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- Title
- Young Africa Or the bone of contention
- Description
- Bust-length portrait of an African American toddler, attired in a plaid top, as a representation of slavery and the cause of the Civil War., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1862, by E. Anthony, in the Clerk's Office of the District Court of the U.S. for the So. District of New-York., Publisher's imprint printed on verso. Includes image of publisher's building facade engraved by Snyder, Black & Sturn N.Y., Distributor's label pasted on verso: McAllister & Brother 728 Chestnut Street Philadelphia., Gift of David Long., Duplicate of carte-de-visite in a McAllister Scrapbook., See related carte de visite "Young Africa" (cdv - Misc. - Civil War Caricatures (5780.F.52e)], Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1862
- Location
- Library Company of Philadelphia | Print Department cdv - photographer - Anthony [P.2002.5]
- Title
- John Brown. Leader of the Harper's Ferry insurrection
- Description
- Full-length portrait depicting the radical abolitionist with a beard and attired in a white collared shirt, a black waistcoat, a black jacket, and pants. He sits in a chair beside a small table and holds an edition of the "New York Tribune," an abolitionist newspaper, in his right hand. Also shows a map of "Kanzas" adorning the wall in the background to symbolize the controversial extension of slavery., Title from item., Date inferred from content., The Kellogg Firm, brothers Edmund Burke and Elijah Chapman, was a prolific New England lithographic firm that nearly rivaled Currier & Ives in the production of popular prints., Reaccessioned as P.8911.60., Purchase 1969., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- E.B. & E.C. Kellogg (Firm)
- Date
- [ca. 1859]
- Location
- Library Company of Philadelphia | Print Department *Portrait Prints-B [7809.F]
- Title
- [Rise and progress of abolition ; Instruments of bondage and torture]
- Description
- Abolitionist book illustration depicting a diagram of the author's "four classes of the forerunners and adjunctors" in the history of the abolition of the Transatlantic slave trade containing the names, religious and social groups, and events significant in the movement before 1787., Abolitionist book illustration depicting instruments used in the Transatlantic slave trade including handcuffs, ankle shackles, thumb screws, and a speculum orise which was used to force feed enslaved people., Title supplied by cataloger., Uncut plates from Thomas Clarkson's, The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade, by the British Parliament. Vol. I (Philadelphia: James P. Parke, 1808). (LCP Am 1808 Clar, 1934.D)., Originally part of a McAllister scrapbook of Civil War portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Kneass, William, 1780-1840, engraver
- Date
- 1808
- Location
- Library Company of Philadelphia | Print Department *GC - Slavery [5755.F.17]
- Title
- The song of the "contrabands" "O let my people go" words and music obtained through the Rev. L.C. Lockwood, chaplain of the Contrabands at Fortress Munroe
- Description
- For voice, 4-part chorus and piano., Possibly the first edition of Go down, Moses. Cf. Fuld, Book of World famous music, p. 247., First line of text (O! Let my people go): The Lord by Moses to Pharoah said., First line of chorus (O! Let my people go): O! go down Moses, Away down to Egypt's land., First line of text (The Lord doth now to this nation speak): The Lord doth now to this nation speak., First line of chorus (The Lord doth now to this nation speak): Haste freemen, 'till the sea you've crossed., Verses 2-11 for "O! Let my people go" on p. 5; verses 3-12 for "The Lord doth now to this nation speak" on p. 7., Publisher's advertisement on last page., Includes "The Lord doth not to this nation speak : parody on 'The songs of the contrabands.'" is on p. 6-7., Engraved by Stackpole., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- c1861
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Song 7594.F.12a-b
- Title
- Song of the Negro boatmen at Port Royal, 1861
- Description
- Lyrics based on poem "Song of the Negro boatmen" by John Greenleaf Whittier., "A. A. Cowdery, printer, no. 154 South Clark Street, Chicago."--p. [1] at end., Publisher's advertisement on p. [1] at end., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Merrill, Hiram T., cmp
- Date
- c1862
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Song 9558.F (Beitler)
- Title
- The works of John Woolman In two parts
- Description
- Signatures: A-2E⁸ 2F²., "A journal of the life, Gospel labours, and Christian experiences of that faithful minister of Jesus Christ, John Woolman, late of Mount-Holly, in the province of New-Jersey."--[2], 250 p., has separate title page., "The works of John Woolman. Part the second. Containing his last epistle and other writings."--p. [251]-436, has separate title page, and includes: Some considerations on the keeping of negroes., Library Company copy 1118.O in original sheepskin binding; armorial bookplate: Levi Hollingsworth., Library Company copy 112571.O in original sheepskin binding; inscribed: Sarah Hopkins [and] B. Hopkins 1826; from the McNeil Americana Collection., Readex August 2013 update: This record replaces control number 000035738.
- Creator
- Woolman, John, 1720-1772
- Date
- [M.DCC.LXXIV. [1774]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1774 Woolm 1118.O (Maier), Library Company of Philadelphia | Books & Other Texts | Rare Am 1774 Woolm 112571.O (McNeil)
- Title
- [Trio gem lantern slide of scenes from Uncle Tom's Cabin]
- Description
- Lantern slide with three sequential scenes from Harriet Beecher Stowe’s "Uncle Tom’s Cabin." Depicts scenes from chapters 26, 40, and 41. Chapter 26 image shows the deathbed scene of Eva St. Clair. Shows Eva in bed, seated up, holding a bouquet of flowers in her lap, and surrounded by people. Eva's parents Mr. and Mrs. St. Clare sit on either side of the bed and Miss Ophelia kneels and cries behind Mr. St. Clare. Mrs. St. Clare holds a fan, has a handkerchief in her lap, and looks toward Eva. Mr. St. Claire, rests his head in one hand, and has his other hand on the bed. In front of Eva, the enslaved men and women of the household, including Tom, kneel, stand, pray, hold handkerchiefs, and cry. The setting also includes a window with open drapes, a curtain behind Eva's bed, and a side table adorned with a vase of flowers. Chapter 40 scene represents the beating of Tom by his enslaver Simon Legree following the escape of the enslaved Cassy and Emmeline. Shows Tom, with grey hair, a grey beard, and barefooted, lying on a pile of cotton on the floor of a shed. Legree stands over him with one hand clenched in a fist toward his chest and the other clenched by his side as he raises up one of his feet. Chapter 41 scene shows an adult George Shelby visiting with the beaten and dying Tom after locating him in order to see if he "couldn't buy him back." Shows Tom lying on a pile of cotton near the opening to a shed. An open book lies near him by his hand. Shelby leans over Tom and holds his hand. In the background, outside of the opening, Legree stands, with his hands in his pant pockets and watching the men., Title supplied by cataloger., Date inferred from format., Printed on cover glass: Gem Slide. Gem Slide., Contains ornamental pictorial details in the corners of the cover glass., Contains label with series number: 107., Gift of David Doret., RVCDC
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Photographs [P.2020.39.9]
- Title
- This popular place of amusement will open for six nights only on Saturday evening, June 11th, 1864, for the purpose of producing the celebrated moral drama of Uncle Tom's cabin! with an excellent comp'y of first-class artists The drama will be produced with every attention to perfectness of detail and scenic requirements. We invite the attention of heads of families, wives and mothers, maidens and children, and the public generally to this announcement, assuring them that in return for the patronage we solicit, we will present an entertainment of the most pleasing and unexceptional character. ... Admission. Parquet 25 cents Tickets, admitting a gentleman and two ladies, 60 cents. Boxes, for colored persons 25c Gallery 15c Front seats reserved for ladies and children. Grand matinee, for families on Wednesday afternoon!
