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Title: The South East Prospect of the City of Philadelphia
Description: The South East Prospect of the City of Philadelphia is the oldest surviving oil painting that depicts a North American city. A key at the bottom numbers and identifies landmarks. The arms of William Penn and the City of Philadelphia appear in the top corners. In the lower left corner the artist has depicted himself sketching the scene., LCP Minutes vol. 7, February 5, 1857, p. 92-93: "Mr. Hutchinson read the following letter from Hon. George M. Dallas (Minister to Great Britain), dated London, January 12, 1857 and laid on the table the painting therein mentioned. `I will send for the Phila Liby an antique daub painted as is believed here in 1720 purporting to be "The South East prospect of the city of Philadelphia by Peter Cooper, painter." It is on torn canvas some 8 feet long by 1 1/2 wide. One of the members of Parliament in looking over the rubbish of a City curiosity shop picked it up and brought it to me. The principal buildings of the City at that day are pointed out & 24 good old Philadelphia Householders are named in the margin. Although worthless on any score but that connection with Auld Lang Syne it presents at half a glance so strong a contrast to the Consolidated City of 1857 that it has its interest for a corner of the Phila Library'. Whereupon the following Resolution was unanimously adopted:`Resolved that the Directors of the Library Company of Phila having received from the Hon. George M. Dallas a picture of Phila. by Peter Cooper do return him their grateful thanks for his attention and kindness in procuring & transmitting to them a most interesting & valuable Record of the appearance of our City as it was upward of a century & quarter ago, with a reference to the public buildings & private residences of many of our earliest and most remarkable citizens.'", Gift of George Mifflin Dallas, 1857., Exhibited in: Great Central Fair in Philadelphia, in the "Wm. Penn Parlor" (1864); Pennsylvania Museum of Art's exhibition, The Sea (1935); Metropolitan Museum of Art's exhibition, Franklin and His Circle (1936); Corcoran Gallery's exhibition, American Processional, 1492-1900, (1950); University of Pennsylvania's exhibition, Benjamin Franklin Winston Churchill (1951); Library Company's exhibition, Quater of a Millennium (1981).
Creator: Cooper, Peter, w.c. 1698-1725
Date: Ca. 1718
Location: OBJ 603

Title: Remarks on the slave trade
Description: Image shows the plan of an African slave ship. From left to right, the ship is divided into the following compartments: men's room, boy's room, women's room, and girl's room. It also includes two small store rooms. Hundreds of human figures illustrate the extent to which the slaves were crowded on board, and suggest the conditions under which they made the passage., Illustration for Remarks on the Slave Trade, Extracted from the American Museum, for May, 1789. And published by order of the Pennsylvania Society for Promoting the Abolition of Slavery, &c. (Philadelphia: s.n., 1789)., A caption at the head of the engraving reads: "Plan of an African ship's lower deck, with Negroes, in the proportion of not quite one to a ton.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1789]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1789 Rem 8645.F broadside, https://digital.librarycompany.org/islandora/object/Islandora%3A2682

Title: Independence
Description: Bequest of Dr. James Rush, 1869., Exhibited in Philadelphia Maritime Museum's exhibition, Thomas Birch: 1779-1851, Paintings and Drawings (1966).
Creator: Birch, Thomas, 1779-1851
Location: OBJ 302

Title: Section of a slave ship
Description: Plate includes three diagrams of a slave-ship. Top diagram is a cross-section of the ship's hold, viewed from the side. The small, shallow space in which slaves were transported lies between the deck and the main body of the hold. Diagram at the left is a detail of this space with its dimensions. (It was 3 feet, 5 inches in height.) Detail illustrates the manner in which slaves were packed into the ship, one next to another, with barely enough room to sit upright. Bottom diagram is an aerial view of the ship's deck with its dimensions., Plate at the front of Matthew Carey's Letters on the Colonization Society: And on its Probable Results; under the Following Heads . . . Addressed to the Hon. C.F. Mercer (Philadelphia: E.G. Dorsey, printer [May 30, 1838])., The caption below the image reads: "From Walsh's Notes of Brazil.", Fels Afro-Americana Image Project, Scenes from the Slave Trade
Date: [1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Car 75256.O plate I, https://digital.librarycompany.org/islandora/object/Islandora%3A2769

