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- Title
- A Raw Recruit.
- Description
- The Union recruit stands with his musket over his shoulder. His jacket is too large for him and makes him look childish., Text: A raw recruit my taste don't suit, / Althought he should make me a queen-- / And I see from your face, / And your unnatural grace, / That you are too awfully green., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
- Date
- [1861-1865?]
- Title
- A Cavalry Dandy.
- Description
- The cavalry dandy has his face turned upward. His facial hair consists of sideburns and a moustache. He wears large star-shaped spurs and carries a large sword., Text: When mounded [sic] on your blooded steed, / You look both bold and fine indeed; / But when your foremost in the fray, / Be sure you do not run away., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
- Date
- [1861-1865?]
- Title
- A Fancy Soldier.
- Description
- A man in a green and red uniform looks into a tube, possibly a gun or cannon. He holds a monocle over his eye, carries a walking stick, and has long hair, suggesting that he is a dandy. The sender criticizes the recipient for posing as a soldier and suggests that he is effeminate., Text: Your swashing gate and vacant stare, / Pleased fools in times of peace, / But since afraid to go to war, / Put off the duds and cease., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
- Date
- [between 1840 and 1880?]
- Title
- Baxter's Handbuch des Freiwilligen Scott's Taktik. Enthaltend eine Rekruten, in den Schulen des Soldaten und des Trupps und sum Gebrauch der Heim-Garde (Home Guard.) Mit über hundert Illustrationen. Von Lieutenant-Colonel. D.W.C. Baxter. Herausgegeben von King und Baird, No. 607 Sansomstrasse, Philadelphia. Einzelne Exemplare 25 Cents.---Heir zu haben
- Description
- Baxter's Handbuch des Freiwilligen, a German translation of De Witt Clinton Baxter's Volunteer's manual, was published by King & Baird in 1861., Printed in red, blue, and black., The illustration shows a soldier standing at attention beside a cannon, with a camp is in the background and two U.S. flags in the foreground., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- King & Baird, printer
- Date
- [1861]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare #Am 1861 King (6)5777.F.30a (McAllister)
- Title
- A Union service of all the churches of Bethlehem will be held on Thursday evening, Aug. 21, at half-past seven o'clock, at the Moravian Church, for the formation of a Chaplain's Aid Society, the object of which shall be to furnish Bethlehem's quota of books, papers, tracts, etc. for the 46th and 129th Regiments Pa. Volunteers. Rev. Wm. Henry Rice, chaplain of the 129th Regiment, will present the matter in full, and the clergy of the town will be present to address the meeting on the important subject of the moral and religious interests of our absent soldier boys. All are urged to attend
- Description
- Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Chaplain's Aid Society (Bethlehem, Pa.)
- Date
- [1862]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare #Am 1862 Chaplain (6)5777.F.90a (McAllister)
- Title
- [Caricature of the capture of Jefferson Davis May 10, 1865]
- Description
- Photographic reproduction of a caricature satirizing the unusual circumstances of the capture of the Confederate president, detained by Union cavalry troops on May 10, 1865, while wearing his wife's overcoat and shawl as a disguise. Depicts Davis being inspected by Union soldiers as he emerges from a tent, holding a basket, while attired in a hood and skirt. His wife, Varina Davis, stands next to him and an African American servant, portrayed in racist caricature with grotesque features, peers from behind the tent flap. Bottles and a case marked "Silver Spoons, C.S.A." (an allusion to Jefferson's safeguarding of the remaining Confederate treasury) lay on the ground in front of the tent. Also shows a saddle hanging in a tree to the right of the tent., Title supplied by cataloger., Date from copyright statement: Entered according to act of Congress, in the year 1865, by Francis Hacker, in the Clerk's Office of the District Court of Rhode Island., Originally part of a McAllister scrapbook of Jefferson Davis and Confederate material. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See related carte de visite: cdv - miscellaneous - Civil War - Caricatures & cartoons - [P.2016.63].
- Creator
- Hacker, Francis
- Date
- 1865
- Location
- Library Company of Philadelphia | Print Department photo - Hacker [5795.F.15a]
- Title
- Dear mother I've come home to die song and chorus
- Description
- First line of text: Dear mother, I remember well the parting kiss you gave to me, First line of chorus: Call sister, brother to my side, For high voice and piano, with chorus refrain., "To Mrs. Wm. E. Doubleday, Brooklyn L.I.", Publication date based on date in advertisement., Verses 2-3 printed as text on p. 5., Advertisement: Popular vocal and instrumental music published by Firth, Son & Co., no. 1, 1864, last page., "Warren, Stereotyper, 43 Centre, N.Y.", Price mark 3 1/2 is printed in an 8 pointed star on t.p., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Tucker, Henry, 1826?-1882, cmp
- Date
- [1864?], c1863
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Dear 11377.F
- Title
- Jeff . Davis in prison
- Description
- Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1865
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]
- Title
- Jeff . Davis in prison
- Description
- Anti-Davis cartoon invoking the travesties at Confederate war prisons to satirize the incarcerated former Confederate president as a pompous, sniveling ingrate. Shows Davis, attired in a suit, and his feet shackled, in his cell, in front of a table containing his modest meal and complaining to the prison doctor. He bemoans his being unaccustomed to such living and that "you must order some more healthy food, or I shall starve to death." The doctor responds it is "good healthy food, such as our soldiers are fed on" and that their recent achievements prove it is "tolerably healthy." In the left, an older African American man cook, portrayed in racist caricature, announces in the vernacular "Massa Jeff! de dinner is ready." Two Union soldiers retort and reply "It's unhealthy is it! You didn't think that a pint of cornmeal was unhealthy when we were at Andersonville." The other angrily remembers "Rotten sowbelly and mouldy hard tacks was considered 'healthy food' when I was in "Libby" and Belle Island., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1865 by Gibson & Co. in the Clerk's Office of the District Court of the United States for the Southern District of Ohio., Purchase 2008., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1865
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1865-Jef [P.2008.5.1]
- Title
- Third entertainment of the Geary Thespian Corps, of the 28th Regiment, Penn, Vol's, (Col. John W. Geary,) at Camp Goodman, Point of Rocks, Md. on the evening of January 21st, 1862, at six o'clock. ... The drama, in two acts, of The last man, or The miser of Eltham Green. ... To conclude with The Toodles
- Description
- The 28th Infantry Regiment of the Pennsylvania Volunteers was organized in June 1861 and mustered out July 18, 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 418, and F.H. Taylor, Philadelphia in the Civil War 1861-1865, p. 57., Printed area, including ornamental border, measures 23.8 x 10.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Geary Thespian Corps
- Date
- [1862]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Geary (2)5786.F.144b (McAllister)
- Title
- Old '76 and young '48 From the original picture in the possession of the American Art-Union
- Description
- Mexican War-era genre print evoking the memory of the American Revolution depicting a young, white man Mexican War soldier returned home to his family, including his grandfather, a Revolutionary War veteran. In a parlor, the young man, attired in his uniform, sits, turned away from his meal, surrounded by his mother, father, sister, grandfather, and family dog. He raises his hand in the air as he regales his family about his experiences. They all look at him intently, except the grandfather, seated in an arm chair, and leaning on a cane, who stares a little off to the side. In the background, three servants (two African American men and an African American woman) listen from the doorway. A portrait painting of the grandfather as a young man in his military uniform hangs on the wall. In the left, a fireplace with mantle is visible. Above the mantle, a framed print reproduced after Trumbull's painting "Declaration of Independence" is displayed near lamps, a clock, and a bust of Washington on a bookcase. Also shows the soldier's cap and sword lying on the floor in the foreground., Title from item., After an 1849 painting by Robert Caton Woodville in the collections of the Walters Art Museum, Baltimore., One of six prints issued in 1851 for the members of the American Art-Union in New York., Gift of David Doret, 2006., Description revised., Access points revised., Described in the Bulletin of the American Art-Union, June 1850, p. 46., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Pease, Joseph Ives, 1809-1883, engraver
- Date
- 1851
- Location
- Library Company of Philadelphia | Print Department *GC - Mexican War [P.2006.28.23]
- Title
- P. S. Duval's lithographic establishment & office of the U. S. Mility. Magazine by Huddy & Duval, No. 7, Bank Alley, Philadelphia
- Description
- Illustration printed on upper half of stationery paper pasted onto front flyleaf of magazine volume. Includes hand-written form letter under the illustration signed by William M. Huddy and P. S. Duval outlining prices of "coloured" versus "plain" plates. Illustration depicts the four-story corner lithographic establishment of P. S. Duval and the headquarters for the United States Military Magazine at the northwest corner of Bank Alley and Dock Street (i.e., 227 Dock Street). A signboard for a house painter adorns the adjacent property facing Dock Street and "Birch's Auctions" occupies the property at the west end of Bank Alley facing Third Street. A row of cavalry soldiers faces east on Dock Street, as pedestrians, soldiers on foot, and a dog congestl the sidewalks in the foreground. The portico and columns of a stately building, probably part of the Merchant's Exchange, are visible across from Duval's establishment. Dock Street building was demolished in 1924., Published in the Military magazine and record of the volunteers of the city and county (Philadelphia, Pa.: [Published by William M. Huddy], 1839)., Duval & Huddy published the military fashion periodical, "U.S. Military Magazine," between 1839 and 1842. P.S. Duval occupied 7 Bank Alley between 1835 and 1848., Philadelphia on Stone, POSA 78, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *Per M 102.3 5531.Q, vol. 1.
