Search results

Title: [African American musicians performing on a riverboat]
Description: Scene depicting a group of four African American men singing and playing guitars while surrounded by spectators, seated on the deck of a riverboat, possibly in Tennessee. The musicians sit on a raised platform with their feet dangling. The third performer to the right plays a star shaped guitar and sings with his head tilted back and mouth wide open. He props his right foot on a stool. In the right, two African American men sit in wooden chairs. Surrounding the musicians, white men, women, and children sit and stand and look on. In the background, people walk on the deck and the smokestacks are visible., Title supplied by cataloger., Date inferred from content and attire of the sitters., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Photographs-Wood [P.8743.189]

Title: African mother on a rock
Description: Yarrima, an African mother, watches in despair as her son, Yazoo, is whisked away on the white man's boat., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 28., Caption underneath the illustration reads: "Yarrima climbed to the highest rock, and saw the white man's boat moving rapidly over the waves.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Hall, John H., engraver
Date: [1834]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2734

Title: The Africans of the slave bark "Wildfire"
Description: Engraving shows the manner in which hundreds of African slaves were crowded on the deck of the "Wildfire," an American vessel captured off the northern coast of Cuba in April 1860. According to the accompanying text, the ship had left the Congo River thirty-six days before her capture, and had roughly five hundred Africans on board. The capture of the "Wildfire" was led by Lieutenant Craven of the United States steamer Mohawk. His experience was recounted in Harper's Weekly as follows: "Soon after the bark was anchored we repaired on boad, and on passing over the side saw, on the deck of the vessel, about four hundred and fifty native Africans, in a state of entire nudity, in a sitting or squatting posture, the most of them having their knees elevated so as to from a resting place for their head and arms. They sat very close together, mostly on either side of the vessel, forward and aft, leaving a narrow open space along the line of the centre for the crew of the vessel to pass to and fro. About fifty of them were full-grown young men, and about four hundred were boys aged from ten to sixteen years. It is said by persons acquainted with the slave-trade and who saw them, that they were generally in a very good condition of health and flesh, as compared with other similar cargoes, owing to the fact that they had not been so much crowded together on board as is common in slave voyages, and had been better fed than usual." (p. 344), Illustration in Harper's Weekly, vol. IV, no. 179 (June 2, 1860), p. 344., Caption underneath the image reads: "The slave deck of the bark 'Wildfire,' brought into Key West on April 30, 1860. -- [From a Daguerrotype.]", Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [June 1860]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v IV n 179 June 2 1860 p 344, https://digital.librarycompany.org/islandora/object/Islandora%3A2651

Title: American Steamship Company's Exhibit - Machinery Hall
Description: Interior view of Machinery Hall. Shows the exhibit by the American Steamship Company. Depicted is a display featuring several model ships, along with paintings and an architectural drawing of ships. Two benches are seen in front of the exhibit where viewers could sit to contemplate the display.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.21b]

Title: Arch Street Bridge at Front Street ; Friends' Bank Meeting
Description: Book illustration containing two views of historical Philadelphia landmarks. Upper view shows the bridge constructed in the late 17th century known as the arch over Mulberry (i.e., Arch) Street to provide access between elevated sections of Front Street near the house and shop of shipbuilder Robert Turner at the Delaware River. Bridge razed circa 1721. View includes two buildings, probably the Turner dwelling; a horse-drawn cart traveling under the bridge; pedestrians; and ships on the river. Lower view shows the exterior of the meeting house built 1685 on Front Street above Arch Street. Shows a group of Quakers proceeding to the meeting house. Building razed in 1789., Published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 335., Manuscript note below each image: Different from book., Philadelphia on Stone, POS 23, Gift of James Rush.
Creator: Breton, William L., artist
Date: [1830]
Location: Library Company of Philadelphia | Print Department BW - Bridges [9245.Q.29a&b]

Title: ASSU Illustration 0875
Description: Block numbered in two places: 875., Image of many boats in a harbor in the midst of a battle; the boats in the foreground are all powered by many rowers; some of these boats have sails and some do not; several boats and a tower crowded with man figures fly a flag with three crescents (i.e. the flag of the Ottoman Empire); ships with several sails are visible in the distance; possible a crusade scene., , Provenance:, , Variant:
Date: [s.a.]
Location: ASSU Woodblocks -- Box 29

