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Title: Civil War era paper soldiers collection. [graphic].
Description: Originally part of a McAllister scrapbook of Civil War miscellanies., Collection containing cut-outs of and uncut sheets of Civil War era paper soldiers. Soldiers depicted with guns, knapsacks, drums, on horseback, carrying flags, during charges, and on the march. Majority contain the name of the regiment, including Advance Guard, N.Y. St. Vol., Col. Ab. Duryee (5th N.Y. Infantry); De Kalb Zouaves, N.Y. St. Vol. Capt. Duysing (41st N.Y. Infantry); Firemen Zouaves, N.Y. St. Vol., Col. Ellsworth (11th N.Y. Infantry); Green Mountain Boys of Vermont (Vermont National Guard); Highland Guard 79th Regt. L, Col. Elliott; Irish Zouaves, Capt. Francis (69th N.Y. Infantry); National Zouaves N.Y. St. Vol., Col. McChesney (10th N.Y. Infantry); New York Zouaves, N.Y. St. Vol., Col. Hawkins (9th N.Y. Infantry); Polnish Legion, Col. Pratt (31st N.Y. Infantry); Ninth Regiment, N.Y. St. Mil., Col. Stiles (83rd N.Y. Infantry); Steuben Girard N.Y. St. Vol., Col. Bendix (7th N.Y. Infantry); United Turner Rifles, N.Y. St. Vol., Col. M. Weber (20th N.Y. Infantry); 1st German Rifle Regt. NY. St. Vol. and 8th N.Y. German Rifles, Col. Blenker; 3d Reg. Missouri Voli, Col. F. Sigel; 6th Reg. of Massachusetts, Mass. St. Mil., Col. Jones; 6th Reg. Wilson's Zouaves, N.Y. St. Vol., Col. Wilson; 7th Regiment N.Y. St. Mil., Col. Lefferts; 55th Regiment, N.Y. St. Mil and French Zouaves, Col. Le Gal; 69th Regt. N.Y. St. Mil., Col. Corcoran; and 79th Regiment of N.Y. Also includes three uncut sheets of unidentified paper soldiers and a Revolutionary War paper soldier. Largest uncut sheet inscribed "N.Y. Zouaves" and published by New York firm Heerbrandt & Co. Three paper soldier wrappers published by New York firms McLoughlin Brother and G. Heerbrandt also included as part of the collection. Wrappers contain illustrations of soldiers, assembly instructions, and list of available series. Copies of soldiers illustrated on wrappers included in collection.
Date: [ca. 1861-ca. 1865]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Soldiers [5786.F.134a&c; (2)5786.F.5c; 182e; 183a-f; 184a, c, d; 186a-i; 187a, b, d, e; 188a-c, e-k; 189a, c-g; P.2005.2.10-11]

Title: Civil War Paper Soldiers Collection
Description: Collection containing cut-outs of and uncut sheets of Civil War era paper soldiers. Soldiers depicted with guns, knapsacks, drums, on horseback, carrying flags, during charges, and on the march. Majority contain the name of the regiment, including Advance Guard, N.Y. St. Vol., Col. Ab. Duryee (5th N.Y. Infantry); De Kalb Zouaves, N.Y. St. Vol. Capt. Duysing (41st N.Y. Infantry); Firemen Zouaves, N.Y. St. Vol., Col. Ellsworth (11th N.Y. Infantry); Green Mountain Boys of Vermont (Vermont National Guard); Highland Guard 79th Regt. L, Col. Elliott; Irish Zouaves, Capt. Francis (69th N.Y. Infantry); National Zouaves N.Y. St. Vol., Col. McChesney (10th N.Y. Infantry); New York Zouaves, N.Y. St. Vol., Col. Hawkins (9th N.Y. Infantry); Polnish Legion, Col. Pratt (31st N.Y. Infantry); Ninth Regiment, N.Y. St. Mil., Col. Stiles (83rd N.Y. Infantry); Steuben Girard N.Y. St. Vol., Col. Bendix (7th N.Y. Infantry); United Turner Rifles, N.Y. St. Vol., Col. M. Weber (20th N.Y. Infantry); 1st German Rifle Regt. NY. St. Vol. and 8th N.Y. German Rifles, Col. Blenker; 3d Reg. Missouri Voli, Col. F. Sigel; 6th Reg. of Massachusetts, Mass. St. Mil., Col. Jones; 6th Reg. Wilson's Zouaves, N.Y. St. Vol., Col. Wilson; 7th Regiment N.Y. St. Mil., Col. Lefferts; 55th Regiment, N.Y. St. Mil and French Zouaves, Col. Le Gal; 69th Regt. N.Y. St. Mil., Col. Corcoran; and 79th Regiment of N.Y. Also includes three uncut sheets of unidentified paper soldiers and a Revolutionary War paper soldier. Largest uncut sheet inscribed "N.Y. Zouaves" and published by New York firm Heerbrandt & Co. Three paper soldier wrappers published by New York firms McLoughlin Brother and G. Heerbrandt also included as part of the collection. Wrappers contain illustrations of soldiers, assembly instructions, and list of available series. Copies of soldiers illustrated on wrappers included in collection., Originally part of a McAllister scrapbook of Civil War miscellanies.
Date: [ca. 1861-ca. 1865]
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Soldiers [5785.F; 5786.F.134a&c; (2)5786.F.5c; 83a; 183b-f; 184a, c, d; 186a-i; 187a-e; 188a-k; 189a, c-g; P.2005.2.10-11]

