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Title: ASSU Illustration 6590
Description: Block numbered in two places: 6590, also 3[7?]0 on small adhesive label on back of block., Image of a man wearing a long tunic and cloth head covering and holding what appears to be a rifle, resting the butt end on the ground; behind him are what appear to be several temporary structures made of what may be tarp, with people and goats gathered in and around them; the area is surrounded by a large number of palm trees., “N.J. Wemmer. 215 Pear St. Phila.” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “Am.S.S.U” – Back of block.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 25

Title: George [Morris]'s room from inside. Geo. with gun
Description: Glass negative showing Marriott Morris' cousin George Spencer Morris holding a rifle. He stands in a room crowded with pictures and furniture. An easel stands to the right with a picture of a woman on a swing. A tall desk stands on the left holding a carved bust, multiple framed pictures and another rifle. Morris wears a three-piece suit, hat, and tall boots., Time: 8:20 P.M., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: October 25, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1378]

Title: "A guard of colored soldiers"
Description: Full-length group portrait depicting three African American Union soldiers, attired in uniform, standing with bayoneted Springfield rifle muskets and non-commissioned officer swords in hand. The soldiers include a sergeant (center left) who wears a regular belt plate, three chevrons on his sleeve, a kepi with a tarred cover, and a non-commissioned officer baldrick on his sword. The African American private (center) wears an infantry bugle and brass insignia on top of his kepi. The private (right) wears an unadorned kepi. In the left, is a white man soldier, probably a junior officer, attired in a great coat and slouch hat and holding possibly an 1850 foot officer's sword. Possibly soldiers from Camp William Penn, the African American training camp near Philadelphia, Pennsylvania., Title from manuscript note on recto., Name of photographer/publisher attributed from copy of photograph available in Hindman February 27, 2024 auction. Copy included revenue stamp and was stamped on verso: O.H. Willard's New Galleries, 1203 Chestnut St. No. [4485] Phl. Copy of listing included in Willard research file at repository., Date inferred from revenue stamp on verso of copy at Hindman auction, February 2024., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2024 with information from 2024 Hindman auction listing., Access points revised 2024., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Willard, Oliver H., -1875
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department cdv portraits- group - Military [5779.F.3d]

Title: Invasion
Description: Drawing depicting the shore landing of American troops during World War II. In the foreground, an American soldier looks at the viewer as he holds up a rifle. In the background, an amphibious landing vehicle opens and a large number of soldiers march out in a line through the water. One soldier runs while waving his arm, beckoning the soldiers behind him forward., Title and date from item., Gift of David Doret and Linda G. Mitchell, 2019.
Creator: Graeff, Henry F., artist
Date: Mar. 24, 1944
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Drawings & Watercolors [P.2019.66.4]

Title: Scene of camp life
Description: Busy scene showing numerous activities occurring simultaneously at a military camp. In the center, Union Generals look at a map while sitting and standing under a canopy made from an American flag. In the background, soldiers drill on horseback, with cannons, and in lines near rows of tents. In the left, two barefooted African American men and a child approach a Zouave. A white man soldier stands with a rifle and looks on while another white man soldier leans upon a cannon., Title from item., Date inferred from content., Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events. McAllister Collection, gift, 1886., Trimmed., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department GC - Civil War - Military Camps [5779.F.90f]

Title: Andrew Wurfflein manufacturer & importer of guns, rifles & pistols, no. 208 North Second St. 5 doors above Race. Philadelphia Repairing in all its various branches
Description: Advertisement showing the exterior of the storefront containing a display window and a large model rifle above the entrance. An American flag projects from the muzzle of the model that is attached to the building by ropes. Patrons holding rifles and attired in hunting gear depart from the store as other patrons sit and stand near the open cellar doors of the establishment. A dog flanks the hunters and a boy walks ahead with two other dogs on leashes. Rifles, hunting bags, and guns adorn the display window. Street activity includes an African American laborer pushing a handcart of rifles and a boy carrying a wrapped rifle over his shoulder. Also shows neighboring buildings. Wurfflein's son, Andrew assumed the business circa 1871 and operated it until 1915., Printed on lower sides: Wholesale; Retail., Philadelphia on Stone, POS 21, Atwater Kent Museum: 54.3.3/2
Date: [ca. 1861]
Location: Atwater Kent Museum | Print Department AKM AKM 54.3.3/2