Title: ASSU Illustration 8003
Description: Block numbered in two places: 8008, also 1843 on small adhesive label on back of block., Image of boats departing for a ship offshore, while a seated man appears to be releasing a rope attached to the dock; other small boats are in the distance, and a large crowd waves from the shore. In an 1877 issue of Child's World the standing man is identified as "John Alasco [i.e., Jan Laski], the Polish Reformer," as part of the periodical's series on Reformation figures., Signed: V sc. [?], Joints not visible on sides of composite block., Illustration appears in Child's world, v. 16, no. 21, p. 1.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 19

Title: Bann[er of] the sea. National song and chorus. [graphic].
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Trimmed., Sheet music cover showing two sailors hoisting an American flag over a cannon on the deck of a ship. A third sailor watches and cheers.
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept. GC - Civil War [(2)5786.F.146b]

Title: Bought of Potts & Roberts, importers and dealers in foreign and American iron & steel and heavy hardware. Warehouse, Third & Willlow Sts
Description: Billhead containing a vignette showing sailing ships on a rough sea., Completed in manuscript to Mr. Isaac S. Steler[sic] on September 23, 1852 for "1 1/2 Eng hook [?], 2.00, $70, 1.75; 1 x 7/16 [?] Slit Roas, 2.00, $70, 1.75: $3.50. [?] Off 3, 10: $3.40., Manuscript note on recto: Recd Payment for Potts & Roberts, E. [Bertobl?]., Contains columns labeled: Bars. Bundles. Description. T. Cwr. Qr. Lbs. Price. Dollars. Cents., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Isaac Stetler worked as a cordwainer in Philadelphia in the 1850s.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Receipts [P.2011.10.143]

Title: Branding a female slave
Description: Set on the coast of Haiti, the image shows a slave-trader branding a female slave on the shoulder. The unclothed slave kneels on the sand with her hands chained behind her back. Other slaves await their turn, covering their eyes or looking away. In the lower right-hand corner, a second slave-trader sits on a barrel with a rifle resting on his knee. A slave-ship is visible in the background., Plate in John W. Cromwell's The Negro in American History: Men and Women Eminent in the Evolution of the American of African Descent (Washington, D.C.: The American Negro Academy, 1914), p. 2., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Date: [1914]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1914 Cromw 78796.O p 2, https://digital.librarycompany.org/islandora/object/Islandora%3A2671

Title: Chestnut St. Bridge, Philada
Description: Views showing the iron arch bridge built over the Schuylkill River between 1861-1866 after the designs of Strickland Kneass. Also shows a sailing ship with her masts down, a pier loaded with lumber, a reinforced ditch filled with water, and cityscape in the background. The bridge, partially funded and utilized by the Chestnut and Walnut Streets Passenger Railway Company, was demolished in 1958., Stereograph on yellow mount with square corners., Title from manuscript note on on mount., One of images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett & Smith, photographer
Date: ca. 1867
Location: Library Company of Philadelphia | Print Department stereo - Bartlett & Smith - Bridges [(8)1322.F.11e; P.2004.22]

Title: Cooper's Point, on the Delaware, New Jersey
Description: Views showing tracts of land near the Delaware River in Camden, New Jersey originally established as a ferry port by William Cooper circa 1689. Includes a marsh, the river bank, and a docked ship near piles of lumber. Also shows men posed on and in front of the ship., Attributed to John Moran., Yellow paper mounts with square corners., Title from labels pasted on mounts., Originally part of a McAllister scrapbook of views of New Jersey., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Views [5742.F.3c; 5742.F.6c]

Title: Delaware River, Philadelphia harbor
Description: Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]

Title: Delaware River, Philadelphia harbor
Description: Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]

Title: Delaware River, Philadelphia harbor
Description: Harbor scene showing steamships traveling the river. Includes a partial view of the sails of a ship in the foreground., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.11f]

