Search results

Title: View in the Park
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. A white man, attired in a top hat and suit, stands and looks at the viewer with a dog on the front lawn. A white boy lies in a hammock, and another white boy stands beside him. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., List of titles printed on verso., Title from verso., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2022., Access points revised 2022.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Germantown [P.2011.47.1302]

Title: Turning the tables on the overseer
Description: Bitter anti-slavery print depicting a group of slaves about to whip their white overseer, who has been bound to a tree on the plantation grounds. Before the overseer, the male slave holding the whipping lash boldly pulls up his sleeve as the slave next to him takes off his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Illustration in New York Illustrated News, November 28, 1863, p. 73., Also published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first black press to publish separate prints., Fels Afro-Americana Image Project, Resistance.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per D 8.5 1571.F Nov 28 1863 p 73, https://digital.librarycompany.org/islandora/object/Islandora%3A2863

Title: [Friedenstahl in St. Croix]
Description: As the caption suggests, the image is set on the island of St. Croix in early May 1769, and it shows a group of black baptismal candidates being led into the "Negro church," for baptism. Dressed in long white robes, trousers, and turban-like head-dresses, the men file into the church first. They are followed by the women, who are dressed in long white dresses and white caps. In front of the long, simple hall that serves as the church, some black women sit in a courtyard bordered by trees and shubbery. According to the caption, the ceremony takes place around noon. Missionaries, soldiers, and black citizens (all men) meet and converse in the open space in front of the church. Others watch the procession of baptismal candidates;some appear to pray, holding their palms upward. The missionaries' quarters appear in the background of the image, while the Negroes' quarters are seen to the right., Folded plate at the back of Christian Georg Andreas Oldendorp's Geschichte der Mission der Evangelischen Brüder auf den caraibischen Inseln S. Thomas, S. Croix, und S. Jan (Barby: Bey Christian Friedrich Laux, und in Leipzig in Commission bey Weidmanns Erben und Reich, 1777), n.p., Caption underneath the image reads: "Friedenstahl in St. Croix an einem Bettage, da die Täuflinge zur Taufe in Kirche geführt werden, 1768 zu Anfang May und zu Mittage, da die Sonne übern Scheitel steht, aller Schatten senckrecht faellt, überhaupt weing Schatten ist. Hinten das Wohnhaus, zur linken die Neger Kirche, zur rechten Negerhaeufer." The text can be translated as follows, "Friedenstahl in St. Croix on a day of prayer, on which the baptismal candidates are led into church for baptism, Wednesday, the beginning of May, 1769, because the sun is at its apex, all shadows fall perpendicular to the ground, there is little shade. In the background, the missionaries' quarters; to the left, the Negro church; to the right, Negro quarters.", Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Nusbiegel, Georg Paul, 1713-1776, engraver
Date: [1777]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1777 Olde 69802.O n.p., https://digital.librarycompany.org/islandora/object/Islandora%3A2678

Title: [Slave at work with head-frame]
Description: Three-quarter, right profile view of a male slave in a plantation setting. Image shows him at work with a hoe, and draws attention to the accoutrements he is forced to wear: the ankle spurs, the head-frame and mouth-piece, and the heavy weight that is suspended from a chain around his waist. A second slave works in the distant background., Illustration in Thomas Branagan's Penitential Tyrant (New York: Printed and sold by Samuel Wood, 1807) p. 269., Engraving attributed to Alexander Anderson., Accompanied by the following text: "A representation of a slave at work cruelly accoutred, with a Head-frame and Mouth-piece to prevent his eating -- with Boots and Spurs round his legs, and half a hundred weight chained to his body to prevent his absconding.", Images in this work derived from oral testimony given before the British Parliament's Select Committee Appointed to Take the Examination of Witnesses Respecting the African Slave Trade originally published as An Abstract of the Evidence Delivered Before a Select Committee of the House of Commons in the Years 1790, and 1791; on the Part of Petitioners for the Abolition of the Slave Trade (London: printed by James Phillips, 1791). Images also issued in a number of other printed works including Remarks on the Methods of Procuring Slaves with a Short Account of Their Treatment in the West-Indies (London: printed by and for Darton and Harvey, no. 66 Gracechurch Street, MDCCXCIII [1793]); Sclaven-Handel (Philadelphia: Gedruckt fur Tobias Hirte, bey Samuel Saur, 1794]); Der Neue Hoch Deutsche Americanische Calender suf das jahr 1797 (Baltimore: Samuel Saur, 1796); Injured Humanity: Being a Representation of What the Unhappy Children of Africa Endure from Those Who Call Themselves Christians... (New York: printed and sold by Samuel Wood, no 362 Pearl Street, between 1805 and 1808); and The Mirror of Misery, or Tyranny Exposed (New York: printed and sold by Samuel Wood, 1807) and later editions issued in 1811 and 1814., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Anderson, Alexander, 1775-1870, engraver
Date: [1807]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1807 Bra 2721.D p 269, https://digital.librarycompany.org/islandora/object/Islandora%3A2712

Title: Mt. Pleasant
Description: Exterior view of the front of the Middle-Georgian country house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. View includes two wood frames leaning against the house. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Yellow paper mount with rounded corners., Title printed on mount., Date inferred from photographic medium and content., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Residences [(3)1322.F.57c]

