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- Title
- Cotton field
- Description
- Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
- Creator
- Palmer, J. A., photographer
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.6]
- Title
- Dining car, Pennsylvania Limited
- Description
- View showing the interior of a dining car of a train of the Pennsylvania Railroad. Two African American waiters, wearing mustaches and attired in white suits, stand among tables adorned in table cloths and with seating for four. In the background, a beverage service, including bottles, silver ice buckets, silver bowls, and possibly a decanter are visible. View also includes hooks above the car windows and light fixtures on the ceiling. One of the waiters carries a bottle of champagne on a tray. In June 1887, the Pennsylvania Limited began running between New York and Chicago, which was replaced by the Pennsylvania Special in 1902 and by the Broadway Limited in 1912., Title from item., Copyrighted., Additional places of publication printed on mount, including St. Louis and Liverpool, Eng., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Purchase 2013., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Rau, William Herman, 1855-1920
- Date
- [ca. 1900]
- Location
- Library Company of Philadelphia | Print Department stereo - Rau - Transportation [P.2013.1]
- Title
- And he owes not any man
- Description
- Depicts a white man blacksmith standing near a seated African American boy in the artisan's cluttered shop. The blacksmith, wearing a beard and attired in a collared shirt with the sleeves rolled up to the elbows, an apron, pants, and shoes, puts his right hand on his hip and holds a tool in his left hand as he looks directly at the viewer. In the right, an African American boy, attired in a long-sleeved plaid shirt, a vest, pants, socks, and shoes, sits on a barrel and holds a fan made of animal hair. Surrounding them tools, horseshoes, a large wheel, and barrels are visible., Title from item., Pink mount with rounded corners., Imprint printed on mount: Sold by Universal View Co. Philadelphia Pa. Lawrence Kan., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Universal View Co.
- Date
- [ca. 1900]
- Location
- Library Company of Philadelphia | Print Department stereo - Rau - Work [P.2002.8.2]
- Title
- Cotton field
- Description
- Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
- Creator
- Palmer, J. A., photographer
- Date
- [ca. 1875]
- Location
- Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.5]
- Title
- Loading a Mississippi steamer, New Orleans U.S.A
- Description
- Scene showing a steamship, named New Orleans, pulled up to a wooden dock covered with barrels and sacks. African American men carry sacks up gangplanks to the ship. In the foreground, an African American man lies on his stomach across a pile of sacks. Several men stand near him., Title from item., Date inferred from content and photographic medium., View is numbered 188 in a series., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - work [P.9600.14]
- Title
- Cotton plantation scene
- Description
- View of African American men agricultural workers picking cotton. In the foreground, an African American boy, attired in a green hat, a blue shirt, and blue pants, stands in front of a large pile of cotton with cotton in his left hand. In the left is a basket full of cotton. In the right, a young white girl, attired in a pink dress, sits next to the pile of cotton with her right hand shielded over her eyes. In the background, African American men work in the field picking cotton., Title from item., Date inferred from attire of clothes and photographic medium., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - work [P.9600.13]
- Title
- [Satiric stereograph showing an African American dandy receiving a shoe shine from a white shoe shine boy]
- Description
- Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]
- Title
- Is yo' sho' lady when I wears dese stockings I won' fin' ma laigs all black
- Description
- Racist caricature reminiscent of the plate "Have you any flesh coloured silk stockings...?" from E.W. Clay's racist satiric series, Life in Philadelphia, originally published in the late 1820s and early 1830s. Depicts an African American man dressed as a woman attired in a brimmed hat, a long-sleeved dress tied with a bow at the back, a fur shawl, shoes, and with a closed umbrella and a basket at her feet. She sits in front of the counter of a dry goods store and inquires in the vernacular about a pair of dark stockings which she holds. A young white woman sales clerk smiles with her elbows on the counter and displays to the customer a second pair of dark-colored stockings. Bolts of fabric rest on shelves behind the clerk, and socks and hosiery hang above. A white woman customer shops at the other end of the counter, in the right., Title from item., Date from copyright statement: Copyright 1902 by Underwood & Underwood., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Title printed on verso in six different languages, including French, German, and Spanish., Grey mount with rounded corners., See Life in Philadelphia. "Have you any flesh coloured silk stockings...?" [LCP Life in Philadelphia (Philadelphia) P.9701.9], Purchase 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Underwood & Underwood
- Date
- 1902
- Location
- Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2002.31]
- Title
- Diorama - Washington at Yorktown
- Description
- View of the diorama with mannequin figures and a painted backdrop exhibited during the Centennial Exhibition of 1876 recreating a scene from the Battle at Yorktown in October 1781. Shows troops marching and parading before officers, including Washington, on horseback. An African American man stands beside a horse, who is possibly a portrayal of Washington's enslaved valet William Lee. The diorama by Colonel F. Lienard was displayed within a skating rink at Twenty-Third and Chestnut Streets. Figures of Generals Lafayette and Rochambeau were also portrayed., Title from item., Publisher's imprint printed on verso., Buff mount with rounded corners., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., See "Washington at Yorktown," Philadelphia inquirer, December 13, 1875., See related print [Philadelphia roller skating rink, Twenty-third and Chestnut Streets, Philadelphia] (trade card - Philadelphia [P.9839])., Purchase 2001.