- Date
- 1839
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare W262 [*Per M 102.3 5531.Q v. 1], http://www.lcpimages.org/wainwright/W262.htm
- Title
- View of the reception of the 29th Regiment, P. V., at Philadelphia
- Description
- An innovatively designed view of the December 23, 1863 procession of the Pennsylvania Volunteer regiment in honor of their heroic service with the Army of the Potomac. Depicts the procession as a serpentine with the order of procession arranged from top to bottom, with a large eagle, holding an American shield, and patriotic flags by the "Ladies for the 29th" flanked by banners reading "Welcome Home" above the entire view. Soldiers on horseback lead the procession, followed by infantrymen transported in horse-drawn wagons, with one also pulling a cannon, which are followed by a small brass military band. After the musicians, the 29th Regiment marches on foot, some carrying flags, amongst which additional military bands and officers on horse-back also process. Horse-drawn volunteer fire company ambulances carrying soldiers follow the troops, including the vehicles of Northern Liberty Fire Co. no. 1, Vigilant Fire Co., Assistance Fire Co., Weccacoe, Southwark Hose Co., and Hope Hose Company. Along the route men, women, and children watch and join the procession, shake soldier's hands, and cheer. Also shows two boys in a scuffle among the spectators., Buildings line the route, most in shadowy, partial views except the Cooper Shop Soldiers Home at Race and Crown (opened December 1863) and the adjacent buildings near the top of the view. Women crowd the windows of the home and a large American flag marked "Cooper Shop Soldiers Home" stands in front of the building. Also contains the names by Field and Staff Officers, Non-Commissioned Staff, and by Company, of the "Veterans of the 29th," including the African American Company K in addition to the names of the "Board of Managers of the Cooper Shop Soldiers' Home." The procession commenced at about one o'clock from Market Street Bridge down Market Street to Twenty-First Street eventually arriving at the Cooper Shop Soldiers Home where the members of the 29th regiment had dinner before proceeding to the National Guards Hall (518-520 Race Street) to be welcomed by Colonel John Price Wetherill. The order of the procession was as follows the First City Troop; 27th New York Battery; Liberty Coronet Band; Henry Guards; four companies of invalids corps; Provost Guard; discharged members of the regiment; Birgfield's Band; former (Murphy) and present (Rickards) commander of the regiment; Lieut. Col. Zulick of the regiment; the regiment; female family members; First Regiment, Jefferson Coronet Band, Pennsylvania Military Institute cadets, City Council members, and other guards and regiments; and lastly the ambulances of the firemen. The veterans of the 29th Regiment home on furlough re-inlisted for additional service, which was announced at the procession., Philadelphia on Stone, POS 807, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc85 B347., Reception described in the Philadelphia Inquirer (December 24, 1863).
- Date
- c1863
- Location
- Library Company of Philadelphia | Print Department ***W435 [P.2262 and (12) 1540.F]
- Title
- The gallant charge of the Fifty Fourth Massachusetts (Colored) Regiment On the rebel works at Fort Wagner, Morris Island near Charleston, July 18th 1863, and death of Colonel Robt. G. Shaw
- Description
- Commemorative print depicting the African American regiment's heralded battle at Fort Wagner at the moment of the death of their white commander, Robert Gould Shaw. Shaw, his hand on his chest from the fatal gunshot, falls back on top of the parapet. His color-bearer holding the American flag inscribed, "54th Mass." continues to charge. Gory hand-to-hand battle and bayonet fighting proceeds around them. Soldiers fall to their death. The battle at Fort Wagner fomented Union support of African American regiments and immortalized Shaw as a martyr for the cause., Title from item., Date from copyright statement: Entered according to act of Congress i the year 1863, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., LCP exhibition catalogue: Negro History, p. 50., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Wagner [5779.F.38]
- Title
- The gallant charge of the Fifty Fourth Massachusetts (Colored) Regiment On the rebel works at Fort Wagner, Morris Island near Charleston, July 18th 1863, and death of Colonel Robt. G. Shaw
- Description
- Commemorative print depicting the African American regiment's heralded battle at Fort Wagner at the moment of the death of their white commander, Robert Gould Shaw. Shaw, his hand on his chest from the fatal gunshot, falls back on top of the parapet. His color-bearer holding the American flag inscribed, "54th Mass." continues to charge. Gory hand-to-hand battle and bayonet fighting proceeds around them. Soldiers fall to their death. The battle at Fort Wagner fomented Union support of African American regiments and immortalized Shaw as a martyr for the cause., Title from item., Date from copyright statement: Entered according to act of Congress i the year 1863, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., LCP exhibition catalogue: Negro History, p. 50., Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1863
- Location
- Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Fort Wagner [5779.F.38]
- Title
- Soldiers memorial. 4th Regiment. Company F. U.S. Col. Troops Mustered into the United States Service at Baltimore, Md., Aug. 4, 1863, by Col. Wm. Birney
- Description
- Stock commemorative certificate with some variations for the African American 4th Regiment, Company F troop and containing a montage of allegorical and battle scenes, patriotic motifs, and soldier vignettes above the printed names of 4th Regiment Privates, Lieutenants, Sergeants, Corporals, and Field and Staff Officers. The allegorical scene depicts the female figure of Columbia, resting upon an American shield and seated next to an American eagle that looks down on a snake it clutches under its claws. Columbia holds her head with her left hand and the "Constitution of the United States" down between her knees in the other. She is portrayed as a white woman with long dark hair, wearing a gold headpiece and white veil, and attired in a dress with a blue bodice, red skirt, and white sleeves and collar. Surrounding the central scene (counterclockwise) are views of white Union soldiers at battle and firing cannons near a harbor and across from Union forts displaying American flags; a departing white Union solder embracing his wife in front of his family, an older woman holding her grandchild, his crying son, and their dog, outside of their home in the countryside as troops march in the distance; white Union cavalry corps charging during battle; the previously depicted white Union soldier returning home, shown in mid stride and holding his cap in the air as his family heads toward him with their arms out; and white Union soldiers, with a cannon, and at battle near a trench. The scene and views within the montage are bordered and framed by portraits of George Washington, Henry Clay, and Andrew Jackson and pictorial details of American flags, flowers, and filigree., Pictorial details surrounding the names of the soldiers in the lower half of the print include outer columns composed of marble and wood trunks with one unsplit and adorned with the placard "United We Stand" and another split with stakes and adorned with the placard "Divided we fall; inner columns wrapped within the American flag; medallions depicted with red, white, and blue stripes and stars; and images of the American eagle atop an American shield that is adorned with a banner reading "E Pluribus Unum." A. Hoen & Co. printed several slightly variant copies of the Soldiers Memorial in 1866, to commemorate different regiments and with different publishers. In the upper half of the print, the montage imagery remained the same, and in the lower half of the print, the imagery for and near the columns was altered in addition to the printed names of the officers and soldiers and their placement between the columns. The 4th Regiment, United States Colored Infantry was organized in Maryland, July 15-September 1, 1863. The African American unit saw action in Virginia and North Carolina before being mustered out May 4, 1866 after the designation change to 76th U.S. Colored Troops on April 4, 1864. The Regiment lost nearly 300 officers and enlisted men while in service., Title from item., Name of publisher from publication statement: Published at Baltimore by Jos. L. Kessler., Date inferred from copyright statement: Entered according to Act of Congress in the year 1863 by Whitney & Anderson in Dist. C. of Md., Purchased with Louise Marshall Kelly Fund.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department *GC - Certificates [P.2022.28.2]
- Title
- Tobias Gilmore House, Raynham, 1781-1918. "Toby" Gilmore, born in Africa, was a patriot of the American Revolution
- Description
- Souvenir card depicting the second Raynham, Ma. residence of Black Revolutionary War soldier Shibodee Turry Wurry also known as Tobias Gilmore. Shows the two-story wooden residence with portico, hipped roof, and chimney and grassy, front grounds. Trees and shrubbery line and surround the house. Wurry born in West Africa, was kidnapped and enslaved in 1757. Captain John Gilmore of Rayham, Ma. became his enslaver and renamed Wurry, Tobias Gilmore. Gilmore enlisted in military service in 1776, during the American Revolution, to gain his freedom. In December 1781, Gilmore was discharged from service, including serving at the Battle of Fort Ticonderoga. He returned to Rayham a free man. In 1784, he purchased land in Rayham and built his first home. He built his second home circa 1800. The residence was destroyed by fire in 1918., Title from item., Date inferred from "1918" date in title and year of destruction of the depicted dwelling., Description reviewed 2022., Access points reviewed 2022.