Title: Nigritae in scrutandis venis metallicis ab Hispanis in Insulas Abelgantur
Description: This mining scene is one of the earliest known illustrations of slave labor in the New World. Under the supervision of the Spaniards, several slaves pour buckets of molten metal onto the ground; others work in the caves seen in the background., Plate II in Girolamo Benzoni's Americae pars quinta nobilis & admiratione plena Hieronymi Bezoni Mediolanensis, secundae sectionis h[istor]ia[e] Hispanorum: tum in Indos crudelitatem, Gallorumq[ue] pirataru[m] de Hispanis toties reportata spolia: . . . (Francofurti ad Moenum: Theodoro de Bry. Leod. cive Franc, 1595), part V of DeBry's Voyages., DeBry's illustration is based on the following passage in Benzoni's text from the translation of his work by W.H. Smyth: "When the natives of this island (Espanola) began to be extirpated, the Spaniards provided themselves with blacks (Mori) from Guinea . . . and they have brought great numbers thence. When there were mines, they made them work at the gold and silver; but since those came to an end they have increased the sugar-works, and in these and in tending the flocks they are chiefly occupied, besides serving their masters in all else." (History of the New World by Girolamo Benzoni, of Milan. Shewing his travels in America, from A.D. 1541 to 1556 . . . Now first translated, and edited by Rear-Admiral W.H. Smyth (London: Printed for the Hakluyt Society, 1857) p. 93., Illustrations in part V of DeBry's Voyages were engraved by Theodor DeBry after drawings by Joannes Stradanus., Fels Afro-Americana Image Project, Work Scenes.
Creator: Bry, Theodor de, 1528-1598, engraver
Date: [1595]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Am 1590 Har (b.w) Log 1076.F plate II, https://digital.librarycompany.org/islandora/object/Islandora%3A2659

Title: Chew's House, Germantown
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. In the foreground, a white man and two white women stand and converse on the walkway in front of the house. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Published in Ballou's pictorial drawing - room companion, Jan. 27, 1855, vol. 8, no. 4, p. 57., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [1855]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Residences - C [(7)1322.F.12a]

Title: Roberts Vaux
Description: Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
Creator: Newsam, Albert, 1809-1864, lithographer
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department Portrait prints-V [5657.F.15a]

Title: Roberts Vaux
Description: Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
Creator: Newsam, Albert, 1809-1864, lithographer
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department *Portrait prints-V [1885.F.23]

Title: Caspar Wistar, M.D Late professor of anatomy to the University of Pennsylvania and President of the American Philosophical Society &c. &c
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Printed below image: From the original picture in the possession of Mr. Wistar., Variant appears in the Analectic magazine (Philadelphia: 1818) vol. 12, p. 441. (LCP Per A 192, vol. 12)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Charles Goodman and Robert Piggot, Philadelphia engravers, worked as partners from 1817 to 1822.
Creator: C. Goodman & R. Piggot, engraver
Date: [ca. 1818]
Location: Library Company of Philadelphia | Print Department portrait prints - W [1885.F.33]

Title: Caspar Wistar, M.D
Description: Bust-length portrait of the white Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is depicted sitting in a chair and is attired in a shirt with a ruffled collar and double-breasted jacket., Probably by C. Goodman & R. Piggot after painter Bass Otis., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Date: [ca. 1818 - ca. 1850]
Location: Library Company of Philadelphia | Print Department portrait prints - W [5750.F.159c]

Title: Caspar Wistar, M.D
Description: Bust-length portrait of the Philadelphia physician, medical school professor, and a president of the Pennsylvania Anti-Slavery Society. Wistar is attired in a shirt with a ruffled collar and a double-breasted jacket., Appears in volume three of several editions of James Barton Longacre and James Herring's The National portrait gallery published by various Philadelphia publishers between 1835 and 1868. LCP holds the imprints: 1834-1839; 1856; and 1867, (3)5750.F.160c originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., P.9156.9 gift of Charles Rosenberg, 1986., P.9660.16 gift of William Helfand, 1999., Access points revised 2021., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Longacre, James Barton, 1794-1869, engraver
Date: [ca. 1835 - ca. 1868]
Location: Library Company of Philadelphia | Print Department portrait prints - W [(3)5750.F.160c; P.9156.9; P.9660.16]

Title: Plan of the isle of Trinidad from actual surveys made in the year 1797
Description: Depicts the British island conquered from Spain in 1797, settled in the 1780s by French Caribbean plantation owners, St. Domingo refugees, and enslaved people. Shows the sites of the sugar, coffee, cotton, and cocoa plantations in the southwest and southeast regions of the island., Title from item., Reissued by Laurie & Whittle in 1809., Relief shown by hachures, landform drawings, and form lines., Depth shown by soundings., Prime Meridian: Port of Spain., Includes index "The Island of Trinidad is Divided into the following Quarters.", Table printed on recto: The Population of the I. of Trinidad 1797: Whites. Colour. Slaves. Indians. Men. Women. Boys. Girls., Text printed on recto: Note. This Species of Cocoa Trees are not natural to the Island, a Vessel from Oronoko laden with the Fruit was wreck’d on that Coast some years since, from whence the present Trees sprang which thrive exceedingly well., Acquired before 1950., Description revised 2021., Access points revised 2021.
Creator: Allen, George, active 1790-1821, engraver
Date: 12th Decr. 1800
Location: Library Company of Philadelphia | Print Department **maps [135 M]

