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Title: Josh educating a pig
Description: Racist periodical illustration that illustrated the James Fenimore Cooper serial "The Islets of the Gulf, or Rose Budd" in the January 1847 issue of Graham's Magazine. Depicts the scene from the story set during the Mexican-American War aboard a sailing ship when the character Josh, an older Black man cabin hand, teaches a pig "to know their place"-- not to be on the quarter-deck--with scalding water. Shows, in the right, on a ship deck, Josh, attired in a blue-checkered shirt, red vest and tie, yellow pants, and boots, standing with his legs apart, and holding a cloth in his right hand and a kettle in his left hand. He pours "scalding" water from the kettle onto a squealing pig by his feet. He is portrayed with a smile and steam rises from the back of the pig. To the left are a young Black man, attired in a brown broad-rimmed hat, shirt, pants, and boots and an older white man with a chin-beard and attired in a brown jacket, white vest, blue pants, and shoes. The younger man stands with his feet crossed and leans on the ship railing behind him. The older man is portrayed with a rotund midriff and holds his left hand in his vest pocket and his right hand on the railing on which he leans. A lantern-like object is visible in the left foreground and sailing line and a rope ladder are visible in the right background. Scene also includes a cloudy sky, the ocean, and distant sailing ships in the background. Josh and the white man character are portrayed with exaggerated features and/or manners., Title from item., Date from item., Originally published in Graham's Magazine, January 1847, aft. p. 54., Hand-coloring probably added after removal from publication., RVCDC
Date: 1847
Location: Library Company of Philadelphia | Print Department GC - Fictional Characters - J [P.2022.17]

Title: Soldiers Home in the city of Philadelphia. This certifies that [Charles Macalester] having contributed the sum of [fifty] dollars is constituted a [life] member of the Soldiers Home. Philada
Description: Certificate containing an allegorical scene depicting a central, winged female figure, seated, and surrounded by wounded soldiers and other female figures. The central figure has long, dark hair, adorned with a headband, and is attired in a toga with a drape-like shawl. Her arms are outstretched to her sides. Celestial light frames her head. In her left hand, she holds an olive branch. Broken shackles adorn her right wrist. In her lap, a loose scales of justice rests atop a sword. At her feet, a pair of white and African American soldiers and sailors sits and lies. In the left, the white soldier, a bandage on his arm, sits on a bound volume, near a canteen, and in front of the seated African American soldier. The latter wears a bandage on his head and rests the right side of his head on his right hand. The white soldier holds up a sheet of paper inscribed "Honorable Discharge" to the winged figure. The white sailor sits across from the white soldier. His head and left arm are bandaged and crutches rest by his side. He extends his right hand and holds his cap out to the winged figure. The African American sailor, prone, and partially visible behind him, does the same. American flags, on their sides and their upper poles adorned with wreaths of garland, rest among the soldiers and sailors. Four allegorical female figures, two and two, flank the central figure. To her left, one holds a basket of bounty as the other (behind her) tosses wreathes of garland. To her right, one holds a pocket watch as the other (behind her) shoots lightning from her hand. In the left background, wreathes rain upon soldiers, some in bandages, who march and carry American flags. In the right background, lightning bolts strike an ironclad ship on open waters., The soldiers home chartered in 1862, opened in December 1863, and incorporated in 1864 was an outgrowth of the relief organization, the Cooper Shop Volunteer Refreshment Saloon. The founding relief organization provided hospital care, washing, sleeping, and writing facilities to military personnel, sailors, refugees, and free people during the war. The Soldiers Home was chartered with the mission of "the providing of a temporary or permanent Home for all persons who, while in the military service of the United States of America, either upon land or sea, shall become disable from wounds, or from sickness, so that they are unable to perform the ordinary avocations of life." The Soldiers Home operated until 1889 when the Board of Managers dissolved itself and turned the home over to the Military Order of the Loyal Legion of the United States., Title from item, Date inferred from year organization was chartered., Completed in manuscript on January 1, 1866 and signed by E. S. Hall, Secretary; Ellerslie Wallace, President; and Wm. Struthers, Treasurer., Charles Macalester was a Philadelphia financier and philanthropist. Macalester College is named for him., Gift of David Doret, 2002., For a history of the Home, including the process to transfer administration of the home to the Loyal Legion, see Ferdinand Sermiento, ed., Historical Sketch of the Soldiers' Home ... (1886) [Am 1886 Phi Sol Hom 24755.O]., Description revised 2021., Access points revised 2021.
Creator: Sartain, John, 1808-1897, engraver
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department Philadelphia certificates - Organizations - Soldiers [P.2002.40.1]

