John H. Brown & Co. No. 307 Market St.
Title
John H. Brown & Co. No. 307 Market St No. 76 Trade mark
Description
Illustrated label, probably for textiles, for the Philadelphia dry goods firm containing a vignette showing two sailing ships on the ocean. Also contains the text "Yds.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date
c1858
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.14b]
Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts.
Title
Whann's Super Phosphate Manufactory. Walton, Whann & Co., proprietors. Wilmington, Delaware, office, Front & Market sts Daniel Fields, general agent for the Southern states
Description
Billhead containing a view of the multi-building manufactory on a pier along the riverfront. Shows laborers transporting goods across the factory grounds with hand and horse-drawn carts. Others stand and depart from entryways to the buildings. At the end of the pier, sacks are piled near docked and approaching ships., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1866]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.135b]
Scenery on the Pennsylvania Railroad
Title
Scenery on the Pennsylvania Railroad
Description
Album of photographs documenting the Philadelphia, Middle, and Pittsburgh divisions of the Pennsylvania Railroad, incorporated in 1846. The consolidated company sought to build a trunk route from Philadelphia to Pittsburgh through the Allegheny mountains in order to compete with the Erie Canal for freight traffic. In 1854, rail passage through the Alleghenies via the "Horse Shoe Curve" was achieved and spurred the establishment and growth of the several towns depicted along the route., Photographs depict stations, sites, landmarks, and landscape and townscape views along the Pennsylvania Railroad. Titles include No. 1 Ardmore Station ; No. 2 Bryn Mawr Station; No. 3 Bridge at Conways at Conewago; No. 5 Mount Union; No. 6 Susquehanna Bridge at Rockville (i.e., first bridge replaced in 1877); No. 7 Track Tank; No. 8 Jack Narrows; No. 9 Triple Track; No. 12 Bryn Mawr Hotel; No. 13 Coatesville Bridge; No. 16 Powers Run Allegheny River; No. 21 Sample track near Harmersville; No. 25 East from Harmersville; No. 26 Butler; No. 29 On the Kiskimenitus below Leechburg; No. 36 Greensburg near Huffs; No. 39 Hawkins; No. 40 West of Derry; No. 41 East of Morgan; No. 42 West of Beattys Station; No. 43 Monastery West of Latrobe; No. 44 1 1/2 miles East of S. W. Penna.; No. 46 Westmoreland Coal Co.; No. 47 Braddocks, Port Perry and Steel Works; No. 48 Westmoreland Landscape; No. 49 Stewarts Sample Track; No. 50 Section of Y at Walls; No. 51 Greensburg Station ; No. 53 West of Pack Saddle; No. 55 Lockport; No. 56 Below Conemaugh Furnace; No. 58 Cresson (Panorama); No. 61 Allegheny Tunnel , Galitzen; No. 64 Soap Fat; No. 57 Cresson (Panorama); No. 59 Kittanning from McGarveys; No. 65 Pulpit Rock; No. 67 From McKees Gap; No. 76 Bellefonte; No. 78 Mill Hall; No. 79 Birmingham; No. 80 Union Furnace and Station ; No. 81 Spring Creek; No. 82 Allegheny Tunnel; No. 83 Tyrone and Clearfield; No. 84 Grade on the Tyrone and Clearfield; No. 85 Bellefonte Gap;, No. 86 Mule Shoe and Deep Fill; No. 88 Pack Saddle East; No. 90 Logan House, Altoona, Pa.; No. 96 Jack Narrows, Mapleton; No. 97 Entrance to Jack Narrows; No. 98 Reservoir; No. 99 Bedford Springs; No. 100 View from Bedford Springs; No. 101 Bedford from Wickershams; No. 102 Below Bedford, Devils Backbone; No. 103 Bedford; No. 104 McVeytown Station; No. 105 Mount Dallas; No. 106 Mapleton; No. 107 