Title: An east prospect of the city of Philadelphia taken by George Heap from the Jersey shore, under the direction of Nicholas Scull surveyor general of the province of Pennsylvania
Description: Anniversary reproduction of the contracted Scull & Heap panoramic cityscape view originally published by London engraver Thomas Jeffreys in 1756 showing Philadelphia from across the Delaware River. Depicts the riverfront (South to Vine streets) developed with residential and mercantile buildings, piers and wharves, and major landmarks. Landmarks (numbered in the print) include Christ Church, the State House, Presbyterian Church, Dutch Calvinist Church, the Court House, Quaker Meeting House, High Street Wharf, Mulberry, Sassafrass, Vine and Chestnut streets, the drawbridge, and "cornmill" on Windmill Island. Pedestrian traffic is visible along the riverfront and heavy maritime traffic, including a ferry transporting cattle to New Jersey, dominates the foreground. Also contains insets of "The Battery" (built 1747 at the foot of Wharton Street), "The State House," and "A Plan of the City of Philadelphia" (street grid); "A description of the situation, harbour &c of the city and port of Philadelphia" with a legend corresponding to the numbered landmarks; and text and charts explicating "Philadelphia in 1854" that expand upon the original description. The descriptions detail the topography of the city and include statistics about population (1683-1850) and exports in addition to statements about the improvement of manufacturing and industry, particularly the railroads, in the city during the 19th century., Not in Wainwright., Philadelphia on Stone, POS 198, Historical Society of Pennsylvania: Bc 864 H 4345, One of the three prints is varnished.
Creator: Sherwin, John H., b. 1834, artist
Date: [1854]
Location: Historical Society of Pennsylvania HSP Bc 864 H 4345

Title: Engravings by William Humphrys
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator: Humphrys, William, 1795-1865
Date: [ca. 1817-ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]

Title: Engravings by William Humphrys Scrapbook
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."

Title: Fairbank's rock cordials, positive cure for all lung disorders
Description: Trade card promoting Fisher and Fairbanks' patent medicine Fairbanks' Rock Cordials and depicting a racist caricature of an African American man chef in the galley of ship. Shows the man portrayed with exaggerated features and attired in a white chef's hat; a white shirt with the sleeves rolled up to his elbows; a red vest with gold buttons; a white apron; blue pants; and black shoes. He stands holding a spoon in his right hand and with his left hand holds a bowl that is filled with an unidentifiable pink food over a barrel that is being used as a table. He smiles and looks to a blond-haired white girl in the right attired in a pink hat; a black choker; a red dress; a white pinafore; white stockings with red stripes; and black shoes. She carries a doll costumed in a matching outfit and leans to look at the chef mixing. In the foreground on the floor are a pan, a pot with a bowl on top of it, and a spoon. In the background is a stove with a steaming kettle on it and a large chain. In the right, there is a barrel and next to it is a doorway through which we can see a sailor attired in a brimmed hat, a blue jacket, and pants. He stands on the side of the ship and looks through a telescope at the water., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Fairbanks [P.2017.95.62]

Title: First meeting of Uncle Tom and Eva
Description: Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts "Uncle Tom," an enslaved African American man, and Evangeline St. Claire, the white daughter of a Louisiana enslaver, meeting on the steamship that is taking him to auction. On the deck, Tom, barefoot and attired in a red shirt, blue pants, and with shackles on his wrists, sits on a crate with a Bible in his lap. He talks to an attentive Eva, with her brown hair in ringlets and attired in a pink dress and black shoes, who is seated on a bundle of goods. Three bare-chested, enslaved African American men stand in the background behind a bundle and look on., Title from item., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Strong, Thomas W., lithographer
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *GC - Fictional characters [7869.F]

Title: [Frontispiece for Histoire philosophique et politique]
Description: In the central foreground, a female slave is purchased by a European planter (left), who completes the transaction by giving a sack of coins to a slave merchant. Chained and shackled, the slave leans over and covers her face in despair. Behind her, several Europeans congregate in the tropical landscape. A vessel, presumably a slave-ship, is docked in the background., Frontispiece for Guillaume-Thomas-François Raynal's Histoire philosophique et politique des établissements & du commerce des Européens dans les deux Indes (A Maestricht: Chez Jean-Edme Dufour & Philippe Roux, imprimeurs & libraires, associés, M.DCC.LXXVII [1777])., Fels Afro-Americana Image Project, Images from the Slave Trade.
Creator: Delaunay, Nicolas, 1739-1792, engraver
Date: 1773
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1777 Ray 62416.D frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2679

