Search results

Title: One flag, one country. [graphic] : Constitution & laws.
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Patriotic print, possibly a poster illustration, containing a central allegorical scene flanked by views of Civil War battlefields. Central scene shows men of all eras and trades, including a sailor with an American flag, raising their arms in salute to the Temple of Liberty elevated upon a rock in the background. Other figures include a farmer with a sickle, a veteran of the American Revolution, and a wagon driver. Also shows boughs of wheat and artisans tools. Battle views show soldiers, including Zouaves, charging, traveling on horseback, and firing a cannon. Variant of print often used as a Civil War envelope design.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War [5786.F.137a]

Title: Bann[er of] the sea. National song and chorus. [graphic].
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Sheet music cover showing two sailors hoisting an American flag over a cannon on the deck of a ship. A third sailor watches and cheers.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.146b]

Title: "Have you seen anything of a Merrimac about here?"
Description: Caricature of a sailor with a ring of cannons around his waist reading "The Cheese" to represent the Union ironclad, the Monitor, mocked by the Confederates as a "cheese-box." The battle between the smaller Monitor and the larger Confederate ironclad, the Virginia, (i.e., Merrimac) ended in a stalemate in March 1862., Originally part of a McAllister scrapbook of Civil War era posters., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons [1862] - Ha [(6)5777.F.32b]

Title: National Sailors' Fair An effort is about to be made to establish a home, free to seamen and marines disabled in our naval service. It is proposed to acquire the means of founding such an institution through the instrumentality of a great National Sailors' Fair, to be held in Boston, Mass., in the early part of November next
Description: Caption title, with first lines of text., The fair was held Nov. 9-19, 1864., Signed on p. [2]: William Perkins, Albert Fearing, Gardiner Howland Shaw, committee on finance., Last page blank., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: National Sailors' Fair (1864 : Boston, Mass.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1864 Nat Sailor (1)5781.F.142b (McAllister)

Title: All together! Enlist in the Navy
Description: World War One recruitment poster for the United States Navy and depicting a white man American sailor standing among five other men sailors from allied countries. Flags are underneath each sailor to denote their nationality (left to right): Japan, France, United States, White Ensign of the Royal Navy used for the British Commonwealth, Russia, and Italy. In the left, the Japanese sailor, depicted with a dark-colored skin tone and attired in a blue uniform, holds his cap in his right hand. Next to him, the brown-haired, white French sailor with a mustache, attired in a blue shirt with two medals, a black utility belt, white pants, and black shoes, carries a rifle and bayonet in his left hand. He holds his cap up in the air with his right hand. The blond-haired American sailor, attired in a white cap and a blue uniform, stands in the center with his left arm around a sailor of the British Commonwealth. The British Commonwealth sailor, depicted with a light-brown color skin tone, is attired in a brimmed, straw sennet hat and a white sailor’s uniform (possibly to be portrayed from the Caribbean). He holds a telescope under his left arm and smiles at the American. The Russian sailor beside him with a mustache and attired in a white cap, a white shirt, and black pants, puts his arm on his back and on the back of the Italian sailor. In the right, the black-haired Italian sailor with a mustache and his face depicted with dark tones, is attired in a white cap, a blue shirt, and white pants. He stands and holds a rifle and bayonet over his right shoulder. In the background, battleships with Allied flags on the masts are visible on the water., Title from item., Publication information inferred from the content., Date from the artist's signature on recto: H. Reuterdahl, U.S.N.R.F. ’17., Accessioned 1980., Description revised 2022., Access points revised 2022., Henry Reuterdahl was a Swedish-born painter and illustrator who was well-known for his paintings of ships and nautical scenes. He served as artist-correspondent during the Spanish-American War and went on to develop a close association with the United States Navy.
Creator: Reuterdahl, Henry, 1871-1925, artist
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department WWI Posters Drawer 2 Folder 12 [P.2284.191-204]

Title: Oh! Sailor boy, dost e'er feel blue,
Description: A sailor stands on deck next to a cannon. He smokes a pipe and wears a sailor's uniform. He has gray hair and wrinkles., Text: Oh, sailor boy, dost e'er feel blue, / When thou art left without a chew? / When angrily billows 'round thee play, / And you eat salt junk every day, / And when you spit your juice about, / Does't ever strick thee thou'rt "played out?", "528", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Paul, Almira.
Description: In The afflicted and deserted wife, or, Singular and surprising adventures of Mrs. Ellen Stephens (New York, 1842), title vignette., Almira Paul is probably a fictitious character., Full-length portrait of the woman, wearing a sailor suit and a top hat; a steamboat is visible on the horizon behind her.
Date: [1842?]
Location: http://librarycompany.org/crossdressing/section2.htm