Title: Revolte sur un bâtiment négrier
Description: Image depicts a revolt aboard a slave-ship. Having broken free of their shackles and chains, the slaves use them to attack the ship's crew. The crew members fight back with daggers and hatchets., Engraving in Albert Laporte's Récits du vieux marins (Paris: Librairie Théodore Lefèvre et cie 2, rue des Poitevins, 1883?), p. 267., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [1883?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Lap 7206.Q (Lewis) p 267, https://digital.librarycompany.org/islandora/object/Islandora%3A2834

Title: Wood from the Petite Hermine
Description: Letter sent to John A. McAllister accompanied the relic, “Poughkeepsie, N.Y. Oct. 21, 1858 My Dear Friend, On my return home I found a piece of wood that has been sent to me from Mr. John Laird, of Quebec, which he assures me is a well authenticated piece of the Petite Hermine, one of Jacques Cartier’s vessels which he abandoned there in the spring of 1536. It was brought up from about ten feet below the surface of the mud, and with it was an ancient ‘chain plate’ such as has now been used in modern vessels. From the character of Mr. Laird, I am convinced that it is what it purports to be. I thought you might be willing to accept a small piece of such a curious relic, so I send it to you with the kindest regards of myself, Mrs. L. and Miss L. Yours very truly, Benson J. Lossing.”, Gift of John A. McAllister, 1866.
Date: Ca. 1536
Location: OBJ 115

Title: Bann[er of] the sea. National song and chorus. [graphic].
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Sheet music cover showing two sailors hoisting an American flag over a cannon on the deck of a ship. A third sailor watches and cheers.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.146b]

Title: La traite des noirs
Description: Image is set below the decks of a slave-ship during the middle passage. Most of the slaves wear chains and shackles on their wrists. Some try to sleep on the floor; others simply wait. In the center of the scene, a mother holds her infant child. The father buries his face in the mother's hair, and rests his hand on the shoulder of his older daughter., Engraving in Albert Laporte's Récits du vieux marins (Paris: Librairie Théodore Lefèvre et cie 2, rue des Poitevins, 1883?), p. 238., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Trichon, engraver
Date: [1883?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Lap 7206.Q (Lewis) p 238, https://digital.librarycompany.org/islandora/object/Islandora%3A2833

Title: Delaware River, Philadelphia harbor
Description: Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]

Title: Shipped in good order & well conditioned by Soutter & Bell. [bill of lading] Shipped Marks & Numbers
Description: Bill of lading dated December 16, 1841 containing a vignette view showing a man standing near a pile of crates, barrels, and packed goods on a pier in front of which a ship sails in the distance. View also includes a rowboat., Not in Wainwright., Manuscript notes on recto and verso. Includes: Invoice of corn purchased and shipped by Soutter & Bell on board the Sch: Armida, by order of Capt. Frisbee, for account risk of consigned to Capt. Thomas E. Oliver, Portsmouth, N.H., Philadelphia on Stone, POSP 216, American Antiquarian Society: Graphic Arts Lithf Duva Ship
Date: [ca. 1840]
Location: American Antiquarian Society AAS Graphic Arts Lithf Duva Ship

Title: ASSU Illustration 8003
Description: Block numbered in two places: 8008, also 1843 on small adhesive label on back of block., Image of boats departing for a ship offshore, while a seated man appears to be releasing a rope attached to the dock; other small boats are in the distance, and a large crowd waves from the shore. In an 1877 issue of Child's World the standing man is identified as "John Alasco [i.e., Jan Laski], the Polish Reformer," as part of the periodical's series on Reformation figures., Signed: V sc. [?], Joints not visible on sides of composite block., Illustration appears in Child's world, v. 16, no. 21, p. 1.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 19

Title: A slave-ship
Description: Engraving shows two slave-traders as they throw a slave overboard. Two other slaves struggle in the ocean. This woodcut is a slightly altered version of the same scene appearing in "The Liberator," January 7, 1832. The original text notes the ship is a Brazilian slaver. Brazil collected duty on all imported slaves, and slave ship captains tossed sickly and likely unsalable slaves overboard before arrival to avoid paying the duty on them., Illustration in the Slave's Friend (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1836), vol. 1, no. X (1836), p. 14-15., Image is accompanied by a poem, which begins as follows: "Oh! I have don a cursed deed, / The wretched man replies, / And night and day, and every where, / 'Tis still before my eyes.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per S 63 54051.D v 1 n X p 14-15, https://digital.librarycompany.org/islandora/object/Islandora%3A2887