- Creator
- Centennial Photographic Co.
- Date
- Centennial Photographic Company
- Location
- Library Company of Philadelphia | Print Department stereo - Centennial Photographic Company [P.9982.2]
- Title
- A free lunch
- Description
- Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in earrings and a white dress with puffed upper sleeves, cradles an infant on her lap and holds her breast to the baby as it suckles. A wooden chair is visible on the porch in the background., Title from item., Date from copyright statement: Copyright 1898 by C. H. Graves., Warped grey mount with rounded corners., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1898
- Location
- Library Company of Philadelphia | Print Department stereo - Graves - Portraits & Genre [P.2002.8.3]
- Title
- "The coon" wedding march
- Description
- Scene showing a young African American girl in a white dress leading the procession of the young African American couple and their attendents. The bride, holds fake flowers and wears a calico shirt, white skirt, and thick cloth veil. Small picture prints and placards written in black dialect adorn the walls., Inscribed on negative: 16974., Copyright by William H. Rau., Stamped on mount: Philadelphia, St. Louis, and Liverpool, Eng. American and Foreign Views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Rau, William Herman, 1855-1920, photographer
- Date
- c1897
- Location
- Library Company of Philadelphia | Print Department stereo - Rau - Genre [P.9921]
- Title
- [African American woman nursing a baby on a porch in the presence of a man]
- Description
- Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.5]
- Title
- A darktown wedding, the ceremony
- Description
- Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1901
- Location
- Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]
- Title
- 24th Regiment, U[nited] S[tates] C[olored] T[roops] at Camp W[illia]m: Penn
- Description
- View showing the African American 24th Regiment standing in ranks at Camp William Penn, Cheltenham Township. Two white officers stand in front of the regiment gathered next to the camp's barracks. Begun in 1863 with the support of the Union League, Camp William Penn was the first Pennsylvania camp for volunteer African American regiments. Eleven regiments were formed at the camp, including the 24th. Camp William Penn was the largest existing camp for the training of officers to lead African American troops., Accessioned 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - military [P.8687.6]
- Title
- A group of natives, Chipigana. Tropical Scenery. Darien Expedition
- Description
- Stereoview depicting a group of Panamanian Black men and boys posed in front of huts and next to their half-made canoes. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from item., Publication information supplied by Darrah., Manuscript note on verso: Bessie J. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Gift of Eleanor Smith, 1977., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Jarvis, J. F. (John Fillis), 1849-1931
- Date
- [1870 or 1871]
- Location
- Library Company of Philadelphia | Print Department stereos - Darien Expedition [66653.D.10]
- Title
- [Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion, May 21-29, 1882 album]
- Description
- Album belonging to Philadelphia amateur photographer John C. Browne. Primarily documents the Photographic Society of Philadelphia's Chesapeake & Ohio Canal excursion (May 21-29, 1882), including views of the Falls of the Potomac, Point of Rocks, Md., Harpers Ferry, Va., and Bedford, Pa. Society members attending the excursion included Charles Barrington, Joseph William Bates, Charles Pancoast, Frederick Graff, Samuel Corlies, George Bacon Wood, Samuel Sartain, W.H. Walmsley, Francis T. Fassitt, lens maker Joseph Zentmayer, Thomas H. McCollin, and Browne. Views depict scenes during the excursion along the canal, including canal barges; bridges, aquaducts; Paw Paw Tunnel; John Brown's Fort; a white Bedford woman attending an outside bake oven; men and boys, including a barefooted African American boy, sitting upon a porch of an old Maryland mill; the Photo Party at Patterson's Creek, Md.; a horse team pulling an oak log near Harper's Ferry; an old Bedford mill; and a barn covered with circus posters. Additional views depict the Brooklyn Bridge; sailing vessels on the New York Harbor, including the steamboat Maryland; and animals at the Philadelphia Zoo. Other animal portraiture includes horses posed with African American handlers (p. 26-27), a cow and calf at Forrest Hill, PA, a white girl on a pony ride at Central Park, and family dogs. Also includes a portrait of Lizzie Gilpin at Forrest Hill., Title supplied by cataloger., Front free end paper signed John C. Browne., Blue cloth binding, with gilt and stamped: Album., Retrospective conversion record: original entry, edited., See John C. Browne's "The Photographic Society of Philadelphia Annual Excursion, May 21-29, 1882," Philadelphia photographer 19 (July 1882), p. 213-215., See George Bacon Wood research file, copy of "Excursion of the Photographic Society of Philadelphia over the Chesapeake & Ohio Canal, May 22 to 29th 1882. Read at meeting June 7th, 1882 by Geo. B. Wood.", Insert: handkerchief printed with photograph vignettes [P.9318a] removed and housed with Textiles Collection, Print Department., Gift of Col Getter, 1989., Description revised 2021., Access points revised 2021., Browne was a founder of the Photographic Society of Philadelphia.
- Creator
- Browne, John C. (John Coates), 1838-1918, photographer
- Date
- [1882-1886]
- Location
- Library Company of Philadelphia | Print Department albums [P.9318]