Title: Columbia's noblest sons
Description: Memorial print published after the assassination of Abraham Lincoln in April 1865 containing portraits, allegorical figures, vignettes, and pictorial details. Depicts Columbia, depicted as a white woman and attired in classical garb and a Phrygian cap, crowning a bust-length portrait of George Washington (left) and bust-length portrait of Lincoln (right) with laurel wreaths. Flagpole finials with flags appear as wings behind her. Documents, partially rolled, associated with Washington and Lincoln, the "Declaration of Independence 1776" and the "Emancipation Proclamation 1863," appear below the portraits of the presidents. Each president's life dates are inscribed on the edge. On the left are vignettes with scenes from the Revolution depicting the Boston Tea Party "Dec. 18th 1773"; the signing of the Declaration of Independence "July, 1776"; and the British surrender at Yorktown "Octr. 19, 1781." On the right, are vignette scenes of the Civil War depicting the bombardment of Fort Sumter "April 14th, 1861"; an encounter between an ironclad and two wooden ships ("Progress"), and Lincoln's triumphant arrival via coach with an African American driver in Richmond "6th April 1861." Latter vignette also includes an African American man cheering in the crowd. Vinery details frame the vignettes. Columbia's right foot rests on the British lion, and an American eagle emerges from behind her other leg. On the ground, near her feet, rest cannons, cannon balls, and broken shackles., Title from item., Name of publisher and date from copyright statement: Entered according to Act of Congress in year of 1865 by Henry & Wm. Voight [illegible] D[istrict of] N[ew York]., Reproduced and described in The Lincoln image, p. 194-195, 197., Gift of Gordon Wright Colket, 1970., Description revised 2021., Access points revised 2021.
Creator: Lang, Manson, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department political cartoons 1865-9 [7879.F]

Title: Mount Vernon, the seat of the late Genl. Washington
Description: View of the first president's Virginia estate showing the residence and grounds near the Potomac River. Shows the house and a white gentleman standing near the entrance. On the grounds, two white women with parasols promenade, an enslaved African American man leads a horse, a white man carries a sickle and a bundle of wheat, and a dog chases another horse. In the left background, a boat sails on the river., Title from item., Date inferred from provenance and publication history., Originally published as a smaller plate in William Birch's Country Seats in the United States of North America (Philadelphia: 1804), this view was revised on a larger plate and reissued as a separate print by Birch in 1812. The popular larger 1812 plate was later republished, probably by John McAllister, around 1860., Originally part of a McAllister scrapbook of views of Virginia. McAllister Collection, gift, 1886., Reaccessioned as P.9683.5., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Seymour, Samuel, 1796-1823, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *GC - Residences - Mt. Vernon [5737.F]

Title: Negroes and religion. Disciplina et regula ordinis flagellantium [Discipline of the order of flagellants] The Episcopal Church at the South. To the General Convention of the Protestant Episcopal Church in the United States of America
Description: Copy photograph of an abolitionist satire containing a montage of scenes mocking the pro-slavery dioceses from the seceded Southern states absent from the General Convention of the Protestant Episcopal Church in New York in 1862. Probably related to an earlier pamphlet of the same title satirically "promoting" the policy that the church's African American communicants be treated as the South treats the enslaved people. A devilish figure with wings inscribed with the names of Confederate states, holding a "Testimonial" scroll under his arm, thumbs his nose and unlocks the door of the "House of Bishops" at the "General Convention." Figures pray at an altar near an animated preacher while stating, "We welcome our friends." A white man whips a bare-chested and bare-footed African American enslaved man, who kneels with his hands bound to a post. Two white women watch the events from the side of their dilapidated wooden house. During the Civil War, the Southern dioceses became the Protestant Episcopal Church in the Confederate States of America., Title from item., Date inferred from content., See related pamphlet Negroes and religion: The church at the South. Memorial to the general convention of the Protestant Episcopal Church in the United States of America. (United States : s.n., 1856?). (LCP Am 1856 Neg 18399.O.9)., Originally part of a McAllister Civil War scrapbook of humorous prints and photographs. McAllister Collection, gift, 1886 [5780.F.52h]. Purchase 1999 [P.9758.3]., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862?]
Location: Library Company of Philadelphia | Print Department cdv - misc. - Civil War - Caricatures and cartoons [5780.F.52h; P.9758.3]