Title: African mother on a rock
Description: Yarrima, an African mother, watches in despair as her son, Yazoo, is whisked away on the white man's boat., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 28., Caption underneath the illustration reads: "Yarrima climbed to the highest rock, and saw the white man's boat moving rapidly over the waves.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Hall, John H., engraver
Date: [1834]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2734

Title: [Scenes from Guinea]
Description: Three illustrations accompanying Taylor's discussion of Guinea. In figure 34, two Europeans try to kidnap an African family to sell them into slavery. Of this practice, Taylor wrote: "they [the Europeans] lie in wait near a village during the day, and catch any stragglers; but at night they come and set fire to their huts in several places; when the poor creatures run out in terror and confusion, then the soldiers seize upon all they can catch, and hurry them away to the sea-side, to sell them." (p. 62) Figure 35 shows the plan of a slave ship. Taylor described the conditions on board as follows, "only sixteen inches each, in width, are allowed for the men, and less still for women and children. There they lie, so close, that it is impossible to walk among them, without treading upon them." (p. 63) Figure 36 depicts slaves being sold at auction. Each slave, Taylor explained, was forced to stand on a hogshead, for easier inspection, while the planters offered their bids., Page of illustrations in Isaac Taylor's Scenes in Africa , for the Amusement and Instruction of Little Tarry-at-Home Travellers (New York: W.B. Gilley, 94 Broadway, 1827), p. 60., Fels Afro-Americana Image Project, Images from the Slave Trade.
Date: [1827]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1827 Taylor 101580.D p 60, https://digital.librarycompany.org/islandora/object/Islandora%3A2729

Title: Insurrection on board a slave ship
Description: Lithograph was copied from an engraving originally published in Carl Bernhard Wadstrom's Essay on Colonization (London: Printed for the author, by Darton and Harvey, Gracechurch-Street, 1794-95). As the title suggests, the lithograph shows an insurrection aboard a slave ship. From the vantage point of a raised barricade near the ship's stern, the crew fires upon (what looks to be) hundreds of slaves crowded upon the deck. A number of slaves jump overboard. A cloud of smoke hovers over the British vessel., Illustration in William Fox's A Brief History of the Wesleyan Missions on the Western Coast of Africa (London: Printed for the author, published by Aylott and Jones, 8, Paternoster-Row: sold also by John Mason, 66, Paternoster-Row, MDCCCLI [1851]), p. 116., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Walton, W. L., lithographer
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Fox 12623.O p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2786

Title: The Africans of the slave bark "Wildfire"
Description: Engraving shows the manner in which hundreds of African slaves were crowded on the deck of the "Wildfire," an American vessel captured off the northern coast of Cuba in April 1860. According to the accompanying text, the ship had left the Congo River thirty-six days before her capture, and had roughly five hundred Africans on board. The capture of the "Wildfire" was led by Lieutenant Craven of the United States steamer Mohawk. His experience was recounted in Harper's Weekly as follows: "Soon after the bark was anchored we repaired on boad, and on passing over the side saw, on the deck of the vessel, about four hundred and fifty native Africans, in a state of entire nudity, in a sitting or squatting posture, the most of them having their knees elevated so as to from a resting place for their head and arms. They sat very close together, mostly on either side of the vessel, forward and aft, leaving a narrow open space along the line of the centre for the crew of the vessel to pass to and fro. About fifty of them were full-grown young men, and about four hundred were boys aged from ten to sixteen years. It is said by persons acquainted with the slave-trade and who saw them, that they were generally in a very good condition of health and flesh, as compared with other similar cargoes, owing to the fact that they had not been so much crowded together on board as is common in slave voyages, and had been better fed than usual." (p. 344), Illustration in Harper's Weekly, vol. IV, no. 179 (June 2, 1860), p. 344., Caption underneath the image reads: "The slave deck of the bark 'Wildfire,' brought into Key West on April 30, 1860. -- [From a Daguerrotype.]", Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [June 1860]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v IV n 179 June 2 1860 p 344, https://digital.librarycompany.org/islandora/object/Islandora%3A2651

Title: [The Morro Castle (ship) beached near shore at Asbury Park, New Jersey]
Description: Depicts a large crowd of people gathered near the beached SS Morro Castle on the coast of the Atlantic Ocean in Asbury Park, New Jersey. People inspect the right flank of the burned and abandoned ship facing the land., The SS Morro Castle was a cruise ship built in 1929 for the New York and Cuba Mail Steamship Company, also known as the Ward Line, to operate between New York City and Havana, Cuba. On September 8, 1934, the ship caught fire on its way to New York and beached at Asbury Park, New Jersey., Gift of Emily Riese., Retrospective conversion record: original entry, edited.
Creator: Davis, Eugene H., photographer
Date: ca. 1935-1936
Location: Library Company of Philadelphia | Print Department photo - Davis [P.9332.8]