- Description
- Performers include: G.H. Andrews, Mr. Archer, Mr. Arnold, Mr. Banks, Mr. Chipp, Anna Davenport, Lizzie Davenport, P.A. Fitzgerald, Mr. Hays, Mr. James, Billy Rose, Mr. Sullivan, Miss Warner, Mr. Watson, Anna Weaver, and Maria Wells., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Theatre and Music Hall (Wilmington, Del.)
- Date
- [1864]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare PB Wilm Theatre 1864 (26)5761.F.36a (McAllister)
- Title
- Robert Small, pilot of the steamer Planter, Charleston, S.C
- Description
- Bust-length portrait of the formerly enslaved and later South Carolina congressman who commandeered and harbored fifteen enslaved people on the Confederate steamer, "Planter," consequently escaping to freedom across the Charleston Bay in May 1862. Smalls, a "Planter" crew member who impersonated the Confederate Captain, surrendered the vessel to a flotilla of the Union Blockade after navigating passed several Confederate fortifications. The nationally publicized escape sparked a military campaign to recruit African American volunteers in South Carolina. Small, attired in a white shirt and a dark-colored jacket, looks at the viewer., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1862, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania by McAllister & Brother, 728 Chestnut Street, Philadelphia., See account of escape with illustrations in Harper's Weekly, June 14, 1862, p. 372. (LCP **Per H, 1863)., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1862
- Location
- Library Company of Philadelphia | Print Department cdv portraits -sitter-Small [(3)5750.F.44b]
- Title
- First meeting of Uncle Tom and Eva
- Description
- Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts "Uncle Tom," an enslaved African American man, and Evangeline St. Claire, the white daughter of a Louisiana enslaver, meeting on the steamship that is taking him to auction. On the deck, Tom, barefoot and attired in a red shirt, blue pants, and with shackles on his wrists, sits on a crate with a Bible in his lap. He talks to an attentive Eva, with her brown hair in ringlets and attired in a pink dress and black shoes, who is seated on a bundle of goods. Three bare-chested, enslaved African American men stand in the background behind a bundle and look on., Title from item., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Strong, Thomas W., lithographer
- Date
- [ca. 1853]
- Location
- Library Company of Philadelphia | Print Department *GC - Fictional characters [7869.F]
- Title
- Uncle Tom and Little Eva
- Description
- Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts Little Eva, the "angelic" young, white daughter of a Louisiana enslaver informing "Uncle Tom," the African American man enslaved by her father, of her impending death. Eva, with her blonde hair in ringlets and attired in a white dress, white stockings, and black shoes, points to heaven with her right hand and to the Bible in her lap with her left. She sits next to a barefooted, slightly hunched over Tom, attired in a red shirt with an open neck and blue pants, on a grassy mound in the woods. Also includes a cabin visible in the left background., Title from item., The Kellogg's firm, brothers Edmund Burke and Elijah Chapman, was a prolific New England lithographic firm that nearly rivaled Currier & Ives in the production of popular prints., Reaccessioned as P.9179.10., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1853]
- Location
- Library Company of Philadelphia | Print Department *GC-Fictional Characters [7807.F]
- Title
- The Declaration of Independence illustrated
- Description
- Cartoon evoking the Declaration of Independence to promote the emancipation from enslavement. Depicts rays of light representing God above a soaring American eagle that clutches olive and oak branches and two American flags labelled "All Men are Created Equal" and "Stand by the Declaration." Suspended from the flags is a large basket in which an African American man and a white man are seated. The African American man drops his broken shackles out of the basket as the abolitionist proclaims "Break Every Yoke; Let the Oppressed Go Free" to a large crowd of men, women, and children cheering below. Among the crowd is a white man Union soldier; a white newsboy selling the "Herald," an abolition newspaper; and a free African American man. Verses of text appear atop the rays of light and beside the basket espousing the religious, moral, and historical justifications for emancipation., Title from item., Date from copyright statement., Purchase 1968., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Dominique C. Fabronius was a respected Belgian born lithographer, watercolorist, and portraitist who worked in Philadelphia, Boston, and New York.
- Creator
- Fabronius, Dominique, artist
- Date
- 1861
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1861-41 [7700.F]
- Title
- John Bull makes a discovery
- Description
- Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- [1861]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]
- Title
- Véritable extrait de viande Liebig La case de l'oncle
- Description
- Series of six captioned (in French) trade cards containing scenes from Harriet Beecher Stowe’s "Uncle Tom’s Cabin" to promote Liebig Extract of Meat. Cards depict scenes from chapters 4, 7, 12, 14, 17, and 41. Translated captions include: Aunt Chloe preparing corn cakes; Crossing the Ohio on floating ice, Elisa[sic] escapes from Haley; The fight against slave traders; The slave market; On the verge of drowning, Eva is saved by Tom; and the death of Tom. Scenes show enslaved African American woman “Aunt Chloe” at her brick stove, surrounded by three enslaved African American boys as the white adolescent son of her owner, George Shelby, teaches enslaved African American man and her husband "Uncle Tom" to write; enslaved African American woman Eliza Harris escaping white slave trader Mr. Haley with her son Harry in her arms as she runs across patches of ice on the Ohio River; Eliza Harris’s multi-racial husband George Harris shooting white mercenary Tom Loker in a chasm after departing his and his family’s shelter within a Quaker settlement and for Canada; the market of enslaved people attended by Haley following Eliza’s escape where a young enslaved African American boy stands for sale near a white man mercenary and an enslaved African American woman who reaches out for him; Tom swimming toward the flailing, young white girl Eva St. Clare, i.e. Little Eva, in the water near a dock and a steamboat lined with spectators watching the event; and an adult George Shelby visiting with a dying Tom who rests against a bundle amongst crates and straw within a shed after being beaten at the request of his white enslaver Simon Legree., Most of the African American figures are not caricatured in features or attire. Eliza and George Harris figures are depicted with fair complexions. Also depicts Tom as unbeaten in his "deathbed" scene. Von Liebig, a German-born chemist, who developed a manufacturing process for meat extract in 1840, established the Liebig Extract of Meat Company in 1865. The extract was marketed as an alternative to meat., Series title from items., Cards numbered No. 1 - No. 6., Printed lower right corners: Voir L'Explication au verso., Advertising text and explanation of the depicted scenes and their context printed in French on versos. Includes statement about the cards being distributed gratuitously with the purchase of Liebig extract., Majority of the cards contain a vignette depicting a jar of Liebig extract in the lower right corner. No. 1 contains the vignette in the upper left corner. No. 2 contains the vignette in the lower left corner, Date inferred from circa date of other trade card series issued by Liebig Company., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
- Date
- [ca. 1904]
- Location
- Library Company of Philadelphia | Print Department trade cards - Liebig [P.2018.49.4a-f]
- Title
- A new way of passing a bad Nebraska bill
- Description
- Antislavery cartoon criticizing the abuse of political power by President Franklin Pierce, his cabinet, and Stephen Douglas in their attempt to force the ratification of the Kansas-Nebraska Bill of 1854. Depicts antislavery Senator Thomas Hart Benton, holding the Missouri Compromise of 1820, which prohibited the extension of slavery into the Western Territories, arguing against slavery in Nebraska. Pierce, who holds the Nebraska Bill, threatens that any political opposition to the bill shall be severely punished. Douglas, with the President's cabinet, sits at a table behind Pierce and observes that acquiescence to "Southern Institutions" will get him the Presidency next term. Members of the cabinet comment upon Nebraska's suitability for slavery. A white man enslaver reviewing a paper labeled "Auction: sale of slaves" comments that if a man cannot make enough money by "selling young Niggers" than he must be greedy., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sinclair was a Philadelphia lithographer who received awards from the Franklin Institute for his work.
