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Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: Engravings by William Humphrys Scrapbook
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."

Title: A view of Point Airy opposite South Street, Phila. [graphic]: Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for enjoyment & recreation. Visitors have also an opportunity of enjoying as delightful a bath as can be had at any point on the Delaware. The boat leaves the first wharf above South Street every few minutes. D. Warren, Proprietor L. Haugg del.
Description: Date supplied by Wainwright., Retrospective conversion record: original entry, edited., Advertisement showing dock and hotel of resort located on the southern end of Windmill Island, a summer resort area popular in the 19th century before the removal of the island in 1897. View shows a wide variety of river traffic including ferries, sailboats, rowboats, and sailing ships. View of New Jersey waterfront visible in background.
Creator: Haugg, Louis, artist., creator
Date: [ca. 1855]
Location: http://www.lcpgraphics.org/wainwright/W007.htm, Library Company of Philadelphia Print Dept. **W7 [P.2003]

Title: A view of Point Airy opposite South Street, Phila Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for enjoyment & recreation. Visitors have also an opportunity of enjoying as delightful a bath as can be had at any point on the Delaware. The boat leaves the first wharf above South Street every few minutes. D. Warren, Proprietor
Description: Advertisement showing the "Point Airy Hotel" and dock operated by David Warren at the resort located on the southern end of Windmill Island, a summer resort area popular in the 19th century before the removal of the island in 1897. Trees surround the resort. In the foreground, a wide variety of river traffic including ferries, sailboats, and rowboats traverse the river. A man attired in a suit and top hat helps row one of the vessels. In the background, sailing ships and a ferry are visible in front of the New Jersey waterfront., Date supplied by Wainwright., Philadelphia on Stone, POS 789, Retrospective conversion record: original entry, edited., Haugg worked in Philadelphia 1856-1894.
Creator: Haugg, Louis, 1827-1903, artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W7 [P.2003]

Title: S.E. view of Philadelphia
Description: Panoramic view looking from Camden, New Jersey showing the Delaware riverfront and harbor. Includes cityscape; docked ships; boathouses; Spark's Shot Tower; Smith and Windmill Island; and several sailing vessels and a steamboat traversing the river. Also shows two men near grazing horses on the riverbank in the foreground., Not in Wainwright., Philadelphia on Stone, POS 667, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department BW - Rivers - Delaware [(7)1322.F.19]

Title: [J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Description: Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
Creator: Rease, W. H., artist
Date: [August 1847]
Location: Library Company of Philadelphia | Print Department *W191 [P.2054]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]

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