Title: [Trio gem lantern slide of scenes from Uncle Tom's Cabin]
Description: Lantern slide with three sequential scenes from Harriet Beecher Stowe’s "Uncle Tom’s Cabin." Depicts scenes from chapters 26, 40, and 41. Chapter 26 image shows the deathbed scene of Eva St. Clair. Shows Eva in bed, seated up, holding a bouquet of flowers in her lap, and surrounded by people. Eva's parents Mr. and Mrs. St. Clare sit on either side of the bed and Miss Ophelia kneels and cries behind Mr. St. Clare. Mrs. St. Clare holds a fan, has a handkerchief in her lap, and looks toward Eva. Mr. St. Claire, rests his head in one hand, and has his other hand on the bed. In front of Eva, the enslaved men and women of the household, including Tom, kneel, stand, pray, hold handkerchiefs, and cry. The setting also includes a window with open drapes, a curtain behind Eva's bed, and a side table adorned with a vase of flowers. Chapter 40 scene represents the beating of Tom by his enslaver Simon Legree following the escape of the enslaved Cassy and Emmeline. Shows Tom, with grey hair, a grey beard, and barefooted, lying on a pile of cotton on the floor of a shed. Legree stands over him with one hand clenched in a fist toward his chest and the other clenched by his side as he raises up one of his feet. Chapter 41 scene shows an adult George Shelby visiting with the beaten and dying Tom after locating him in order to see if he "couldn't buy him back." Shows Tom lying on a pile of cotton near the opening to a shed. An open book lies near him by his hand. Shelby leans over Tom and holds his hand. In the background, outside of the opening, Legree stands, with his hands in his pant pockets and watching the men., Title supplied by cataloger., Date inferred from format., Printed on cover glass: Gem Slide. Gem Slide., Contains ornamental pictorial details in the corners of the cover glass., Contains label with series number: 107., Gift of David Doret., RVCDC
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection - Photographs [P.2020.39.9]

Title: Willing, Charles, 1710-1754
Creator: Library Company of Philadelphia, creator
Date: December 23, 1736-May 1, 1786

Title: Arnold mansion postcards
Description: Exterior views of front facade of Mount Pleasant Mansion (i.e. Arnold Mansion) built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Contains 6 postcards printed in color and 3 printed in black and white., Gift of George M. Brightbill, 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Fairmount Park - Mansions and Houses - Arnold - 77]

Title: Mt. Pleasant, river front
Description: View of front facade of the mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. A person, attired in a hat, a long coat, and shoes, sits on a wooden chair at the top of the steps on the right side of the house. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Inscribed in negative: 2494., Title from negative sleeve., Also identified as the Arnold Mansion., Purchase 1988., Description revised 2022., Access points revised 2022.
Creator: Hand, Alfred, photographer
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.43]

Title: Mount Pleasant, home of Benedict Arnold in Fairmount Park
Description: View of front facade of the mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. A person, attired in a hat, a scarf, a long coat, and shoes, sits on a wooden chair at the top of the steps on the left side of the house. Mount Pleasant was described by John Adams as "the most elegant seat in Pennsylvania," and is an excellent example of Philadelphia's Middle Georgian country houses of the 1760s. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Inscribed in negative: 2495., Title from negative sleeve., Also identified as the Arnold Mansion., Purchase 1988., Description revised 2022., Access points revised 2022.
Creator: Hand, Alfred, photographer
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.44]

Title: Thomas Clarkson
Description: Three-quarter length portrait of the British deacon, abolitionist, and author. Clarkson, attired in a white collared shirt, a black waistcoat, jacket, and pants, sits holding a pair of spectacles in his left hand and a quill in his right hand. He leans his right elbow on a table adorned with a "Map of Africa." Clarkson, author of "The History of the rise, progress, and accomplishment of the African slave-trade," was a founder of the British Anti-Slavery Society., Title from printed signature of sitter below image., Manuscript note on mount: The Philanthropist. Wrote in opposition to the slave trade., Gift of David Doret, 2004., Description revised 2021., Access points revised 2021.
Creator: Dean, T. A., engraver
Date: May 1839
Location: Library Company of Philadelphia | Print Department portrait prints - C [P.2004.46.3]

Title: Arnold mansion postcards
Description: Depicts the front facade from the garden and a detailed view of the pediment over the front doorway. Includes interior views of the right and left sides of the entrance hall, the great chamber, the parlor, and a bedroom., Contains 1 postcard printed in color and 9 printed in black and white., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Purchase 1984. Accessioned 2005., Accession numbers: P.2005.3.26 - 32, P.9048.5, P.9048.217 and P.9048.303., Description revised 2022., Access points revised 2022.
Date: 1905-1926
Location: Library Company of Philadelphia | Print Department LCP postcards - Residences A - M - [various]

Title: The New-York weekly Caucasian. The white man's paper The proprietors of The Caucasian are happy to announce that, "the press being once more free," they can now send their paper by the mail. The Caucasian is issued by the publishers of The day-book, the place of which it will take for the present
Description: The New-York weekly Caucasian was published from Oct. 1861 to Sept. 1863; The New-York Weekly day-book Caucasian was published from Oct. 1863 to May 1868., Printed area measures 19.6 x 11.3 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Van Evrie, Horton & Co.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Van Evrie 75106.O

Title: This popular place of amusement will open for six nights only on Saturday evening, June 11th, 1864, for the purpose of producing the celebrated moral drama of Uncle Tom's cabin! with an excellent comp'y of first-class artists The drama will be produced with every attention to perfectness of detail and scenic requirements. We invite the attention of heads of families, wives and mothers, maidens and children, and the public generally to this announcement, assuring them that in return for the patronage we solicit, we will present an entertainment of the most pleasing and unexceptional character. ... Admission. Parquet 25 cents Tickets, admitting a gentleman and two ladies, 60 cents. Boxes, for colored persons 25c Gallery 15c Front seats reserved for ladies and children. Grand matinee, for families on Wednesday afternoon!
Description: Performers include: G.H. Andrews, Mr. Archer, Mr. Arnold, Mr. Banks, Mr. Chipp, Anna Davenport, Lizzie Davenport, P.A. Fitzgerald, Mr. Hays, Mr. James, Billy Rose, Mr. Sullivan, Miss Warner, Mr. Watson, Anna Weaver, and Maria Wells., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Theatre and Music Hall (Wilmington, Del.)
Date: [1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wilm Theatre 1864 (26)5761.F.36a (McAllister)