Title: The military and historical portrait group of the officers of the Third North Carolina U. S. V. Infantry in the war with Spain, commanded by Colonel James H. Young. The first negro regiment ever organized and entirely officered by colored men
Description: Commemorative print containing a collage of portraits (after photographs) of members from the North Carolina regiment, one of the only African American commanded regiments, which was mustered into service July 23 1898. Sitters attired in uniforms. Portraits depict Maj. Andrew J. Walker; Maj. A. J. Haywood; Maj. J. E. Dellinger; Dr. David A. Lane; Lieut. Col. C. S. L. A. Taylor; Col. James H. Young; Chaplain Henry Durham; Adjutant E. E. Smith; 1st Lieut. Marcus W. Alston; Capt. James E. Hamlin; Capt. J. T. York; Capt. Joseph J. Hood; 1st Lieut. M. T. Pope; Capt. David J. Gilmer; Capt. William A. Carpenter; Capt. R. H. Alexander; Capt. P. H. Smith; Capt. S. O. Mason; Capt. Thos. Leatherwood; 1st Lieut. J. C. Graham; 1st Lieut. P. H. Haywood; 1st Lieut. H. S. Christmas; 1st Lieut. W. T. Powell; 1st Lieut. E. L. Watkins; 1st Lieut. H. T. Scott; 1st Lieut. H. L. Joyner; 1st. Lieut. J. W. B. Murphy; 1st Lieut. Harrison B. Brown; 2nd Lieut. H. H. Taylor; 2nd Lieut. Jacob J. Jones; 2nd Lieut. Gray J. Tool; 2nd Lieut. William E. Mitchell; 2nd Lieut. I. F. Moore; 2nd Lieut. T. L. Taylor; 2nd Lieut. J. I. Allen; and 2nd Lieut. Samuel F. Taylor. Also contains battle and camp scenes; an American eagle with a shield; biographies of the depicted officers, predominately businessmen and professional; and a brief history of the regiment captioned "A New Epoch In Our History.", Title from item., Date from copyright statement: Published and copyrighted, 1899. By Thomas L. Leatherwood, Asheville, N.C., Printed lower right corner: Agents Wanted in every Town, State or Country, to handle this Beautiful Souvenir Portrait Group., Accompanied by inscribed office stationery "From the Desk Of" Leon Candeub., Lib. Company. Annual report, 2005, p. 67-69., Gift of Helene Candeub, 2005., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kurz and Allison Art Studio
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - Spanish American War [P.2005.23]

Title: The result of the Fifteenth Amendment, and the rise and progress of the African race in America and its final accomplishment, and celebration on May 19th A.D. 1870
Description: Print commemorating the passage of the Fifteenth Amendment containing a large central scene of the celebratory parade held in Baltimore in May surrounded by several bust portraits and vignettes. Parade is led by several African American Zoaves down Monument Street, which is lined with African American and white men, women, and children spectators. Bust-length portraits of African American civil rights supporters above and to the sides of this scene include Abraham Lincoln; Baltimore jurist Hugh Lennox Bond; abolitionist John Brown; Vice-President Schuyler Colfax; President Grant; Pennsylvania representative Thaddeus Stevens; Maryland representative Henry Davis; Massachusetts senator Charles Sumner; Martin Robinson Delaney; Frederick Douglass; and Mississippi Senator Hiram Revels. Vignettes include a plantation scene depicting enslaved African American men and women working in a cotton field while a white man stands looking on titled, "we are in bondage, deliver us!; a Civil War battle with African American troops; a classroom with an African American man teacher and African American students titled, "Education will be our pride"; an African American congregation; and a parade of African American Masons holding banners., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1870 by Metcalf & Clark, in the office of the Librarian of Congress at Washington., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1870
Location: Library Company of Philadelphia | Print Department *political cartoons - 1870-2 [7764.F]

Title: The Fifteenth Amendment. Celebrated May 19th 1870
Description: Commemorative print celebrating the passage of the Fifteenth Amendment depicting a large central scene of the May 19, 1870 Baltimore parade surrounded by several portraits and vignettes. A float of young African American girls leads the parade in view of the city's Washington Monument. The parade consists of African American Zouave drummers, men in top hats on horseback, and ranks of troops. The portraits of African American civil rights supporters framing this scene include President Grant; Martin Robison Delany, the first African American Major; Frederick Douglass; Mississippi Senator Hiram Revels; Vice-President Schuyler Colfax; Abraham Lincoln; and abolitionist John Brown. The numerous vignettes, all captioned, include scenes of an African American classroom, an African American congregation, an African American wedding, an African American officer, an African American man reading to his family, African American masons, and an African American man voting., Title from item., Date from copyright statement: Entered according to Act of Congress in the year of 1870 by Thomas Kelly in the Office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro history, p. 78., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Beard was a respected illustrator most well known for his nature illustrations.
Creator: Beard, James C., designer
Date: 1870
Location: Library Company of Philadelphia | Print Department *political cartoons - 1870-4 [7765.F]

Title: [ Montage of caricatures satirizing Southern Democrats]
Description: Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]

Title: The battle at Bunker's Hill near Boston June 17, 1775
Description: Book illustration after John Trumbull's historical painting based on his eyewitness account of the battle while serving as a commissioned officer during the American Revolution. Dramatically depicts the scene of American Major General Joseph Warren's death proceeding the Americans' retreat from the hill. Amidst a melee of activity, Warren lies dying in the arms of an American militiaman who fends off a bayonnet pointed down over his body by an English soldier. British Major John Small restrains the bayonnet of his soldier as Americans Captain Thomas Gardner, holding a musket, Major Andrew McClary, and Colonel William Prescott stand guard over their fallen compatriot. Behind Small, British Major John Pitcairn, mortally wounded, is held up by Lieutenant William Pitcairn and to the far right American Lieutenant Thomas Grovesnor stands en garde shielding Peter Salem, an armed African American soldier who discharged the fatal shot at Pitcairn. British Generals William Howe, Henry Clinton, and Lieutentant Francis Lord Rawdon, flag in hand, continue the charge in the background. Other American soldiers involved in the battle include: Colonel Israel Putnam who gallantly leads the retreat; Rev. Samuel McClintock; Major Willard Moore, as well as several other free African American soldiers. American Lieutenant Colonel Moses Parker and British Lieutentant Colonel Sir Robert Abercromby lay dying., Published in John Howard Hinton's The history and topography of the United States of North America,... [LCP *Am 1834 Hinto, 11860.Q.1] and later editions., Printed below title: Vol. I. page . 226., Original painting at Yale School of Fine Art, New Haven, Connecticut., Described in Theodore Sizer's The works of Colonel John Trumbull (New Haven: Yale University Press, 1967), p. 95., Described in The Library of Congress' An album of American battle art, 1755-1918. (Washington, D.C.: The U.S. Printing Office, 1947), p. 27-30., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021., Gift of Dolly Maass, 2002.
Creator: Archer & Boilly, engraver
Date: [1834]
Location: Library Company of Philadelphia | Print Department GC - American Revolution [P.2002.14]