- Date
- [ca. 1918]
- Location
- Library Company of Philadelphia | Print Department ephemera - souvenirs & keepsakes [P.2021.15]
- Title
- [The scourged back]
- Description
- Three-quarter length portrait showing the severely scarred back of the former enslaved and Union soldier, Gordon, taken in Louisiana and sent to the Surgeon General of Massachusetts., Image reproduced as wood engraving with accompanying article in Harper's weekly, July 4, 1863, p. 429. (LCP **Per H, 1863.) Name of photographer supplied by article., Title and publication information supplied by William Darrah's Cartes-de-visite in nineteenth century photography (Gettysburg: William C. Darrah, 1981), p. 148., Manuscript note attributing original publisher on verso of P.8925.4: "Gordon" by C. Seaver, Jr. Seaver, Jr., a Boston photographer, published the carte-de-visite in support of the abolitionist movement., Originally part of a McAllister scrapbook of Civil War Miscellanies [5786.F.157c]. McAllister Collection, gift, 1886. Accessioned 1982 [P.8925.4]., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- M'Pherson and Oliver, photographer
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv portraits - sitter - Gordon [5786.F.157c; P.8925.4]
- Title
- Diorama - Washington at Yorktown
- Description
- View of the diorama with mannequin figures and a painted backdrop exhibited during the Centennial Exhibition of 1876 recreating a scene from the Battle at Yorktown in October 1781. Shows troops marching and parading before officers, including Washington, on horseback. An African American man stands beside a horse, who is possibly a portrayal of Washington's enslaved valet William Lee. The diorama by Colonel F. Lienard was displayed within a skating rink at Twenty-Third and Chestnut Streets. Figures of Generals Lafayette and Rochambeau were also portrayed., Title from item., Publisher's imprint printed on verso., Buff mount with rounded corners., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See "Washington at Yorktown," Philadelphia inquirer, December 13, 1875., See related print [Philadelphia roller skating rink, Twenty-third and Chestnut Streets, Philadelphia] (trade card - Philadelphia [P.9839])., Purchase 2001.
- Creator
- Centennial Photographic Co.
- Date
- Centennial Photographic Company
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Company [P.9982.2]
- Title
- Centennial commemoration at Philadelphia [ticket] Three millions of colonists on a strip by the sea. Now forty millions of freemen ruling from ocean to ocean
- Description
- Ticket to the "Grand Mass Demonstration in favor of the Centennial Commemoration of American Independence, February 22, 1873" at the Academy of Music containing scenes contrasting life in Philadelphia in 1776 with life in 1876. Scene of 1776 shows white men colonists, including one attired as a backwoodsman, in front of a log cabin and standing near a barefooted, enslaved African American man, attired in torn and worn clothing, sitting on a pile of sticks. Scene of 1876 shows a white man soldier talking to a white man artisan near an African American man laborer seated next to an anvil and machinery gears. Cityscape is visible in the background. Also includes an eagle holding an American flag crest adorned with a portrait of Washington. Contains text printed on the verso soliciting subscriptions to make the Centennial a success as well as to make Pennsylvania the representative to the world of the "power of the Republic.", Title from item., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1873]
- Location
- Library Company of Philadelphia | Print Department Ph Pr -8 x 10 - Events [5758.F.26c]
- Title
- [Building of the Supervisory Committee for Recruiting Colored Troops, 1210 Chestnut Street, Nov. 1864]
- Description
- View of the Philadelphia building decorated in celebration of the military progress of African American troops and the abolition of slavery in Maryland on Nov. 1, 1864. A gaslight sign on top of the building declares, "God Save the Republic." A large transparency of vignettes with mottoes and quotes supporting the Union and emancipation covers the front of the building including a representation of the symbolic Federal Arch adorned with an inscription; a battle scene with African American soldiers; an auction of enslaved people; and an African American mother sending her child to school. The bottom of the transparency announces, "Emancipation Proclaimed," and contains portraits of President Lincoln, Vice-President Johnson, and prominent abolitionists, as well as words of appreciation for prominent Union Generals including Grant. A sign for the "Free Military School" to train commanders of "Colored Troops" is visible in the doorway., Title supplied by cataloger., Date inferred from content., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover, 1980), plate 176., LCP holds related broadside: "Emancipation in Maryland" (#Am 1864 Phi Sup (6)5777.F.40h)., Accessioned 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1864]
- Location
- Library Company of Philadelphia | Print Department photo - unidentified - events [P.2000]
- Title
- Civil War certificates containing patriotic designs. [graphic].
- Description
- Two of the certificates contain manuscript notes about prices., Originally part of a McAllister scrapbook of Civil War miscellanies., Includes military enlistment certificates, a hospital discharge certificate, and a certificate of donation printed by Philadelphia printers King & Baird and Mclaughlin Brothers. Designs depict soldiers, the figure of Liberty, and the Constitution. Companies include Pennsylvania Volunteers; Philadelphia Fire Zouaves (72nd Regiment, P.V.); the 119th Regiment, P.V.; and First Regiment Reserve Brigade, P.V. Other organizations include Church of the Evangelists and Chesapeake General Hospital.
- Date
- 1861-ca. 1863.
- Location
- Library Company of Philadelphia Print Dept. Philadelphia certificates - Civil War [5786.F.65e&f;77b;128b&c;180a]
- Title
- Charge of the colored troops - San Juan
- Description
- Commemorative print of the Spanish-American War depicting members of the African American regiments of soldiers during the Battle of Kettle Hill, generally known as the Battle of San Juan Hill, on July 1, 1898. Shows, in the left and foreground, African American soldiers, three with head wounds, lying on the ground, on their knees, back, and side. They are portrayed with blood flowing from their wounds, and two likely portrayed to have been killed. Behind and near the men, their fellow soldiers charge, carry an American flag, aim and shoot, and/or engage in hand-to-hand combat with Spanish soldiers, many of whom lay or fall injured and/or dead. In the background, a military fort and charging Spanish soldiers under gun fire and explosions are visible. View also shows firearms, a drum, wagon wheel, and a crate laying in the grass of the battleground. The Spanish American War was the conflict between Spain and the United State originating with the Cuban War of Independence. Cuba gained independence and the United States acquired the territories of Puerto Rico, Guam, and the Philippine Islands from Spain. The regular army's four Black troops (9th and10th Cavalry and 24th and 25th Infantry) and thousands of Black men volunteers served during the war. African American troop's service during the war caused controversy within the African American community which still did not have equal civil rights as citizens of the United States. Nearly thirty Black soldiers from the 9th and 10th Cavalry and the 24th and 25th Infantry were killed during the battle., Title from item., Date from copyright statement: Copyright 1907 by James Lee Co. Chicago., Printed in lower right: 3838.