- Creator
- Sinclair, Thomas S., approximately 1805-1881, lithographer
- Date
- [1854]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1854 - New [5760.F.86]
- Title
- Southern chivalry - argument versus club's
- Description
- Cartoon critically addressing the Brooks-Sumner Affair in which Southern Congressman Preston S. Brooks caned antislavery Senator Charles Sumner in the Senate on May 26, 1856. Brook's "chivalrous" attack on Sumner was a reprisal for Sumner's two-day speech, "The Crime against Kansas," which attacked the violence occurring in Kansas over the issue of slavery; the South; and Brook's uncle, Andrew Butler. Depicts Sumner, head bloodied, quill in his raised hand and clutching a paper symbolically inscribed "Kansas.," He is held to the ground by Butler whose face is obscured by his raised arm and hand that holds his cane above his head. Butler is posed in mid-strike. Members of Congress observe in the background, some laughing, some scowling, with one member raising his hands in surrender from another who has his fist and cane raised., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a Philadelphia lithographer who established his own lithographic firm in Philadelphia in 1850.
- Creator
- Magee, John L., artist
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-3W [5760.F.105]
- Title
- A proslavery incantation scene or Shakespeare improved
- Description
- Antislavery print using an allegory of the cauldron scene from Macbeth to depict James Buchanan and the Democrats' contempt for the freesoilers following the Kansas-Nebraska Act of 1854. Depicts Buchanan, Stephen Douglas, and several animated Democrats, speaking in Shakespearian rhyme, gathered around a boiling cauldron labeled, "Double double, Free State trouble, Till Fremont men are straw & stubble." In the foreground, a white man kneels and blows on the fire, with a pistol labeled "Laws of Kansas" in his back pocket. The fire is fueled with anti-slavery literature, including "Beecher Sermons," "N.Y. Tribune," "Quincy’s Letters," "N.Y. Post," and "Boston Atlas." Buchanan, standing on a platform, states he endorses the laws of Kansas now in force and holds a paper labeled "Ostend Conference," (an attempt by the United States to negate an agreement with France and Great Britain to not annex enslaved-holding Cuba), over the cauldron. Beside him Douglas, holding a whip and shackles, calls for the blood of freemen and revels in the woe caused by his Kansas-Nebraska bill. Shackles, including one marked “Chattel Stock,” also rest at his feet. Many of the Democrats gathered around the kettle are depicted as pro-slavery, white men Southerners and refer favorably to Preston Brook's caning of Charles Sumner while others call out items to be thrown into the pot, such as "fillet of a Free Soil Frog" and the "Ostend conference plot.", Title from item., Date of publication supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-5W [5760.F.91]
- Title
- Col. Fremont's last grand exploring expedition in 1856
- Description
- Cartoon ridiculing the antislavery convictions of John C. Frémont, the 1856 Republican presidential candidate and former explorer, and his abolitionist supporters during the Kansas-Nebraska crisis. Depicts Frémont's fictional expedition through the hills of "Kansas-Nebraska" atop New York Tribune editor Horace Greeley portrayed as the "Abolition Nag." Frémont states the road is hard astride the "Old Hack," but if he gets to the White House safely he will forgive his friends who put him there. Pulling Greeley by a rope is New York Republican William Seward who heads to the "Salt River" (i.e., political doom) in "Bleeding Kansas." Greeley admits to going the "same road as '52" but will follow Seward's lead. A gun-laden Henry Ward Beecher, the abolitionist minister, pledges to furnish rifles to antislavery Kansas settlers. A white frontiersman comments that the abolition horse's death is more beneficial to the Constitution than is an antislavery Republican president in the White House., Title from item., Date inferred from content., Probably drawn by John Cameron., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-20 [5760.F.101]
- Title
- American sympathy and Irish blackguardism
- Description
- Cartoon depicting conflicting responses to the condemnation of slavery in the U.S. by Daniel O'Connell, an Irish abolitionist and leader of the movement for Irish independence (i.e. Irish Repeal Movement). Depicts O'Connell confronting President John Tyler as his son, Robert, an Irish repeal advocate introduces him. O'Connell, attired as an Irish thug, holds a club labeled "Agitation" and a bag labeled "Repale Rint." He condemns John Tyler for being an enslaver, "Arrah! give up your slaves I'd rather shake hands with a pick-pocket than wid a slaveholder, and if we get our repale we'll set em all free..." President Tyler, who was passively against slavery, greets O'Connell stating his support of repeal. Robert Tyler, dressed effeminately, and with "Ahasuerus" and the "Epitaph on Robert Emmett" (an earlier Irish patriot), the poems he authored in his pocket, confirms his father's support of repeal and proposes that the sale of his work could benefit the Irish cause. William Lloyd Garrison, who is to the right of O'Connell, states his support for O'Connell but not Irish repeal. An African American man, portrayed in racist caricature and speaking in the vernacular, overlooks the scene and says, "By jolly I wish Massa Harry Clay was here -- Dis dam low Irishman not dare talk to him dat way!", Title from item., Entered according to an act of Congress in the year 1843 by H.R.R. Robinson in the Clerk's Office in the District court for the Sc District of N.Y., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver.