Title: Mount Pleasant, Arnold House, East Fairmount Park, Philadelphia
Description: Exterior views of Mount Pleasant Mansion (i.e. Arnold Mansion) built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. One view shows the east front of the main house. The other view depicts the main house flanked by smaller buildings and trees. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title supplied by cataloger., Photographer's imprint in red text on mounts., Manuscript notes on versos., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia," printed on verso of P.9462.22. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Purchase 1994 [P.9462.22]. Gift of J.F. Dallet, 1995 [P.9488.1]., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Residences [P.9462.22 and P.9488.1]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: [Mount Pleasant, Mount Pleasant Drive, East Fairmount Park, Philadelphia]
Description: Exterior views of the mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Mount Pleasant was described by John Adams as "the most elegant seat in Pennsylvania," and is an excellent example of Philadelphia's Middle Georgian country houses of the 1760s. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Negative numbers: 54 & 54a-d, Negative numbers 54a-54d dated 1928 in manuscript note on negative sleeve., Purchase 1978., Description revised 2022., Access points revised 2022.
Creator: Jennings, William Nicholson, 1860-1946, photographer
Date: 1928
Location: Library Company of Philadelphia | Print Department Jennings [P.9480.54 ; P.9480.54a-54d]

Title: Chew house, Germantown
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, attired in a hat, a white shirt, and overalls or a waistcoat, possibly a groundskeeper, posed near a tree holding a walking stick or a tool. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Attributed to John Moran., Title from manuscript note on mount., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Residences [(8)1322.F.41a]

Title: Chew house, Germantown, 1867
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows an African American man, James Smith, posed near the front door of the home. He is attired in a hat, a white collared shirt, white gloves, a dark-colored jacket, pants, and shoes. A smaller building used as a kitchen or for laundry is visible in the rear (left). Smith was enslaved in Chestertown, Maryland before buying his freedom. He began work for the Chews as a coachman in 1819 and later worked as a general servant until his death in 1871. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title and date from inscription on mount., Originally part of an album of seventy eight views by John Moran entitled "A collection of photographic views in Philadelphia & its vicinity taken in the year 1868-1869" (Philadelphia, 1870)., Retrospective conversion record: original entry, edited., Photograph pasted on verso: Stenton 1900., See website "Cliveden. Know it. Feel it. Share it." (link above)., Purchase 1870., Description revised 2021., Access points revised 2021.
Creator: Moran, John, 1831-1903, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department Moran album [1717.F.123], http://www.cliveden.org/

Title: Mt. Pleasant E. Park, John Macpherson 1761
Description: Exterior view depicting the country house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Shows the front entrance to the mansion, covered in ivy, and flanked by outbuildings. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title from inscription on mount., Date inferred from photographic medium., Purchase 1989., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [ca. 1926]
Location: Library Company of Philadelphia | Print Department photo - Official Photographer [P.9260.329]

Title: [Exterior view of Mount Pleasant Mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa.]
Description: Exterior view of Mount Pleasant Mansion built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Shows the Georgian mansion, outbuildings, and surrounding grounds of the estate that was a working plantation 1762-1765. The two-story mansion is designed with several windows; stairs leading to a front entrance adorned with a lunette window and a pediment supported by Doric columns; and a roof with a balustrade that has dormers and two large chimneys. Flanking the mansion are two smaller, symmetrical outbuildings of an office and a summer kitchen. Smaller out-buildings flank the office and kitchen. In the right of the view, a structure, possibly a covered, water-pump, is visible. In the foreground, several park benches line the lawn in front of the mansion. Several trees, without foliage, stand in-between the buildings. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title supplied by cataloger., Date from manuscript note on verso: “Mount Pleasant” built by Macpherson and once owned and occupied by Benedict Arnold, but [?] now called the “Dairy” in Fairmount Park, Philadelphia 1892., Purchase 1989., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
Date: [1892]
Location: Library Company of Philadelphia | Print Department photo - unidentified - residence [P.9260.472]

Title: The battle ground at Germantown. Cliveden or Chew's House
Description: Periodical illustration depicting the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. On the grounds in the foreground, a white boy stands beside a chair and exchanges a book with an African American man. Benjamin Chew owned property from Delaware to Maryland, including plantations that enslaved people. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Plate from: Godey's magazine and lady's book, December, 1844. (LCP Per G 43)., Smith, a prominent Philadelphia landscape painter and friend of Godey's publisher, Louis A. Godey, had several of his Philadelphia and Pittsburgh views engraved for the 1844 issues of the periodical. Smith's painting, Chew House, Germantown, is in the collection at the Pennsylvania Academy of the Fine Arts., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Dick, Archibald L., approximately 1805-approximately 1855, engraver
Date: [December 1844]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Residences [(7)1322.F.12b]