Title: Routes of the two parades by the soldiers and sailors, Friday, October 2d, 1868
Description: Trade card by Blood & Chew with text describing the divisions and the route for a soldiers' and sailors' parade on Friday, October 2d, 1868. Includes two woodcuts, one depicting a Civil War soldier with a bayonet, and the other a sailor, both attired in uniforms., Not in Wainwright., Advertising text running the length of the card on the right side reads "neat lithographing and wood engraving," and on the left, "all varieties of plain & ornamental printing.", Philadelphia on Stone, POSA 81
Date: 1868
Location: Library Company of Philadelphia | Print Department Trade cards - B [(1)1322.F.185]

Title: A disloyal British "subject"
Description: Civil War cartoon satirizing the awkward foreign relations between the United States and Great Britain caused by the royal proclamation of neutrality in 1861. The Queen issued the proclamation, which recognized the seceded states as having belligerent rights, in response to the Union blockades of Southern ports and its effect on international maritime trade and privateering. Consequently, the United States feared that Great Britain had acknowledged the Confederacy as an independent government. Shows John Bull and "Pat" on a dock discussing the sailor's enlistment in the Navy. Bull, the royal proclamation under his arm, warns the American that should he enlist with "either of the Belligerents" he would not be protected by Britain if taken as a pirate. "Pat" responds he does not want his protection and that the "stars and stripes" for which he fights will protect him. In the background, an American flag waves near a dock house adorned with a Union recruitment poster and a broadside highlighting the major themes of the royal proclamation including "Strict Neutrality"; "Privateering"; and "Letters of Marque.", Date supplied by Weitenkampf., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of miscellaneous Civil War materials., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Currier & Ives
Date: [1862]
Location: Library Company of Philadelphia | Print Department political cartoons 1862-1W [5780.F.b]

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: Detail of the back of the memorial, sculpted by J. Otto Schweizer, erected in 1934 by the Commonwealth of Pennsylvania in memory of all African American military men who have served in war time. Depicts three of the four female allegorical bronze figures representing War, Liberty, Peace, and Plenty. They flank a commemorative plate embellished with Pennsylvania's seal and listing the monument's commissioners. Erected after much controversy on Lansdowne Avenue in West Fairmount Park, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.6]

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: View of the back of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the flame, four female allegorical figures representing War, Liberty, Peace, and Plenty, flank a commemorative plaque. Trees are visible in the background. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna. June 30, 1934. No. 786., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.7]

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: View depicting the front of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the torch, a female allegorical figure of justice stands holding wreaths symbolic of honor and reward. She is flanked by five figures of African American military personnel from each branch of the armed service. A dedication is inscribed into the memorial's granite pedestal which is adorned with a wreath. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna., Inscribed in negative: 786A., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.8]

Title: You're a sweet looking sailor boy, gallant and bold,
Description: A sailor stands with his eyes closed and his hand in his pocket., Text: You're a sweet looking sailor boy, gallant and bold, / But I'm afraid that for rum you do spend all your gold; / So take my advice, and at once change your tack, / Or your own Valentine will soon give you the sack. / Your nose does proclaim you a regular bloat, / And an odor most poisonous comes from your throat., "529", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: My friend, I vow that I'm not over nice.
Description: A man in a sailor's clothing stands by a pile of cannon balls and holds a sword. One meaning of "splice" is to marry, and the sender rejects the recipient. L. Prang & Co. first appeared in the Boston city directory in 1863., Text: My friend, I vow that I'm not over nice, / Yet in a lover I want something fine; / So you and I can never hope to splice, / For you shall never be my Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [not before 1863]

Title: Thomas Wilkey journal on board the U.S.S. Delaware
Description: This collection consists of a single journal, written by Thomas Wilkey, that contains daily records of the U.S.S. Delaware's voyages in 1798, including weather conditions, courses set, latitude and longitude, daily activities, and encounters with other ships including privateers.
Creator: Wilkey, Thomas

Title: Asher M. Childs clothes renovating establishment, No. 145 N. 9th St Old clothes made to look equal to new, by cleaning or dyeing without taking a part. Also repairing, and altering done to the latest fashions. All work done in a superior manner
Description: Advertisement containing an exterior view of the storefront flanked by patriotic vignettes. Vignettes show the figure of liberty and a sailor, with a woman at his feet, holding an American flag. Also includes interior scenes of employees dying and brushing clothes., Originally part of a McAllister scrapbook of Civil War miscellanies.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - C [(2)5786.F.162a]