- Creator
- Clay, Edward Williams, 1799-1857, artist
- Date
- 1843
- Location
- Library Company of Philadelphia | Print Department Political cartoons - 1843-2 [6258.F]
- Title
- The little giant - in the character of the gladiator
- Description
- Cartoon portraying Stephen Douglas as a gladiator to symbolize his split with the Buchanan Administration on the admission of Kansas to the Union as an enslaving state. Depicts Douglas, attired in a tunic, armor, and sandals, defiantly holding his shield of "Popular Sovereignty, The Majority Rule" and sword labeled "Freedom of the Elective Franchise" in the center of a battle arena. He prepares to use his armament to fight against the admission of Kansas under the pro-slavery Lecompton Constitution, which was fraudulently ratified because of the barring and abstention of free-state voters. To the left of Douglas, President Buchanan, attired as a gladiator, fends off Robert J. Walker, the Kansas Territory Governor and an advocate of popular sovereignty. In the right, a gladiator representing the power of the "Free Press" trounces the gladiator representing the "Washington Union," the Administration's organ. On the ground lies the Roman standard with an eagle, which reads “S.P.Q.R. Salaries Paid Quite Regular.” The arena is filled with white men and women spectators with various facial expressions of cheer, anger, and shock., Title from item., Publication date supplied by Weitenkampf., Manuscript note written on recto: Douglas-Lecompton question., Purchase 1958., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1858]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1858-1w [6268.F]
- Title
- Lecompton funeral
- Description
- Cartoon satirizing Colonel Thomas B. Florence, the only successful Philadelphia Democrat in the Congressional race of 1858 despite his support of the recently defeated pro-slavery Lecompton Constitution advocated by President Buchanan ("Prince James"). Depicts Florence, with the head of a donkey, leading a funeral procession for the "dead" constitution. The procession is composed of: white men shipworkers of the "Two Sloops," which rescued Florence from the "wreck of Lecompton" (an allusion to the decisive electoral support provided by the Philadelphia Navy Yard workers actively supported by Florence's committee work); four, white men pallbearers carrying the "remains of Lecompton" in a coffin resembling an outhouse and inscribed with the names of the unsuccessful Democratic Congressional nominees, "Phillips," "Landy," "Jones" ; and two semi-human figures bearing the flag "discharged ship carpenters.", Title from item., Publication date supplied by manuscript note in Poulson's Scrapbook, Vol. 1, p. 29., Text printed on recto: Democratic committee bearing the remains of Lecompton to Prince James, marshaled by the only remaining representative, Col. T.B. Florence, who was rescued from the wreck by the untiring exertions of the workmen upon the TWO SLOOPS., Originally part of a McAllister scrapbook of Pennsylvania views and political miscellany. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [October 1858]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1858-2W [5759.F]
- Title
- John Brown exhibiting his hangman
- Description
- Cartoon depicting the imaginary execution of former Confederate President Jefferson Davis with the ghost of John Brown as his executioner. Jefferson, holding a sour apple and attired in a women's dress and bonnet, swings imprisoned in a birdcage which hangs from a gallows. To the left of the cage Brown rises from a hole in the earth and points accusingly at Davis. In actuality Davis had no direct involvement with Brown's execution. Beneath the cage, African American men and women minstrel figures, portrayed in racist caricature, rejoice, dance, clap, and thumb their noses at Davis., Title from item., Date from copyright statement: Entered according to act of Congress in 1865 by G. Querner in the Clerk's Office of the Sup. Court D.C., Originally part of a McAllister scrapbook related to Jefferson Davis and the Confederacy. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1865
- Location
- Library Company of Philadelphia | Print Department Political Cartoon - 1865-16R [5795.F.b]
- Title
- The national game. Three "outs" and one "run" Abraham winning the ball
- Description
- Cartoon influenced by the 1860 presidential candidates' position on the extension of slavery and comparing the results of the 1860 presidential election with a completed baseball game. In the right, Lincoln, the winner who represents the "Wide Awake Club," stands on “Home Base” and holds a rail-shaped bat labeled, "Equal Rights and Free Territory." He speaks in baseball terms to his competitors and declares "a good bat and strike a fair ball to make a clean score & home run." In the left is Constitutional Unionist John Bell of the "Union Club" with his "Fusion" bat who cries “foul.” Northern Democrat Stephen Douglas of the "Little Giant Club" with his "Non-Intervention" bat says, “I thought our fusion would be a short stop to his career.” Southern Democrat John C. Breckenridge of the "Disunion Club" carries his "Slavery Extension" bat and holds his nose with his left hand as he states that he “better leave for Kentucky…we are completely ‘skunk’d.’” In the center, a skunk lifts its tail and sprays., Probably drawn by Louis Maurer., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860, by Currier & Ives, in the Clerk’s Office of the District Court for the Southern Distt of N.Y., Purchase 1967., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- c1860
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1860-42 [7612.F]
- Title
- Perilous escape of Eliza and child
- Description
- Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts the character Eliza, an African American woman freedom seeker, escaping from Kentucky to Ohio across the icy Ohio River. Eliza, depicted barefoot and with a light skin tone, clutches her son Harry to her breast and straddles two blocks of ice as she looks behind her at the irate white man enslaver on the shore near the tavern from which she has fled., Title from item., Purchase 1997., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Stong was a prolific New York mid 19th-century lithographer, wood engraver, and publisher who mainly published stock prints.
- Creator
- Strong, Thomas W., lithographer
- Date
- [ca. 1853]
- Location
- Library Company of Philadelphia | Print Department *GC - Fictional Characters [P.9524.2]
- Title
- Journey of a slave from plantation to the battlefield
- Description
- Collection of twelve titled album (carte-de-visite size) cards depicting the evolution of the life of an African American man from enslavement to a Union soldier. "In the Cotton field" and "The Christmas Week" show his life on the plantation from which he is sold and separated from his family in "The Sale" and "The Parting: 'Buy us too'." His new enslaver whips him in "The Lash," for which he then retaliates in "Blow for Blow." He hides "In the Swamp" and is finally "Free!" to become a Union soldier and "Stand up a Man" to fight in the battlefield to "Make Way for Liberty!" He is struck down in "Victory!" for Liberty, depicted as a white woman, who states as she mourns over his body, "He Died for Me!", Title from series title., Publication information inferred from copyright statement: Entered according to the act of the year 1863 by William A. Stephens in the Clerks' Office of the Dist. Court of the U.S. for the E. Dist. of Pa., Attributed to James Fuller Queen after Henry Louis Stephens., Henry Louis Stephens was a native Philadelphia caricaturist, book, and magazine illustrator who worked in New York in the mid-19th century for the periodical "Frank Leslie's." His brother William Allen Stephens served as his business manager., Described in Gathering history: The Marian S. Carson Collection of Americana. (Washington, DC: Library of Congress, 1999), p. 26., Original wrapper for the card set held in the collections of the Library of Congress, Washington, D.C. [LOT 5174], Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Copyright by William A. Stephens, 1120 Girard Avenue, Philadelphia., Description revised 2023., Access points revised 2023., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects.