Title: Mr. Chew's house
Description: Restrike of an Archibald Dick engraving after the work of Philadelphia artist Russell Smith which originally appeared in the December 1844 edition of Godey's lady book. Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. On the grounds in the foreground, a white boy stands beside a chair and exchanges a book with an African American man. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Smith, a prominent Philadelphia landscape painter and friend of Godey's lady book publisher, Louis A. Godey, had several of his Philadelphia and Pittsburgh views engraved for the 1844 issues of the periodical., Originally part of a McAllister scrapbook of engravings relating to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department PhPr - 11x14 - Residences - Chew [(7)1322.F.13]

Title: Robert Small, pilot of the steamer Planter, Charleston, S.C
Description: Bust-length portrait of the formerly enslaved and later South Carolina congressman who commandeered and harbored fifteen enslaved people on the Confederate steamer, "Planter," consequently escaping to freedom across the Charleston Bay in May 1862. Smalls, a "Planter" crew member who impersonated the Confederate Captain, surrendered the vessel to a flotilla of the Union Blockade after navigating passed several Confederate fortifications. The nationally publicized escape sparked a military campaign to recruit African American volunteers in South Carolina. Small, attired in a white shirt and a dark-colored jacket, looks at the viewer., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1862, in the Clerk's Office of the District Court of the United States for the Eastern District of Pennsylvania by McAllister & Brother, 728 Chestnut Street, Philadelphia., See account of escape with illustrations in Harper's Weekly, June 14, 1862, p. 372. (LCP **Per H, 1863)., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department cdv portraits -sitter-Small [(3)5750.F.44b]

Title: Thomas Clarkson, A.M
Description: Bust-length portrait of the white British deacon, abolitionist and author as a younger man, facing right. He is attired in a powdered wig, a shirt with a ruffled collar, and a jacket. Clarkson, a founder of the British Anti-Slavery Society, influential in the passage of the Slave Trade Act of 1807, wrote "The History of the Rise, Progress, and Accomplishment of the African Slave-Trade" (London, 1808) to promote further anti-slavery legislation., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., McAllister Collection, gift, 1886.
Creator: Maverick, Peter, 1780-1831, engraver
Date: [ca. 1820]
Location: Library Company of Philadelphia | Print Department Portrait prints - C [(1)5750.F.90b]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia]
Description: View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.954]

Title: [Mount Pleasant mansion, Fairmount Park, Philadelphia.]
Description: Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park [P.2011.47.1013]

Title: First meeting of Uncle Tom and Eva
Description: Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts "Uncle Tom," an enslaved African American man, and Evangeline St. Claire, the white daughter of a Louisiana enslaver, meeting on the steamship that is taking him to auction. On the deck, Tom, barefoot and attired in a red shirt, blue pants, and with shackles on his wrists, sits on a crate with a Bible in his lap. He talks to an attentive Eva, with her brown hair in ringlets and attired in a pink dress and black shoes, who is seated on a bundle of goods. Three bare-chested, enslaved African American men stand in the background behind a bundle and look on., Title from item., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Strong, Thomas W., lithographer
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *GC - Fictional characters [7869.F]

Title: Uncle Tom and Little Eva
Description: Print of a scene from Stowe's popular, anti-slavery novel, "Uncle Tom's Cabin," originally published in 1851. Depicts Little Eva, the "angelic" young, white daughter of a Louisiana enslaver informing "Uncle Tom," the African American man enslaved by her father, of her impending death. Eva, with her blonde hair in ringlets and attired in a white dress, white stockings, and black shoes, points to heaven with her right hand and to the Bible in her lap with her left. She sits next to a barefooted, slightly hunched over Tom, attired in a red shirt with an open neck and blue pants, on a grassy mound in the woods. Also includes a cabin visible in the left background., Title from item., The Kellogg's firm, brothers Edmund Burke and Elijah Chapman, was a prolific New England lithographic firm that nearly rivaled Currier & Ives in the production of popular prints., Reaccessioned as P.9179.10., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *GC-Fictional Characters [7807.F]

Title: The Declaration of Independence illustrated
Description: Cartoon evoking the Declaration of Independence to promote the emancipation from enslavement. Depicts rays of light representing God above a soaring American eagle that clutches olive and oak branches and two American flags labelled "All Men are Created Equal" and "Stand by the Declaration." Suspended from the flags is a large basket in which an African American man and a white man are seated. The African American man drops his broken shackles out of the basket as the abolitionist proclaims "Break Every Yoke; Let the Oppressed Go Free" to a large crowd of men, women, and children cheering below. Among the crowd is a white man Union soldier; a white newsboy selling the "Herald," an abolition newspaper; and a free African American man. Verses of text appear atop the rays of light and beside the basket espousing the religious, moral, and historical justifications for emancipation., Title from item., Date from copyright statement., Purchase 1968., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Dominique C. Fabronius was a respected Belgian born lithographer, watercolorist, and portraitist who worked in Philadelphia, Boston, and New York.
Creator: Fabronius, Dominique, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-41 [7700.F]