Title: View on the Delaware, Philadelphia harbor
Description: Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13a]

Title: ASSU Illustration 0875
Description: Block numbered in two places: 875., Image of many boats in a harbor in the midst of a battle; the boats in the foreground are all powered by many rowers; some of these boats have sails and some do not; several boats and a tower crowded with man figures fly a flag with three crescents (i.e. the flag of the Ottoman Empire); ships with several sails are visible in the distance; possible a crusade scene., , Provenance:, , Variant:
Date: [s.a.]
Location: ASSU Woodblocks -- Box 29

Title: Sailing ship woodcut
Description: Sample image scanned from: # Am 1861 Uni Sta (2)5777.F.3a, Recruiting poster illustration depicting "a sailing ship."
Date: ca. 1861

Title: [Robert Morgan of New Haven, washed ashore after a storm in Atlantic City, N.J.]
Description: Depicts people walking along the beach near a three-masted sailing ship, identified as the "Robert Morgan" from New Haven, Connecticut. The ship came ashore at Atlantic City on January 9th, 1884, during the Great Storm, and passed within a few inches of the immense frame work of Applegate's Ocean Pavilion, making a narrow escape from a total wreck and now lies high and dry uninjured on the beach. In 1883 J.R. Applegate purchased 100 feet of beach property in Atlantic City at the foot of Tennessee Avenue, next to his "picture galleries." He built a two tier pier extending 625 feet beyond the boardwalk with an amusement pavillion at the outer end. Although Applegate's pier was not damaged by the "Robert Morgan," the outer pavillion of another pier was damaged., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.136]

Title: Luckenbach Lines steamship on the Delaware River, South Philadelphia, Philadelphia
Description: Aerial views of a Luckenbach Lines ship sailing and docked in the Delaware River. Piers and industrial facilities are visible along the riverfront at Delaware Avenue between Snyder and Oregon Avenues. Various types of boats and watercraft sail on the river. The Philadelphia skyline can be seen in the distance., Negative numbers: 5177, 5178, 5183.
Creator: Aero Service Corporation, photographer
Date: 1925
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.5177; P.8990.5178; P.8990.5183]

Title: [Middle passage: instruments of restraint and torture]
Description: Engraving shows instruments of restraint and torture used during the Middle Passage. From top to bottom, it includes: iron hand-cuffs, iron shackles, a thumb press, and a speculum oris, an instrument originally used to open the mouths of lock-jaw patients. On slave-ships, it was used to force-feed slaves who refused to eat. The bottom diagram shows a cabin space that is 3 feet, 3 inches high; it shows manner in which enslaved Africans were forced to sit during the passage., Illustration in Lydia Childs's An Appeal in Favor of that Class of Americans Called Africans (New York: Published by John S. Taylor, 1836), p. 21., Opposite page includes the following text: "The engraving on the next page will help to give a vivid idea of the Elysium enjoyed by negroes, during the Middle Passage. Fig A represents the iron hand-cuffs, which fasten the slaves together by means of a little bolt with a padlock. B represents the iron shackles by which the ancle [sic] of one is made fast to the ancle [sic] of his next companion. Yet even thus secured, they do often jump into the sea, and wave their hands in triumph at the approach of death. E is a thumb-screw. The thumbs are put into two rounds [sic] holes at the top; by turning a key a bar rises from C to D by means of a screw; and the pressure becomes very painful. By turning it further, the blood is made to start; and by taking away the key, as at E, the tortured person is left in agony, without the means of helping himself, or being helped by others. This is applied in case of obstinancy, at the discretion of the captain. I, F, is a speculum oris. The dotted lines represent it when shut; the black lines when open. It opens at G,H, by a screw below with a knob at the end of it. This instrument was used by surgeons to wrench open the mouth in case of lock-jaw. It is used in slave-ships to compel the negroes to take food; because a loss to the owners would follow their persevering attempts to die. K represents the manner of stowing slaves in a slave-ship.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Chi S49622.D p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2746

Title: [J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Description: Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
Creator: Rease, W. H., artist
Date: [August 1847]
Location: Library Company of Philadelphia | Print Department *W191 [P.2054]

