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Title: Group of party on "Taurus" on ocean off Monmouth Beach [NJ] - Helen, Molly, Elizabeth, Ellen, Bessie & Dick Morris, Fred Baker & Father
Description: Glass negative showing Marriott C. Morris' father Elliston P. Morris, sister Elizabeth Canby Morris, second cousin once removed Elizabeth Stokes Morris, probably his third cousins Richard Jones Morris and Mary Paul Morris, and possibly his third cousin Helen Campbell Morris, as well as Fred Baker posed on the deck of a ship. Most of the group sits on chairs and Elliston Morris stands behind them under a sign that reads "Taurus." The women wear long dresses and hats while the men wear three-piece suits and hats., Photographer remarks: Undertimed., Time: 5:10, Light: Good sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: August 8, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1562]

Title: The nigger emperor of Nicuragua [sic] on his throne Attended by Chatfield & his Black guards witnessing the detention of the steamer Prometheus, by the English brig of war Express, at San Juan
Description: Racist political cartoon satirizing the fictitious "Nigger Emperor" of Nicaragua during the "Prometheus-Express" incident of November 1851, which threatened the Clayton-Bulwer Treaty of 1850 between the United States and Britain to abstain from attempting dominion of Central America. Depicts the Emperor as a Black man, partially undressed, attired in a military uniform with epaulettes, a black plumed hat, a sword on his waistband, and black boots. He sits atop a barrel labeled “Jamaica Rum.” He has one boot off that exposes his sock. His trousers are off and draped over his right arm. He smiles with a cigar in his mouth and carries a bottle labeled “Brandy” in his left hand. He looks towards Frederick Chatfield, the United Kingdom’s consul in Central America from 1834 to 1852, standing in the right. Chatfield holds his hands up and says, “They shall pay the money or be blow to attoms for their temerity, let me again entreat your Majesty to condesend (sic) to draw your breeches over your imperial shins.” The Emperor gestures with his right hand to the two ships in the harbor and replies in the vernacular, “Nebber mine, Massa Chatfield, wedder to warm for wear beechum, Yankee hab to cum back and pay money to dis nigger, ya, ya, ya.” Behind the Emperor, several Black guards, attired in tall hats, smile and stand in formation. Also in the print is a small black dog sniffing the Emperor’s sock., The Clayton-Bulwer Treaty of 1850 made Greytown, Nicaragua a free port, denying the British revenue. To circumvent this, the British charged harbor fees. On November 21, 1851, Cornelius Vanderbilt’s ship Prometheus refused to pay the British harbor fees. The British brig o’war Express fired three shots across the bow of the Prometheus. Vanderbilt then paid. However, when the ship arrived in New York he took his case to the U.S. government with the U.S. wanting Britain to withdraw from Central America. In early 1852, the Nicaraguan government sought to assert its authority over the Miskito kingdom. On April 30, 1852, Secretary of State Daniel Webster and British minister John Crampton negotiated a settlement that made Greytown a free city, protected the rights of the Miskito Indians, and established the border between Costa Rica and Nicaragua along the San Juan River., Title from item., Erroneously dated 1839 by Weitenkampf., Appears in The old soldier, New York, February, 1852., Likely drawn by John L. Magee, who worked at 69 Nassau Street at this time., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Magee, John L., artist
Date: [1852]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1851-28 [5760.F.107]

Title: A view of Point Airy opposite South Street, Phila Persons visiting this delightful resort during the summer season will find the bar supplied with a variety of suitable refreshments for the season. Every facility is afforded at this place for enjoyment & recreation. Visitors have also an opportunity of enjoying as delightful a bath as can be had at any point on the Delaware. The boat leaves the first wharf above South Street every few minutes. D. Warren, Proprietor
Description: Advertisement showing the "Point Airy Hotel" and dock operated by David Warren at the resort located on the southern end of Windmill Island, a summer resort area popular in the 19th century before the removal of the island in 1897. Trees surround the resort. In the foreground, a wide variety of river traffic including ferries, sailboats, and rowboats traverse the river. A man attired in a suit and top hat helps row one of the vessels. In the background, sailing ships and a ferry are visible in front of the New Jersey waterfront., Date supplied by Wainwright., Philadelphia on Stone, POS 789, Retrospective conversion record: original entry, edited., Haugg worked in Philadelphia 1856-1894.
Creator: Haugg, Louis, 1827-1903, artist
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **W7 [P.2003]

Title: The wedding party off for Europe. And they have all got on the neat $2.50, gaiters made to measure at the Co-operative Shoemakers, arnt they splendid. 220 & 222 S. Halsted St
Description: Racist trade card promoting the Working Shoe Makers Co-Operative Union and depicting a scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Shows the twins, attired in yellow hats decorated with a red feather and long-sleeved yellow dresses with a white collar and a red belt, standing on the deck of the ship with their husbands. The husband in the left is attired in a white collared shirt, a blue jacket, red pants, and black shoes. The other twin’s husband in the right is attired in a blue hat, a white collared shirt, a green jacket, red and white striped pants, and black shoes. The couples, newly married, are “off for Europe” and look over the ship to say goodbye to the people on the dock. In the foreground, a number of African American men, attired in hats and suits, and women, attired in hats and dresses, talk amongst themselves and wave goodbye. In the left, a man stands up over the crowd, attired in a black hat, a red jacket, and yellow pants, and throws a bouquet of flowers at the couples onto the deck. The Working Shoe Makers Co-Operative Union was active in the 1880s in Chicago, Ill., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: The Working Shoe Makers. Co-Operative Union 220 & 222 S. Halsted Street, The Cheapest Custom Made Shoe Store in the City. Button & Congress Gaiters, to measure. Ladies’ Button & Laced Gaiters, to measure. Half soleing & heeling 1.00 Ladies 75 cts, Craddock & Auston, Managers., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Working [P.2017.95.194]

Title: C.C. Hughes, druggist & chemist, S.W. cor. 8th & Race Sts., Phila
Description: Trade card promoting druggist C.C. Hughes in the style of trompe l'oeil depicting a landscape with ships and a vignette portrait of a Japanese woman portrayed in caricature. Shows a landscape view with people standing on a path leading to a pagoda on a cliff. In the right, ships sail on the water. In the background are mountains. In the left, shows the Japanese woman wearing her hair up and decorated with Kanzashi hair ornaments and attired in gold hoop earrings; a yellow, patterned kimono with red trim; and a black obi. A green parrot sits on her left arm. Decorated border surrounds the scene., Title from item., Date from copyright statement: Copyright 1881 by Geo. M. Hayes., Advertising text printed on verso: Alhambra hair restorer. Restores gray hair to its natural color with three or four application, making it soft and beautiful; removes dandruff and itching of the scalp; prevents premature baldness; stops hair from falling out; will not soil the finest linen: an excellent dressing, nicely perfumed. Price, 75 Cts., large bottle. Manufactured by C.C. Hughes, druggist & chemist, S.W. Cor. Eighth and Race Streets, Philadelphia. Hughes’ Corn & Bunion Plasters. Give instant relief and effect a cure. (They are not pads to relieve the pressure.) Each 25 cents per box; 12 corn or 6 bunion in each box. Sent by mail on receipt of price. C.C. Hughes, Druggist, Eighth and Race Streets, Philadelphia, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., RVCDC
Creator: Rosenthal, Albert, 1863-1939
Date: 1881
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - Hughes [P.9828.6166]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: Engravings by William Humphrys Scrapbook
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."

Title: Engravings by William Humphrys
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator: Humphrys, William, 1795-1865
Date: [ca. 1817-ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]

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