Title: Constitution of the Christian Association of Hellertown and Vicinity (auxiliary to the United States Christian Commission). Adopted April 14th, 1864. ... The object of this association shall therefore be to promote the spiritual as well as temporal welfare of the officers and soldiers of the United States Army and Navy
Description: Paretheses substituted for square brackets in title transcription., Printed area, including ornamental border, measures 33.8 x 29.9 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Christian Association of Hellertown and Vicinity (Hellertown, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Christian (2)5786.F.24a (McAllister)

Title: Constitution of the Christian Association of Freemansburg and Vicinity (auxiliary to the United States Christian Commission). Adopted April 3d, 1864. ... The object of this association shall therefore be to promote the spiritual as well as temporal welfare of the officers and soldiers of the United States Army and Navy
Description: Paretheses substituted for square brackets in title transcription., Printed area, including ornamental border, measures 33.8 x 29.9 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Christian Association of Freemansburg and Vicinity (Freemansburg, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Christian (2)5786.F.25a (McAllister)

Title: Constitution of the Christian Association of Quakertown and Vicinity (auxiliary to the United States Christian Commission). Adopted April 1st, 1864. ... The object of this association shall therefore be to promote the spiritual as well as temporal welfare of the officers and soldiers of the United States Army and Navy
Description: Paretheses substituted for square brackets in title transcription., Printed area, including ornamental border, measures 33.8 x 29.9 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Christian Association of Quakertown and Vicinity (Quakertown, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Christian (2)5786.F.23a (McAllister)

Title: Constitution of the Christian Association of Bethlehem and Vicinity (auxiliary to the United States Christian Commission). Adopted March 17th, 1864. ... The object of this association shall therefore be to promote the spiritual as well as temporal welfare of the officers and soldiers of the United States Army and Navy
Description: Paretheses substituted for square brackets in title transcription., Printed area, including ornamental border, measures 33.8 x 29.9 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Christian Association of Bethlehem and Vicinity (Bethlehem, Pa.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Christian (2)5786.F.20a (McAllister)

Title: Sailors, and keepers of sailor boarding houses--attention! A lecture on sailors' rights will be delivered by Henry A. Mayenborg, and the Liberty House, 41 Almond St. on Monday evening, Dec. 21st, 1863, at 8 o'clock, precisely. All sailors of the U.S. Navy, keepers of sailor boarding houses, and others interested in the welfare of the sailor, are respectfully invited to attend. Admission, free
Description: Originally part of a McAllister scrapbook.
Creator: Mayenborg, Henry A.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Mayen (25)5761.F.107a (McAllister)

Title: Geo. S. Harris & Sons cigar box labels and trimmings
Description: Trade cards depicting specimens for cigar box labels and trimmings of George S. Harris & Sons. Shows No. 2151 "City cousin," No. 2126 "Mirth and beauty," and No. 2155 "First mate.""City cousin," depicts a young woman reclining against a bale of hay in a field. Above this scene are toiletries, perfumes, and a book of "Happy hour poems" wrapped in a ribbon. "Mirth and beauty" depicts a waist-length portrait of a young girl wearing a large plumed hat. "First mate" shows a sailor in his blue uniform at sea, gripping his straw hat in his right hand, and telescope in his left., George S. Harris opened his lithography business ca. 1847 at 119 North Fourth Street. In 1872, George Harris & Sons moved into a seven-story, "iron front" building erected for the company at 718-724 Arch Street, where they operated the largest lithographic firm in the city, with about 600 employees producing lithographic trade cards, labels for cans and cigar boxes, circulars, calendars and stamped envelopes for patrons worldwide., Not in Wainwright., Advertising text stamped on verso: Geo. S. Harris & Sons, manufacturers of cigar box labels and trimmings, 718, 720, 722 & 724 Arch St., Philadelphia. $15.00 per 1000. $1.60 per 100. Also furnished blank., Philadelphia on Stone, POSA 31
Creator: Geo. S. Harris & Sons
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Trade cards - Harris [P.2002.67.2-4]

Title: Group of sailors on the "Galina" with a bear and a goat, [Constitutional Centennial Celebration, Philadelphia]
Description: Glass negative showing a group of sailors gathered on the deck of a ship during the Centennial celebrations. A man standing on the left holds a dog and there is a goat in the center of the group. A baby bear rests on the deck in the foreground with its head in a sailor's lap. The sailors all wear uniforms with knitted caps. The Centennial Anniversary of the framing and creation of the Constitution was held on September 16-18, 1887 in Philadelphia. Organized by representatives from the various states and territories, the festivities included a military display, orations and concerts, and an industrial parade., Time: 2:25, Light: Fair sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: September 20, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1232]