- Creator
- Queen, James Fuller, 1820 or 21-1886, artist
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(5)5780.F.56m-p; (5)5780.F.57a-h]
- Title
- The Washington family
- Description
- Group portrait of George Washington, his wife Martha, and his two step-grandchildren gathered around a cloth-covered table. A seated George Washington, attired in civilian clothing, rests one arm on the table and the other on the shoulder of his step-grandson and namesake who stands next to a globe, which shows "America." His step-granddaughter, Nelly, stands next to a seated Martha on the other side of the table. Both are pointing at "North America, United States" on a large map unfurled on the table. William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, stands in the right background. He is attired in a white cravat and a black jacket and tucks his left hand into his jacket. A curtain is draped open near a column revealing a waterscape scene in the background., Title from item., Names of sitters printed in margin below image., Purchased with Davida T. Deutsch Women's History Fund, Description revised 2021., Access points revised 2021.
- Creator
- Currier & Ives
- Date
- 1873
- Location
- Library Company of Philadelphia | Print Department *GC - Washington [P.2013.23]
- Title
- Washington birthday greetings
- Description
- Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
- Date
- [ca. 1910]
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.66]
- Title
- The Rail candidate
- Description
- Political cartoon questioning candidate Abraham Lincoln's ability to succeed in the presidential election of 1860 with the controversial antislavery plank as a part of the Republican Party’s platform. Depicts Lincoln with an expression of discomfort on his face and straddling a wooden rail labeled, "Republican Platform." He complains, "it is true I have split Rails, but I begin to feel as if this Rail would split me, it's the hardest stick I ever straddled." Carrying the front end of the rail is an African American man, portrayed as a racist caricature, who says in the vernacular, "Dis Nigger strong and willin, but it's awful hard work to carry Old Massa Abe on nothing but dis ere rail!!" The back end of the rail is carried by New York Tribune editor, abolitionist, and Lincoln supporter, Horace Greeley, who ensures that they will prove Lincoln can split rails and be elected President., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860, by Currier & Ives, in the Clerk’s Office of the District Court for the Southern Distc. of N.Y., Probably drawn by Louis Maurer., Stamp on verso: L.A. DeVries., Purchase 1960., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1860-31R [6419.F]
- Title
- "The Nigger" in the woodpile
- Description
- Racist political cartoon satirizing the Republican Party platform during the 1860 presidential election. In the right, shows Abraham Lincoln saying, “Little did I think when I split these rails, that they would be the means of elevating me to my present position" as he sits on top of a woodpile labeled, “Republican Platform.” An enslaved African American man, portrayed as a racist caricature with exaggerated features, sits within the intertwined rails of the platform. In the left, New York Tribune editor Horace Greeley is confronted by "Young America," depicted as a white man, who represents the progressive wing of the Democratic Party. Greeley reassures him, "...you can safely vote our ticket, for we have no connection with the Abolitionist party, but our Platform is composed entirely of rails split by our candidate." "Young America" protests "It's no use old fellow! You can't pull that wool over my eyes, for I can see 'the Nigger' peeping through the rails," and he points his finger to the African American man in the woodpile., Title from item., Date from the copyright statement: Entered according to Act of Congress in the year 1860, by Currier & Ives, in the Clerk’s Office of the District Court for the Southern Distt. of N.Y., Library Company, Annual report, 1967, p. 53., Accessioned 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1860-30R [P.9677]
- Title
- The slavery question. Great prize-fight of the American eagle against the wolf and the alligator
- Description
- Cartoon portraying the extension of slavery as dependent upon the United States' successful annexation of California and Texas. Depicts the American eagle on a mound protecting her nest of hatchlings labeled "Texas" and "California" from a wolf and an alligator. The wolf dressed as a sheep is being restrained by John Bull who represents England and states, "I bet Canada" (a proposed U.S. annexation). The alligator is being restrained by Don Quixote who represents Spain and states, "I bet Cuba!" (another proposed U.S. annexation). In front of the nest sits a barefooted enslaved African American man, portrayed in racist caricature and attired in torn and worn clothes. He holds his head in hands with the unbroken pot of slavery on his left and the broken pot of liberty, under the foot of John Bull, on his right. Behind the nest stands a bowery B'hoy figure holding a banner inscribed, "The Union Forever" and George Washington stating, "Go it, my boy you will beat them all.", Title from item., Publication date supplied by Weitenkampf., Inscribed: Pl. 4., Purchase 1975., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1844]
- Location
- Library Company of Philadelphia | Print Department Political cartoons - 1844-75W [8138.F]
- Title
- The Clay compromise - a settler
- Description
- Racist cartoon satirizing the Clay Compromise of 1850 concerning the extension of slavery to the territories. Depicts a prostrate enslaved African American man, portrayed in racist caricature, who is being pulled by ropes from each end by a Northerner and Southerner. The Northerner states, "We are content with the Compromise," and the Southerner states, "An equal division is fair." Standing over the enslaved man is Henry Clay, who is poised with a sword to cut him in two. William Lloyd Garrison rushes to stop Clay, stating "let the Union go; but spare the man!" A Quaker man confers with a minister about the compromise, saying "Well I'm very glad that Friend Clay has interfered." The minister responds that he hopes the question is settled because his parishioners have been quarreling so long that they almost forgot to pay him. A white man overseer about to whip a group of enslaved men, attired in yellow sarongs, exclaims, "Damn the niggers! Their hides are so used to the whip that they mind it no more than a horse.", Title from item., Date inferred from content., RVCDC, Purchase 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1850]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1850 - Cla [P.9314.3]
- Title
- Daniel Webster addressing the United States Senate In the great debate on the compromise measures 1850
- Description
- Commemorative print depicting Daniel Webster's noted "Seventh of March Speech" delivered in support of Henry Clay's proposed legislation to prevent Southern secession and to address the extension of slavery, known as the Compromise of 1850. The amended compromise, passed in September 1850, included the admittance of California as a free state and the strengthening of the Fugitive Slave Law in favor of the South. Shows the U.S. Senate chamber with Webster, in the right, standing with his right hand raised. Each Senator from 1850 is depicted facing toward Webster and the viewer, including Stephen Douglas (to the right of Webster), John C. Calhoun (seated in the left), Vice President Millard Fillmore (presiding at center), Secretary of the Senate Asbury Dickins (below Fillmore), Henry Clay (to the right of Webster’s upraised hand), and Jefferson Davis. White men and women spectators fill the visitors' galleries above. Fillmore and Dickins sit at raised desks, and behind them is a draped curtain. Above the valance is an American flag crest with arrows and a bald eagle with outstretched wings. A framed portrait of George Washington hangs in the center. Also visible is the coffered, domed ceiling and a chandelier., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860 by James M. Edney in the Clerk’s Office of the District Court of the Southern District of New York., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department **GC - Slavery [P.2002.2.2]
- Title
- Liberty, the fair maid of Kansas-in the hands of the "Border Ruffians."
