Worship of the North. [graphic]
Title
Worship of the North
Description
Graphic cartoon steeped in Confederate bitterness toward the "Republican" North depicting a scene of Northern idolatry of the African American. Worshippers near a mound of skulls surround a blood-stained altar upon which lies the shackled sacrificed body of American youth. The altar, with a bust of Lincoln dressed as a clown overhead, is constructed from Northern principles such as "Puritanism," "Free Love," and "Negro Worship." Behind the altar an African American man idol, barefoot and bare-chested and portrayed in racist caricature, sits upon the "Chicago Platform." Near the idol stands the statue of "St. Ossawattomi" (i.e., John Brown). The worshippers include General Scott, General Halleck and a loot-laden General Butler, as well as Secretary Edwin Stanton, John Fremont, a knife wielding Henry Ward Beecher, a torch carrying Charles Sumner, Horace Greeley with a censer, and Harriet Beecher Stowe, praying and kneeling atop a volume of Uncle Tom's Cabin. Printed in the top corners is "Ego.", Published in: Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), pl. 1., Issued as plate 1 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Aldabert Volck (1828-1912), i.e., V. Blada, was a prominent Southern cartoonist from Baltimore who is best known for his 1863 work "Sketches from the Civil War," later republished circa 1886 by Porter & Coates in Philadelphia under the title "Confederate War Etchings."
Creator
Volck, Adalbert John, 1828-1912, artist
Date
[1863]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1863 - Wor [P.2275.6]
Political caricature no.3. The abolition catastrophe, or the November smash-up. [graphic]
Title
Political caricature no.3. The abolition catastrophe, or the November smash-up
Description
Title from item., Date from copyright statement: Entered according to act of Congress in the year 1864 by Bromley & Co. New York in the Clerk's office of the District Court of the United States for the Southern District of New York., Text printed on recto: Single Copies sent pr. mail post paid 25 cts; 5 Copies $1.00; 50 express $9.00; 100 $16.00. Express charges paid by purchaser. Address: Bromley & Co., Box 4265 New York City. Write your address: Post Office, County and State plainly., Third in a series of four., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Cartoon criticizing the Republican's self-destructive support of abolitionism during the presidential election of 1864 depicting the "Union" train of Democrats steaming toward the White House passing the wrecked Republican train. Candidate George McClellan engineers the smooth running Democratic train powered by "Democracy" and adorned with the flag "Constitution." Several of the passengers including Horatio Seymour praise McClellan as others mock the Republican Party's demise. The Republican train has crashed into several rocks symbolic of the war including "Abolitionism," "Confiscation," and "Emancipation." The crash ejects Abraham Lincoln. Several African Americans, who are depicted in racist caricature and speak in the vernacular, are crushed and maimed. Tossed and injured prominent Republican passengers include Edwin Stanton; Horace Greeley; Henry Ward Beecher who holds an African American baby; Charles Sumner; William Seward; John McKeon; Benjamin Butler and Thurlow Weed; many of whom pray for help. "John Bull," Emperor Maximilian of Mexico, and France's Napoleon III observe and comment on the crash's effect on the puppet empire of Mexico. Another observer, recently resigned Secretary Salmon P. Chase, expresses relief that he left the Republican train in the "nick of time."
Date
1864
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1864-39R [5793.F.2]