Title: [Philadelphia Inquirer art supplements]
Description: Series of art supplements depicting genre, historical and allegorical scenes, landscapes, portraiture, and character studies. Includes "Aurora" showing a white female fairy figure smelling a flower; "The Pilot" portrait of an older white man sea captain smoking a pipe; "The Partners" showing a white girl and boy with a broom and shovel; "Tambourine Girl"; "Playmates" depicting a white girl holding a cat; "Deep Sea Fisherman"; "Night of the Ball" depicting an exterior view of a palatial estate in the snow with an inset showing a young white woman in evening attire; "One of the Four Hundred" showing a white boy costumed as a vagabond; "By the Sea" showing an older African American seaman, attired in a grey top hat, a white collared shirt, a blue and gold bowtie, red suspenders, a yellow jacket with a flower boutonniere, brown pants, and boots, smoking a pipe; an older white man reading "Fairy Tales" to a white girl; "Sheik of the Desert" a bust-length portrait of an Arab man; "A Lively Scrimmage" during a football game; a dog inspecting "Five O'Clock Tea"; a white clergyman having "A Disappointing Luncheon"; a view "Off the Belgium Coast near Ostend"; "Spring" and fall landscapes; "Does You Mother Know You're Out" depicting a white girl with a newly hatched chick; "Napoleon and the Old Guard"; "Wellington and His Soldiers"; a white man and woman couple on "A Honeymoon at Niagara"; and a white lady portrayed fancifully "Among the Roses.", Title supplied by cataloger., Various artists, including M. Duboy, C.L. Van Vredenburgh, Charles P. Gruppe, A. I. Keller, and W. Merritt Post., Various printers, including Forbes Lithograph Manufacturing Company; Leopold Gast & Brother; Julius Bien & Co.; Donaldson Bros.; Ketterlinus; and J. Ottmann., Two of prints designed to stand as display cards., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., Description revised 2022., Access points revised 2022., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1894-1898]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Philadelphia Inquirer [P.9349.282, 287, 295, 310, 313, 323-325, 330-331, 413, 424, 432, 434, 440, 457, 463-464, 466, & 469]

Title: International Exhibition Sydney
Description: View showing the buildings and grounds near Sydney Harbour of the exhibition to promote New South Wales technology, commerce, and industry. The exhibition, on display from September 17, 1879 to April 20, 1880, commemorated the centennial of the arrival of the First Fleet. Includes the Garden Palace designed by architect James Barnet, the Botanic Gardens, promenades, annexed exhibition halls, and pavilions. In the foreground, a man and woman couple stands at the harbor opposite the palace while a sailboat and rowboat glide on the water. Image surrounded by a border containing palm trees, lush vegetation, and the coat of arms for Sydney depicted with a white man sailor and aboriginal man, attired in a loincloth and holding a spear., Title from item., Printed above image: Supplement to the Illustrated Sydney News, July 1879., Accessioned 1883., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1879
Location: Library Company of Philadelphia | Print Department **GC - Exhibitions [5225.F.2]

Title: [Geo. S. Harris & Sons print specimens]
Description: Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]

Title: Representation of the Philadelphia fish market
Description: Periodical illustration depicting the bustling market near the Camden Ferry and the Delaware River on Market Street below Water Street. Under the market shed, in the right, women peddlers sell their goods to the many milling customers. Under the adjacent canopy walkways, in the left, white men sailors and couples of men and women stroll and an African American man and woman couple argues. On the street, in the right background and center foreground, dockworkers deliver wheelbarrows of goods and a white woman peddler chases a dog stealing a fish. From the late 18th century, Philadelphia continually had a fish market below Water Street. The permanent shed, built in 1816, was torn down when the market closed in 1860., Title from item., Originally published in Gleason's pictorial drawing room companion, ca. 1852., Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Leslie, most known as the publisher of "Frank Leslie's Illustrated News," began his career as an engraver at "London Illustrated News." He left the London newspaper for "Gleason's Pictorial..." where he worked from 1851 until 1853.
Creator: Leslie, Frank, 1821-1880, engraver
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Markets-Philadelphia Fish Market [P.9361.2]

Title: [View of the Centennial Machinery Hall with people from all nations]
Description: Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]

Title: To the people of America, this engraving of "First in Peace," from the original painting, is respectfully dedicated, representing the arrival of General George Washington at the Battery, New York, April 23rd, 1789, previous to his inauguration as the first president of the United States of America, April 30, 1789
Description: Print after the design of painter Henry Brueckner of Washington's arrival by barge to New York (the nation's capital) for his inauguration depicting a large crowd welcoming the newly-elected president. Shows Washington, at the head of the barge, raising his hat to New York Governor George Clinton standing within a heavily decorated "Welcome" canopy on the wharf. Clinton stands next to his wife, daughters, and white men envoys, all finely attired. On the heavily-decorated barge, containing a red canopy, Washington is surrounded by white men envoys and oarsmen. The envoys are finely attired and the oarsmen wear matching tan suits and black caps adorned with ribbons. The ribbons contain the names of the U.S. states. Throngs of men, women, and child spectators stand along the wharf and upon sailing vessels on the river. Spectators include an African American man cheering with his hat in the air (right); white women in gowns; a white sailor hanging from a rope ladder attached to a ship (right); and an Indigenous man, woman, and baby seated in a canoe by the barge (center right). The man claps and the woman holds the baby in a cradleboard to her chest., Title from item., Place of publication and date from copyright statement: Entered according to Act of Congress A.D. 1867 by John C. McRae, in the Clerk's Office of the U.S. District Court for the Southern District of New York., Name of artist and engraver from earlier state in collections of the Library of Congress., See also Scottish American Journal, April 21, 1866, p. 5 and Vermont Chronicle, May 19, 1866, p. 3 for articles that describe the engraving as representing "Washington after the proclamation of peace with Great Britain." Articles also note that McRae was occupied on the work for nine years., Gift of David Doret, 1994., In poor condition. Stained and tears., Cataloged 2021.
Creator: McRae, John C., engraver
Date: 1867
Location: Library Company of Philadelphia | Print Department ***GC - Washington [P.9472]

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