (London: Wm. Tweedie, 1861), frontispiece [Am 1861 Craft, 71339.D]., Purchased with the Davida T. Deutsch African American History Fund., Hale and Schoff worked within blocks of the office of the abolitionist newspaper "The Liberator" in Boston. Additionally, Hale, Schoff, and Andrews were all members of the Massachusetts Charitable Mechanics Association., Lib. Company. Annual Report, 2014, p. 37., Description revised 2021., Access points revised 2021.
- Creator
- J. Andrews & S. A. Schoff, engraver
- Date
- [ca. 1850-ca. 1861]
- Location
- Library Company of Philadelphia | Print Department portrait prints - C [P.2014.61]
- Title
- Brandt's Hall! Manager, S.C. Dubois Mr. Dubois, the manager, gives notice that every exertion will be made by him to preserve the strictest order and ensure the comfort of all those who wish to pass a pleasant evening in the hall. The citizens of Harrisburg and vicinity are notified, that Mr. Dubois has taken great pains to present this great American drama of The octoroon! in a style worthy of their patronage. ... On Monday evening, May 16th, 1864, will be presented the great American drama of The octoroon! or, Life in Louisiana! ... Note.--The management wish to impress on the minds of the audience that this play is considered the truest picture ever drawn of Southern life, and in order to appreciate it properly, the strictest attention is necessary. Reserved seats, 50 cents Particular notice.--Those desirous of securing seats, which will be retained during the evening, can do so by applying at the hall during the morning. Seats, not reserved, 25 cents Doors open at half-past seven o'clock. Performance at eight
- Description
- The cast includes: H.C. Andrews, S.C. Dubois, Mary Dumas, E.A. Eberle, W. Johnson, Howard Keyser, Marie Le Gros, Mrs. Loker, W.H. Mathews, G.W. Mitchell, F. Morland, G.W. Shields, Emma Stanley, Mattie Sutherland, and R.G. Wilson., Printed area, including double-rule border, measures 55.8 x 20.3 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Dramatic Combination
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare PB 1864 Dramatic (26)5761.F.26a (McAllister)
- Title
- Grover's Theatre Pennsylvania Avenue, near Willard's Hotel Leonard Grover, director also, of Grover's Chestnut St. Theatre, Philadelphia. Wednesday evening, April 20, 1864, Boucicault's great American drama The octoroon! The entire press speak of this great drama of Louisiana life in the most generous terms. ... Koppitz and the grand orchestra will render the beautiful music of the drama. To-morrow, Thursday, April 21, most positively the last time of Colleen Bawn Prices of admission: Dress circle or parquet 50 cents Family circle 25 cents Orchestra seats 75 cents
- Description
- Members of the cast: George H. Andrews, Mrs. M.A. Chapman, W.A. Chapman, W.A. Donaldson, L.H. Everett, J.B. Evers, H. Forrest, Jane Andrews Germon, Sophy Gimber, Walter Lennox, J. Matthews, Miss Miller, G.W. Mitchell, Frank Mordaunt, Mrs. Mordaunt, Harry Pearson, Miss Porter, Miss S. Schenck, Annie Ward, James T. Ward, Joseph Whiting, and Mr. Wilson., The printed area, including double-rule border, measures 54.9 x 19.7 cm., Illustration signed: Adrian-Probasco Phila., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Grover's Theatre (Washington, D.C.)
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Grover 1864 (26)5761.F.19a (McAllister)
- Title
- Grover's Theatre Pennsylvania Avenue, near Willard's Hotel Leonard Grover, director also, of Grover's Chestnut St. Theatre, Philadelphia. This Friday evening, April 22, 1864 last time, most positively, of Grover's great Philadelphia company This great company will appear again this evening in Boucicault's great American drama The octoroon The entire press speak of this great drama of Louisiana life in the most generous terms. ... Koppitz and the grand orchestra will render the beautiful music of the drama. Saturday, April 23d, grand festival in commemoration of Shakspere 300dth anniversary of his birth. 3d anniversary of the opening of Grover's Theatre. Third annual benefit of Leonard Grover! ... Seats may be secured immediately, no extra charge. Monday, April 25th, the great tragic alliance--Davenport, Wallack & Mrs. Farren Othello. Prices of admission: Dress circle or parquet 50 cents Family circle 25 cents Orchestra seats 75 cents
- Description
- Members of the cast: George H. Andrews, Mrs. M.A. Chapman, W.A. Chapman, W.A. Donaldson, L.H. Everett, J.B. Evers, H. Forrest, Jane Andrews Germon, Sophy Gimber, Walter Lennox, J. Matthews, Miss Miller, G.W. Mitchell, Frank Mordaunt, Mrs. Mordaunt, Harry Pearson, Miss Porter, Miss S. Schenck, Annie Ward, James T. Ward, Joseph Whiting, and Mr. Wilson., The printed area, including double-rule border, measures 55.1 x 19.8 cm., Illustration signed: Adrian-Probasco Phila., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Grover's Theatre (Washington, D.C.)