Title: Fulton Ferry [Brooklyn, N.Y.]
Description: View showing pedestrians and horse-drawn vehicles traveling near the Fulton Ferry terminus in Brooklyn, New York. The bare masts of docked ships on the East River are visible in the background., Title from manuscript note on verso., Buff mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date: [ca. 1866]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Transportation [P.9022.42]

Title: Gloucester [Massachusetts] Fishing Boats
Description: Interior view of the Agricultural Building. Depicts the Gloucester, Massachusetts exhibit, featuring model ships and fishing boats displayed on a replicated sea of water. Also shown is a pier and boat house. The barriers of the main exhibit display images and information pertaining to these fishing boats.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.25d]

Title: Group of party on "Taurus" on ocean off Monmouth Beach [NJ] - Helen, Molly, Elizabeth, Ellen, Bessie & Dick Morris, Fred Baker & Father
Description: Glass negative showing Marriott C. Morris' father Elliston P. Morris, sister Elizabeth Canby Morris, second cousin once removed Elizabeth Stokes Morris, probably his third cousins Richard Jones Morris and Mary Paul Morris, and possibly his third cousin Helen Campbell Morris, as well as Fred Baker posed on the deck of a ship. Most of the group sits on chairs and Elliston Morris stands behind them under a sign that reads "Taurus." The women wear long dresses and hats while the men wear three-piece suits and hats., Photographer remarks: Undertimed., Time: 5:10, Light: Good sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: August 8, 1889
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1562]

Title: Ho! for the ironclad ship! The yard will be open for visitors on Friday & Saturday. The launch will take place at noon, Saturday, May 10th, 1862. Passengers can take the 2d & 3d Street passenger cars. Exchange tickets are sold by all connecting roads
Description: The ironclad New Ironsides was built at Philadelphia and launched May 10, 1862., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 Ho for (2)5786.F.131b (McAllister)

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13c]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim, photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim, photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]

Title: Ice scene on the Delaware, Philadelphia
Description: Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim, photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Harbors [(8)1322.F.13d]

Title: Independence
Description: Bequest of Dr. James Rush, 1869., Exhibited in Philadelphia Maritime Museum's exhibition, Thomas Birch: 1779-1851, Paintings and Drawings (1966).
Creator: Birch, Thomas, 1779-1851
Location: OBJ 302

Title: Insurrection on board a slave ship
Description: Lithograph was copied from an engraving originally published in Carl Bernhard Wadstrom's Essay on Colonization (London: Printed for the author, by Darton and Harvey, Gracechurch-Street, 1794-95). As the title suggests, the lithograph shows an insurrection aboard a slave ship. From the vantage point of a raised barricade near the ship's stern, the crew fires upon (what looks to be) hundreds of slaves crowded upon the deck. A number of slaves jump overboard. A cloud of smoke hovers over the British vessel., Illustration in William Fox's A Brief History of the Wesleyan Missions on the Western Coast of Africa (London: Printed for the author, published by Aylott and Jones, 8, Paternoster-Row: sold also by John Mason, 66, Paternoster-Row, MDCCCLI [1851]), p. 116., Fels Afro-Americana Image Project, Scenes from the Slave Trade.
Creator: Walton, W. L., lithographer
Date: [1851]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1851 Fox 12623.O p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2786