Title: [J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Description: Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
Creator: Rease, W. H., artist
Date: [August 1847]
Location: Library Company of Philadelphia | Print Department *W191 [P.2054]

Title: Undercurrents of the Southern conspiracy! The rebel pirate's fatal prize : the bloody tragedy of the prize schooner Waring
Description: Broadside advertisement for The rebel pirate's fatal prize (life story of the steward William Tillman [i.e., Billy Tilghman], a "brave and daring negro") and, on verso, The rival rebel cousins., "Sold by agents only.", Formerly part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 Und (2) 5786.F .46e

Title: Pennsylvania State Agricultural Society. [life membership certificate]
Description: Membership certificate containing a border of vignettes and scenes related to agriculture, horticulture, and industrial arts. Floral pictorial elements, a beehive, and watering can surround the scenes and vignettes. Shows farmers loading hay on a wagon; the coat of arms of Pennsylvania; a Victorian-style farm house; cows and horses at pasture; and figures representing agriculture, a blacksmith, and a sailor. The female agricultural figure sits and holds a sickle and a bale of wheat near an arrangement of farm produce. The artisan, holds a hammer, and stands over an anvil. The sailor, holds a spy glass, and sits next to a crate, barrels, and an anchor. Land and marinescapes are visible behind the figures. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., Not in Wainwright., Issued to C. F. Peters, ca. 1863. Signed A. B[rower] Longaker, Secretary and Thomas B. Knox, President., Seal of the society blindstamped on recto., Philadelphia on Stone, POSP 169, Historical Society of Pennsylvania: Certificates - Pennsylvania State Life Membership, Inscribed on verso: Estate of Anna M. Peters Sept. 8, 1938., Knox served as president of the PSAS 1862-1864.
Date: [ca. 1855]
Location: Historical Society of Pennsylvania HSP Certificates - Pennsylvania State Life Membership

Title: [Naval Parade on the Delaware River during the Peace Jubilee]
Description: Photographs of ten views of the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The ships depicted are the Tug Philadelphia; Japanese cruiser Kasagi; Texas; Topeka; Columbia; Mayflower; Marblehead; New Orleans; Gloucester; and the Transports Panther and Olivette. The Japanese cruiser Kasagi is depicted with two engine stacks, lines of nautical and national flags, and Japanese flags flying on the masts. Crew men are visible walking and standing on the deck and on the staircase on the side of the ship. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date from manuscript note on verso., Gift of Ann L. Wood.
Creator: Butler, Walter L., photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department albums [P.2016.32.13-22]

Title: Josh educating a pig
Description: Racist periodical illustration that illustrated the James Fenimore Cooper serial "The Islets of the Gulf, or Rose Budd" in the January 1847 issue of Graham's Magazine. Depicts the scene from the story set during the Mexican-American War aboard a sailing ship when the character Josh, an older Black man cabin hand, teaches a pig "to know their place"-- not to be on the quarter-deck--with scalding water. Shows, in the right, on a ship deck, Josh, attired in a blue-checkered shirt, red vest and tie, yellow pants, and boots, standing with his legs apart, and holding a cloth in his right hand and a kettle in his left hand. He pours "scalding" water from the kettle onto a squealing pig by his feet. He is portrayed with a smile and steam rises from the back of the pig. To the left are a young Black man, attired in a brown broad-rimmed hat, shirt, pants, and boots and an older white man with a chin-beard and attired in a brown jacket, white vest, blue pants, and shoes. The younger man stands with his feet crossed and leans on the ship railing behind him. The older man is portrayed with a rotund midriff and holds his left hand in his vest pocket and his right hand on the railing on which he leans. A lantern-like object is visible in the left foreground and sailing line and a rope ladder are visible in the right background. Scene also includes a cloudy sky, the ocean, and distant sailing ships in the background. Josh and the white man character are portrayed with exaggerated features and/or manners., Title from item., Date from item., Originally published in Graham's Magazine, January 1847, aft. p. 54., Hand-coloring probably added after removal from publication., RVCDC
Date: 1847
Location: Library Company of Philadelphia | Print Department GC - Fictional Characters - J [P.2022.17]