- Date
- 1907
- Location
- *GC - Spanish American War [P.2023.32.3]
- Title
- Civil War military campaign and battle maps
- Description
- Maps show troop movements; fortifications and battlegrounds; routes to and from sites of military engagements; headquarters and camps; local architecture; topography, including railroads, rivers, and roadways; state and county lines; towns, cities, and capitals; and vegetation. Two of the maps also include remarks by military surveyor T. Ditterline describing troop movements during the Battle of Gettysburg. Two maps contain portraits of prominent political and Union military figures including President Lincoln, William H. Seward, General George McClellan, General Winfield Scott, and General Robert Anderson., Includes Maps of the District of Columbia, Baltimore with Ft. McHenry, Ft. Monroe and the Atlantic States, with their Rail Road Connections, Coast Lines, &.; A Correct Map of Pensacola Bay Showing Topography of the Coast, Fort Pickens, U. S. Navy Yard and all other Fortifications from the latest Government Surveys; Sketch of Vicinity of Fort Fisher; Plan and Sections of Fort Fisher carried by assault by the U. S. Forces, Maj. Gen. A. H. Terry, Commanding, Jan. 15th, 1865; Colton’s United States Shewing(sic) the Military Stations, Forts &.; Map of the Seat of War, Supplement to P. S. Duval & Son’s Military Map showing the location of the present Military Operations (1861); Map of the Battlefield of Antietam; Battlefield of Chattanooga with the operations of the National Forces under the command of Maj. Gen. U. S. Grant during the battles of Nov. 23, 24 & 25, 1863; Field of Gettysburg, July 1st, 2nd & 3rd, 1863; Map of the Battle Ground of Manassas [i.e., Bull Run] from Actual Surveys by an Officer of Genl. Beauregard’s Staff Shewing [sic] the exact position occupied by Federal & Rebel forces in the battle of 21st July 1861; Battle of Gettysburg Showing the Position of the Two Contending Armies During the First, Second & Third of July 1863; Map of the Southern States including rail roads, county towns, state capitals, county roads, the southern coast from Delaware to Texas, showing the harbors, inlets, forts and position of blockading ships; and Part of Charleston Harbor: embracing Forts Moultrie, Sumter, Johnson, and Castle Pinckney, also Sullivan, James and Morris Islands and showing the position of the Star of the West when fired into from Morris Island. A Civil War era political map of Pennsylvania for the 1863 Governor's race and a Map of The Grounds and Design for the Improvement of The Soldiers’ National Cemetery, Gettysburg, Pa. 1863 also included as part of the collection., Various publishers and lithographers including W. Boell; J.H. Colton; P.S. Duval & Son; Engineer Bureau, War Dept.; Charles G. Kreb; Lithographers' Association of New York; E. Molitor ; L. Prang & Co.; George T. Perry; T.B. Pugh; J.G. Shoemaker; Jacob Weiss; and Benjamin Wrigley., Various surveyors and engineers including Brvt. Brig. Gen. C. B. Comstock; T. Ditterline; William Saunders; Private Otto Julian Schultze; Lt. Wm. H. Willcox; and members of the U.S. Coast Survey, including Captains F. W. Dorr and J. W. Donn, Maj. Morhardt, Capts. Ligowsky, McDowell, Jenney and Lts. Boeckh and Dahl, and U. S. Vol’s. Capt. Preston and C. F. West., Relief shown pictorially and by hachures., Majority of maps include a scale and a compass., Several maps include key to Union and Confederate troop positions., Two maps [5779.F.79a & 80a] contain insets. Insets show Washington, D.C.; Baltimore south to Annapolis, Maryland; Cairo, Illinois to Memphis, Tennessee; Pensacola Bay and the Gulf of Mexico; and the area from Winchester, Virginia to Morgantown, Maryland., Manuscript note on map 5779.F.107a: John A. McAllister from [D. McCoughy?], Originally part of McAllister scrapbooks containing Civil War views and Robert Anderson material., Digitized by Alexander Street Press for Images of the American Civil War.
- Date
- 1861-1865
- Location
- Library Company of Philadelphia | Print Department **maps - Civil War military campaign and battle [5779.F.76b; 79a; 80a; 81b; 82a; 83a; 84a; 85b; 86a; 97a; 99a; 107a; 108a; 121a; 5794.F; P.2006.1.28]
- Title
- Raw recruits, or, Abraham's daughter
- Description
- For voice and piano., Attributed to Septimus Winner in: Biographical dictionary of American music / Charles Eugene Claghorn, p. 480; work has also been attributed to Tony Emmett., Verses 3-5 printed on p. 5; bottom of page is signed: Clayton., "Entered according to Act of Congress in the year 1862 by Firth, Pond & Co. in ... the Southn. Dist. of N.Y.", Title page illustration is lithograph depicting caricatures of African American soldiers in assortment of uniforms, one holding a standard labelled "Raw recruits, Capt. Dan Bryant"; signed: Lith. of Sarony, Major & Knapp, 449 Broadway, N.Y., First line of text: first line: Some years ago I suppose you know., First line of chorus: And when he comes here to interfere., Publisher's plate #5206., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Winner, Septimus, 1827-1902, cmp
- Date
- 1862
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Raw 13649.Q
- Title
- Civil War Volunteer Saloons and Hospitals Ephemera Collection. 1861-1868 (inclusive)
- Description
- The Civil War Volunteer Saloons and Hospitals Ephemera Collection holds ephemera and a few pieces of correspondence (including letters to and from Samuel Bradford Fales, William M. Cooper, and Arad Barrows) that illustrate and describe the workings of the Cooper Shop Volunteer Refreshment Saloon, the Union Volunteer Refreshment Saloon, and both of their hospitals. The ephemera is somewhat similar for each group, and consists primarily of donation acknowledgements, event tickets and programs, flyers, and circular letters that the committees used to raise funds., At the start of the American Civil War, thousands of enlisted men from the northeast arrived in Philadelphia on their way to fight in the South. No government or military agencies had made provisions for feeding or caring for these transients, so Philadelphians citizens founded the Cooper Shop Volunteer Refreshment Saloon and the Union Volunteer Refreshment Saloon. Both saloons opened for service in late May 1861. At no charge to the servicemen, they provided meals, newspapers, bathing facilities, changes of underwear and socks, and assistance in writing letters to families. Between them, the saloons operated twenty-four hours a day and depended solely on contributions of time and goods from neighborhood citizens and merchants. Those donations were supplemented by funds raised at a benefit fairs, concerts, and lectures held around the city, some of which benefited both organizations.
- Creator
- McAllister, John A. (John Allister), 1822-1896, collector
- Date
- 1861
- Location
- Library Company of Philadelphia | Books & Other Texts MSS McA 5778.F (McAllister)
- Title
- The fourth entertainment of the Geary Thespian Corps, of the 28th Regiment, Penn'a Vol's, (Col. John W. Geary,) will be given in commemoration of Washington's birth-day, at Camp Goodman, Point of Rocks, Md. on Saturday evening, February 22, 1862, (or if inclement, on the first fair evening) at six o'clock. ... The drama, in three acts, of Don Caesar de Bazan. ... The farce of Turning the tables. ... Ethiopian melange. ... Concluding with a grand national tableau vivante, by members of the corps. Introducing Vive l'America, by the band. The principal dresses used in Don Caesar de Bazan, have been kindly loaned the regiment by S. Samuels Sanford, Esq., of Sanford's Opera House, Philadelphia, to whom the corps is much indebted
- Description
- The 28th Infantry Regiment of the Pennsylvania Volunteers was organized in June 1861 and mustered out July 18, 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 418, and F.H. Taylor, Philadelphia in the Civil War 1861-1865, p. 57., Printed area, including ornamental border, measures 31.6 x 11.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Geary Thespian Corps
- Date
- [1862]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Geary (2)5786.F.144a (McAllister)
- Title
- Ford's Theatre Tenth Street, above E. Season II. Week XXXI. Night 196 Whole number of nights, 495 John T. Ford proprietor and manager (also of Holliday St. Theatre, Baltimore, and Academy of Music, Phil'a.) Stage manager J.B. Wright Treasurer H. Clay Ford Friday evening, April 14th, 1865 Benefit! and last night of Miss Laura Keene the distinguished manageress, authoress and actress, supported by John Dyott and Harry Hawk. Tom Taylor's celebrated eccentric comedy, as originally produced in America by Miss Keene, and performed by her upwards of one thousand nights, entitled Our American cousin ... Patriotic song and chorus "Honor to our soldiers." ... Words by H.B. Phillips; music composed and arranged by Prof. William Withers, Jr.; ... Saturday evening, April 15, benefit of Miss Jennie Gourlay when will be presented Bourcicault's great sensation drama, The octoroon Easter Monday, April 17, engagement of the young American tragedian, Edwin Adams for twelve nights only
- Description
- Playbill for Our American cousin the night of Lincoln's assassination., Library Company copy imperfect: wanting all before "Season II."; inscribed: This programme was picked up by me in the private box of Mr. Lincoln, on the night of the assassination. F.L. Sarmiento; originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
- Creator
- Ford's Theatre (Washington, D.C.)