Title: Gettysburg, Pa. July 3rd 1863
Description: Print containing series of vignettes of the Battle of Gettysburg. In the left, depicts two Confederate soldiers holding rifles, labeled "C.S.A."; a bust-length portrait of General Robert Lee; and Confederate soldiers with cannons, labeled, "Artillery Duel Confederate." In the center, shows Confederate soldiers holding rifles and marching forward during "Pickett's Charge." In the right, depicts two Union soldiers holding rifles labeled, "U.S.A."; a bust-length portrait of General George Meade; and Union soldiers with cannons labeled, "Artillery Duel Union." In the lower center, shows an eagle with outstretched wings and an American flag crest with a swords, a rifle, and a cannon., Title from item., Date inferred from content., Manuscript written in the lower left: Artist proof., Artist signature written in the lower right., Gift of David Doret, 2011.
Creator: M. Krause, lithographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Battles -Gettysburg [P.2011.45.7]

Title: Shooting turkeys for Thanksgiving-Day Written by a New England patriot in 1765
Description: Genre scene depicting a turkey shoot on a snowy knoll near a New England barn and tavern. In the foreground, a group of white men and boys including two men on horseback, converse, ready their guns, and watch as one man takes aim. At the shooter's feet, near a dead turkey, two boys, one African American, crouch. Another hunting party stands in the distance near the tavern. Contains a poem about the economic prosperity of "North Americay" below the image., Title from item., Date based on the active dates of engraver., Not in Wainwright., Text printed on recto below image: It is a wealthy people who sojourn in that land, their churches all with steeples most delicately stand; their houses, like the gilly, are painted white and gay, they flourish like the lily, in North Americay. Their land with milk and honey continually doth flow, the want of food, or money, they very seldom know; They heap up golden treasure, they have no debts to pay, they spend their time in pleasure, in North Americay. On turkeys, fowls and fishes most frequently they dine; with well-replenished dishes their tables always shine. They crown their feasts with butter, they eat and rise to pray; in silks their ladies flutter, in North Americay., Lib. Company. Annual report, 1967, p. 56., Purchase 1967., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *BW-Holidays [7599.F]

Title: A line shot - the recoil
Description: Comic print using racist stereotypes to satirize the gunmanship of African Americans. Shows an older African American couple, portrayed in racist caricature with exaggerated features and mannerisms, in the aftermath of the husband firing a shot in their backyard. Shows, in the left, the husband, attired in blue coat tails and striped pants, jumping a fence, his gun powder horn flying above his head, and his rifle and hunter's hat lying on the ground behind him. He is accompanied by his dogs, a bony brown dog climbing over the fence with him, and a pit-bull like dog who holds his owner's torn pants seat in his jaws as he prepares to follow him. In the right, his wife, attired in a yellow bonnet, a blue top, a red skirt, and white pantaloons, topples over in a wicker basket of laundry. Her shoes fly off her feet. The clothesline pole lands on her head as her bare-footed legs are knocked into the air. Pieces of clothing, including a gunshot white shirt with clothes pins at the shoulders fly about her. A log house with a chimney and a dog house are visible in the background. The Darktown series of over 100 prints was issued mid 1870s-1890s. Thomas Worth was the artist of several of the prints in the reported popular and profitable series., Title printed below image., Issued as part of the "Darktown" comics series., Date from copyright statement: Copyright 1881 By Currier & Ives, N. Y., Gift of David Maxey, 2015., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Currier & Ives
Date: 1881
Location: Library Company of Philadelphia | Print Department *GC - Genre - Line [P.2015.52.1]