Title: Soldiers Home in the city of Philadelphia. This certifies that [Charles Macalester] having contributed the sum of [fifty] dollars is constituted a [life] member of the Soldiers Home. Philada
Description: Certificate containing an allegorical scene depicting a central, winged female figure, seated, and surrounded by wounded soldiers and other female figures. The central figure has long, dark hair, adorned with a headband, and is attired in a toga with a drape-like shawl. Her arms are outstretched to her sides. Celestial light frames her head. In her left hand, she holds an olive branch. Broken shackles adorn her right wrist. In her lap, a loose scales of justice rests atop a sword. At her feet, a pair of white and African American soldiers and sailors sits and lies. In the left, the white soldier, a bandage on his arm, sits on a bound volume, near a canteen, and in front of the seated African American soldier. The latter wears a bandage on his head and rests the right side of his head on his right hand. The white soldier holds up a sheet of paper inscribed "Honorable Discharge" to the winged figure. The white sailor sits across from the white soldier. His head and left arm are bandaged and crutches rest by his side. He extends his right hand and holds his cap out to the winged figure. The African American sailor, prone, and partially visible behind him, does the same. American flags, on their sides and their upper poles adorned with wreaths of garland, rest among the soldiers and sailors. Four allegorical female figures, two and two, flank the central figure. To her left, one holds a basket of bounty as the other (behind her) tosses wreathes of garland. To her right, one holds a pocket watch as the other (behind her) shoots lightning from her hand. In the left background, wreathes rain upon soldiers, some in bandages, who march and carry American flags. In the right background, lightning bolts strike an ironclad ship on open waters., The soldiers home chartered in 1862, opened in December 1863, and incorporated in 1864 was an outgrowth of the relief organization, the Cooper Shop Volunteer Refreshment Saloon. The founding relief organization provided hospital care, washing, sleeping, and writing facilities to military personnel, sailors, refugees, and free people during the war. The Soldiers Home was chartered with the mission of "the providing of a temporary or permanent Home for all persons who, while in the military service of the United States of America, either upon land or sea, shall become disable from wounds, or from sickness, so that they are unable to perform the ordinary avocations of life." The Soldiers Home operated until 1889 when the Board of Managers dissolved itself and turned the home over to the Military Order of the Loyal Legion of the United States., Title from item, Date inferred from year organization was chartered., Completed in manuscript on January 1, 1866 and signed by E. S. Hall, Secretary; Ellerslie Wallace, President; and Wm. Struthers, Treasurer., Charles Macalester was a Philadelphia financier and philanthropist. Macalester College is named for him., Gift of David Doret, 2002., For a history of the Home, including the process to transfer administration of the home to the Loyal Legion, see Ferdinand Sermiento, ed., Historical Sketch of the Soldiers' Home ... (1886) [Am 1886 Phi Sol Hom 24755.O]., Description revised 2021., Access points revised 2021.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department Philadelphia certificates - Organizations - Soldiers [P.2002.40.1]

Title: The Sail or Awning Maker.
Description: A man stands stitching a large piece of cloth. The valentine uses "tailor" as a derogatory term, suggesting that the recipient fails at making himself more attractive by boasting of his connection with sailing., Text: Soon as the early day is dawning, / There you are stitching some old awing [i.e., awning]-- / 'Tis true, you work for the bold sailor, / But you are every inch a tailor! -- / Expect not ever then to be, / More than you are, just now to me., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Now My Jolly Sailor,
Description: A sailor stands with one hand in his pocket and the other holds a bottle. A ship is visible in the distance behind him. The sender criticizes the recipient for excessive drinking and laziness., Text: Now my jolly Sailor, / You are an idle, tippling dog, / O really will not wed you, / You are rather fond of Grog., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Stephens, Ellen.
Description: In The afflicted and deserted wife, or, Singular and surprising adventures of Mrs. Ellen Stephens (New York, 1842), frontispiece., Mrs. Ellen Stephens is probably a fictitious character., Three-quarter length portrait of the woman wearing a dress with leg-of-mutton sleeves, with her head down-turned, in tears.
Date: [1842?]
Location: http://librarycompany.org/crossdressing/section2.htm

Title: Plan of fair for the Soldiers & Sailors Home. Academy of Music, Philadelphia. October 23 to November 4, 1865
Description: Floor plan showing the layout of departments at the exhibition organized to raise funds for the home for destitute and wounded Civil War veterans. Display sponsors include the Fire Department, First Presbyterian Church, "Women's Mission" and the Penn Relief Association as well as local neighborhoods, towns, and counties including West Philadelphia, Germantown, Montgomery County, Chester County, Bethlehem, and Jenkintown. Displays include fancy goods, china, photographs & albums, books, canned fruit and confectionery, hardware, sewing machines, dolls, silhouettes, and silver. Exhibition also provided a table for the fair periodical "The Knapsack," a fruit stand, donation table, refreshment saloon, smoking saloon, and ladies dressing room., Published in The Knapsack, October 24, 1865. [*Per K 9.7 5776.F.25], Not in Wainwright., Philadelphia on Stone, POS 607, Originally part of a McAllister scrapbook of Civil War miscellanies.
Creator: Bourquin, F. (Frederick), b. 1808, lithographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department *BW - Theatres & halls - A (2)5786.F.106a]