Huntington; No. 108 Tuscarora Valley; No. 109 Sentinel Rock; No. 110 Tyrone Forges; No. 113 Standard Track, Lewistown Narrows; No. 114 From Centre of Susquehanna Bridge; No. 115 Terrace Mountain, Mill Creek; No. 116 From West End of Susquehanna Bridge; No. 117 Upper Mann’s; No. 118 Lewistown Narrows; No. 119 Susquehanna Bridge; No. 121 Standard Track at Newport; No. 123 Across the Allegheny; No. 127 General View of Bryn Mawr; No. 124 Saltzburg; No. 130 Bryn Mawr; No. 131 Bryn Mawr; No. 138 Irwin Station; No. 139 Sample Track, Wynnewood Station ; No. 140 Haverford College; No. 142 Haverford College Station; No. 147 Bridge at Columbia [Wrightsburg?] Pa.; No. 148 Wayne Station; No. 151 Terminus at Delaware City; No. 154 Harrisburg from Fort Washington ; No. 150 Chiques (i.e., Chickie’s Rock); No. 153 Henry Clay, Chiques and Marietta; No. 158 Landenburg; No. 159 Columbia Tunnel; and No. 162 Louella Residence of J. Henry Askin., Photographs include railroad tracks, locomotives and railcars, railroad equipment, bridges, tunnels, rock formations, mountains, passes, mills, furnaces, coal and steel works, hotels, Victorian-style residences, wooden dwellings and sheds, canal houses and canals, telegraph poles, townscape, farmsteads, marshland, rivers, and wooden fences. Several images, particularly views of stations, also depict posed figures, including an African American man at the Haverford College Station (No. 142). Details in other photographs include rail tracks with a water trough (No. 7); amateurishly hand-painted advertising text on a wood fence (No. 36); the "Exchange Hotel" near the Allegheny Tunnel in Galitzen (No. 61); men seated on the cow catcher of a partially visible locomotive at the grade on the Tyrone and Clearfield (No. 84); a gazebo-style pavilion at Bedford Springs (No. 199); oil tanks and drums (No. 123); the Pennsylvania Gas Coal Co. Office, a pedestrian bridge crossing over a creek, and the “Tom Smith Peanut Man” shed near Irwin Station (No. 138); the “Columbia” barge (No. 147); a "Water-Line of Boston" sailing vessel at the terminus at Delaware City (No. 151); the Martin Landenburger mill in Landenburg (No. 158); and the greenhouse attached to the residence on the Louella estate in Wayne (No. 162)., Photographer’s imprint inscribed in negative of several of the photographs: F. Gutekunst, Philada. or F. Gutekunst, Photogr., Philada., Date inferred from publication date of stereographs with similar content by the photographer. See stereo - Gutekunst - Views [P.9058.1-.142]., Photograph No. 4, 10-11, 14-15, 17-20, 22-24, 27-28, 30-35, 37-38, 45, 52, 54, 60, 62-63, 66, 68-75, 77, 87, 89, 91-95, 112, 120, 122, 125-126, 128-129, 132-137, 141, 143-146, 149, 152, 155-157, 160-161 not included in album., Inscribed in pencil upper right corner on mount of photograph No. 1: 40 guards., Inscribed in pencil below image on mount of photograph No. 1: about 1876., Inscription in pencil below title on mount of photograph No. 147: Wrightsburg. “Columbia” in title circled., See Gutekunst (Pennsylvania Railroad) research file., Gift of the Greer family in memory of David St. John Greer who after starting as a co-op student at Drexel University spent his working life with the Pennsylvania Railroad with the exception of a period of service with the U.S. Navy during WWII., Lib. Company. Annual report, 2014, p. 49-50., Description revised 2021., Access points revised 2021., Gutekunst, a prominent Philadelphia photographer, published a series of Pennsylvania Railroad views stereographs in 1875.