Title: Cliveden 1911
Description: Series of exterior and interior views of the Germantown estate Cliveden built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Benjamin Chew (1722-1820), the patriarch of an influential Quaker family, was one of Pennsylvania’s largest enslavers. Images depict front, front oblique, and "rear" views of the façade of the residence, including outbuildings and landscaped lawns and grounds; the front "doorway" with steps and sculptures; the "pump" near an ivy-covered wall; the "barn" near which a horse-drawn cart loaded with hay rests across from a cow out to pasture; a cracked "fireback" resting against a tree; "servant’s quarters," i.e. quarters for enslaved persons; and multiple views of the "hall at Cliveden" modestly furnished with chairs, a desk, side table, a long rifle, and framed prints and a painting. Hall views also depict columns fronting a hallway and stairway., Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Series title from manuscript note on mounts., Date from title., Many of the images accompanied by captions written on the mounts., Two of the mounts (P.2017.88.4.2-5 and P.2017.88.4.6-9) contain manuscript note: Cliveden 11-7-1911., Verso of mount P.2017.88.44.1 contains manuscript note: New York Public Library 1911., Copies of images included in “Pictorial Archives of Early American Architecture” (PAEAA), PAEAA PA 51-Germ, 64D-1, assembled by the Library of Congress during the 1930s., Three of images (P.2017.88.4& 7 &11) published in Harry M. Tinkom, Margaret Tinkom and Grant Miles Simon, Historic Germantown: ... (Philadelphia: American Philosophical Society, 1955)., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1911
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88.4.1-13]

Title: The ( Fort) Monroe doctrine
Description: Abolitionist cartoon depicting enslaved African Americans fleeing to Fort Monroe, which was occupied by Union General Benjamin F. Butler who had declared freedom seekers to be "contraband" of war. In the right, a white man Virginia enslaver brandishes a whip and says, "come back you black rascal." A bare-chested, barefooted, African American man attired in white shorts, responds in the vernacular, "can't come back nohow massa Dis chile's contraban." To the right of the enslaver, a barefooted African American man, attired in a brimmed hat, a white collared shirt, and striped pants with the cuffs rolled up, watches as he leans on a hoe. A number of other African American freedom seekers run toward the Fort, including a woman with a child., Title from item., Date of publication supplied by Weitenkampf., During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-3W [P.9127]

Title: John Bull makes a discovery
Description: Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]

Title: The question settled
Description: Cartoon depicting Abraham Lincoln as "Old Abe," a white cat who drives "Jeff," (i.e., Jefferson Davis) depicted as a grey striped cat with a noose around his neck from the "United States" food dish. The black cat, "Contraband," (i.e., African American Civil War freedom seeker) makes his way into the dish from the other side. The plate rests upon the Union flag and a map depicting the lower Southern States blockaded by figures of Union ships., Title from item., Possible date of publication supplied by Weitenkampf., During the Civil War, the U.S government declared African American freedom seekers as "contraband of war.", Purchase 1970., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1862-12W [7870.F]

Title: The chivalry at the English court
Description: Cartoon mocking Southern secessionists who sought foreign aid for the Southern Confederacy by depicting white men emissaries from the "Gentlemen colony of South Carolina" asking Queen Victoria if she can spare a King. The South Carolinians stand before the throne and present bales of “Cotton” to the Queen. Behind them a contingent of enslaved African American children, portrayed as racist caricatures, carry an umbrella, a fan, a serving tray of “julips,” and hold the tail of the emissary’s jacket. In the right, Queen Victoria sits on her throne surrounded by white boys and flanked by a lion and a unicorn. She responds that her family is small but possibly a "Coburg" relation may satisfy their needs., Title from item., Publication date supplied by Weitenkampf., Text printed below image: May it please Your Majesty, We, the Republicans of the Gentlemen Colony of South Carolina are desirous of having a Royal Master; would You graciously please to spare us a King out of your illustrious house? Her Majesty. Thank you Gentlemen, but my Family is small, you know; -- perhaps one of my Coburg Relations may accommodate you, I can recommend them, they give Satisfaction in every Place., Accessioned 1899., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1860]
Location: Library Company of Philadelphia | Print Department political cartoons - 1860-6W [5780.F]

Title: The resurrection of Henry Box Brown at Philadelphia Who escaped from Richmond Va. in a box 3 feet long 2 1/2 ft. deep and 2 ft. wide
Description: Antislavery print celebrating the moment freedom seeker Henry Box Brown emerged from his crate in Philadelphia. Brown, with the assistance of the Vigilance Committee of the Pennsylvania Anti-Slavery Society, escaped slavery by having himself shipped to Philadelphia where he emerged in the presence of abolitionists Professor Charles D. Cleveland, J. Miller M'Kim, William Still, and printer Lewis Thompson. Depicts Brown just emerging from his box with Still holding the crate's lid labeled, "Wm. Johnson, Arch St. Philadelphia, This side up with Care;" Cleveland with a saw in his right hand; M'Kim with a hatchet in one hand and using his other hand to help Still hold the lid; and Thompson pointing to Brown with his right hand as he holds in his free hand a walking stick., Title from item., Date inferred from variant described in Reilly and LCP copy described by Jeffrey Ruggles, The unboxing of Henry Box Brown (Richmond: The Library of Virginia, 2003), 114. Ruggles notes copies of the print had been received and advertised by the "Anti-Slavery Bugle" of Ohio before March 8, 1851., Variant reproduced in William Still, The underground railroad (1872) p.70. [LCP Am 1872 Still, 56405.O]., Lib. Company. Annual Report, 1975, p. 59-60., Purchase 1975., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Call number in location based on Reilly entry., Kramer was a German born painter and lithographer who worked with the Rosenthals, a prominent Philadelphia family of lithographers, by 1850 and through the early 1850s.
Creator: Kramer, Peter, 1823-1907, artist
Date: [ca. 1850 - ca. 1851]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1850-4R variant [8183.F]