Title: [African American man sailor]
Description: Die-cut scrap depicting a racist caricature of an African American man sailor. Shows the bust-length portrait of the man smiling and looking to the right. He is attired in a straw hat with a blue band and a blue sailor’s outfit with a black bowtie., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 19 [P.2017.95.272]

Title: Jolly Jack
Description: The valentine depicts a man in a sailor's uniform holding a glass in one hand and a "greenback," or a paper dollar bill, in the other. The sender rejects the recipient because of his promiscuity and drinking, which it connects with his love of money, specifically paper currency., Text: Loves nothing as well as a good greenback / Except it be his grog: / And the first he'll waste on the sauciest back, / On the second get drunk as a hog / Alack, Jolly Jack! / Why can't you leave off both women and wine? / Then I'd give you a kiss full of true love's bliss, / And ever call you my own Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [not before 1862]

Title: Row away, Red, White, and Blue,
Description: A sailor rows past a large ship with many male and female civilians on deck. "Tar" is slang for a sailor., Text: Row away, Red, White, and Blue, / Put the vile seceshers through; / Then row back quick, my gallant tar, / To her who waits thee from afar., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Emma, as a sailor, captured on the high seas
Description: In The life and sufferings of Miss Emma Cole (Boston, 1844), p. [19]., Emma Cole [later Mrs. Hanson] is probably a fictitious character., Full-length of the woman wearing a sailor suit, lying on her back on the deck of a ship, while a man binds her hands. Four other armed men stand nearby.
Date: [1844?]
Location: http://librarycompany.org/crossdressing/section2.htm

Title: Emmons, Elizabeth, 1817-1841.
Description: In A Sketch of the life of Elizabeth Emmons, or, The female sailor. 2nd ed. (Boston, 1841), frontispiece., Elizabeth Emmons is probably a fictitious character., Waist-length portrait of the partially-sighted woman on board ship, wearing a sailor uniform.
Date: [1841?]
Location: http://librarycompany.org/crossdressing/section2.htm, http://librarycompany.org/gayatlcp/section6.html

Title: The Wabash Minstrels will give their third entertainment on board the U.S. Flagship Wabash on Friday evening, July 4th, 1862, Port Royal Harbor, S.C. H.R. Bogart stage manager. D. Herlihy musical director. Programme. Part I. ... Intermission of 10 minutes. Part II. ... Intermission of 10 minutes. The whole to conclude with an Ethiopian farce of "Box and Cox."
Description: At head of title, printed inside square brackets: With compliments., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Wabash Minstrels
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1862 Wabash 5786.F.181g (McAllister)

Title: Benefit of the Fair for the Soldiers' and Sailors' Home The Typographical Dramatic Association have the honor to announce a grand performance at the Academy of Music, on Saturday ev'ng, Sept. 16, 1865, on which extraordinary occasion they will be assisted by the Philadelphia Saengerbund, ... An engagement has also been effected with the Germania Orchestra, ... The proceeds of this great exhibition will be handed over to the managers of the Soldiers' and Sailors Home, of Philadelphia, for the benefit of the fair to be held in October, ... The bill for the evening will consist of J. Sheridan Knowles' beautiful play of The wife: a tale of Mantua. ... Price of admission, 50 cents. Family circle and amphitheatre, 25 cents. Doors open at 7 o'clock. Performance commences quarter to 8 precisely. Box sheets now open at Chas. W.A. Trumpler's Music Store, S.E. corner Seventh and Chesnut, and at the Academy of Music
Description: Head-piece shows a disabled soldier and a disabled sailor flanking a sick room scene., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Typographical Dramatic Association
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Typo (1)5781.F.35a (McAllister)

Title: International Exhibition Sydney
Description: View showing the buildings and grounds near Sydney Harbour of the exhibition to promote New South Wales technology, commerce, and industry. The exhibition, on display from September 17, 1879 to April 20, 1880, commemorated the centennial of the arrival of the First Fleet. Includes the Garden Palace designed by architect James Barnet, the Botanic Gardens, promenades, annexed exhibition halls, and pavilions. In the foreground, a man and woman couple stands at the harbor opposite the palace while a sailboat and rowboat glide on the water. Image surrounded by a border containing palm trees, lush vegetation, and the coat of arms for Sydney depicted with a white man sailor and aboriginal man, attired in a loincloth and holding a spear., Title from item., Printed above image: Supplement to the Illustrated Sydney News, July 1879., Accessioned 1883., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1879
Location: Library Company of Philadelphia | Print Department **GC - Exhibitions [5225.F.2]