Title: [Frontispiece for Histoire philosophique et politique]
Description: In the central foreground, a female slave is purchased by a European planter (left), who completes the transaction by giving a sack of coins to a slave merchant. Chained and shackled, the slave leans over and covers her face in despair. Behind her, several Europeans congregate in the tropical landscape. A vessel, presumably a slave-ship, is docked in the background., Frontispiece for Guillaume-Thomas-François Raynal's Histoire philosophique et politique des établissements & du commerce des Européens dans les deux Indes (A Maestricht: Chez Jean-Edme Dufour & Philippe Roux, imprimeurs & libraires, associés, M.DCC.LXXVII [1777])., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Delaunay, Nicolas, 1739-1792, engraver
Date: 1773
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1777 Ray 62416.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2679

Title: Branding a female slave
Description: Set on the coast of Haiti, the image shows a slave-trader branding a female slave on the shoulder. The unclothed slave kneels on the sand with her hands chained behind her back. Other slaves await their turn, covering their eyes or looking away. In the lower right-hand corner, a second slave-trader sits on a barrel with a rifle resting on his knee. A slave-ship is visible in the background., Plate in John W. Cromwell's The Negro in American History: Men and Women Eminent in the Evolution of the American of African Descent (Washington, D.C.: The American Negro Academy, 1914), p. 2., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [1914]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1914 Cromw 78796.O p 2, https://digital.librarycompany.org/islandora/object/Islandora%3A2671

Title: Scene in the hold of the "Blood-Stained Gloria." (Middle Passage)
Description: As the title suggests, the engraving shows the hold of the Gloria, a Brazilian slave-ship upon which the author travelled. In Chapter XV of his Revelations, Drake described the conditions on board: "our slaves," he wrote, "were crammed in hold, cabin, and peak, and packed like herrings, on the shelves, around our vessel's sides; and what was worse, gratings were kept down half the time." (p. 88-89) Continuing to describe the "horrors of this dreadful passage," he added, "The sick and dying were chained together. I saw pregnant women give birth to babes, whilst chained to corpses, which our drunken overseers had not removed. The blacks were literally jammed between decks, as if in a coffin; and a coffin that dreadful hold became, to nearly one-half of our cargo, before we reached Bahia." (p. 89) In the engraving, Ruiz, the ship's captain, has entered the hold with one of his mates. In addition to a lantern, the captain carries a large sword, while his mate carries a rifle. A cat-o'-ninetails can be seen on the floor., Fold-out plate in Richard Drake's Revelations of a Slave Smuggler: Being the Autobiography of Capt. Rich'd Drake, an African Trader for Fifty-Years from 1807 to 1857; during which Period He Was Concerned in the Transportation of Half a Million Blacks from African Coast to America (New York: Robert M. De Witt, publisher, [c1860]), p. 28., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Andrew & Filmer, engraver
Date: [c1860]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1860 Dra 72735.O p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2806

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim, photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]

Title: View on the Delaware, Philadelphia harbor
Description: Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11n]

Title: Merrick & Sons iron founders, boiler makers & machinists. Washington Ave. & Fifth Street, Philadelphia Established 1836. Manufacturers of marine steam engines, light houses, sugar machinery & gas works, nasmyth & condie steam hammers. Machinery of all kinds. Aspinwall & Woolseys sugar draining centrifugals. See Agents for Rillieux Sugar Boiling Apparatus
Description: Civil war-era advertisement containing seven titled views promoting the manufactory (orginally established in 1836 as a foundry for castings) on the 400 block of Washington Avenue. Central view shows the "Front View" of the foundry. Soldiers march in front of the "Southwark Foundry" building that is adorned with signage advertising "Merrick & Sons Engineers & Machinests." An omnibus stops near the foundry to allow the passing of troops who are greeted by a small group of women. In the foreground, a six-horse team truck transports a large pipe, as behind it, a truck without a load follows. A family waits to cross the street because of the trucks. Also shows a rail truck loaded with barrels and large cylinders parked in front of the loading bay of the factory. Across the street men inspect large pipes on blocks in the left of the image. Scenes above the central view show "Steamer Keystone State at Reed St. Wharf"; a rowboat of men in the waters in front of the "U.S. Steamers Ironsides (Armored) Mississippi & Tuscaroroa off Fortress Monroe"; a man leading an 8-horse team pulling a "Bedplate for Monongahela" past a workshop., Views at the bottom of the print show the "Interior of the Boiler Shop" with laborers working around a large crane and elevated walkways as they hammer large metal forms; the "Steamer Quaker City off 'Sombrero Key.' Light House" tilting in rough waters; and the "Interior of the 'Old Foundry' " with workers at their tasks around a large crane and surrounded by machine parts. Merrick & Sons, a premier iron foundry, constructed almost all the machinery for U.S. Navy steamers during the war, as well as the New Ironsides, the first U.S. armor-clad war vessel. The firm was also the exclusive maker of the N. Rillieux patent sugar boiler apparatus and Nasmyth steam hammers., Not in Wainwright., Philadelphia on Stone, POS 477, Historical Society of Pennsylvania: Bc 35 M 551, Lower right corner missing.
Creator: Rease, W. H.
Date: [ca. 1863]
Location: Historical Society of Pennsylvania HSP Bc 35 M 551