Title: The United States Centennial International Exhibition
Description: Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: United States, Bureau of Engraving and Printing
Date: [ca. 1872]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]

Title: On the march to the sea
Description: Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1868
Location: Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]

Title: Reading the Emancipation Proclamation
Description: Print depicting a white Union soldier reading the Emancipation Proclamation to families of enslaved African Americans in a cabin. The families are depicted with anxious and solemn mannerisms. Family members surround the officer near a dining table and hearth. An older boy holds a torch providing the officer with light. The father watches over the soldier's shoulder. Other figures, including a "young woman with two children, the house servant of her [enslaver], not belonging to the cabin but happened to be in on the occasion" pray, cheer, and cling to their mothers. Interior also includes a side of bacon hanging next to a ladder, a drying line with cotton balls handing from it above the hearth, and a cradle. Contains portrait of Abraham Lincoln below the image. The Emancipation Proclamation, effective January 1, 1863, granted African Americans not only their right to freedom but the right to join the Union Army., Title from item., Date from copyright statement., After painting by Henry Walker Herrick exhibited at the National Academy of Design in New York in 1865. Exhibited by "possessor" Lucius Stebbins., Publisher and copyright holder Stebbins published complementary pamphlet "Emancipation Proclamation of January 1st, 1864 [sic]" that included "Description of the Engraving." Description: Old man at the right with folded hands, Grand-father; Old lady at the left with cane in hand, Grand-mother; man leaning on ladder, the father; woman with child in her arms, the mother; lad swinging his hat, oldest son; one holding torch, second son; little girl, oldest daughter; infant in the arms of its mother. Young woman with two children, the house servant of her master, not belonging to the cabin but happened to be in on the occasion. Party reading, Union Soldier. The internal view of the Cabin is true to nature. The stone chimney, garret, ladder, side of bacon, rough cradle, piece of sugar cane and cotton balls, &c, all combine to give a correct idea of the slaves' home. Lincoln Financial Foundation copy of pamphlet accessible at Internet Archive., Lib. Company. Annual report, 1993, p. 44., LCP exhibition catalogue: An African American Miscellany p. 22., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lucius Stebbins (1810-1901), born in Massachussets, worked in Hartford, Connecticut, in the businesses of map coloring and subscription book publishing (American Publishing Company).
Creator: Watts, James W., -1895, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC-Emancipation [P.9429]

Title: Specimen sheet Union, patriotic and humorous designs upon envelopes
Description: Advertisement containing twenty-five examples of Civil War envelope vignettes published by King & Baird. Majority of the vignettes include titles and slogans. Designs depict the American flag; liberty, the American eagle; soldiers (including the martyred Colonel Ellsworth); caricatures of Brigadier General Henry A. Wise (former governor of Virginia), Jefferson Davis, and the Southern gentry; a portrait of Washington; an abolitionist scene showing the whipping of an African American man entitled "The persuasive eloquence of the Sunny South"; and a racist caricature of an African American man on all fours carrying a whip and asking in the vernacular, "Whar's Jeff Davis?" Also contains a description of the envelopes and shipping information, as well as the scale of prices ranging from "25 Assorted Envelopes, (25 kinds)" at 25 cents to 1000 at 5 dollars., Title from item., Text printed on recto: Single copies of this sheet will be mailed free of postage, upon receipt of six cents, by King & Baird, Book and Job Printers, 607 Sansom St., Philadelphia., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886 [5786.F.161a]. Accessioned 2002 [P.2002.45]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: King & Baird
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Civil War [5786.F.161a; P.2002.45]

Title: Cartes de visite reproductions of Civil War era sketches by H.C. Bispham
Description: Collection of fifteen cartes de visite of sentimental, satiric, and racist Civil War era scenes, predominately depicting white men soldiers, by Philadelphia artist Henry Collins Bispham. Includes scenes of soldiers flushing out a sharpshooter, engaged in battle, wielding a knife, being thwarted from stealing a chicken and honey, dozing on watch, and confronted on horseback by a growling dog, as well as contrasting views of a Union and Confederate amputee soldier returning home. Racist caricatures show an ape walking with a cane, Lincoln spoon feeding a white man soldier the "Black Draft," and a downtrodden Southern white woman on the defense with an enslaved African American man on crutches and an African American boy. Other images show Abraham Lincoln as a dog confronting opossum Jefferson Davis on a tree and an itinerant white man musician with a monkey and dog. One scene includes a zouave., Two of the images signed by artist., Thirteen of the images attributed to Bispham., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons - Bispham [5780.F.51 a, d, & h; 52a, l, p & q, u & v; 53 a,c, l&m, o&p]

Title: Heroes of the colored race
Description: Print commemorating men prominent in and representative of the advancement of African American civil rights. Depicts a central vignette of bust-length portraits of ex-Senator Blanche Kelso Bruce of Mississippi, abolitionist Frederick Douglass, and ex-Senator Hiram Revels of Mississippi surrounded by four scenes of pre- and post-Civil War African American life. Includes two titled scenes, "Receiving the News of the Emancipation" depicting an older African American man, two women, and children celebrating, and "Studying the Lesson" depicting an African American man teacher instructing a classroom of children. Adorning the borders of the central vignette are a portrait of John Brown flanked by a horn of plenty and school books, and an eagle holding American flags embellished with portraits of Abraham Lincoln, James Garfield, and Ulysses S. Grant. Other scenes depict enslaved African American men and women picking cotton and African American Civil War soldiers fighting a battle. Includes corner portraits of African American legislators John R. Lynch of Mississippi, Joseph H. Rainey of South Carolina, Robert Smalls of South Carolina, and Charles E. Nash of Louisiana., Lib. Company. Annual report, 1975, p. 60-61., Gift of Gordon Colket, 1975., Reaccessioned as P.9615., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1881
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [8140.F]