- Description
- Cartoon addressing the Democratic administration's responsibility for the violence in Kansas following the passage of the Kansas-Nebraska Act of 1854. Depicts Democratic leaders as violent, proslavery invaders known as "Border Ruffians." In the center, a drunken President Franklin Pierce, armed with a tomahawk, knife, pistol, and rifle, hovers over "Liberty," depicted as a white woman, and tramples the American flag draped on her shoulders. Senator Lewis Cass, armed with a tomahawk, sword, knife, and rifle, looks at Liberty with his tongue sticking out. Liberty stretches her arms out and exclaims, “O Spare Me Gentlemen, Spare Me!!” They assure her that she will not be harmed. In the right, Senator Stephen Douglas scalps a dead, white man farmer, who carries a scythe in his left hand. In the left, Secretary of State William Marcy, attired in a “fifty-cent" trouser patch (a joke used by his political enemies referring to his use of state funds to repair his pants when he served as an associate justice for the Supreme Court of New York,) empty the pockets of a slain, white man settler. Presidential candidate James Buchanan, stating "Might makes right," steals the dead man’s watch. In the left background, a white woman settler, made insane by the violence, mistakes a border ruffian for her husband as they mock her, "Ho! ho! She thinks I'm her husband, we Scalped the Cus and she like a D--m fool went Crazy on it, and now she wants me to go to heaven with her, ha! ha! ha!" In the distance are additional scenes of violence and murder., Title from item., Artist and publication information supplied by Reilly., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
- Creator
- Magee, John L., artist
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-9 [5760.F.90]
- Title
- "Your plan and mine."
- Description
- Racist satire criticizing the 1864 presidential candidates, Democrat General George McClellan's and incumbent Abraham Lincoln's, divergent peace policies depicting each in a scene with Jefferson Davis and an African American Union soldier. The first scene depicts McClellan offering an olive branch, a frightened kneeling African American soldier, and a promise of non-interference to a scowling, armed Jefferson Davis, attired in torn and worn clothing. Davis acknowledges the branch, accepts the soldier, and expresses his satisfaction about the renewed ability for Southern domination of the government. The soldier, whose head Davis clutches, questions with horror McClellan's proposition to send him back to slavery after his service to the Union. The opposite scene depicts Lincoln pointing a bayonet at a cowering Davis who begs for readmission to the Union. Lincoln, on behalf of the nation, demands unconditional surrender and declares the end of slavery. The observing African American soldier replies in the vernacular that Davis will not have anything to do with him anymore., Title from item., Date from copyright statement: Entered according to act of Congress A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of N.Y., Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1864
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1864-18W [5793.F.4]
- Title
- Slavery as it exists in America : Slavery as it exists in England
- Description
- Racist, anti-abolition print challenging Northern abolitionists' view of slavery by favorably contrasting the living conditions of enslaved African American people in America with that of British industrial workers. First image depicts enslaved men, women, and children playing music, singing, and dancing during a hoe-down while Southerners and Northerners observe and comment about how the false reports to the North about the hardships of slavery will now be rectified. Second image portrays a British cloth factory where several emaciated white factory workers, attired in torn and worn clothes, have gathered, including a woman and her children referring to themselves as slaves; two workers discussing running away to an easier life in the coal mines; and workers commenting on their premature aging. A rotund priest and tax collector observe. Soldiers march in the background. Below the image is a small portrait of the "English Anti-slavery Agitator" George Thompson., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1850 by J. Haven in the clerk's office of the District Court of Mass., Manuscript note on verso: Deposited April 9, 1851, Recorded vol 26. pag, 145., Lib. Company. Annual report, 1967, p. 55., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- 1850
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1850-6 [P.9675]
- Title
- The dis-united states. Or the Southern Confederacy
- Description
- Cartoon mocking the inherent dissension within the newly formed Confederacy depicting the Confederate state leaders as conniving self-opportunists led by the Governor of the first state to secede, South Carolina's Francis Pickens. Pickens, armed with a whip and pistol, is astride the back of an enslaved African American man on all fours, and demands as a "file leader," obedience from Stephen R. Mallory of Florida, William Yancey of Alabama, Jefferson Davis of Mississippi, Joseph Brown of Georgia, and an unidentified white man from Louisiana. The Confederates seated upon representations of their state interests (a wrecked hull, bales of cotton, and a barrel of sugar) ignore Pickens and demand acquiescence to their different state needs including coastal control, control of profits from the sale of cotton, and increased bonds and duties as compensation for separating from the Union., Title from item., Date inferred from content., Date of publication supplied by Reilly., Purchase 1964., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- [1861]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1861-6R [6612.F]
- Title
- Political "Blondins" crossing Salt River
- Description
- Cartoon lampooning the perilous nature of the platforms of the 1860 presidential candidates caused by the divisive issue of the extension of slavery to the territories. Depicts the candidates' various methods to cross the "Salt River" (i.e., political disaster) between the "North" and "South." Republican Abraham Lincoln, near the "South," wobbles at the end of a too short rail. The rail, balanced on the "Abolition Rock," is unsuccessfully weighed down by the precariously balanced "Tribune" editor, Horace Greeley. Lincoln curses Greeley who is "accustomed" to the "Salt River." Northern Democrat Stephen Douglas attempts to balance on the tightrope "Non Intervention," and yells for "Help" from the excessive weight of "Squatter Sovereignty" on his balancing pole. Southern Democrat Samuel Breckenridge rides the shoulders of the President and "old public functionary" James Buchanan as he crosses the tightrope "Slavery Extension." Constitutional Unionists John Bell and running mate Edward Everett stand on the "Constitutional Bridge" mocking and pitying the other candidates who are not satisfied with the bridge built by the "patriots of 76" which connects the "two shores in an indissoluble bond of union.", Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1860, by Currier & Ives, in the Clerk's office of the District Court, for the Southn Dist of N.Y., Manuscript note on recto: "Blondin celebrated for having walked over Niagara Falls on a tightrope, gave the idea for this caricature." On June 30, 1859, Jean Francois Gravelet Blondin, a professional tight-rope artist trained under P.T. Barnum, was the first man to successfully cross the falls., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1860-30W [6428.F]
- Title
- The resurrection of Henry Box Brown at Philadelphia Who escaped from Richmond Va. in a box 3 feet long 2 1/2 ft. deep and 2 ft. wide
- Description
- Antislavery print celebrating the moment freedom seeker Henry Box Brown emerged from his crate in Philadelphia. Brown, with the assistance of the Vigilance Committee of the Pennsylvania Anti-Slavery Society, escaped slavery by having himself shipped to Philadelphia where he emerged in the presence of abolitionists Professor Charles D. Cleveland, J. Miller M'Kim, William Still, and printer Lewis Thompson. Depicts Brown just emerging from his box with Still holding the crate's lid labeled, "Wm. Johnson, Arch St. Philadelphia, This side up with Care;" Cleveland with a saw in his right hand; M'Kim with a hatchet in one hand and using his other hand to help Still hold the lid; and Thompson pointing to Brown with his right hand as he holds in his free hand a walking stick., Title from item., Date inferred from variant described in Reilly and LCP copy described by Jeffrey Ruggles, The unboxing of Henry Box Brown (Richmond: The Library of Virginia, 2003), 114. Ruggles notes copies of the print had been received and advertised by the "Anti-Slavery Bugle" of Ohio before March 8, 1851., Variant reproduced in William Still, The underground railroad (1872) p.70. [LCP Am 1872 Still, 56405.O]., Lib. Company. Annual Report, 1975, p. 59-60., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Call number in location based on Reilly entry., Kramer was a German born painter and lithographer who worked with the Rosenthals, a prominent Philadelphia family of lithographers, by 1850 and through the early 1850s.