Title: [J. Hartman's biscuit bakery, No. 90 Penn Street, Philadelphia]
Description: Advertisement showing the bakery house at 90 S. Wharves, i.e., 412 S. Delaware Avenue. Signage adorning the building advertises "Crackers, Sugar & Soda Biscuit, Pilot, Ship & Navy Bread Wholesale & Retail." Employees and patrons enter and exit the building past stacks of barrels and are visible through the open entranceways and receiving windows, climbing stairs, discussing business, and inspecting barrels. In front of the business, under a large store banner, a patron and clerk converse and employees load a horse-drawn cart with provisions. At the side of the building, a driver with a horse-drawn cart is stopped in the alley to receive a barrel to be hoisted down from the third floor of the bakery. Also shows a sailor standing at the opposite street corner, and in the distance, part of a docked square-rigged ship., Title supplied by cataloguer., Date from Poulson inscription on recto: Aug. 1847. Penn Street., Wainwright suggests date of circa 1846., Philadelphia on Stone, POS 396, Wainwright retrospective conversion project, edited., Trimmed.
Creator: Rease, W. H., artist
Date: [August 1847]
Location: Library Company of Philadelphia | Print Department *W191 [P.2054]

Title: John H. Brown & Co. No. 307 Market St No. 76 Trade mark
Description: Illustrated label, probably for textiles, for the Philadelphia dry goods firm containing a vignette showing two sailing ships on the ocean. Also contains the text "Yds.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F].
Date: c1858
Location: Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.14b]

Title: John Smith Papers, 1802-1819
Description: The collection contains correspondence and documents covering the government and military careers of John Smith; they primarily related to his career as the United States marshal for the district of Pennsylvania during the War of 1812., John Smith was appointed United States Marshal for the Eastern District of Pennsylvania by Thomas Jefferson on March 28, 1801, replacing John Hall. He was reappointed by James Monroe on November 27, 1818, for a four-year term, but in January 1819 he was removed from office and replaced by Samuel D. Ingram. Smith was listed in the Philadelphia city directories as “late marshal” from 1819 to 1822, and was not listed thereafter. He married Elizabeth Turner on October 15, 1795, at St Michael and Zion Lutheran Church, Philadelphia. No date of death is known. Smith also had a long military career, serving almost continuously from 1776 until 1814, when the 1st Regiment of the Pennsylvania Cavalry, which he commanded, was disbanded., United States Marshals were public servants appointed by the President; their primary function was to provide local support for the operation of federal courts. The post involved a wide range of duties including procuring witnesses, serving subpoenas and warrants, and paying the fees and expenses of court clerks, judges, federal attorneys, and jurors. Marshals advertised seized property and oversaw its sale. In addition, until 1870, marshals conducted the federal census, and collected a variety of statistical information on behalf of the federal government., In time of war, such as the War of 1812, the marshal's duties expanded to include keeping track of enemy aliens living in the U.S., issuing passports for their domestic travel, and guarding and providing for British prisoners of war.
Creator: Smith, John, marshal
Date: 1793
Location: Library Company of Philadelphia | MSS McA MSS 026

Title: Josh educating a pig
Description: Racist periodical illustration that illustrated the James Fenimore Cooper serial "The Islets of the Gulf, or Rose Budd" in the January 1847 issue of Graham's Magazine. Depicts the scene from the story set during the Mexican-American War aboard a sailing ship when the character Josh, an older Black man cabin hand, teaches a pig "to know their place"-- not to be on the quarter-deck--with scalding water. Shows, in the right, on a ship deck, Josh, attired in a blue-checkered shirt, red vest and tie, yellow pants, and boots, standing with his legs apart, and holding a cloth in his right hand and a kettle in his left hand. He pours "scalding" water from the kettle onto a squealing pig by his feet. He is portrayed with a smile and steam rises from the back of the pig. To the left are a young Black man, attired in a brown broad-rimmed hat, shirt, pants, and boots and an older white man with a chin-beard and attired in a brown jacket, white vest, blue pants, and shoes. The younger man stands with his feet crossed and leans on the ship railing behind him. The older man is portrayed with a rotund midriff and holds his left hand in his vest pocket and his right hand on the railing on which he leans. A lantern-like object is visible in the left foreground and sailing line and a rope ladder are visible in the right background. Scene also includes a cloudy sky, the ocean, and distant sailing ships in the background. Josh and the white man character are portrayed with exaggerated features and/or manners., Title from item., Date from item., Originally published in Graham's Magazine, January 1847, aft. p. 54., Hand-coloring probably added after removal from publication., RVCDC
Date: 1847
Location: Library Company of Philadelphia | Print Department GC - Fictional Characters - J [P.2022.17]