Title: Civil War certificates containing patriotic designs. [graphic].
Description: Two of the certificates contain manuscript notes about prices., Originally part of a McAllister scrapbook of Civil War miscellanies., Includes military enlistment certificates, a hospital discharge certificate, and a certificate of donation printed by Philadelphia printers King & Baird and Mclaughlin Brothers. Designs depict soldiers, the figure of Liberty, and the Constitution. Companies include Pennsylvania Volunteers; Philadelphia Fire Zouaves (72nd Regiment, P.V.); the 119th Regiment, P.V.; and First Regiment Reserve Brigade, P.V. Other organizations include Church of the Evangelists and Chesapeake General Hospital.
Date: 1861-ca. 1863.
Location: Library Company of Philadelphia Print Dept. Philadelphia certificates - Civil War [5786.F.65e&f;77b;128b&c;180a]

Title: Charge of the colored troops - San Juan
Description: Commemorative print of the Spanish-American War depicting members of the African American regiments of soldiers during the Battle of Kettle Hill, generally known as the Battle of San Juan Hill, on July 1, 1898. Shows, in the left and foreground, African American soldiers, three with head wounds, lying on the ground, on their knees, back, and side. They are portrayed with blood flowing from their wounds, and two likely portrayed to have been killed. Behind and near the men, their fellow soldiers charge, carry an American flag, aim and shoot, and/or engage in hand-to-hand combat with Spanish soldiers, many of whom lay or fall injured and/or dead. In the background, a military fort and charging Spanish soldiers under gun fire and explosions are visible. View also shows firearms, a drum, wagon wheel, and a crate laying in the grass of the battleground. The Spanish American War was the conflict between Spain and the United State originating with the Cuban War of Independence. Cuba gained independence and the United States acquired the territories of Puerto Rico, Guam, and the Philippine Islands from Spain. The regular army's four Black troops (9th and10th Cavalry and 24th and 25th Infantry) and thousands of Black men volunteers served during the war. African American troop's service during the war caused controversy within the African American community which still did not have equal civil rights as citizens of the United States. Nearly thirty Black soldiers from the 9th and 10th Cavalry and the 24th and 25th Infantry were killed during the battle., Title from item., Date from copyright statement: Copyright 1907 by James Lee Co. Chicago., Printed in lower right: 3838.
Date: 1907
Location: *GC - Spanish American War [P.2023.32.3]

Title: Civil War military campaign and battle maps
Description: Maps show troop movements; fortifications and battlegrounds; routes to and from sites of military engagements; headquarters and camps; local architecture; topography, including railroads, rivers, and roadways; state and county lines; towns, cities, and capitals; and vegetation. Two of the maps also include remarks by military surveyor T. Ditterline describing troop movements during the Battle of Gettysburg. Two maps contain portraits of prominent political and Union military figures including President Lincoln, William H. Seward, General George McClellan, General Winfield Scott, and General Robert Anderson., Includes Maps of the District of Columbia, Baltimore with Ft. McHenry, Ft. Monroe and the Atlantic States, with their Rail Road Connections, Coast Lines, &.; A Correct Map of Pensacola Bay Showing Topography of the Coast, Fort Pickens, U. S. Navy Yard and all other Fortifications from the latest Government Surveys; Sketch of Vicinity of Fort Fisher; Plan and Sections of Fort Fisher carried by assault by the U. S. Forces, Maj. Gen. A. H. Terry, Commanding, Jan. 15th, 1865; Colton’s United States Shewing(sic) the Military Stations, Forts &.; Map of the Seat of War, Supplement to P. S. Duval & Son’s Military Map showing the location of the present Military Operations (1861); Map of the Battlefield of Antietam; Battlefield of Chattanooga with the operations of the National Forces under the command of Maj. Gen. U. S. Grant during the battles of Nov. 23, 24 & 25, 1863; Field of Gettysburg, July 1st, 2nd & 3rd, 1863; Map of the Battle Ground of Manassas [i.e., Bull Run] from Actual Surveys by an Officer of Genl. Beauregard’s Staff Shewing [sic] the exact position occupied by Federal & Rebel forces in the battle of 21st July 1861; Battle of Gettysburg Showing the Position of the Two Contending Armies During the First, Second & Third of July 1863; Map of the Southern States including rail roads, county towns, state capitals, county roads, the southern coast from Delaware to Texas, showing the harbors, inlets, forts and position of blockading ships; and Part of Charleston Harbor: embracing Forts Moultrie, Sumter, Johnson, and Castle Pinckney, also Sullivan, James and Morris Islands and showing the position of the Star of the West when fired into from Morris Island. A Civil War era political map of Pennsylvania for the 1863 Governor's race and a Map of The Grounds and Design for the Improvement of The Soldiers’ National Cemetery, Gettysburg, Pa. 1863 also included as part of the collection., Various publishers and lithographers including W. Boell; J.H. Colton; P.S. Duval & Son; Engineer Bureau, War Dept.; Charles G. Kreb; Lithographers' Association of New York; E. Molitor ; L. Prang & Co.; George T. Perry; T.B. Pugh; J.G. Shoemaker; Jacob Weiss; and Benjamin Wrigley., Various surveyors and engineers including Brvt. Brig. Gen. C. B. Comstock; T. Ditterline; William Saunders; Private Otto Julian Schultze; Lt. Wm. H. Willcox; and members of the U.S. Coast Survey, including Captains F. W. Dorr and J. W. Donn, Maj. Morhardt, Capts. Ligowsky, McDowell, Jenney and Lts. Boeckh and Dahl, and U. S. Vol’s. Capt. Preston and C. F. West., Relief shown pictorially and by hachures., Majority of maps include a scale and a compass., Several maps include key to Union and Confederate troop positions., Two maps [5779.F.79a & 80a] contain insets. Insets show Washington, D.C.; Baltimore south to Annapolis, Maryland; Cairo, Illinois to Memphis, Tennessee; Pensacola Bay and the Gulf of Mexico; and the area from Winchester, Virginia to Morgantown, Maryland., Manuscript note on map 5779.F.107a: John A. McAllister from [D. McCoughy?], Originally part of McAllister scrapbooks containing Civil War views and Robert Anderson material., Digitized by Alexander Street Press for Images of the American Civil War.
Date: 1861-1865
Location: Library Company of Philadelphia | Print Department **maps - Civil War military campaign and battle [5779.F.76b; 79a; 80a; 81b; 82a; 83a; 84a; 85b; 86a; 97a; 99a; 107a; 108a; 121a; 5794.F; P.2006.1.28]