Title: An east prospect of the city of Philadelphia taken by George Heap from the Jersey shore, under the direction of Nicholas Scull surveyor general of the province of Pennsylvania
Description: Anniversary reproduction of the contracted Scull & Heap panoramic cityscape view originally published by London engraver Thomas Jeffreys in 1756 showing Philadelphia from across the Delaware River. Depicts the riverfront (South to Vine streets) developed with residential and mercantile buildings, piers and wharves, and major landmarks. Landmarks (numbered in the print) include Christ Church, the State House, Presbyterian Church, Dutch Calvinist Church, the Court House, Quaker Meeting House, High Street Wharf, Mulberry, Sassafrass, Vine and Chestnut streets, the drawbridge, and "cornmill" on Windmill Island. Pedestrian traffic is visible along the riverfront and heavy maritime traffic, including a ferry transporting cattle to New Jersey, dominates the foreground. Also contains insets of "The Battery" (built 1747 at the foot of Wharton Street), "The State House," and "A Plan of the City of Philadelphia" (street grid); "A description of the situation, harbour &c of the city and port of Philadelphia" with a legend corresponding to the numbered landmarks; and text and charts explicating "Philadelphia in 1854" that expand upon the original description. The descriptions detail the topography of the city and include statistics about population (1683-1850) and exports in addition to statements about the improvement of manufacturing and industry, particularly the railroads, in the city during the 19th century., Not in Wainwright., Philadelphia on Stone, POS 198, Historical Society of Pennsylvania: Bc 864 H 4345, One of the three prints is varnished.
Creator: Sherwin, John H., b. 1834, artist
Date: [1854]
Location: Historical Society of Pennsylvania HSP Bc 864 H 4345

Title: U.S. Government Building - Main Avenue Looking West
Description: Interior view of the U.S. Government Building along Main Avenue looking West. Depicts large sailboat/ship in the foreground. Also shows flags draped along the walls and various other artifacts located throughout the Main Avenue.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.17f]

Title: Ho! for the ironclad ship! The yard will be open for visitors on Friday & Saturday. The launch will take place at noon, Saturday, May 10th, 1862. Passengers can take the 2d & 3d Street passenger cars. Exchange tickets are sold by all connecting roads
Description: The ironclad New Ironsides was built at Philadelphia and launched May 10, 1862., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 Ho for (2)5786.F.131b (McAllister)

Title: Port of Wilmington, Wilmington, Delaware
Description: Aerial views of the Port of Wilmington showing marine cargo sheds and marine terminals, stacks of shipping containers and other industrial buildings and facilities related to the shipping industry. One cargo ship is docked. Construction of the port was completed in 1922 and it officially opened in 1923. The port is located at the confluence of the Delaware and Christina Rivers., Negative numbers: 4729, 4730, 4731, 4732, 6158, 6159., 4729 not digitized; negative is similar to 4732., 4730 not digitized; negative is damaged and cannot be scanned.
Creator: Aero Service Corporation, photographer
Date: ca. 1920-1926
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.4729; P.8990.4730; P.8990.4731; P.8990.4732; P.8990.6158; P.8990.6159]