Title: Luckenbach Lines steamship on the Delaware River, South Philadelphia, Philadelphia
Description: Aerial views of a Luckenbach Lines ship sailing and docked in the Delaware River. Piers and industrial facilities are visible along the riverfront at Delaware Avenue between Snyder and Oregon Avenues. Various types of boats and watercraft sail on the river. The Philadelphia skyline can be seen in the distance., Negative numbers: 5177, 5178, 5183.
Creator: Aero Service Corporation, photographer
Date: 1925
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.5177; P.8990.5178; P.8990.5183]

Title: Marvelous Plant - Agricultural Hall
Description: View of "Plante Merveilleuse"--Marvelous Plant--in the Agricultural Hall. Depicts a rope-like tapestry that is actually natural roots. Also shown is an ornate glass display chest, along with a table topped with glass bottles, a model ship, and cloth sacks.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.25f]

Title: Merrick & Sons iron founders, boiler makers & machinists. Washington Ave. & Fifth Street, Philadelphia Established 1836. Manufacturers of marine steam engines, light houses, sugar machinery & gas works, nasmyth & condie steam hammers. Machinery of all kinds. Aspinwall & Woolseys sugar draining centrifugals. See Agents for Rillieux Sugar Boiling Apparatus
Description: Civil war-era advertisement containing seven titled views promoting the manufactory (orginally established in 1836 as a foundry for castings) on the 400 block of Washington Avenue. Central view shows the "Front View" of the foundry. Soldiers march in front of the "Southwark Foundry" building that is adorned with signage advertising "Merrick & Sons Engineers & Machinests." An omnibus stops near the foundry to allow the passing of troops who are greeted by a small group of women. In the foreground, a six-horse team truck transports a large pipe, as behind it, a truck without a load follows. A family waits to cross the street because of the trucks. Also shows a rail truck loaded with barrels and large cylinders parked in front of the loading bay of the factory. Across the street men inspect large pipes on blocks in the left of the image. Scenes above the central view show "Steamer Keystone State at Reed St. Wharf"; a rowboat of men in the waters in front of the "U.S. Steamers Ironsides (Armored) Mississippi & Tuscaroroa off Fortress Monroe"; a man leading an 8-horse team pulling a "Bedplate for Monongahela" past a workshop., Views at the bottom of the print show the "Interior of the Boiler Shop" with laborers working around a large crane and elevated walkways as they hammer large metal forms; the "Steamer Quaker City off 'Sombrero Key.' Light House" tilting in rough waters; and the "Interior of the 'Old Foundry' " with workers at their tasks around a large crane and surrounded by machine parts. Merrick & Sons, a premier iron foundry, constructed almost all the machinery for U.S. Navy steamers during the war, as well as the New Ironsides, the first U.S. armor-clad war vessel. The firm was also the exclusive maker of the N. Rillieux patent sugar boiler apparatus and Nasmyth steam hammers., Not in Wainwright., Philadelphia on Stone, POS 477, Historical Society of Pennsylvania: Bc 35 M 551, Lower right corner missing.
Creator: Rease, W. H.
Date: [ca. 1863]
Location: Historical Society of Pennsylvania HSP Bc 35 M 551