Title: Raw recruits, or, Abraham's daughter
Description: For voice and piano., Attributed to Septimus Winner in: Biographical dictionary of American music / Charles Eugene Claghorn, p. 480; work has also been attributed to Tony Emmett., Verses 3-5 printed on p. 5; bottom of page is signed: Clayton., "Entered according to Act of Congress in the year 1862 by Firth, Pond & Co. in ... the Southn. Dist. of N.Y.", Title page illustration is lithograph depicting caricatures of African American soldiers in assortment of uniforms, one holding a standard labelled "Raw recruits, Capt. Dan Bryant"; signed: Lith. of Sarony, Major & Knapp, 449 Broadway, N.Y., First line of text: first line: Some years ago I suppose you know., First line of chorus: And when he comes here to interfere., Publisher's plate #5206., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Winner, Septimus, 1827-1902, cmp
Date: 1862
Location: Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Raw 13649.Q

Title: Civil War Volunteer Saloons and Hospitals Ephemera Collection. 1861-1868 (inclusive)
Description: The Civil War Volunteer Saloons and Hospitals Ephemera Collection holds ephemera and a few pieces of correspondence (including letters to and from Samuel Bradford Fales, William M. Cooper, and Arad Barrows) that illustrate and describe the workings of the Cooper Shop Volunteer Refreshment Saloon, the Union Volunteer Refreshment Saloon, and both of their hospitals. The ephemera is somewhat similar for each group, and consists primarily of donation acknowledgements, event tickets and programs, flyers, and circular letters that the committees used to raise funds., At the start of the American Civil War, thousands of enlisted men from the northeast arrived in Philadelphia on their way to fight in the South. No government or military agencies had made provisions for feeding or caring for these transients, so Philadelphians citizens founded the Cooper Shop Volunteer Refreshment Saloon and the Union Volunteer Refreshment Saloon. Both saloons opened for service in late May 1861. At no charge to the servicemen, they provided meals, newspapers, bathing facilities, changes of underwear and socks, and assistance in writing letters to families. Between them, the saloons operated twenty-four hours a day and depended solely on contributions of time and goods from neighborhood citizens and merchants. Those donations were supplemented by funds raised at a benefit fairs, concerts, and lectures held around the city, some of which benefited both organizations.
Creator: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861
Location: Library Company of Philadelphia | Books & Other Texts MSS McA 5778.F (McAllister)

Title: The fourth entertainment of the Geary Thespian Corps, of the 28th Regiment, Penn'a Vol's, (Col. John W. Geary,) will be given in commemoration of Washington's birth-day, at Camp Goodman, Point of Rocks, Md. on Saturday evening, February 22, 1862, (or if inclement, on the first fair evening) at six o'clock. ... The drama, in three acts, of Don Caesar de Bazan. ... The farce of Turning the tables. ... Ethiopian melange. ... Concluding with a grand national tableau vivante, by members of the corps. Introducing Vive l'America, by the band. The principal dresses used in Don Caesar de Bazan, have been kindly loaned the regiment by S. Samuels Sanford, Esq., of Sanford's Opera House, Philadelphia, to whom the corps is much indebted
Description: The 28th Infantry Regiment of the Pennsylvania Volunteers was organized in June 1861 and mustered out July 18, 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 418, and F.H. Taylor, Philadelphia in the Civil War 1861-1865, p. 57., Printed area, including ornamental border, measures 31.6 x 11.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Geary Thespian Corps
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Geary (2)5786.F.144a (McAllister)

Title: Ford's Theatre Tenth Street, above E. Season II. Week XXXI. Night 196 Whole number of nights, 495 John T. Ford proprietor and manager (also of Holliday St. Theatre, Baltimore, and Academy of Music, Phil'a.) Stage manager J.B. Wright Treasurer H. Clay Ford Friday evening, April 14th, 1865 Benefit! and last night of Miss Laura Keene the distinguished manageress, authoress and actress, supported by John Dyott and Harry Hawk. Tom Taylor's celebrated eccentric comedy, as originally produced in America by Miss Keene, and performed by her upwards of one thousand nights, entitled Our American cousin ... Patriotic song and chorus "Honor to our soldiers." ... Words by H.B. Phillips; music composed and arranged by Prof. William Withers, Jr.; ... Saturday evening, April 15, benefit of Miss Jennie Gourlay when will be presented Bourcicault's great sensation drama, The octoroon Easter Monday, April 17, engagement of the young American tragedian, Edwin Adams for twelve nights only
Description: Playbill for Our American cousin the night of Lincoln's assassination., Library Company copy imperfect: wanting all before "Season II."; inscribed: This programme was picked up by me in the private box of Mr. Lincoln, on the night of the assassination. F.L. Sarmiento; originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Ford's Theatre (Washington, D.C.)
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Ford 1865 5792.F.95b (McAllister)

Title: The bloody massacre perpetuated in King Street, Boston, on March 5th, 1770, by a party of the 25th Regt
Description: Depicts a scene during the "Boston Massacre" of March 5th, 1770 in which an officer signals seven British soldiers to fire into a mob of protesting colonists. The wounded lie on the ground or are carried away by the crowd. A woman in a shawl observes the carnage. Eighteen lines of verse criticizing the actions of the British and a list of colonists killed or injured appear below the image: "Saml Gray, Saml Maverick, James Caldwell, Crispus Attucks, and Patk Carr (killed) and it is noted that there were "Six wounded; two of them (Christr Monk & John Clark) Mortally." Crispus Attucks, included in the list of colonists but not transparently depicted, was a free man, sailor, and the alleged leader of the crowd who was the first colonist shot and killed., Title from item., Most well-known of Paul Revere's prints, and a nearly identical copy of a print entitled "The Fruits of Arbitrary Power, or the Bloody Massacre" by Henry Pelham who accused Revere of piratism., Facsimile based on the original by Revere., Inscribed: Copy Right Secured., One of the prints originally part of a McAllister scrapbook of views of Massachusetts. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Revere was a Boston silversmith, engraver, and cartoonist, most known for his patriotic activities during the American Revolution.
Creator: Revere, Paul, 1735-1818, artist
Date: March 5, 1832
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1770-1 [1884.F.25; 5738.F.8]

