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Title: ASSU Illustration 1552
Description: Block numbered in two places: 1552., Image of a rhinoceros in a natural setting., Back of block partially obscured by pasted-down paper.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 5

Title: ASSU Illustration 1605
Description: Block numbered in two places: 1605., Image of a rhinoceros., Reverse of block also engraved – trial for illustration of a zebu.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 2

Title: ASSU Illustration 3380
Description: Block numbered in one place: 3380., Image of a rhinoceros in a natural setting., Tape (inscribed “561”) removed from obverse, June 2011
Date: [s.a.]
Location: ASSU Woodblocks -- Box 4

Title: ASSU Illustration 5692, Image of the head of a rhinoceros.
Description: Block numbered in two places: 5692., "Head of a Rhinoceros" -- inscribed on side of block., Illustration appears in The Lake and the desert, or, missionary adventures in southern Africa (Philadelphia, between 1864 to 1870?), opp. p. 140. The Lake and the desert was listed in American Sunday-School Union catalogues from 1864 to at least 1870., Illustration also appears in Child's world vol. 13. No. 24 p.3.
Date: [not before 1864?]
Location: ASSU Woodblocks -- Box 1

Title: Merrick Thread Co. "The rhinoceros feels safe to tread his lofty way on Merrick's thread."
Description: Racist trade card promoting Merrick thread. Depicts a scene showing an animal act managed by a bare-breasted African woman. The woman holds a thread in her right hand that is tied around the horn of the rhinoceros walking a tightrope. The rhinoceros balances on his left leg on the white tightrope attached to two intersecting poles on one end. The woman, her hair pulled into a bun and adorned with two red feathers, is attired in a white sarong, a gold hoop earring, and a gold bracelet on her left arm. She is depicted with exaggerated features. She holds a spiked club to the ground in her left hand. Behind the woman is a spool of thread which is marked with "Merrick Thread Co. Best Six Cord 8" logo. Print also contains an image on verso depicting a partially opened box of several spools of thread, on which the thread company's tagline "Merrick Thread Co's Ready Wound Bobbins for Sewing Machines Warranted 200 Yards" is printed. Merrick Thread Co. was founded in 1865 by Timothy Merrick, Austin Merrick, and Origen Hall in Mansfield, Connecticut. After its founding, the company established mills in Holyoke, Massachusetts. In 1898, the company merged with thirteen other independent thread and yarn manufacturers to form the American Thread Company. The distributor, B.A. Glase's Son, was owned by John Oscar Glase, who inherited the business from his father Benneville A. Glase after his death in 1882., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Buy Merrick Thread Co.'s Best Six Cord Soft Finish Spool Cotton For Machine & Hand Sewing. Warranted 200 Yds. Also., Distributor's imprint printed on verso: B.A. Glase's Son, General Merchandise, Friedensburg, Pa., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Merrick [P.2017.95.123]

Title: Philharmonic T[h]eatre, Islington. Every evening at eight. [Sa]turday at three and eight. Sam Hague's Ori[gi]nal Slave Troupe at St. James's Hall, Li[me] Street, Liverpool. Every evening at 8, Saturdays at 3 & 8, all the year round. Positively for four weeks on[ly] commencing Monday, Feb. 14th. Terminat[ing] [on] March 11 [ ] been re-built since the fire), St. James Hall, Liverpool, March 13th, 1876
Description: Advertising print depicting a racist scene to promote Sam Hague's Original Slave Troupe after their dislocation from their permanent home theatre, St. James Hall, following a fire in 1875. Shows a rhinoceros, a bell on his tail, pulling a cart on which members of the minstrel troupe, portrayed as Black men and women caricartures, perform. On the head of the animal, a man sits, his legs straight out while he holds the pole of a banner designed as an American flag and that is marked with advertising text for the troupe. On the animal's back, men and a woman stand, play hand instruments, and dance on a raised plank. On the cart, men play string and wind instruments, including a bass and trombone, as well as one man, bare-chested and in boxing pants, holds up an open umbrella, on which another man sits and plays the drum. The men figures are attired in suits and/or shirt sleeves and pants. The woman figure wears a kerchief, long-sleeved shirt, with the sleeves pulled up and apron-like, checkered skirt. Scene also includes blades of grass and a flowering plant in the foreground. Sam Hague's Original Slave Troupe evolved from the Georgia Slave Troupe Minstrels for which Samuel Hague assumed part management in 1866. Within the year, the troupe of formerly enslaved individuals, including singers, comedians, and minstrels, traveled to Great Britain to tour the country. In 1869, Hague acquired St. James Hall in Liverpool as a permanent home for the company, as well as a site to organize touring companies. In 1875, the hall was razed by fire and for the next year, the Troupe performed from other theatres such as Philharmonic Theatre, Islington. By this time, the Troupe was mainly comprised of white performers who performed in Blackface and Hague had managed the Troupe with a few different partners., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from promotional text on item., RVCDC, Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Print torn in half and with sections missing.
Date: [1876]
Location: Library Company of Philadelphia | Print Department **GC - Advertisements - Samuel Hague [P.2022.57.1]

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