Title: The sea and the ships
Description: Plate from a children's moral instruction book showing a busy wharf, probably on the Delaware River, where laborers use pulleys and ramps to unload boxes, hogsheads, casks, and chests from a recently docked ship. A horse is attached to a pulley and is guided by a laborer to unload these items. Also shows three men weighing barrels on the ground and two men moving long poles or planks of wood under the gaze of a man with a shovel who leans against a post in the right foreground. Another vessel moves along the river in the background., Published as illustration on page 31 in Common Sights in Town & Country Delineated & Described for Young Children (Philadelphia: American Sunday School Union, ca. 1855)., Accompanied by text titled "The sea and the ship" praising the vast and various business done by ships, and the skill and talent of the men involved, as these activities are made possible by "Him who formed all the Oceans"., Philadelphia on Stone, POS 685, Historical Society of Pennsylvania: Bd 61 K 8341.31, Library of Congress: Marian S. Carson Collection
Creator: Kollner, Augustus, b. 1813
Date: ca. 1855
Location: Historical Society of Pennsylvania HSP Bd 61 K 8341.31

Title: Wreck of the slave ship
Description: According to Hildreth's narrative, the plate shows a domestic slave ship that was caught in a storm while travelling down the Atlantic coast to Charleston. After the captain and crew fled in a jolly-boat, the slaves worked the pumps in the hopes of saving themselves. They were eventually rescued and brought to a jail in Norfolk, Virginia., Illustration in Richard Hildreth's The White Slave: or, Memoirs of a Fugitive (London: Ingram, Cooke, & Co., 227 Strand, MDCCCLII, 1852), p. 80., Fels Afro-Americana Image Project, Images from the Slave Trade.
Date: [1852]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Hildr 70799.O p 80, https://digital.librarycompany.org/islandora/object/Islandora%3A2787

Title: [African American musicians performing on a riverboat]
Description: Scene depicting a group of four African American men singing and playing guitars while surrounded by spectators, seated on the deck of a riverboat, possibly in Tennessee. The musicians sit on a raised platform with their feet dangling. The third performer to the right plays a star shaped guitar and sings with his head tilted back and mouth wide open. He props his right foot on a stool. In the right, two African American men sit in wooden chairs. Surrounding the musicians, white men, women, and children sit and stand and look on. In the background, people walk on the deck and the smokestacks are visible., Title supplied by cataloger., Date inferred from content and attire of the sitters., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Photographs-Wood [P.8743.189]

Title: Gloucester [Massachusetts] Fishing Boats
Description: Interior view of the Agricultural Building. Depicts the Gloucester, Massachusetts exhibit, featuring model ships and fishing boats displayed on a replicated sea of water. Also shown is a pier and boat house. The barriers of the main exhibit display images and information pertaining to these fishing boats.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.25d]

Title: Marvelous Plant - Agricultural Hall
Description: View of "Plante Merveilleuse"--Marvelous Plant--in the Agricultural Hall. Depicts a rope-like tapestry that is actually natural roots. Also shown is an ornate glass display chest, along with a table topped with glass bottles, a model ship, and cloth sacks.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.25f]

Title: War Canoe and Models - U.S. Government Building
Description: Interior view of the U.S. Government Building. Depicts a large war canoe in the center of the aisle. In the foreground is a display of large rocks. Also shown along the sides are numerous model ships. Flags are draped along the overhang.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.17e]

Title: John Smith Papers, 1802-1819
Description: The collection contains correspondence and documents covering the government and military careers of John Smith; they primarily related to his career as the United States marshal for the district of Pennsylvania during the War of 1812., John Smith was appointed United States Marshal for the Eastern District of Pennsylvania by Thomas Jefferson on March 28, 1801, replacing John Hall. He was reappointed by James Monroe on November 27, 1818, for a four-year term, but in January 1819 he was removed from office and replaced by Samuel D. Ingram. Smith was listed in the Philadelphia city directories as “late marshal” from 1819 to 1822, and was not listed thereafter. He married Elizabeth Turner on October 15, 1795, at St Michael and Zion Lutheran Church, Philadelphia. No date of death is known. Smith also had a long military career, serving almost continuously from 1776 until 1814, when the 1st Regiment of the Pennsylvania Cavalry, which he commanded, was disbanded., United States Marshals were public servants appointed by the President; their primary function was to provide local support for the operation of federal courts. The post involved a wide range of duties including procuring witnesses, serving subpoenas and warrants, and paying the fees and expenses of court clerks, judges, federal attorneys, and jurors. Marshals advertised seized property and oversaw its sale. In addition, until 1870, marshals conducted the federal census, and collected a variety of statistical information on behalf of the federal government., In time of war, such as the War of 1812, the marshal's duties expanded to include keeping track of enemy aliens living in the U.S., issuing passports for their domestic travel, and guarding and providing for British prisoners of war.
Creator: Smith, John, marshal
Date: 1793
Location: Library Company of Philadelphia | MSS McA MSS 026