Title: View of the Philadelphia volunteer refreshment saloons
Description: Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
Creator: Queen, James Fuller, 1820 or 1821-1886, artist
Date: 1861
Location: Library Company of Philadelphia | Print Department **W434 [P.9001.6]

Title: The shackle broken - by the genius of freedom
Description: Print containing a montage of vignettes and quotes supportive of African American civil rights centered around a scene of "Hon. Robert B. Elliott, of South Carolina, delivering his great speach [sic] on 'civil rights' in the House of Representatives, January 6, 1874" to the packed floor of white and African American Congressmen and balcony of spectators. Contains an American flag inscribed with the quote, "What you give to one class, you must give to all. What you deny to one class, you shall deny to all;" scenes of African American soldiers, officers, and sailors; statues of Lincoln holding his "Emancipation Proclamation" and Senator Charles Sumner holding his "Bill of Civil Rights;" and quotes referring to African American participation in the Civil War. Also contains a scene espousing "free labor is the present, slave labor is the past" with an African American family at their homestead where they "toil for [their] own children and not for those of others.", Title from item., Date from copyright statement: Entered according to act of Congress in the year 1874 by E. Sachse & Co. Baltimore in the office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro History #213., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E. Sachse & Company, a Baltimore lithographic firm active until the 1870s, was operated by Edward Sachse (also a painter), his brother William, and relative Theodore. The company produced numerous folio sized views.
Creator: E. Sachse & Co., lithographer
Date: 1874
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1874-1 [P.9653]

Title: True blue
Description: Poster commemorating the service of African American men during World War I. Shows an African American family gathered in a living room decorated with floral wall paper and looking at the framed portrait, hung above a fireplace, of an African American service man, likely the father of the family. In the right, the mother, attired in a beige sheath dress, holds a toddler attired in white pajamas in her arms while her daughter, attired in a white night gown, and holding a black baby doll in her left hand, stands next to her. The daughter stands in front of her older, seated brother. The older son, attired in a beige uniform, sits in an arm chair. The toddler and daughter reach and point toward the portrait on the wall. Decorative flags adorn the upper edge of the framed portrait showing the man in uniform. A fire burns in the fireplace and a portrait of George Washington, a portrait of Woodrow Wilson, a vase of flowers, a bust, and a clock adorn the mantle. On the wall to the right of the father's portrait, hangs a framed portrait of Abraham Lincoln. A patterned rug, a cat asleep by the fire, and a window displaying a service flag comprise the scene as well. Sheer curtains and a bowl-shaped vase of flowers also adorn the window., Name of publisher and date from copyright statement: [copyright symbol of "c" in circle] 1919 By E. G. Renesch, Chicago., Description revised 2022., Access points reviewed 2022.
Date: 1919
Location: Library Company of Philadelphia | Print Department *GC - Soldiers [P.2016.61]

Title: National Farm School for children of colored soldiers and colored orphans - Eastern Branch, Washington, D.C Established March 1866, by H. de Mareil, editor & proprietor of the Messenger Franco American. Incorporated by act of Congress 25th July 1866
Description: Landscape view depicting the National Farm School founded in 1866 by Henrie De Mareil of New York and situated on a hilly plot of land with trees, bushes, meadows, and cleared fields. Shows, in the center foreground, three African American children harvesting wheat under the guidance of a white, bearded man. Behind them, two men plow a field with horse-drawn tractors across from individuals binding sheaths of wheat in an open field near a dirt path. In the foreground, cows stand and/or drink in a pond. In the left background, two individuals plow a field with horse-drawn tractors. In the distance center and left background, people mill in front of dwelling, farm, and school-like buildings standing in front of grassy hillsides. The school-like building (center background) is adorned with two flags, a French and an American one. Incorporated by Congress in July 1866, the mission of the school was to provide "normal and school education, as well as a practical knowledge of farming in all its branches" to "orphan and dependent children of colored soldiers, and of other colored orphans." By November 1866, the school was under construction and had fifty pupils. That month, the French Opera Comique Troupe held a benefit concert for the school in Philadelphia that was reported to "not have been as well attended as it should have." By May 1867, the school was reported to still be under construction in order to accommodate two hundred pupils who after "two or three years course [are] to take any position, from a valuable field hand, to a market-man and overseer upon the plantations of the South or the great farms of the West.", RVCDC, LCP copy contains repaired tears around the edges,, See "Amusements," Philadelphia Inquirer, November 16, 1866, p. 3., See "Academy of Music," Press, November 20, 1866, p. 8., See "Freedmen's National Farm School," Helena Weekly Herald, May 2, 1867, p. [2]., See 39th Congress, 1st Session, H. R. 802.
Date: [1866]
Location: Library Company of Philadelphia | Print Department *GC - Education [P.2023.4]

Title: Offering of bells to be cast into cannon
Description: Partisan genre scene depicting a Southern white man pastor and members of his congregation presenting church bells to a Confederate officer at the hearth of an enslaved African American man blacksmith. In the left, the officer holds his cap in his hand as the blacksmith, attired in a long apron (doffed cap as well), bends over to grab one of two bells near his feet. Candlesticks and andirons lie in a pile under the hearth and to the left of the officer. In the right, congregants stand behind the pastor attired in robes and a wide-brimmed hat, and include a woman attired in a fancy dress and cape, men in suits and top hats, and a man dressed in yeoman's clothing. In the background, an enslaved African American man carries a cylinder-shaped object over his shoulder and church towers are visible. In 1862, Confederate General P.T. Beauregard called for bells to be given to the Confederacy to be melted into cannon. Several churches in North Carolina donated them., Inscribed upper left corner: 19., Inscribed in lower left corner: AJV; FBM., Issued as plate 19 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., Description revised 2021., Access points revised 2021.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 19 [2990.F.20]