- Creator
- Kramer, Peter, 1823-1907, artist
- Date
- [ca. 1850 - ca. 1851]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1850-4R variant [8183.F]
- Title
- The Cincinnati platform, or the way to make a new state in 1856
- Description
- Antislavery cartoon criticizing presidential nominees James Buchanan and John C. Breckenridge's support of pro-slavery forces over freesoilers in the violent political struggle in "Bleeding Kansas" during the Democratic Convention of 1856 in Cincinnati. Depicts a pro-slavery militia, carrying a flag labeled "Kansas and Liberty," that has marshalled a group of shackled, enslaved African American men who wear loin-cloths. Several of them clasp their hands together and look with pleading expressions at the white militiaman, behind them, and who carries a whip in his left hand and drives them forward. They march toward a settlement, which has a "Free Soil and Fremont" flag where homes burn and settlers and cattle lay wounded or dead. In the right is the corpse of an assaulted, white mother, who lies on the ground with her breasts exposed. Her naked, dead baby lies face down over her left arm. In the upper left, Buchanan and Breckenridge, standing in front of seated convention delegates on a platform, oversee the violence and comment about the freesoilers being a curse to the country who would surely leave if forced to work for "10 cents a day.", Title from item., Date inferred from content., Copyright statement printed on recto: Entered in according to act of congress in the Clerk’s Office of the district Court for the Eastern District of Penna. By I. [sic.] Childs., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-10W [5760.F.95]
- Title
- The United States Senate A.D. 1850
- Description
- Proof of commemorative print depicting Henry Clay introducing his legislation known as the Compromise of 1850 to the Senate. The legislation aimed to prevent Southern secession and to address the extension of slavery into the territories. Depicts Clay, at the center of the Senate floor, standing with his right arm out from his side and addressing his fellow legislators that surround him, including Vice-President Millard Fillmore seated on a platform as President of the Senate; Daniel Webster, seated behind him and resting his head in his hand; and John C. Calhoun standing beside the seated Fillmore. The gallery is filled with white men and women spectators., Title from item., Date from copyright statement on copy in the collections of the Library of Congress: Entered according to Act of Congress, in the year 1855, by John M. Butler and Alfred Long, in the Clerk's Office of the District Court of the United States in and for the Eastern District of Pennsylvania., Text printed on recto: This engraving from the original picture is respectfully dedicated to the people of the United States by the publishers., Key to engraving in collections of the Library of Congress cites other sitters depicted including Thomas H. Benton, Lewis Cass, William H. Seward, William L. Dayton, Stephen A. Douglas, and Salmon P. Chase., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Whitechurch, Robert, 1814-approximately 1880, engraver
- Date
- [1855]
- Location
- Library Company of Philadelphia | Print Department ***GC - Slavery [P.2002.26]
- Title
- "No higher law."
- Description
- Antislavery print denouncing the immorality of the Fugitive Slave Law by exploiting abolitionist Senator William H. Seward's famous quote that "a higher law" than the Constitution should exist regarding slavery. Shows "King Slavery," depicted as a bearded, bare-chested, white man, attired in a crown made of finger bones and armed with pistols in his waistband. The King sits and leans upon the arm of his throne composed of the "Fugitive Slave Bill," the Bible, and human skulls as he defiantly holds a whip of chains above his head. An American flag on a pole billows behind the throne. Below the throne, Seward, depicted as a priest, looks up and raises his left hand toward the King. He stands before a cat-faced altar inscribed "Sacred to Slavery," which rests upon a book of "Law" and pours oil from a container onto the altar fire, generating clouds of smoke. In the right, three enslaved men squat with their heads bowed. Senator Daniel Webster gestures toward them and holds a paper supporting the Fugitive Slave Bill "to the fullest extent." Near them, "Freedom," depicted as a bearded, white man and attired in a robe, displays his sense of defeat by removing his crown and lowering his liberty pole. In the left, an African American man freedom seeker fends off dogs attacking him. An African American woman freedom seeker and two children flee from two white men mercenaries on horseback and run toward a white woman with outstretched arms in front of a house. In the right background, the figure of Liberty falls from her pedestal., Title from item., Place of publication inferred from the residence of the distributor., Weitenkampf suggests date of publication as 1851., Text printed on recto: Price $3 A Hundred And Six Cents Single Copy., William Harned was an abolitionist printer in New York who also published the pamphlet, "The Fugitive Slave Bill:...." in 1850. (LCP Am 1850 Fug 16809.D.1)., A.B. Maurice and F.T. Cooper's The History of the 19th century in caricature (New York: Dodd, Mead, and Company, 1904), p. 156., Lib. Company. Annual Report, 2000, p. 40-2., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1851]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1851 - 2W [P.9739]
- Title
- Practical illustration of the fugitive slave law
- Description
- Antislavery print depicting a fight between Northern abolitionists and supporters of the Fugitive Slave Law of 1850. In the left, abolitionist William Lloyd Garrison and an African American man both raise guns to protect an enslaved African American woman who is attired in a head kerchief, earrings, a short-sleeved dress, and shoes. She raises both arms in the air and clutches a handkerchief in her right hand and exclaims “Oh Massa Garrison protect me!!!” Garrison wraps his right arm around her and says, “Don’t be alarmed, Susanna, you’re safe enough.” In the right, the white man mercenary, attired in a top hat with a star on it, who may represent the federal marshals or commissioners authorized by the act (and paid) to apprehend freedom seekers, carries a noose and shackles. He sits astride Secretary of State Daniel Webster, who is on his hands and knees clutching the Constitution and bemoaning, "This, though constitutional, is extremely disagreeable." Behind them a white man, possibly John C. Calhoun, declares "We will give these fellows a touch of Old South Carolina" and carries two volumes labeled "Law and Gospel." Another white man carries a quill and ledger and says "I goes in for Law & Order." In the background, a number of men on both sides fight. A white man lies on the ground on his back. An African American man grabs a white man enslaver by the head and holds a whip while saying “It’s my turn now Old Slave Driver.” A "Temple of Liberty" stands in the background with two flags flying which read, "A day, an hour, of virtuous Liberty is worth an age of Servitude," and "All men are created free and equal.", Title from item., Probable place and date of publication supplied by Reilly., Weitenkampf attributed this cartoon to the New York artist Edward Williams Clay, but Reilly refutes this attribution on the grounds that the draftsmanship, signature, and political opinions are atypical of Clay., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1850 or 1851]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1851-6 [5760.F.104]