Title: Col. Fremont's last grand exploring expedition in 1856
Description: Cartoon ridiculing the antislavery convictions of John C. Frémont, the 1856 Republican presidential candidate and former explorer, and his abolitionist supporters during the Kansas-Nebraska crisis. Depicts Frémont's fictional expedition through the hills of "Kansas-Nebraska" atop New York Tribune editor Horace Greeley portrayed as the "Abolition Nag." Frémont states the road is hard astride the "Old Hack," but if he gets to the White House safely he will forgive his friends who put him there. Pulling Greeley by a rope is New York Republican William Seward who heads to the "Salt River" (i.e., political doom) in "Bleeding Kansas." Greeley admits to going the "same road as '52" but will follow Seward's lead. A gun-laden Henry Ward Beecher, the abolitionist minister, pledges to furnish rifles to antislavery Kansas settlers. A white frontiersman comments that the abolition horse's death is more beneficial to the Constitution than is an antislavery Republican president in the White House., Title from item., Date inferred from content., Probably drawn by John Cameron., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1856]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1856-20 [5760.F.101]

Title: The precarious situation
Description: Cartoon addressing the tenuous position of Republican presidential nominee General Ulysses S. Grant as the candidate of a party whose radicals support African American civil rights and Reconstruction under military rule. Depicts Grant holding up a knife inscribed "military despotism" as he straddles the "radical platform" rope that is stretched across the "Salt River" (i.e., political disaster). One end of the rope is tied to a rifle labeled "military reconstruction." The other end is held by "Negro supremacy" depicted as an African American man, portrayed in racist caricature, barefooted, and attired in torn and worn clothes, who sits upon the tombstone of "Southern Confederacy." He asks in the vernacular, "Whar you be Massa Grant if I lef' go, yah! yah!!" Grant replies, "I'll fight it out if it takes all summer.", Title from item., Date of publication supplied by Weitenkampf., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-19aW [P.2275.3a]

Title: The precarious situation
Description: Cartoon addressing the tenuous position of Republican presidential nominee General Ulysses S. Grant as the candidate of a party whose radicals support African American civil rights and Reconstruction under military rule. Depicts Grant holding up a knife inscribed "military despotism" as he straddles the "radical platform" rope that is stretched across the "Salt River" (i.e., political disaster). One end of the rope is tied to a rifle labeled "military reconstruction." The other end is held by "Negro supremacy" depicted as an African American man, portrayed in racist caricature, barefooted, and attired in torn and worn clothes, who sits upon the tombstone of "Southern Confederacy." He asks in the vernacular, "Whar you be Massa Grant if I lef' go, yah! yah!!" Grant replies, "I'll fight it out if it takes all summer.", Title from item., Date of publication supplied by Weitenkampf., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868-19bW [P.2275.3b]

Title: "Your plan and mine."
Description: Racist satire criticizing the 1864 presidential candidates, Democrat General George McClellan's and incumbent Abraham Lincoln's, divergent peace policies depicting each in a scene with Jefferson Davis and an African American Union soldier. The first scene depicts McClellan offering an olive branch, a frightened kneeling African American soldier, and a promise of non-interference to a scowling, armed Jefferson Davis, attired in torn and worn clothing. Davis acknowledges the branch, accepts the soldier, and expresses his satisfaction about the renewed ability for Southern domination of the government. The soldier, whose head Davis clutches, questions with horror McClellan's proposition to send him back to slavery after his service to the Union. The opposite scene depicts Lincoln pointing a bayonet at a cowering Davis who begs for readmission to the Union. Lincoln, on behalf of the nation, demands unconditional surrender and declares the end of slavery. The observing African American soldier replies in the vernacular that Davis will not have anything to do with him anymore., Title from item., Date from copyright statement: Entered according to act of Congress A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of N.Y., Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1864
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1864-18W [5793.F.4]

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