Title: Smuggling medicines into the South
Description: Partisan genre scene depicting the unloading of a rowboat with medical supplies along a shoreline near dense thickets of trees. In the center, a white man Confederate military officer keeps the boat moored through a rope in his hand. He looks back toward a white man, possibly a doctor, climbing down from a tree. An enslaved African American man (his back to the viewer), ankle deep in the water, holds a wooden pole on the shore as a lever as a white man in civilian clothes rolls a barrel toward a Confederate soldier (his back to the viewer). The soldier places sacks on the back of a mule. A sack, crate, and barrel lie near the mule. Volck was active in smuggling medicines into the South across the Potomac River in response to the Union's ban of the passage of medical supplies to the South., Inscribed upper left corner: 18., Issued as plate 18 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., Description revised 2021., Access points revised 2021.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 18 [2990.F.21]

Title: Civil War Manuscripts, 1854-1868 (inclusive)
Description: The collection holds disparate letters and documents pertaining to both military and naval officials, and civilians, active during the Civil War. There are small groups of material relating to the careers of five Union men who functioned at various levels in the war: an army colonel, William Watts Hart Davis; a navy surgeon, James McClelland; a soldier from Philadelphia, J. Ridgway Moore; an army general, Lovell Harrison Rousseau; and a Union spy, Richard Wilcox. There are also ten prisoner-of-war letters written by Confederate soldiers being held in Indianapolis, IN, and Columbus, OH. Much of the material was removed from military office files during the war and sent to the collector, John A. McAllister in Philadelphia., Additional Civil War-related autographs, clipped from letters and documents, are in the McAllister Autograph Collection (McA MSS 022)., On deposit at the Historical Society of Pennsylvania, 1300 Locust Street, Philadelphia, PA 19107. For service, please contact the Historical Society at 215-732-6200 or http://www.hsp.org., Some of the items in this collection were previously assigned accession numbers 5786.F, 5787.F, and 5795.F., John A. McAllister was an antiquarian collector living in Philadelphia.
Creator: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1854
Location: Library Company of Philadelphia | MSS McA MSS 024, https://digital.librarycompany.org/islandora/object/Islandora%3A64502#page/1/mode/1up

Title: John Brown - the martyr. Meeting a slave mother and her child on the steps of Charlestown jail on his way to execution. Regarding them with a look of compassion Captain Brown stooped and kissed the child then met his fate
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother on the radical abolitionist's walk to the gallows in December 1859. Shows Brown, his hands tied behind his back, standing at the door of the Charles Town, Virginia jail gazing compassionately upon the barefooted mother and her child seated to the side of him on a stair railing. In front of them stands a stern-faced, white man soldier waiting impatiently for Brown's descent down the steps., Title from item., Date from copyright statement., Access points revised 2021., Purchase 1969., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1870
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7811.F]

Title: Marion crossing the Pedee Engraved from the original picture in the possession of the American Art-Union
Description: Historical print showing Brig. Gen. Francis Marion, known as the Swamp Fox, during the American Revolution and commanding a raft down the river in between one of his guerilla attacks in South Carolina. Marion, wrapped in a cloak, on horseback is surrounded by his band of volunteer soldiers, horses carrying light equipment, and a few dogs on the raft. The men include Marion's enslaved man Oscar Marion holding the reigns of his horse and another African American man rowing the raft with an oar. A few of the soldiers hold the reigns of horses swimming through the river. A second raft is visible in the background., Title from item., After an 1850 painting by William Tylee Ranney in the collections of the Amon Carter Museum, Fort Worth, TX., One of six prints issued in 1851 for the members of the American Art-Union in New York., Trimmed., Gift of David Doret, 2006., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Burt, Charles Kennedy, 1823-1892, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.2006.28.22]

Title: [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
Description: View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting the Union and emancipation covers the front of the building including a representation of the symbolic Federal Arch adorned with an inscription; a battle scene with African American soldiers; an auction of enslaved people; and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover, 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40h)., Accessioned 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1864]
Location: Library Company of Philadelphia | Print Department photo - unidentified - events [P.2000]

Title: A Head for Military Distinction.
Description: A Union soldier reads a copy of "Hardee's Tactics," a manual popular during the Civil War. His uniform is patched, and he has sideburns and facial hair stubble. "Burnside" refers to Union General Ambrose Burnside, whose style of facial hair came to be known as sideburns., Text: Be dad, and I'm after an officer's place, / And I think I am just the bold boy, / That can show old Burnside the way to advance, / And give the whole country much joy., Provenance: McAllister, John A. (John Allister), 1822-1896, collector., Provenance: Burnside, Ambrose Everett, 1824-1881., Provenance: Hardee, William Joseph, 1815-1873. Rifle and light infantry tactics
Date: [1861-1865?]