Title: "No higher law."
Description: Antislavery print denouncing the immorality of the Fugitive Slave Law by exploiting abolitionist Senator William H. Seward's famous quote that "a higher law" than the Constitution should exist regarding slavery. Shows "King Slavery," depicted as a bearded, bare-chested, white man, attired in a crown made of finger bones and armed with pistols in his waistband. The King sits and leans upon the arm of his throne composed of the "Fugitive Slave Bill," the Bible, and human skulls as he defiantly holds a whip of chains above his head. An American flag on a pole billows behind the throne. Below the throne, Seward, depicted as a priest, looks up and raises his left hand toward the King. He stands before a cat-faced altar inscribed "Sacred to Slavery," which rests upon a book of "Law" and pours oil from a container onto the altar fire, generating clouds of smoke. In the right, three enslaved men squat with their heads bowed. Senator Daniel Webster gestures toward them and holds a paper supporting the Fugitive Slave Bill "to the fullest extent." Near them, "Freedom," depicted as a bearded, white man and attired in a robe, displays his sense of defeat by removing his crown and lowering his liberty pole. In the left, an African American man freedom seeker fends off dogs attacking him. An African American woman freedom seeker and two children flee from two white men mercenaries on horseback and run toward a white woman with outstretched arms in front of a house. In the right background, the figure of Liberty falls from her pedestal., Title from item., Place of publication inferred from the residence of the distributor., Weitenkampf suggests date of publication as 1851., Text printed on recto: Price $3 A Hundred And Six Cents Single Copy., William Harned was an abolitionist printer in New York who also published the pamphlet, "The Fugitive Slave Bill:...." in 1850. (LCP Am 1850 Fug 16809.D.1)., A.B. Maurice and F.T. Cooper's The History of the 19th century in caricature (New York: Dodd, Mead, and Company, 1904), p. 156., Lib. Company. Annual Report, 2000, p. 40-2., Purchase 1999., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1851]
Location: Library Company of Philadelphia | Print Department political cartoons - 1851 - 2W [P.9739]

Title: Véritable extrait de viande Liebig La case de l'oncle
Description: Series of six captioned (in French) trade cards containing scenes from Harriet Beecher Stowe’s "Uncle Tom’s Cabin" to promote Liebig Extract of Meat. Cards depict scenes from chapters 4, 7, 12, 14, 17, and 41. Translated captions include: Aunt Chloe preparing corn cakes; Crossing the Ohio on floating ice, Elisa[sic] escapes from Haley; The fight against slave traders; The slave market; On the verge of drowning, Eva is saved by Tom; and the death of Tom. Scenes show enslaved African American woman “Aunt Chloe” at her brick stove, surrounded by three enslaved African American boys as the white adolescent son of her owner, George Shelby, teaches enslaved African American man and her husband "Uncle Tom" to write; enslaved African American woman Eliza Harris escaping white slave trader Mr. Haley with her son Harry in her arms as she runs across patches of ice on the Ohio River; Eliza Harris’s multi-racial husband George Harris shooting white mercenary Tom Loker in a chasm after departing his and his family’s shelter within a Quaker settlement and for Canada; the market of enslaved people attended by Haley following Eliza’s escape where a young enslaved African American boy stands for sale near a white man mercenary and an enslaved African American woman who reaches out for him; Tom swimming toward the flailing, young white girl Eva St. Clare, i.e. Little Eva, in the water near a dock and a steamboat lined with spectators watching the event; and an adult George Shelby visiting with a dying Tom who rests against a bundle amongst crates and straw within a shed after being beaten at the request of his white enslaver Simon Legree., Most of the African American figures are not caricatured in features or attire. Eliza and George Harris figures are depicted with fair complexions. Also depicts Tom as unbeaten in his "deathbed" scene. Von Liebig, a German-born chemist, who developed a manufacturing process for meat extract in 1840, established the Liebig Extract of Meat Company in 1865. The extract was marketed as an alternative to meat., Series title from items., Cards numbered No. 1 - No. 6., Printed lower right corners: Voir L'Explication au verso., Advertising text and explanation of the depicted scenes and their context printed in French on versos. Includes statement about the cards being distributed gratuitously with the purchase of Liebig extract., Majority of the cards contain a vignette depicting a jar of Liebig extract in the lower right corner. No. 1 contains the vignette in the upper left corner. No. 2 contains the vignette in the lower left corner, Date inferred from circa date of other trade card series issued by Liebig Company., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1904]
Location: Library Company of Philadelphia | Print Department trade cards - Liebig [P.2018.49.4a-f]

Title: Belmont and waterworks. Mount Pleasant, Fairmount Park, Philada
Description: Lithograph showing mules walking on towpaths pulling canal boats in the Schuylkill River in the foreground. Also shows distant views of West Fairmount Park properties, including Belmont Mansion, the estate house and country seat of Judge Richard Peters; the smokestack of the Belmont Waterworks engine house, designed by Frederick Graff in the late 1860s; and Mount Pleasant Mansion (i.e. Arnold Mansion) built after designs by Thomas Nevil 1761-1765 for Captain John Macpherson. Includes a locomotive traveling north on the west bank of the river in the right background. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title from item., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol 2086.F.7]

Main menu

Pages