- Title
- A grand slave hunt, or trial of speed for the presidency, between celebrated nags Black Dan, Lewis Cass, and Haynau
- Description
- Cartoon criticizing presidential candidates Daniel Webster (i.e., Black Dan) and Lewis Cass's avid support for the enforcement of the Fugitive Slave Law during the election of 1852. Shows Webster, carrying a copy of the Fugitive Slave Law and a flag, leading a group of white men, including the lagging Michigan Senator Lewis Cass; the infamously cruel Hungarian General Baron Haynau with a pitcher of "Barclay Best" on his head (a symbolic reference to the brewery workers who attacked him in England); and President Millard Fillmore holding a Fugitive Slave Bill. They pursue an enslaved African American woman who runs clutching a baby in her arms and holding the hand of her young son. Additional figures in the background include Horace Mann, Massachusetts Congressman and opponent of the Compromise of 1850; an orator resembling Webster bombasting Mann before a group of kneeling white men admirers; a preaching white man minister with Bible in hand; and an African American woman freedom seeker with her child being tugged between a yelling man and a white man mercenary carrying handcuffs., Title from item., Date of publication supplied by Weitenkampf., Purchase 1967., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1852]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1852-7W [P.9676]
- Title
- The great presidential race of 1856
- Description
- Cartoon ridiculing the Democratic and American (Know-Nothings) Party presidential candidates James Buchanan and Millard Fillmore by depicting them in a race to win the election of 1856. Depicts Buchanan having crashed his mount (i.e, running mate John C. Breckenridge depicted as a buck) into a rickety platform marked "Democratic Platform," Slavery," and "Cuba." An enslaved African American man, portrayed with racistly caricaturized features, and wearing shackles on his ankles and worn and torn clothes, shoes, and a hat, stands upon and ridicules the "Democratic Platform." Buchanan angrily replies, "You infernal Black Scoundrel, if it had not been for you and that cursed Slavery Plank that Scared and upset my Buck, I should have won this race certain." Following Buchanan is Fillmore using his running mate Andrew Jackson Donelson, depicted as a goose, as his mount. Fillmore, the American Party candidate, carries a "Know-Nothing" lamp and fears his loss will dissolve the Union. In the distance, the Republican candidate John C. Fremont pulls ahead to the cheers of many of the spectators. Brother Jonathan, (predecessor of Uncle Sam), stands on an observation or judging deck and carries a timer’s watch. Additional spectators include white men belittling Fillmore as "spineless" and a "goose," and a white boy holding a sign inscribed, "We Po'ked Em in 44; We Pierced Em in 52; and We'll 'Buck Em' in 56." He is being hoisted by two African American men, portrayed with racistly caricaturized features, upon the back of a gruff and annoyed-looking, bearded, white man asking him if he's a "Fre'mounter.", Title from item., Artist and publication information supplied by Reilly., Political cartoon Horse sassengers! A free lunch lithographed on recto. (political cartoons - 1858 Hor, P.2275.18b)., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Magee was a New York cartoonist and lithographer who eventually established his own lithographic firm in Philadelphia in 1850.
- Creator
- Magee, John L., artist
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1858 Hor (verso) [P.2275.18a]
- Title
- The Democratic platform
- Description
- Cartoon satirizing politicians' support of James Buchanan and the Democratic platform of 1856. Depicts Buchanan as "the platform" of his party prostrate across the backs of the kneeling antislavery advocate Senator Thomas Benton ("Old Bullion"), President Franklin Pierce ("Franklin the last"), and son of Martin Van Buren, John Van Buren ("Prince John"). An enslaved African American man, portrayed in racist caricature, sits atop Buchanan’s legs with his arms crossed. Sitting opposite him atop Buchanan’s chest is a white man enslaver, armed with a whip, knives, and a pistol, who declares, “I don’t care anything about the Supporters of the platform as long as the platform supports me and my Nigger.” Underneath Buchanan, Benton replies to Pierce's question of how he can be against his administration yet for "this platform" by stating that he supports Buchanan because his motto is "Men - not principles." (This is a reversal of the Democratic motto: "Principles, not men.") Simultaneously, Van Buren talks with his father "Martin the first," depicted as a fox in his "Kinderhook" burrow, about the changing policies of the great Democratic Party and the plunder to be had. Standing in the left, "Brother Jonathan" (predecessor of Uncle Sam) notes the unreliability of the "platform supporters.", Title from item., Date supplied by Weitenkampf., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1856]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1856-16W [7996.F]
- Title
- Worship of the North
- Description
- Graphic cartoon steeped in Confederate bitterness toward the "Republican" North depicting a scene of Northern idolatry of the African American. Worshippers near a mound of skulls surround a blood-stained altar upon which lies the shackled sacrificed body of American youth. The altar, with a bust of Lincoln dressed as a clown overhead, is constructed from Northern principles such as "Puritanism," "Free Love," and "Negro Worship." Behind the altar an African American man idol, barefoot and bare-chested and portrayed in racist caricature, sits upon the "Chicago Platform." Near the idol stands the statue of "St. Ossawattomi" (i.e., John Brown). The worshippers include General Scott, General Halleck and a loot-laden General Butler, as well as Secretary Edwin Stanton, John Fremont, a knife wielding Henry Ward Beecher, a torch carrying Charles Sumner, Horace Greeley with a censer, and Harriet Beecher Stowe, praying and kneeling atop a volume of Uncle Tom's Cabin. Printed in the top corners is "Ego.", Published in: Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), pl. 1., Issued as plate 1 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Aldabert Volck (1828-1912), i.e., V. Blada, was a prominent Southern cartoonist from Baltimore who is best known for his 1863 work "Sketches from the Civil War," later republished circa 1886 by Porter & Coates in Philadelphia under the title "Confederate War Etchings."
- Creator
- Volck, Adalbert John, 1828-1912, artist
- Date
- [1863]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1863 - Wor [P.2275.6]