In A treatise on the alterative [sic] and curative virtues of Swaim’s panacea (Philadelphia, 1833), plate facing p. 94., “Page 94”., According to the accompanying article, Elizabeth Soby was relieved of the pain she suffered from the ulcer on her face by using Swaim’s panacea., Charles Joseph Hullmandel was a London lithographer., Another portrait of Elizabeth Soby appears in Swaim’s panacea (Philadelphia, 1848), p. [19]., Three-quarter length portrait of a woman with a disfiguring scar on the right side of her face.
In A treatise on the alterative [sic] and curative virtues of Swaim’s panacea (Philadelphia, 1833), plate facing p. 95., “Page 94”., According to the accompanying article, Mrs. Tregomaine was relieved of the pain she suffered from ulcers on various parts of her body by using Swaim’s panacea., Charles Joseph Hullmandel was a London lithographer., Another portrait of Mrs. Tregomaine appears in Swaim’s panacea (Philadelphia, 1848), p. [22]., Recumbent portrait of a woman with scars on her face and hands, leaning against pillows.
In A treatise on the alterative [sic] and curative virtues of Swaim’s panacea (Philadelphia, 1833), plate facing p. 54 of the appendix., “Page 54. Appendix”., According to the accompanying article, Mrs. Dorothy Parker was relieved of the pain she suffered from rheumatism, abscesses, and ulcers on her legs by using Swaim’s panacea., Charles Joseph Hullmandel was a London lithographer., Another portrait of Mrs. Dorothy Parker appears in Swaim’s panacea (Philadelphia, 1848), p. [26]., Full-length portrait of a woman with scars on her legs, sitting up in bed.
In Cases of cures performed by the use of Swaim’s panacea (Philadelphia, 1829), frontispiece., “One of the most extraordinary cures ever recorded in the annals of medicine”., “See p. 25”., According to the accompanying article, Nancy Linton was cured of scrofula by using Swaim’s panacea., Another portrait of Nancy Linton appears in A treatise on Swaim's panacea (Philadelphia, 1829), frontispiece., Another portrait of Nancy Linton (as Ana Linton) appears in Coleccion de casos, en ilustracion de las propiedades restaurativas i sanativas de la panacea de Swaim, en varias enfermedades (Filadelfia, 1831), frontispiece., Another portrait of Nancy Linton appears in A treatise on the alterative and curative virtues of Swaim's panacea (Philadelphia, 1833), p. 86., Another portrait of Nancy Linton appears in Swaim’s panacea (Philadelphia, 1848), p. [10]., The Philadelphia Museum of Art owns a hand-colored lithograph with minor differences in composition. ("Drawn on stone by W.H. Kearney, printed by C. Hullmandel.") See Library Company of Philadelphia, Every man his own doctor (1998), p. 29., Full-length portrait of a woman with scars on her face, arms, and legs, seated with her right arm resting on a table next to a bottle labeled “Swaim’s”.