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Grover 1864 (26)5761.F.21a (McAllister)
- Title
- "I'm a farder"
- Description
- Set of four collecting cards depicting racist caricatures of African Americans to satirize fatherhood and the question of paternity. Titles are in the vernacular. Includes "I'm a Farder" showing a dapperly-dressed African American man, attired in a white collared shirt, a red tie, a gray waistcoat, a blue jacket, and blue-and-white striped pants. He talks to his "Aunty," an African American woman, attired in a red and yellow head kerchief, hoop earrings, a green and red shawl, a red dress, and a white apron, and holding her hands to her chest; "Aunty Says Der Am Two" showing the man with a sheepish look and his hands in his pockets while "Aunty" smiles; "And Dat One Am kinder White" showing the man aghast and standing straight up as "Aunty" holds out her hands in a near gesture of comfort; and "If Dat Chile Dont Change Color Der'l Be Trouble in Dis Yer Fam'ly" showing the man forlorn, hands in pockets, and looking down at this two infants being held by "Aunty" in her lap, while she sits in a chair under a placard reading "Bless Our Home." The baby in the left has a dark skin tone, and the baby in the right has a light skin tone., Copyrighted., Title from item., Date inferred from content., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department GC - Genre [P.2012.23.1-4]
- Title
- Stevens-Cogdell-Sanders-Venning collection
- Description
- The Stevens-Cogdell-Sanders-Venning family papers document the development of a white family and a prominent middle class African American family in Philadelphia, Pennsylvania, beginning with the 1760s emigration of John Stevens from England to South Carolina. The papers consist of seven series: “Stevens family papers,” “Cogdell family papers,” “Sanders family papers,” “Venning family papers,” “Unattributed family papers,” “Scrapbook materials and related ephemera,” and “Hinkson family papers.” The materials date from 1734 to 1976 and consist of scrapbooks, ephemera, newspaper clippings, Common Prayer books, invitations, holiday cards, correspondence, business papers, and a variety of personal papers. The materials document the Stevens-Cogdell-Sanders-Venning families'; professional, family, and personal lives.
- Creator
- Buck, Pearl S. (Pearl Sydenstricker), 1892-1973
- Date
- 1734
- Title
- An affecting scene in Kentucky
- Description
- A racist cartoon ridiculing Kentucky congressman Richard M. Johnson, the 1836 Democratic vice-presidential candidate, for his common-law marriage to Julia Chinn, a multiracial woman. Depicts Johnson, with the "New York Courier and Enquirer" falling from his hand, as he grieves over the "scurrilous attacks in the newspapers on the mother of my children." His daughters, Adaline and Imogene, attired in evening dresses, comment on his "affected state" and hold a framed portrait of their mother, attired in a turban. Surrounding Johnson are Democrats pledging support, including a postmaster, a well-dressed African American man, who speaks in the vernacular, and a gaunt white man abolitionist holding the Connecticut newspaper the "Emancipator." Another white man supporter comments on Johnson's agitated state., Title from item., Publication information supplied by Reilly., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1836]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1836-15 [6277.F]
- Title
- West India luxury!!
- Description
- Satiric print mocking the decadent state of West Indian plantation society containing five vignettes, one with text, depicting slothful white enslavers being lavishly catered to by Black and multiracial enslaved people. Vignettes include: "A West India Nabob" (i.e., man of wealth) as he lounges on his couch, attired in a wide brimmed hat, surrounded by his entourage of enslaved women; enslaved men being used as a "Portable Boot Jack" by their white man enslaver; the white women enslaver showing "Creolean Patience" as she waits for her enslaved marketing person to be told by her enslaved attendant to pick up her nearby fallen needle; the white women enslaver telling "Quashebah come and take my Head in again" from her open window; and a white man enslaver enjoying "One of the Luxuries" of slavery as enslaved women simultaneously comb his hair, wash his feet, fan him, and serve him goblets of wine., Title from item., Described in David Kunzle's The Early comic strip: Narrative strips and picture stories in the European broad sheet from c. 1450 to 1825 (Berkeley: University of California Press, 1973), p. 374-5., Lib. Company. Annual Report, 2000, p. 37-38., Purchase 2000., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- April 1808
- Location
- Library Company of Philadelphia | Print Department Political cartoons - 1808-Wes [9455.F]
- Title
- Perilous escape of Eliza and child
- Description
- Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts the character Eliza, an African American woman freedom seeker, escaping from Kentucky to Ohio across the icy Ohio River. Eliza, depicted barefoot and with a light skin tone, clutches her son Harry to her breast and straddles two blocks of ice as she looks behind her at the irate white man enslaver on the shore near the tavern from which she has fled., Title from item., Purchase 1997., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Stong was a prolific New York mid 19th-century lithographer, wood engraver, and publisher who mainly published stock prints.
- Creator
- Strong, Thomas W., lithographer
- Date
- [ca. 1853]
- Location
- Library Company of Philadelphia | Print Department *GC - Fictional Characters [P.9524.2]