Title: [Middle passage: instruments of restraint and torture]
Description: Engraving shows instruments of restraint and torture used during the Middle Passage. From top to bottom, it includes: iron hand-cuffs, iron shackles, a thumb press, and a speculum oris, an instrument originally used to open the mouths of lock-jaw patients. On slave-ships, it was used to force-feed slaves who refused to eat. The bottom diagram shows a cabin space that is 3 feet, 3 inches high; it shows manner in which enslaved Africans were forced to sit during the passage., Illustration in Lydia Childs's An Appeal in Favor of that Class of Americans Called Africans (New York: Published by John S. Taylor, 1836), p. 21., Opposite page includes the following text: "The engraving on the next page will help to give a vivid idea of the Elysium enjoyed by negroes, during the Middle Passage. Fig A represents the iron hand-cuffs, which fasten the slaves together by means of a little bolt with a padlock. B represents the iron shackles by which the ancle [sic] of one is made fast to the ancle [sic] of his next companion. Yet even thus secured, they do often jump into the sea, and wave their hands in triumph at the approach of death. E is a thumb-screw. The thumbs are put into two rounds [sic] holes at the top; by turning a key a bar rises from C to D by means of a screw; and the pressure becomes very painful. By turning it further, the blood is made to start; and by taking away the key, as at E, the tortured person is left in agony, without the means of helping himself, or being helped by others. This is applied in case of obstinancy, at the discretion of the captain. I, F, is a speculum oris. The dotted lines represent it when shut; the black lines when open. It opens at G,H, by a screw below with a knob at the end of it. This instrument was used by surgeons to wrench open the mouth in case of lock-jaw. It is used in slave-ships to compel the negroes to take food; because a loss to the owners would follow their persevering attempts to die. K represents the manner of stowing slaves in a slave-ship.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Chi S49622.D p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2746

Title: Monitor Terror
Description: View showing the turret of the USS Terror, originally named the USS Agmenticus. Laid down in Portsmouth Navy Yard in Maine in 1862, launched in 1863, commissioned in 1864 at Portsmouth under the command of C. H. Cushman, decommissioned at the Boston Navy Yard in 1865, the monitor's name was changed to "Terror" in 1869. After being recommissioned in 1870, Terror came to the Philadelphia Navy Yard in 1872. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Title printed on verso in publisher's series list with fifty-three other titles (No. 1-54)., Publisher's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department stereo - H. Ropes & Co. - Military [P.9099.3]

Title: Monitor Terror, Philadelphia
Description: View showing the turret of the USS Terror, originally named the USS Agmenticus. Laid down in Portsmouth Navy Yard in Maine in 1862, launched in 1863, commissioned in 1864 at Portsmouth under the command of C. H. Cushman, decommissioned at the Boston Navy Yard in 1865, the monitor's name was changed to "Terror" in 1869. After being recommissioned in 1870, Terror came to the Philadelphia Navy Yard in 1872. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Title on negative., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Military [P.9099.5]

Title: [The Morro Castle (ship) beached near shore at Asbury Park, New Jersey]
Description: Depicts a large crowd of people gathered near the beached SS Morro Castle on the coast of the Atlantic Ocean in Asbury Park, New Jersey. People inspect the right flank of the burned and abandoned ship facing the land., The SS Morro Castle was a cruise ship built in 1929 for the New York and Cuba Mail Steamship Company, also known as the Ward Line, to operate between New York City and Havana, Cuba. On September 8, 1934, the ship caught fire on its way to New York and beached at Asbury Park, New Jersey., Gift of Emily Riese., Retrospective conversion record: original entry, edited.
Creator: Davis, Eugene H., photographer
Date: ca. 1935-1936
Location: Library Company of Philadelphia | Print Department photo - Davis [P.9332.8]

Title: [The Morro Castle (ship), near Asbury Park Convention Hall, New Jersey]
Description: Depicts the SS Morro Castle in the Atlantic Ocean near the piers of the Convention Hall in Asbury Park, New Jersey. A barge rides beside the once-luxurious cruise ship, possibly towing it away from the coast to be dismantled., The SS Morro Castle was a cruise ship built in 1929 for the New York and Cuba Mail Steamship Company, also known as the Ward Line, to operate between New York City and Havana, Cuba. On September 8, 1934, the ship caught fire on its way to New York and beached at Asbury Park, New Jersey., The Asbury Park Convention Hall was constructed ca. 1923 after designs by the New York architectural firm Warren and Wetmore., Gift of Emily Riese., Retrospective conversion record: original entry, edited.
Creator: Davis, Eugene H., photographer
Date: ca. 1935-1936
Location: Library Company of Philadelphia | Print Department photo - Davis [P.9332.9]

Title: N. & G. Taylor Co., importers of tin plate, metals, sheet iron &c Established 1810
Description: Receipt for the metal house containing a vignette view of a sailing ship on torrent waters. Also contains an anaglyptographic background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Leonhardt relocated his establishment to 114 South Third Street in 1868.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.133b]