- Date
- [1865]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare PB Wash Ford 1865 5792.F.95b (McAllister)
- Title
- The bloody massacre perpetuated in King Street, Boston, on March 5th, 1770, by a party of the 25th Regt
- Description
- Depicts a scene during the "Boston Massacre" of March 5th, 1770 in which an officer signals seven British soldiers to fire into a mob of protesting colonists. The wounded lie on the ground or are carried away by the crowd. A woman in a shawl observes the carnage. Eighteen lines of verse criticizing the actions of the British and a list of colonists killed or injured appear below the image: "Saml Gray, Saml Maverick, James Caldwell, Crispus Attucks, and Patk Carr (killed) and it is noted that there were "Six wounded; two of them (Christr Monk & John Clark) Mortally." Crispus Attucks, included in the list of colonists but not transparently depicted, was a free man, sailor, and the alleged leader of the crowd who was the first colonist shot and killed., Title from item., Most well-known of Paul Revere's prints, and a nearly identical copy of a print entitled "The Fruits of Arbitrary Power, or the Bloody Massacre" by Henry Pelham who accused Revere of piratism., Facsimile based on the original by Revere., Inscribed: Copy Right Secured., One of the prints originally part of a McAllister scrapbook of views of Massachusetts. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Revere was a Boston silversmith, engraver, and cartoonist, most known for his patriotic activities during the American Revolution.
- Creator
- Revere, Paul, 1735-1818, artist
- Date
- March 5, 1832
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1770-1 [1884.F.25; 5738.F.8]
- Title
- View of the Philadelphia volunteer refreshment saloons
- Description
- Civil War souvenir print containing six views of the Union Volunteer Refreshment Saloon at the southwest corner of Washington and Swanson Avenues and the Cooper Shop Volunteer Refreshment Saloon at 1009 Ostego Street. Contains a large central view of the exterior of the Union Saloon with troops arriving, entering the dining saloon, and departing on a Philadelphia, Wilmington & Baltimore Railroad car as crowds of people flock around them. Other views depict soldiers using the wash basins adjoining the Cooper Shop Saloon; pro-Union flags and Saloon banners; the Union Saloon's outside washing and cooking departments including an African American man carrying a pail of food; and interiors of both saloons where male and female volunteers attend to long tables of food and a large simmering vat on a hearth. Contains an eagle clutching large American flags and a pro-Union banner above the scenes. Situated at the transportation hub between the North and the South, the relief organizations provided hospital care, washing, sleeping, and writing facilities to over 1,000,000 military personnel, sailors, refugees, and freedmen during the war., Title from item., Date from copyright statement: Entered according to An Act of Congress in the Year 1861 by Job T. Williams in the Clerks Office of the District Court of the Eastern District of Pennsylvania., Philadelphia on Stone, POS 806, Print trimmed., Gift of Isadore Lichstein, 1984., Description revised 2021., Access points revised 2021., Queen, a Philadelphia lithographer and pioneer chromolithographer known for his attention to detail, served in the Civil War militia from 1862 until 1863, and created several lithographs with Civil War subjects, including views of and contribution certificates for the city's relief institutions.
- Creator
- Queen, James Fuller, 1820 or 1821-1886, artist
- Date
- 1861
- Location
- Library Company of Philadelphia | Print Department **W434 [P.9001.6]
- Title
- The shackle broken - by the genius of freedom
- Description
- Print containing a montage of vignettes and quotes supportive of African American civil rights centered around a scene of "Hon. Robert B. Elliott, of South Carolina, delivering his great speach [sic] on 'civil rights' in the House of Representatives, January 6, 1874" to the packed floor of white and African American Congressmen and balcony of spectators. Contains an American flag inscribed with the quote, "What you give to one class, you must give to all. What you deny to one class, you shall deny to all;" scenes of African American soldiers, officers, and sailors; statues of Lincoln holding his "Emancipation Proclamation" and Senator Charles Sumner holding his "Bill of Civil Rights;" and quotes referring to African American participation in the Civil War. Also contains a scene espousing "free labor is the present, slave labor is the past" with an African American family at their homestead where they "toil for [their] own children and not for those of others.", Title from item., Date from copyright statement: Entered according to act of Congress in the year 1874 by E. Sachse & Co. Baltimore in the office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro History #213., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E. Sachse & Company, a Baltimore lithographic firm active until the 1870s, was operated by Edward Sachse (also a painter), his brother William, and relative Theodore. The company produced numerous folio sized views.
- Creator
- E. Sachse & Co., lithographer
- Date
- 1874
- Location
- Library Company of Philadelphia | Print Department *Political Cartoons - 1874-1 [P.9653]
- Title
- True blue
- Description
- Poster commemorating the service of African American men during World War I. Shows an African American family gathered in a living room decorated with floral wall paper and looking at the framed portrait, hung above a fireplace, of an African American service man, likely the father of the family. In the right, the mother, attired in a beige sheath dress, holds a toddler attired in white pajamas in her arms while her daughter, attired in a white night gown, and holding a black baby doll in her left hand, stands next to her. The daughter stands in front of her older, seated brother. The older son, attired in a beige uniform, sits in an arm chair. The toddler and daughter reach and point toward the portrait on the wall. Decorative flags adorn the upper edge of the framed portrait showing the man in uniform. A fire burns in the fireplace and a portrait of George Washington, a portrait of Woodrow Wilson, a vase of flowers, a bust, and a clock adorn the mantle. On the wall to the right of the father's portrait, hangs a framed portrait of Abraham Lincoln. A patterned rug, a cat asleep by the fire, and a window displaying a service flag comprise the scene as well. Sheer curtains and a bowl-shaped vase of flowers also adorn the window., Name of publisher and date from copyright statement: [copyright symbol of "c" in circle] 1919 By E. G. Renesch, Chicago., Description revised 2022., Access points reviewed 2022.
- Date
- 1919
- Location
- Library Company of Philadelphia | Print Department *GC - Soldiers [P.2016.61]
- Title
- National Farm School for children of colored soldiers and colored orphans - Eastern Branch, Washington, D.C Established March 1866, by H. de Mareil, editor & proprietor of the Messenger Franco American. Incorporated by act of Congress 25th July 1866
- Description
- Landscape view depicting the National Farm School founded in 1866 by Henrie De Mareil of New York and situated on a hilly plot of land with trees, bushes, meadows, and cleared fields. Shows, in the center foreground, three African American children harvesting wheat under the guidance of a white, bearded man. Behind them, two men plow a field with horse-drawn tractors across from individuals binding sheaths of wheat in an open field near a dirt path. In the foreground, cows stand and/or drink in a pond. In the left background, two individuals plow a field with horse-drawn tractors. In the distance center and left background, people mill in front of dwelling, farm, and school-like buildings standing in front of grassy hillsides. The school-like building (center background) is adorned with two flags, a French and an American one. Incorporated by Congress in July 1866, the mission of the school was to provide "normal and school education, as well as a practical knowledge of farming in all its branches" to "orphan and dependent children of colored soldiers, and of other colored orphans." By November 1866, the school was under construction and had fifty pupils. That month, the French Opera Comique Troupe held a benefit concert for the school in Philadelphia that was reported to "not have been as well attended as it should have." By May 1867, the school was reported to still be under construction in order to accommodate two hundred pupils who after "two or three years course [are] to take any position, from a valuable field hand, to a market-man and overseer upon the plantations of the South or the great farms of the West.", RVCDC, LCP copy contains repaired tears around the edges,, See "Amusements," Philadelphia Inquirer, November 16, 1866, p. 3., See "Academy of Music," Press, November 20, 1866, p. 8., See "Freedmen's National Farm School," Helena Weekly Herald, May 2, 1867, p. [2]., See 39th Congress, 1st Session, H. R. 802.