Creator
Gutekunst, Frederick, 1831-1917, photographer
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department albums [P.2014.74]
Engravings by William Humphrys
Title
Engravings by William Humphrys
Description
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator
Humphrys, William, 1795-1865
Date
[ca. 1817-ca. 1845]
Location
Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]
Memories of the home of Grandma Lewis
Title
Memories of the home of Grandma Lewis
Description
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting her marriage, early married life, households and residences, and family events and excursions between 1851 and the 1890s. Specific narrative topics include the Lewis's honeymoon to Niagara; the death of their parents the Larcombes and John F. and Eliza Lewis; the birth of grandchildren; the method and style of interior decoration of their residences at Sixteenth and Walnut streets (1851-1855), 325 South Eighteenth Street (1855-1874), and 1834 DeLancey Place (1874-1915); the Civil War, Sanitary Fair, and Centennial Exhibition (1876); their religious life in the First Baptist Church; club meetings of the Lewis children when older and parlor "teas"; recreational activities, including sailing and skating on the Schuylkill River, carriage and horse back rides, excursions to Broad Top Mountain House (Pa.), and visits to their summer residences in Wallingford and the Bryn Mawr Hotel; boarding near Bryn Mawr ("Eachus Place") and the Delaware Water Gap ("Mr. Croasdale"); Anne and G. Albert's European trip (1891); and family pets., Album also contains several captioned and dated graphic and ephemeral materials, including family portraiture, views of residences and summer lodgings, clothing and upholstery scraps, tickets, invitations, calling cards, and watercolors and drawings by G. Albert Lewis. Lewis's works depict sailing trips; interiors and exteriors of their residences, including during the Civil War; home furnishings, including a pier table (Eliza Lewis's); lodgings, sites, and flora from family excursions; family souvenirs, memorabilia, and crests, including a Chinese pipe, John F. Lewis's "Little Chair" as a child, Anne's life membership badge in the Philadelphia Skating club, a family clock (Mrs. John F. Lewis estate), and "Indoor amusements of G.A.L." Other imagery includes photographs of Broad Top Mountain House, Bryn Mawr Hotel, Devon Inn, Eastwick Park, St. Johns Evangelical Lutheran Church, First Baptist Church, views of European churches, including St. Michael Church of Schwabisch., and the interior (parlor, dining room, library, front rooms) and exterior of the Delancey Street residence. Portraits, predominantly photographs and photographic reproductions, depict G. Albert and Anne C. Lewis (including in the second story front room on Delancey); Alberta and Hermann Lewis and their spouses Frederick B. Allen and Sally Draper Lewis; grandchildren Hidegard, Frederick ("Fritz"), Barbara, George, and Margaret; John F. and Eliza Lewis; Thomas and Anna Larcombe; and family pets. Also contains pictorial details by Lewis incorporated at the end of narratives and as frames around portraits, as well as a memento "To our dear Papa, July 3, 1863" adorned with two, small circular works of handcrafted art, possibly with flower petals (p.80a)., Ephemera includes mementoes from trips, including pressed flowers; tickets to the Sanitary Fair (1864) and Eastwick Park; scraps of ribbons, collars, and clothing worn by Anne as a child, at her wedding, and during her honeymoon; upholstery and fabrics from the China trade and home furnishings; newspaper clippings of marriage announcements, obituaries, and poetry; wedding invitations and after cards; and a University of Pennsylvania graduation program for Hermann Lewis. Manuscript material contained in the scrapbook includes a letter by Anne to her mother during her honeymoon captioned "First 'Lewis' signature of A.C.L" and a letter of introduction from the Department of State for the Lewises., Vignette photograph after a daguerreotype portrait of Anne Lewis as a young woman pasted and set within a watercolor frame on title page, Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Inscribed on front free end paper: Tender regards, old memories, blossom in pages such as these, Voices that speak from heart to heart, When hands and lives lie far apart. The thought of our past years, in me, Doth breed perpetual benediction., Dedication: "These memories I dedicate to my dear husband G. Albert Lewis whose thought inspired the writing of this simple story. Indeed, it would be of little interest without his numerous and varied illustrations, many of which are his own design and handiwork. A number of the photographs are copied of absolutely correct watercolor sketches, made by him; the whole being a mutual work of love, for our dear grand-children.", Photographers include the Langenheims and William H. Rau., Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., One of six Lewis Family albums held in the Print Department., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., Housed in clamshell box., Anne Cornelia Larcombe Lewis, born in Connecticut, was daughter of Rev. Thomas Larcombe (1791-1861) and Anna S. Larcombe (1794-1872), president of the board of the Baptist Home. She relocated with her family to Philadelphia in 1835 and married George Albert Lewis, a Philadelphia banker, artist, and genealogist descended from a family involved with the China trade on July 1, 1851. During her married life, Lewis resided in the Rittenhouse Square neighborhood, was active in genealogy, and a member of the Philadelphia Skating Club and Humane Society. She and Lewis had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).
Creator
Lewis, Anne C., 1831-1898
Date
1896
Location
Library Company of Philadelphia | Print Department albums [P.9829.1]