Title: Fairbank's rock cordials, positive cure for all lung disorders
Description: Trade card promoting Fisher and Fairbanks' patent medicine Fairbanks' Rock Cordials and depicting a racist caricature of an African American man chef in the galley of ship. Shows the man portrayed with exaggerated features and attired in a white chef's hat; a white shirt with the sleeves rolled up to his elbows; a red vest with gold buttons; a white apron; blue pants; and black shoes. He stands holding a spoon in his right hand and with his left hand holds a bowl that is filled with an unidentifiable pink food over a barrel that is being used as a table. He smiles and looks to a blond-haired white girl in the right attired in a pink hat; a black choker; a red dress; a white pinafore; white stockings with red stripes; and black shoes. She carries a doll costumed in a matching outfit and leans to look at the chef mixing. In the foreground on the floor are a pan, a pot with a bowl on top of it, and a spoon. In the background is a stove with a steaming kettle on it and a large chain. In the right, there is a barrel and next to it is a doorway through which we can see a sailor attired in a brimmed hat, a blue jacket, and pants. He stands on the side of the ship and looks through a telescope at the water., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Fairbanks [P.2017.95.62]

Title: Fixing a block-head to the Constitution or putting a wart on the nose of old ironsides
Description: Satire of President Andrew Jackson who is represented as a figurehead that is being placed on "Old Ironsides" (i.e. the ship "Constitution") by African American sailors. The white commander, attired in uniform with his back to the viewer, stands beside a bucket of grog and offers the sailors a "double allowance of grog." To the right, eight African American sailors, portrayed in racist caricature and speaking in the vernacular, hoist the figurehead up with ropes. In the left, two African American sailors steady the base of the figurehead with rope and one remarks, "...dey'd better run him up to the yard arm like dey do de pirate." The figurehead of Jackson, who was often criticized for his broad interpretation of the constitutional powers of the executive branch, holds a paper inscribed "My interpretation of the Constitution." In the right, a white man military fifer and a white man drummer play the "rogue's march" instead of "Hail Columbia." Cartoon references the event in July 2, 1834, when mariner Samuel W. Dewey decapitated the figurehead in the middle of the night. The figurehead of Andrew Jackson was added to the USS Constitution (Old Ironsides) in March/April 1834., Title from item., Incorrect publication date of 1832 supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2023., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Imbert, a pioneer of lithography in New York City, printed city views and also painted marinescapes.
Creator: Imbert, Anthony, 1794 or 5-1834, lithographer
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834 Fix [5760.F.73]

Title: Representation of the Philadelphia fish market
Description: Periodical illustration depicting the bustling market near the Camden Ferry and the Delaware River on Market Street below Water Street. Under the market shed, in the right, women peddlers sell their goods to the many milling customers. Under the adjacent canopy walkways, in the left, white men sailors and couples of men and women stroll and an African American man and woman couple argues. On the street, in the right background and center foreground, dockworkers deliver wheelbarrows of goods and a white woman peddler chases a dog stealing a fish. From the late 18th century, Philadelphia continually had a fish market below Water Street. The permanent shed, built in 1816, was torn down when the market closed in 1860., Title from item., Originally published in Gleason's pictorial drawing room companion, ca. 1852., Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Leslie, most known as the publisher of "Frank Leslie's Illustrated News," began his career as an engraver at "London Illustrated News." He left the London newspaper for "Gleason's Pictorial..." where he worked from 1851 until 1853.
Creator: Leslie, Frank, 1821-1880, engraver
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Markets-Philadelphia Fish Market [P.9361.2]

Title: The shackle broken - by the genius of freedom
Description: Print containing a montage of vignettes and quotes supportive of African American civil rights centered around a scene of "Hon. Robert B. Elliott, of South Carolina, delivering his great speach [sic] on 'civil rights' in the House of Representatives, January 6, 1874" to the packed floor of white and African American Congressmen and balcony of spectators. Contains an American flag inscribed with the quote, "What you give to one class, you must give to all. What you deny to one class, you shall deny to all;" scenes of African American soldiers, officers, and sailors; statues of Lincoln holding his "Emancipation Proclamation" and Senator Charles Sumner holding his "Bill of Civil Rights;" and quotes referring to African American participation in the Civil War. Also contains a scene espousing "free labor is the present, slave labor is the past" with an African American family at their homestead where they "toil for [their] own children and not for those of others.", Title from item., Date from copyright statement: Entered according to act of Congress in the year 1874 by E. Sachse & Co. Baltimore in the office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro History #213., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E. Sachse & Company, a Baltimore lithographic firm active until the 1870s, was operated by Edward Sachse (also a painter), his brother William, and relative Theodore. The company produced numerous folio sized views.
Creator: E. Sachse & Co., lithographer
Date: 1874
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1874-1 [P.9653]