Title: S.E. view of Philadelphia
Description: Panoramic view looking from Camden, New Jersey showing the Delaware riverfront and harbor. Includes cityscape; docked ships; boathouses; Spark's Shot Tower; Smith and Windmill Island; and several sailing vessels and a steamboat traversing the river. Also shows two men near grazing horses on the riverbank in the foreground., Not in Wainwright., Philadelphia on Stone, POS 667, Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited.
Creator: Kollner, Augustus, b. 1813, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department BW - Rivers - Delaware [(7)1322.F.19]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.277]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.277]

Title: Arch Street Bridge at Front Street ; Friends' Bank Meeting
Description: Book illustration containing two views of historical Philadelphia landmarks. Upper view shows the bridge constructed in the late 17th century known as the arch over Mulberry (i.e., Arch) Street to provide access between elevated sections of Front Street near the house and shop of shipbuilder Robert Turner at the Delaware River. Bridge razed circa 1721. View includes two buildings, probably the Turner dwelling; a horse-drawn cart traveling under the bridge; pedestrians; and ships on the river. Lower view shows the exterior of the meeting house built 1685 on Front Street above Arch Street. Shows a group of Quakers proceeding to the meeting house. Building razed in 1789., Published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 335., Manuscript note below each image: Different from book., Philadelphia on Stone, POS 23, Gift of James Rush.
Creator: Breton, William L., artist
Date: [1830]
Location: Library Company of Philadelphia | Print Department BW - Bridges [9245.Q.29a&b]

Title: Penn's landing at Essex House, Chester
Description: Book illustration showing the reception of the William Penn landing party arriving ashore at Upland, renamed Chester, from the ship "Welcome" in October 1682. A couple, Robert and Lydia Wade, walks from the Essex House, the residence of Wade, toward the party. Cows graze nearby. Also includes a partial view of Penn's ship. The residence and temporary home for Penn, was situated near the intersection of Chester Creek and the Delaware River. Penn moored his ship at Chester, and arrived in Philadelphia via a barge upriver., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 117., Manuscript note on recto: a different plate from that of the book., Philadelphia on Stone, POSP 163, Gift of James Rush.
Creator: Breton, William L., artist
Date: [1830]
Location: Library Company of Philadelphia | Print Department BW - Events [9245.Q.10]

Title: [The Morro Castle (ship), near Asbury Park Convention Hall, New Jersey]
Description: Depicts the SS Morro Castle in the Atlantic Ocean near the piers of the Convention Hall in Asbury Park, New Jersey. A barge rides beside the once-luxurious cruise ship, possibly towing it away from the coast to be dismantled., The SS Morro Castle was a cruise ship built in 1929 for the New York and Cuba Mail Steamship Company, also known as the Ward Line, to operate between New York City and Havana, Cuba. On September 8, 1934, the ship caught fire on its way to New York and beached at Asbury Park, New Jersey., The Asbury Park Convention Hall was constructed ca. 1923 after designs by the New York architectural firm Warren and Wetmore., Gift of Emily Riese., Retrospective conversion record: original entry, edited.
Creator: Davis, Eugene H., photographer
Date: ca. 1935-1936
Location: Library Company of Philadelphia | Print Department photo - Davis [P.9332.9]

Title: Patterson & Lippincott, Poplar Street wharves Wholesale lumber dealers, Philadelphia, Pennsylvania
Description: Trade advertisement depicting the lumber yard near the Delaware River operated by William H. Lippincott and Henry C. Patterson. Office employees and stevedores, including African Americans, pose among stacks of wood planks, near the business office, and on the docked ships. In the distance, the wharves of Camden, New Jersey are visible., Title printed on mount., Date inferred from content., Printed label on mount: Patterson & Lippincott, Lumber Commission Merchants, Poplar Street Wharves, Philadelphia, U.S.A., Purchase 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Gutekunst, a prominent commercial photographer most known for his portraiture of eminent people, operated a studio in Philadelphia from 1856 until his death in 1917.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department *photo - Gutekunst [P.9767.1]

Title: American Steamship Company's Exhibit - Machinery Hall
Description: Interior view of Machinery Hall. Shows the exhibit by the American Steamship Company. Depicted is a display featuring several model ships, along with paintings and an architectural drawing of ships. Two benches are seen in front of the exhibit where viewers could sit to contemplate the display.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21b]

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