Title: [Naval Parade on the Delaware River during the Peace Jubilee]
Description: Photographs of ten views of the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The ships depicted are the Tug Philadelphia; Japanese cruiser Kasagi; Texas; Topeka; Columbia; Mayflower; Marblehead; New Orleans; Gloucester; and the Transports Panther and Olivette. The Japanese cruiser Kasagi is depicted with two engine stacks, lines of nautical and national flags, and Japanese flags flying on the masts. Crew men are visible walking and standing on the deck and on the staircase on the side of the ship. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date from manuscript note on verso., Gift of Ann L. Wood.
Creator: Butler, Walter L., photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department albums [P.2016.32.13-22]

Title: The nigger emperor of Nicuragua [sic] on his throne Attended by Chatfield & his Black guards witnessing the detention of the steamer Prometheus, by the English brig of war Express, at San Juan
Description: Racist political cartoon satirizing the fictitious "Nigger Emperor" of Nicaragua during the "Prometheus-Express" incident of November 1851, which threatened the Clayton-Bulwer Treaty of 1850 between the United States and Britain to abstain from attempting dominion of Central America. Depicts the Emperor as a Black man, partially undressed, attired in a military uniform with epaulettes, a black plumed hat, a sword on his waistband, and black boots. He sits atop a barrel labeled “Jamaica Rum.” He has one boot off that exposes his sock. His trousers are off and draped over his right arm. He smiles with a cigar in his mouth and carries a bottle labeled “Brandy” in his left hand. He looks towards Frederick Chatfield, the United Kingdom’s consul in Central America from 1834 to 1852, standing in the right. Chatfield holds his hands up and says, “They shall pay the money or be blow to attoms for their temerity, let me again entreat your Majesty to condesend (sic) to draw your breeches over your imperial shins.” The Emperor gestures with his right hand to the two ships in the harbor and replies in the vernacular, “Nebber mine, Massa Chatfield, wedder to warm for wear beechum, Yankee hab to cum back and pay money to dis nigger, ya, ya, ya.” Behind the Emperor, several Black guards, attired in tall hats, smile and stand in formation. Also in the print is a small black dog sniffing the Emperor’s sock., The Clayton-Bulwer Treaty of 1850 made Greytown, Nicaragua a free port, denying the British revenue. To circumvent this, the British charged harbor fees. On November 21, 1851, Cornelius Vanderbilt’s ship Prometheus refused to pay the British harbor fees. The British brig o’war Express fired three shots across the bow of the Prometheus. Vanderbilt then paid. However, when the ship arrived in New York he took his case to the U.S. government with the U.S. wanting Britain to withdraw from Central America. In early 1852, the Nicaraguan government sought to assert its authority over the Miskito kingdom. On April 30, 1852, Secretary of State Daniel Webster and British minister John Crampton negotiated a settlement that made Greytown a free city, protected the rights of the Miskito Indians, and established the border between Costa Rica and Nicaragua along the San Juan River., Title from item., Erroneously dated 1839 by Weitenkampf., Appears in The old soldier, New York, February, 1852., Likely drawn by John L. Magee, who worked at 69 Nassau Street at this time., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Magee, John L., artist
Date: [1852]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1851-28 [5760.F.107]

Title: Patterson & Lippincott, Poplar Street wharves Wholesale lumber dealers, Philadelphia, Pennsylvania
Description: Trade advertisement depicting the lumber yard near the Delaware River operated by William H. Lippincott and Henry C. Patterson. Office employees and stevedores, including African Americans, pose among stacks of wood planks, near the business office, and on the docked ships. In the distance, the wharves of Camden, New Jersey are visible., Title printed on mount., Date inferred from content., Printed label on mount: Patterson & Lippincott, Lumber Commission Merchants, Poplar Street Wharves, Philadelphia, U.S.A., Purchase 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Gutekunst, a prominent commercial photographer most known for his portraiture of eminent people, operated a studio in Philadelphia from 1856 until his death in 1917.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department *photo - Gutekunst [P.9767.1]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.277]

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