- Date
- [1866]
- Location
- Library Company of Philadelphia | Print Department *GC - Education [P.2023.4]
- Title
- Offering of bells to be cast into cannon
- Description
- Partisan genre scene depicting a Southern white man pastor and members of his congregation presenting church bells to a Confederate officer at the hearth of an enslaved African American man blacksmith. In the left, the officer holds his cap in his hand as the blacksmith, attired in a long apron (doffed cap as well), bends over to grab one of two bells near his feet. Candlesticks and andirons lie in a pile under the hearth and to the left of the officer. In the right, congregants stand behind the pastor attired in robes and a wide-brimmed hat, and include a woman attired in a fancy dress and cape, men in suits and top hats, and a man dressed in yeoman's clothing. In the background, an enslaved African American man carries a cylinder-shaped object over his shoulder and church towers are visible. In 1862, Confederate General P.T. Beauregard called for bells to be given to the Confederacy to be melted into cannon. Several churches in North Carolina donated them., Inscribed upper left corner: 19., Inscribed in lower left corner: AJV; FBM., Issued as plate 19 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., Description revised 2021., Access points revised 2021.
- Creator
- Volck, Adalbert John, 1828-1912, artist
- Date
- [1864]
- Location
- Library Company of Philadelphia | Print Department Volck - Sketches - Volck 19 [2990.F.20]
- Title
- Smuggling medicines into the South
- Description
- Partisan genre scene depicting the unloading of a rowboat with medical supplies along a shoreline near dense thickets of trees. In the center, a white man Confederate military officer keeps the boat moored through a rope in his hand. He looks back toward a white man, possibly a doctor, climbing down from a tree. An enslaved African American man (his back to the viewer), ankle deep in the water, holds a wooden pole on the shore as a lever as a white man in civilian clothes rolls a barrel toward a Confederate soldier (his back to the viewer). The soldier places sacks on the back of a mule. A sack, crate, and barrel lie near the mule. Volck was active in smuggling medicines into the South across the Potomac River in response to the Union's ban of the passage of medical supplies to the South., Inscribed upper left corner: 18., Issued as plate 18 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., Description revised 2021., Access points revised 2021.
- Creator
- Volck, Adalbert John, 1828-1912, artist
- Date
- [1864]
- Location
- Library Company of Philadelphia | Print Department Volck - Sketches - Volck 18 [2990.F.21]
- Title
- Civil War Manuscripts, 1854-1868 (inclusive)
- Description
- The collection holds disparate letters and documents pertaining to both military and naval officials, and civilians, active during the Civil War. There are small groups of material relating to the careers of five Union men who functioned at various levels in the war: an army colonel, William Watts Hart Davis; a navy surgeon, James McClelland; a soldier from Philadelphia, J. Ridgway Moore; an army general, Lovell Harrison Rousseau; and a Union spy, Richard Wilcox. There are also ten prisoner-of-war letters written by Confederate soldiers being held in Indianapolis, IN, and Columbus, OH. Much of the material was removed from military office files during the war and sent to the collector, John A. McAllister in Philadelphia., Additional Civil War-related autographs, clipped from letters and documents, are in the McAllister Autograph Collection (McA MSS 022)., On deposit at the Historical Society of Pennsylvania, 1300 Locust Street, Philadelphia, PA 19107. For service, please contact the Historical Society at 215-732-6200 or http://www.hsp.org., Some of the items in this collection were previously assigned accession numbers 5786.F, 5787.F, and 5795.F., John A. McAllister was an antiquarian collector living in Philadelphia.
- Creator
- McAllister, John A. (John Allister), 1822-1896, collector
- Date
- 1854
- Location
- Library Company of Philadelphia | MSS McA MSS 024, https://digital.librarycompany.org/islandora/object/Islandora%3A64502#page/1/mode/1up
- Title
- John Brown - the martyr. Meeting a slave mother and her child on the steps of Charlestown jail on his way to execution. Regarding them with a look of compassion Captain Brown stooped and kissed the child then met his fate
- Description
- Print depicting the fictitious meeting between John Brown and an enslaved African American mother on the radical abolitionist's walk to the gallows in December 1859. Shows Brown, his hands tied behind his back, standing at the door of the Charles Town, Virginia jail gazing compassionately upon the barefooted mother and her child seated to the side of him on a stair railing. In front of them stands a stern-faced, white man soldier waiting impatiently for Brown's descent down the steps., Title from item., Date from copyright statement., Access points revised 2021., Purchase 1969., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1870
- Location
- Library Company of Philadelphia | Print Department *Portrait Prints-B [7811.F]
- Title
- Marion crossing the Pedee Engraved from the original picture in the possession of the American Art-Union
- Description
- Historical print showing Brig. Gen. Francis Marion, known as the Swamp Fox, during the American Revolution and commanding a raft down the river in between one of his guerilla attacks in South Carolina. Marion, wrapped in a cloak, on horseback is surrounded by his band of volunteer soldiers, horses carrying light equipment, and a few dogs on the raft. The men include Marion's enslaved man Oscar Marion holding the reigns of his horse and another African American man rowing the raft with an oar. A few of the soldiers hold the reigns of horses swimming through the river. A second raft is visible in the background., Title from item., After an 1850 painting by William Tylee Ranney in the collections of the Amon Carter Museum, Fort Worth, TX., One of six prints issued in 1851 for the members of the American Art-Union in New York., Trimmed., Gift of David Doret, 2006., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Burt, Charles Kennedy, 1823-1892, engraver
- Date
- [1851]
- Location
- Library Company of Philadelphia | Print Department *GC - American Revolution [P.2006.28.22]
- Title
- Heroes of the colored race
- Description
- Print commemorating men prominent in and representative of the advancement of African American civil rights. Depicts a central vignette of bust-length portraits of ex-Senator Blanche Kelso Bruce of Mississippi, abolitionist Frederick Douglass, and ex-Senator Hiram Revels of Mississippi surrounded by four scenes of pre- and post-Civil War African American life. Includes two titled scenes, "Receiving the News of the Emancipation" depicting an older African American man, two women, and children celebrating, and "Studying the Lesson" depicting an African American man teacher instructing a classroom of children. Adorning the borders of the central vignette are a portrait of John Brown flanked by a horn of plenty and school books, and an eagle holding American flags embellished with portraits of Abraham Lincoln, James Garfield, and Ulysses S. Grant. Other scenes depict enslaved African American men and women picking cotton and African American Civil War soldiers fighting a battle. Includes corner portraits of African American legislators John R. Lynch of Mississippi, Joseph H. Rainey of South Carolina, Robert Smalls of South Carolina, and Charles E. Nash of Louisiana., Lib. Company. Annual report, 1975, p. 60-61., Gift of Gordon Colket, 1975., Reaccessioned as P.9615., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1881
- Location
- Library Company of Philadelphia | Print Department **GC - African American Heroes [8140.F]
- Title
- [ Montage of caricatures satirizing Southern Democrats]
- Description
- Includes six captioned vignettes critically satirizing Southern democrats, copperheads, Jefferson Davis, and Andrew Johnson. Shows Democrats represented as an overseer forcing "Black Republicans" depicted as fleeing enslaved African American men, women, and children to vote their "Ticket in the South"; white men soldiers loading a cannon representing "General Grant giving the Rebel Copperhead Democrats some more grape"; Jefferson Davis fleeing in his "wife's petticoats"; "Johnson on a "Bender," after the Impeachment Trials; a skull and cross bones to symbolize that "Copperheads and Rebel Democrats are Poison"; and Johnson attired in torn and worn clothes and carrying a sack on his back as he is "Travelling for Tennessee." Several of caricatures also used as Civil War envelope designs., Title supplied by cataloger., Date inferred from content., Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1868]
- Location
- Library Company of Philadelphia | Print Department political cartoons [ca. 1868] - Mon [(2)5786.F.176a]
- Title
- The battle at Bunker's Hill near Boston June 17, 1775
- Description
- Book illustration after John Trumbull's historical painting based on his eyewitness account of the battle while serving as a commissioned officer during the American Revolution. Dramatically depicts the scene of American Major General Joseph Warren's death proceeding the Americans' retreat from the hill. Amidst a melee of activity, Warren lies dying in the arms of an American militiaman who fends off a bayonnet pointed down over his body by an English soldier. British Major John Small restrains the bayonnet of his soldier as Americans Captain Thomas Gardner, holding a musket, Major Andrew McClary, and Colonel William Prescott stand guard over their fallen compatriot. Behind Small, British Major John Pitcairn, mortally wounded, is held up by Lieutenant William Pitcairn and to the far right American Lieutenant Thomas Grovesnor stands en garde shielding Peter Salem, an armed African American soldier who discharged the fatal shot at Pitcairn. British Generals William Howe, Henry Clinton, and Lieutentant Francis Lord Rawdon, flag in hand, continue the charge in the background. Other American soldiers involved in the battle include: Colonel Israel Putnam who gallantly leads the retreat; Rev. Samuel McClintock; Major Willard Moore, as well as several other free African American soldiers. American Lieutenant Colonel Moses Parker and British Lieutentant Colonel Sir Robert Abercromby lay dying., Published in John Howard Hinton's The history and topography of the United States of North America,... [LCP *Am 1834 Hinto, 11860.Q.1] and later editions., Printed below title: Vol. I. page . 226., Original painting at Yale School of Fine Art, New Haven, Connecticut., Described in Theodore Sizer's The works of Colonel John Trumbull (New Haven: Yale University Press, 1967), p. 95., Described in The Library of Congress' An album of American battle art, 1755-1918. (Washington, D.C.: The U.S. Printing Office, 1947), p. 27-30., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021., Gift of Dolly Maass, 2002.
