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Title: ASSU Illustration 7146
Description: Block numbered in two places: 7146, also 1098 on small adhesive label on back of block., Image of girls and boys outdoors; in the foreground a small girl sits with her arms around a younger girl, and both look at a dog lying on the ground with its tongue out; behind them are a group of running boys holding sticks or spears; two girls look on from a doorway., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Date: [between 1869 and 1876?]
Location: ASSU Woodblocks -- Box 26

Title: From Porter's great American shoe store, 242 N. 8th St., Philadelphia
Description: Illustrated trade card depicting a man wearing a hat labeled "Porter" running with packages of shoes, one in his left hand, the other propped on his right shoulder. The Philadelphia shoe store was owned by R.W. Burns., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Porter's [1975.F.671]

Title: [Four African men carrying a white man in a sedan chair]
Description: Scrap depicting a racist caricature of four African men carrying a white man in a sedan chair. In the center, seated in the red-cushioned, wooden sedan chair is a brown-haired white man attired in a hat with a blue band, a white shirt, a blue tie, a khaki jacket, khaki pants, and brown shoes. Two bamboo poles hold up the chair, which is carried by four bare-chested, barefooted, African men, attired in white shorts with red stripes. They smile as they run, holding the bamboo poles on their shoulders across a grassy field., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 46 [P.2017.95.298]

Title: The White Turtle & the Red Crab of Philadelphia
Description: Showing the Northern Liberties Hose Company (White Turtle) and the Lafayette Hose Company (Red Crab) racing to a bonfire near Eastern State Penitentiary on July 25, 1852 during a weekend of fires throughout the city. Men from each company run side-by-side and pull the ropes hooked to their companies' hose carriages. One man from each company stands at the front of their crew and plays a bugle or yells at the team to push forward. Dogs and pigs run beside the companies, flee the scene, and get caught under the wheel of the hose carriage. Includes a view of the buildings along the street, showing people running in the distance and a sign reading "coal." The "winning" Northern Liberties Hose Company (White Turtle) had a fire house at New Market Street above Coates Street, just a few blocks from the "losing" Lafayette Hose Company (Red Crab) at Fourth Street above Brown Street. The hose companies often fought each other including at this "race" where a Northern Liberties member was stabbed., Title from item., Date inferred from content., Not in Wainwright., "Jonas" and "Priff" are pseudonyms., Philadelphia on Stone, POS 836
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department *BW – Fires & Firefighting [P.2008.34.17]

Title: [Domestic Sewing Machine Co. trade cards]
Description: Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Domestic [1975.F.229 & 230; P.9983.5]

Title: The Bijou Music Hall! No. 607 Arch Street, next door below the theatre. The people's favorite place of amusement Harry Enochs, sole proprietor Billy Boyd, stage manager J. Nosher, musical director Andrew Enochs, ticket agent Officer, A. Lake Another bright star--Mr Leon Berger! The St. Louis favorite--his first appearance. The manager takes great pleasure to announce to his patrons that he has made an engagement, for one week longer, of the champion jig dancer of the world. Hank Mason! who challenges any man or boy, white or black, for one thousand dollars. Don't fail to see him, for this is your last chance prior to his departure for California. Nellie Taylor, Ada Tesman and Helene Smith. Programme for this evening: ... Bijou Minstrels! ... Imitations by the great Billy Boyd. ... Deaf as a post! ... Running the blockade: ... The Crow family, ... The whole to conclude with the laughable farce, entitled The old clock! ... Concluding with the grand plantation scene, entitled How are you, greenbacks? By the whole strength of the company. Grand matinee every Saturday at half-past 2 o'clk for the accommodation of ladies and children. Admission, 10 and 15 cents Private boxes, $2.00. Single seats, 50 cents Doors open at quarter-before 7 o'clock. Commence quarter-before 8
Description: Hank Mason's first week at the Bijou Music Hall began Feb. 22, 1864; Henry B. Enochs is listed in the Philadelphia directory for 1864 with a music hall at this address., Other performers include: Billy Boyd, Jimmy Quinn, Tom Vance, Dave Williams, and Billy Wright., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bijou Music Hall (Philadelphia, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Phi Bijou 1864 (26)5761.F.127b (McAllister)

Title: Not very like a whale but very like a fish. Seventh Ward promenades
Description: Cartoon depicting the riots caused by the corrupt electioneering tactics and voter coercion during the first general mayoral election in New York City in 1834. In the right, the mob of people shout "Hurrah for Lawrence" ie. Cornelius Lawrence, the Tammany candidate and winner of the election. The crowd, including African American men depicted in racist caricature, carry pieces of wood as they chase the white man attired in a nightshirt and cap, probably New York merchant and 7th Ward Bank investor, Preserved Fish. A dog also runs after him. "Preserved Fish" runs past a building with a banner, "Hurrah for Gulian C. Verplanck," the Whig candidate who contended that he was defrauded of the office. The corrupt 7th Ward Bank funneled money to Tammany officers and supporters. In the left background, another crowd of men is visible., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834 - 15W [5760.F.86x]

Title: "Wes don got de "Domestic," we has!"
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an African American couple who has acquired a sewing machine. The figures are portrayed with exaggerated features. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.'s sewing machine. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: "It stands at the head. The light running "Domestic" No. 4 Family. The best. The model machine. Domestic Sewing Machine Co." Includes an illustration of a Domestic sewing machine., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.49].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.50]

Title: "Wes don got de "Domestic," we has!"
Description: Racist trade card promoting the Domestic Sewing Machine Company and depicting a comic genre scene of an African American couple who has acquired a sewing machine. The figures are portrayed with exaggerated features. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.'s sewing machine. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of advertised business., Advertising printed on verso: "It stands at the head. The light running "Domestic" No. 4 Family. The best. The model machine. Domestic Sewing Machine Co." Includes an illustration of a Domestic sewing machine., Distributor's imprint printed on verso: J.Y. Sigafus, Sewing machines, organs, and pianos, cheap for cash. Stroudsburg, PA., Gift of David Doret., Library Company holds duplicate copy [P.2017.95.50].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.49]

Title: A foot-race
Description: A satire of the 1824 presidential election showing the candidates; John Quincy Adams, William Crawford, Andrew Jackson, and Henry Clay engaged in a foot race to win the presidency. A crowd cheers them on and remarks about the candidates reflecting the regional and partisan views in the country. A Westerner attired in stovepipe hat with a powder horn exclaims, "Hurra for our Jacks-"son."" Former President John Adams cheers, "Hurra for our son "Jack."" An Irish man, portrayed in caricature and attired in torn and worn clothes, says, "Blast my eyes if I dont "venter" a "small" horn of rotgut on that "bald filly" in the middle [Adams]." A French man states, "Ah hah! Mon's Neddy I tink dat kick on de "back of you side" is worse den have no dinner de fourt of july." Two African American men, portrayed in racist caricature, look on and one remarks “Now old Hickory cuts dirt.” In the background is a "Presidential Chair" with a purse "$25,000 per Annum" and the White House., Title from item., Artist and publication date supplied by Reilly., NYPL copy copyrighted October 6, 1824., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Johnston, known as "the American Cruikshank" was a respected comic illustrator, engraver, and lithographer.
Creator: Johnston, David Claypoole, 1799-1865, artist
Date: [1824]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1824-4 [5760.F.28]

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