Title: A Recruiting Officer.
Description: A soldier stands at a bar drinking a tankard of beer. A sign behind him reads, "Wanted Recruits for the Army." The valentine mocks the recruiting officer for using alcohol to recruit unfit men., Text: Gentility, neatness and courage / In a warrior I hold to be dear / But uniform don't make the soldier / Nor a coward get courage from Beer., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: The Wounded Soldier.
Description: A Union soldier plays cards with another man. The soldier holds up a bandaged finger, and behind him is a bar with a sign that reads "Lager." The text suggests that the soldier's injury is minor and he's using it as an excuse to avoid fighting., Text: Soldier, O Soldier! what brought you home so soon? / Can you spend your time not better than in a gambling saloon? / To Skedaddle for the wound that on your finger you've got, / Is the excuse of a coward, and you may go to pot.. / For sooner than be the Valentine of such a cowardly elf, / I'd go and face the enemy, were I sure to be shot myself., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Return of a Three Year's Volunteer.
Description: A Union soldier stands near a doorway and observes his wife changing his child's diaper. The valentine suggests that the realities of domestic life are shocking after military service., Text: Your time is up and you have come, / With blast of bugle -- roll of drum, / What meets your gaze? your tidy wife, / And the stern realities of life., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: To a Heavy Dragoon.
Description: A large Union dragoon rides on a small horse. "Old Dobbin" was an affectionate name for horses. The valentine mocks his poor horsemanship., Text: Men don't ride, my dear friend, to the red scene of slaughter, / Just as if they were taking old Dobbin to water; / You seat in the saddle is loose and ungainly, / Turn your knees in, and don't to your stirrups trust mainly; / Like an ox-goad don't carry that good piece of steel, stir, / Nor back into the next horse's chest when you wheel sir! / I know from the country you're fresh, but with training / There will soon be no trace of the rustic remaining; / If your heart's in the cause, all the rest will come easy, / But in hopes you'll improve. / If you do, I incline, sir, / To have you -- next year-- for my true Valentine, sir., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: To Mars, the soldier's god of war,
Description: A simian-faced Union soldier rides on a horse., Text: To Mars, the soldier's god of war, / You may perform your duty, / But you too great a blockhead are, / For Venus, queen of beauty., "462", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: To a Zouave.
Description: A Union soldier wears a Zouave uniform and holds two pistols out. He has a pistol tucked into his belt, and his sword scabbard hangs away from his body. A smoking cannonball lies between his feet and a bullet is near his head., Text: Hero! how my fond heart doats / On your trowser petticoats; / On your leggins, tight and trim; / On your cap without a brim; / On your lip of hair prolific, -- / Arab-Yankee-- you're terrific! / There's a wild light in your eye--/ Is it valor? Is it rye? / O! beware of whisky-skin, / Brains go out as that goes in. / Sober keep, and by the Nine! / You shall be my Valentine., Cf. Valentine 13.45., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Fee! Faw!! Fum!!!
Description: A Union soldier's head is shaped like a bomb, and his mouth is a smoking fuse. He stands next to a cannon. The title references the fairytale Jack and the beanstalk. The valentine mocks the soldier for his unappealing bad temper., Text: Who'd marry a man with a head like a bomb, / And a mouth with a smoking fusee? / What woman with him her life would trust, / For his head might at any moment burst, / And then, where would she be?, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Would-Be Hero.
Description: A Union soldier holds a long sword and draws it out of its scabbard. The sword is taller than the soldier., Text: So you want to get on McLellan's staff; / The though is enough to make any one laugh-- / Why, can't you see, you diminutive elf, / That your sword is almost as big as yourself? / Though you never will use it, / You should not abuse it, / And bang it about as you do; / For a sword of that size, / A man of your size, / From its scabbard never yet drew., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Bold Soldier Boy.
Description: The valentine shows a Union soldier with a long moustache. He wears glasses and holds a pipe that extends to the floor. His chest is puffed up, and his legs are thin. The valentine satirizes his lack of bravery, childishness, and excessive stylishness. "Bully Russell" refers to the journalist William Howard Russell, the correspondent for the London Times., Text: You went to war to see the fun, / Now what the d---l made you run; / You ran so fast from all the bustle / You were only beaten by bully Russell., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: A Reconnoiterer.
Description: The back of a woman's skirt is lifted to reveal her crinoline and her legs. A Union soldier bends down to look, unaware that a dog is sniffing his rear., Text: You were sent as a scout to try to discover, / If the enemy's troops were crossing the river, / But your eyes are engaged with the girl on the fence, / While the dog does the duty of reckon-i-scents., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: To a Picket Guard.
Description: A soldier lies asleep with his arm around a barrel of lager and a rifle, or "yager," resting on him. The "picket guard" means guard duty for the regiment, and the sender criticizes the recipient for neglecting his military duty., Text: Asleep on your post! Mister Sentry, O fie! / What, ho! sir, wake up! rise and shoulder your yager, / Before thus laid low I supposed you got high / On repeated libations of brain-muddling lager. / Be stirring, be stirring, the guard on their round / Will soon -- as in duty bound -- visit the spot, sir, / And should you asleep by your comrades be found, / They'd report you, and then-- why, of course, you'd be shot, sir!, Cf. Valentine 8.25., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: What man is he that loveth not renown;
Description: A large soldier wears a large plumed hat and a blue jacket decorated with flowers and a sash. He carries a sword., Text: What man is he that loveth not renown; / Out on him for a booby or a clown! / Fortune and women love the soldier brave, / But love not him who'd be a willing slave. / For me thou art the man brave soldier mine, / And I accept thee for my Valentine., "104", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: You belong to the Sappers and Miners, `tis said,
Description: A Union soldier holds a pickaxe and wears a helmet. The valentine mocks his occupation as a miner before the war, and the sender rejects the recipient because of his social status., Text: You belong to the Sappers and Miners, 'tis said, / And you work in the trenches with pickaxe and spade; / An old spade and pitchfork you wielded at home, / And with ash-cart and blind horse the city did roam; / On 'taters and cabbage you daily did dine, / And you'll die in despair if you want to be mine., "517", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: To a Volunteer.
Description: A Union soldier puts snuff in his nose and leans his rifle against his arm. Dead soldiers lie around him, and cannonballs are in the air and on the ground., Text: To make folks think you're bold and brave, / You swear your country you will save, / And fiercely charge upon her foes, / But first you'll stop to charge your nose; -- / Like the dog that lost the rabbit. / When taken short, -- as was his habit; / This application suits me fine, / That I can't be your Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: As you stand there so quietly, in repose.
Description: The soldier stands in front of a cannon and wears a gray Confederate uniform. Vanity and inaction effeminize him. L. Prang & Co. first appeared in the Boston city directory for 1863., Text: As you stand there so quietly, in repose, / No doubt you think that you are very fine. / You'd rather slaughter ladies' hearts than foes. / I'd hate to love so vain a Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1863-1865?]

Title: A Raw Recruit.
Description: The Union recruit stands with his musket over his shoulder. His jacket is too large for him and makes him look childish., Text: A raw recruit my taste don't suit, / Althought he should make me a queen-- / And I see from your face, / And your unnatural grace, / That you are too awfully green., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: A Cavalry Dandy.
Description: The cavalry dandy has his face turned upward. His facial hair consists of sideburns and a moustache. He wears large star-shaped spurs and carries a large sword., Text: When mounded [sic] on your blooded steed, / You look both bold and fine indeed; / But when your foremost in the fray, / Be sure you do not run away., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: A Fancy Soldier.
Description: A man in a green and red uniform looks into a tube, possibly a gun or cannon. He holds a monocle over his eye, carries a walking stick, and has long hair, suggesting that he is a dandy. The sender criticizes the recipient for posing as a soldier and suggests that he is effeminate., Text: Your swashing gate and vacant stare, / Pleased fools in times of peace, / But since afraid to go to war, / Put off the duds and cease., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

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