- Creator
- Archer & Boilly, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Print Department GC - American Revolution [P.2002.14]
- Title
- The United States Centennial International Exhibition
- Description
- Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- United States, Bureau of Engraving and Printing
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]
- Title
- On the march to the sea
- Description
- Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
- Creator
- Ritchie, Alexander Hay, 1822-1895, engraver
- Date
- c1868
- Location
- Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]
- Title
- Reading the Emancipation Proclamation
- Description
- Print depicting a white Union soldier reading the Emancipation Proclamation to families of enslaved African Americans in a cabin. The families are depicted with anxious and solemn mannerisms. Family members surround the officer near a dining table and hearth. An older boy holds a torch providing the officer with light. The father watches over the soldier's shoulder. Other figures, including a "young woman with two children, the house servant of her [enslaver], not belonging to the cabin but happened to be in on the occasion" pray, cheer, and cling to their mothers. Interior also includes a side of bacon hanging next to a ladder, a drying line with cotton balls handing from it above the hearth, and a cradle. Contains portrait of Abraham Lincoln below the image. The Emancipation Proclamation, effective January 1, 1863, granted African Americans not only their right to freedom but the right to join the Union Army., Title from item., Date from copyright statement., After painting by Henry Walker Herrick exhibited at the National Academy of Design in New York in 1865. Exhibited by "possessor" Lucius Stebbins., Publisher and copyright holder Stebbins published complementary pamphlet "Emancipation Proclamation of January 1st, 1864 [sic]" that included "Description of the Engraving." Description: Old man at the right with folded hands, Grand-father; Old lady at the left with cane in hand, Grand-mother; man leaning on ladder, the father; woman with child in her arms, the mother; lad swinging his hat, oldest son; one holding torch, second son; little girl, oldest daughter; infant in the arms of its mother. Young woman with two children, the house servant of her master, not belonging to the cabin but happened to be in on the occasion. Party reading, Union Soldier. The internal view of the Cabin is true to nature. The stone chimney, garret, ladder, side of bacon, rough cradle, piece of sugar cane and cotton balls, &c, all combine to give a correct idea of the slaves' home. Lincoln Financial Foundation copy of pamphlet accessible at Internet Archive., Lib. Company. Annual report, 1993, p. 44., LCP exhibition catalogue: An African American Miscellany p. 22., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lucius Stebbins (1810-1901), born in Massachussets, worked in Hartford, Connecticut, in the businesses of map coloring and subscription book publishing (American Publishing Company).
- Creator
- Watts, James W., -1895, engraver
- Date
- 1864
- Location
- Library Company of Philadelphia | Print Department **GC-Emancipation [P.9429]
- Title
- Specimen sheet Union, patriotic and humorous designs upon envelopes
- Description
- Advertisement containing twenty-five examples of Civil War envelope vignettes published by King & Baird. Majority of the vignettes include titles and slogans. Designs depict the American flag; liberty, the American eagle; soldiers (including the martyred Colonel Ellsworth); caricatures of Brigadier General Henry A. Wise (former governor of Virginia), Jefferson Davis, and the Southern gentry; a portrait of Washington; an abolitionist scene showing the whipping of an African American man entitled "The persuasive eloquence of the Sunny South"; and a racist caricature of an African American man on all fours carrying a whip and asking in the vernacular, "Whar's Jeff Davis?" Also contains a description of the envelopes and shipping information, as well as the scale of prices ranging from "25 Assorted Envelopes, (25 kinds)" at 25 cents to 1000 at 5 dollars., Title from item., Text printed on recto: Single copies of this sheet will be mailed free of postage, upon receipt of six cents, by King & Baird, Book and Job Printers, 607 Sansom St., Philadelphia., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886 [5786.F.161a]. Accessioned 2002 [P.2002.45]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- King & Baird
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department *GC - Civil War [5786.F.161a; P.2002.45]
- Title
- Cartes de visite reproductions of Civil War era sketches by H.C. Bispham
- Description
- Collection of fifteen cartes de visite of sentimental, satiric, and racist Civil War era scenes, predominately depicting white men soldiers, by Philadelphia artist Henry Collins Bispham. Includes scenes of soldiers flushing out a sharpshooter, engaged in battle, wielding a knife, being thwarted from stealing a chicken and honey, dozing on watch, and confronted on horseback by a growling dog, as well as contrasting views of a Union and Confederate amputee soldier returning home. Racist caricatures show an ape walking with a cane, Lincoln spoon feeding a white man soldier the "Black Draft," and a downtrodden Southern white woman on the defense with an enslaved African American man on crutches and an African American boy. Other images show Abraham Lincoln as a dog confronting opossum Jefferson Davis on a tree and an itinerant white man musician with a monkey and dog. One scene includes a zouave., Two of the images signed by artist., Thirteen of the images attributed to Bispham., Created postfreeze., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons - Bispham [5780.F.51 a, d, & h; 52a, l, p & q, u & v; 53 a,c, l&m, o&p]
- Title
- The Fifteenth Amendment. Celebrated May 19th 1870
- Description
- Commemorative print celebrating the passage of the Fifteenth Amendment depicting a large central scene of the May 19, 1870 Baltimore parade surrounded by several portraits and vignettes. A float of young African American girls leads the parade in view of the city's Washington Monument. The parade consists of African American Zouave drummers, men in top hats on horseback, and ranks of troops. The portraits of African American civil rights supporters framing this scene include President Grant; Martin Robison Delany, the first African American Major; Frederick Douglass; Mississippi Senator Hiram Revels; Vice-President Schuyler Colfax; Abraham Lincoln; and abolitionist John Brown. The numerous vignettes, all captioned, include scenes of an African American classroom, an African American congregation, an African American wedding, an African American officer, an African American man reading to his family, African American masons, and an African American man voting., Title from item., Date from copyright statement: Entered according to Act of Congress in the year of 1870 by Thomas Kelly in the Office of the Librarian of Congress at Washington., LCP exhibition catalogue: Negro history, p. 78., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Beard was a respected illustrator most well known for his nature illustrations.