Title: [View of the Centennial Machinery Hall with people from all nations]
Description: Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]

Title: The people putting responsibility to the test or the downfall of the kitchen cabinet and collar presses
Description: Cartoon predicting the dire consequences to follow President Jackson's withdrawal of federal funds from the Bank of the United States. Depicts a riot in which Supreme Court Justice John Marshall warns that "the day of retribution is at hand" as anti-bank fiscal advisors Reuben Whitney and Thomas Ellicott use a rope to pull down a statue of Justice, depicted as a white woman holding scales and stepping on a snake, from a pedestal labeled "Constitution." An angry mob of white men farmers, laborers, and tradesmen carry instruments including axes, pitchforks, and shovels and papers labeled, “Broken Bank.” They fight and demand the recharter of the bank, shouting "Send back the deposites! Recharter the Bank!" and "Come back old responsibility." In the right, Jackson escapes on the back of "Jack Downing" cursing Postmaster General Kendall, "By the Eternal Major Downing; I find Ive been a mere tool to that Damn'd Amos [Kendall] and his set, the sooner I cut stick the better." In the left background, under "Senate Chamber," Henry Clay gloats to Daniel Webster and John Calhoun, "Behold Senators the fulfilment of my predictions." In the left foreground, two African American men, portrayed in racist caricature and speaking in the vernacular, predict freedom and the ascension to the throne of abolitionist William Lloyd Garrison, "Hurrah! for Massa Garison, den he shall be King!" A Jewish banker, portrayed in caricature, undercuts a sailor offering him a ten dollar bank note, "Mine Got that ish one of the Pet Bankhs I'll give you one Dollar for the Ten." In the right foreground, newspapers supportive of Jackson, "collar presses," symbolized as dogs with human heads labeled "Evening Post, N. York Standard, Journal of Commerce, Albany Argus," run away chained together., Title from item., Date from copyright statement: Entered according to Act of Congress in the Clerk's Office for the Southern District of New York by T.W. Whitley in the year 1834, and for sale at 104 Broadway., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Whitley was a mid-19th-century New York landscape and figure painter who also wrote about art and drama for the New York Herald.
Creator: Whitley, T. W. (Thomas W.), artist
Date: 1834
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-7 [1884.F.3]

Title: To the people of America, this engraving of "First in Peace," from the original painting, is respectfully dedicated, representing the arrival of General George Washington at the Battery, New York, April 23rd, 1789, previous to his inauguration as the first president of the United States of America, April 30, 1789
Description: Print after the design of painter Henry Brueckner of Washington's arrival by barge to New York (the nation's capital) for his inauguration depicting a large crowd welcoming the newly-elected president. Shows Washington, at the head of the barge, raising his hat to New York Governor George Clinton standing within a heavily decorated "Welcome" canopy on the wharf. Clinton stands next to his wife, daughters, and white men envoys, all finely attired. On the heavily-decorated barge, containing a red canopy, Washington is surrounded by white men envoys and oarsmen. The envoys are finely attired and the oarsmen wear matching tan suits and black caps adorned with ribbons. The ribbons contain the names of the U.S. states. Throngs of men, women, and child spectators stand along the wharf and upon sailing vessels on the river. Spectators include an African American man cheering with his hat in the air (right); white women in gowns; a white sailor hanging from a rope ladder attached to a ship (right); and an Indigenous man, woman, and baby seated in a canoe by the barge (center right). The man claps and the woman holds the baby in a cradleboard to her chest., Title from item., Place of publication and date from copyright statement: Entered according to Act of Congress A.D. 1867 by John C. McRae, in the Clerk's Office of the U.S. District Court for the Southern District of New York., Name of artist and engraver from earlier state in collections of the Library of Congress., See also Scottish American Journal, April 21, 1866, p. 5 and Vermont Chronicle, May 19, 1866, p. 3 for articles that describe the engraving as representing "Washington after the proclamation of peace with Great Britain." Articles also note that McRae was occupied on the work for nine years., Gift of David Doret, 1994., In poor condition. Stained and tears., Cataloged 2021.
Creator: McRae, John C., engraver
Date: 1867
Location: Library Company of Philadelphia | Print Department ***GC - Washington [P.9472]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

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