- Creator
- Beard, James C., designer
- Date
- 1870
- Location
- Library Company of Philadelphia | Print Department *political cartoons - 1870-4 [7765.F]
- Title
- Civil War era paper soldiers collection. [graphic].
- Description
- Originally part of a McAllister scrapbook of Civil War miscellanies., Collection containing cut-outs of and uncut sheets of Civil War era paper soldiers. Soldiers depicted with guns, knapsacks, drums, on horseback, carrying flags, during charges, and on the march. Majority contain the name of the regiment, including Advance Guard, N.Y. St. Vol., Col. Ab. Duryee (5th N.Y. Infantry); De Kalb Zouaves, N.Y. St. Vol. Capt. Duysing (41st N.Y. Infantry); Firemen Zouaves, N.Y. St. Vol., Col. Ellsworth (11th N.Y. Infantry); Green Mountain Boys of Vermont (Vermont National Guard); Highland Guard 79th Regt. L, Col. Elliott; Irish Zouaves, Capt. Francis (69th N.Y. Infantry); National Zouaves N.Y. St. Vol., Col. McChesney (10th N.Y. Infantry); New York Zouaves, N.Y. St. Vol., Col. Hawkins (9th N.Y. Infantry); Polnish Legion, Col. Pratt (31st N.Y. Infantry); Ninth Regiment, N.Y. St. Mil., Col. Stiles (83rd N.Y. Infantry); Steuben Girard N.Y. St. Vol., Col. Bendix (7th N.Y. Infantry); United Turner Rifles, N.Y. St. Vol., Col. M. Weber (20th N.Y. Infantry); 1st German Rifle Regt. NY. St. Vol. and 8th N.Y. German Rifles, Col. Blenker; 3d Reg. Missouri Voli, Col. F. Sigel; 6th Reg. of Massachusetts, Mass. St. Mil., Col. Jones; 6th Reg. Wilson's Zouaves, N.Y. St. Vol., Col. Wilson; 7th Regiment N.Y. St. Mil., Col. Lefferts; 55th Regiment, N.Y. St. Mil and French Zouaves, Col. Le Gal; 69th Regt. N.Y. St. Mil., Col. Corcoran; and 79th Regiment of N.Y. Also includes three uncut sheets of unidentified paper soldiers and a Revolutionary War paper soldier. Largest uncut sheet inscribed "N.Y. Zouaves" and published by New York firm Heerbrandt & Co. Three paper soldier wrappers published by New York firms McLoughlin Brother and G. Heerbrandt also included as part of the collection. Wrappers contain illustrations of soldiers, assembly instructions, and list of available series. Copies of soldiers illustrated on wrappers included in collection.
- Date
- [ca. 1861-ca. 1865]
- Location
- Library Company of Philadelphia Print Dept. *GC - Civil War - Soldiers [5786.F.134a&c; (2)5786.F.5c; 182e; 183a-f; 184a, c, d; 186a-i; 187a, b, d, e; 188a-c, e-k; 189a, c-g; P.2005.2.10-11]
- Title
- Civil War Paper Soldiers Collection
- Description
- Collection containing cut-outs of and uncut sheets of Civil War era paper soldiers. Soldiers depicted with guns, knapsacks, drums, on horseback, carrying flags, during charges, and on the march. Majority contain the name of the regiment, including Advance Guard, N.Y. St. Vol., Col. Ab. Duryee (5th N.Y. Infantry); De Kalb Zouaves, N.Y. St. Vol. Capt. Duysing (41st N.Y. Infantry); Firemen Zouaves, N.Y. St. Vol., Col. Ellsworth (11th N.Y. Infantry); Green Mountain Boys of Vermont (Vermont National Guard); Highland Guard 79th Regt. L, Col. Elliott; Irish Zouaves, Capt. Francis (69th N.Y. Infantry); National Zouaves N.Y. St. Vol., Col. McChesney (10th N.Y. Infantry); New York Zouaves, N.Y. St. Vol., Col. Hawkins (9th N.Y. Infantry); Polnish Legion, Col. Pratt (31st N.Y. Infantry); Ninth Regiment, N.Y. St. Mil., Col. Stiles (83rd N.Y. Infantry); Steuben Girard N.Y. St. Vol., Col. Bendix (7th N.Y. Infantry); United Turner Rifles, N.Y. St. Vol., Col. M. Weber (20th N.Y. Infantry); 1st German Rifle Regt. NY. St. Vol. and 8th N.Y. German Rifles, Col. Blenker; 3d Reg. Missouri Voli, Col. F. Sigel; 6th Reg. of Massachusetts, Mass. St. Mil., Col. Jones; 6th Reg. Wilson's Zouaves, N.Y. St. Vol., Col. Wilson; 7th Regiment N.Y. St. Mil., Col. Lefferts; 55th Regiment, N.Y. St. Mil and French Zouaves, Col. Le Gal; 69th Regt. N.Y. St. Mil., Col. Corcoran; and 79th Regiment of N.Y. Also includes three uncut sheets of unidentified paper soldiers and a Revolutionary War paper soldier. Largest uncut sheet inscribed "N.Y. Zouaves" and published by New York firm Heerbrandt & Co. Three paper soldier wrappers published by New York firms McLoughlin Brother and G. Heerbrandt also included as part of the collection. Wrappers contain illustrations of soldiers, assembly instructions, and list of available series. Copies of soldiers illustrated on wrappers included in collection., Originally part of a McAllister scrapbook of Civil War miscellanies.
- Date
- [ca. 1861-ca. 1865]
- Location
- Library Company of Philadelphia Print Dept. *GC - Civil War - Soldiers [5785.F; 5786.F.134a&c; (2)5786.F.5c; 83a; 183b-f; 184a, c, d; 186a-i; 187a-e; 188a-k; 189a, c-g; P.2005.2.10-11]
- Title
- The military and historical portrait group of the officers of the Third North Carolina U. S. V. Infantry in the war with Spain, commanded by Colonel James H. Young. The first negro regiment ever organized and entirely officered by colored men
- Description
- Commemorative print containing a collage of portraits (after photographs) of members from the North Carolina regiment, one of the only African American commanded regiments, which was mustered into service July 23 1898. Sitters attired in uniforms. Portraits depict Maj. Andrew J. Walker; Maj. A. J. Haywood; Maj. J. E. Dellinger; Dr. David A. Lane; Lieut. Col. C. S. L. A. Taylor; Col. James H. Young; Chaplain Henry Durham; Adjutant E. E. Smith; 1st Lieut. Marcus W. Alston; Capt. James E. Hamlin; Capt. J. T. York; Capt. Joseph J. Hood; 1st Lieut. M. T. Pope; Capt. David J. Gilmer; Capt. William A. Carpenter; Capt. R. H. Alexander; Capt. P. H. Smith; Capt. S. O. Mason; Capt. Thos. Leatherwood; 1st Lieut. J. C. Graham; 1st Lieut. P. H. Haywood; 1st Lieut. H. S. Christmas; 1st Lieut. W. T. Powell; 1st Lieut. E. L. Watkins; 1st Lieut. H. T. Scott; 1st Lieut. H. L. Joyner; 1st. Lieut. J. W. B. Murphy; 1st Lieut. Harrison B. Brown; 2nd Lieut. H. H. Taylor; 2nd Lieut. Jacob J. Jones; 2nd Lieut. Gray J. Tool; 2nd Lieut. William E. Mitchell; 2nd Lieut. I. F. Moore; 2nd Lieut. T. L. Taylor; 2nd Lieut. J. I. Allen; and 2nd Lieut. Samuel F. Taylor. Also contains battle and camp scenes; an American eagle with a shield; biographies of the depicted officers, predominately businessmen and professional; and a brief history of the regiment captioned "A New Epoch In Our History.", Title from item., Date from copyright statement: Published and copyrighted, 1899. By Thomas L. Leatherwood, Asheville, N.C., Printed lower right corner: Agents Wanted in every Town, State or Country, to handle this Beautiful Souvenir Portrait Group., Accompanied by inscribed office stationery "From the Desk Of" Leon Candeub., Lib. Company. Annual report, 2005, p. 67-69., Gift of Helene Candeub, 2005., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Kurz and Allison Art Studio
- Date
- 1899
- Location
- Library Company of Philadelphia | Print Department **GC - Spanish American War [P.2005.23]